Lesson 13: Mirrors In Renaissance And Baroque Art,
2020
East Tennessee State University
Lesson 13: Mirrors In Renaissance And Baroque Art, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers mirrors in Renaissance and Baroque artworks by Johannes Vermeer, Diego Velázquez, Parmigianino, and Rembrandt van Rijn.
Lesson 16: What Shocks In 1863,
2020
East Tennessee State University
Lesson 16: What Shocks In 1863, Marie Porterfield
Art Appreciation Open Educational Resource
This lessons discusses Modern art with a focus on Édouard Manet.
Viseral Projects,
2020
Central Washington University
Viseral Projects, Matthew Conrardy
Undergraduate Honors Theses
A brand’s image, its identity, is established through what the brand is, what it does, where it is going, and how it is unique. The representation of a brand’s identity materializes through the messaging, images, graphics, colors, and typography associated with it. Brand manuals are designed to establish and maintain both the consistency and flexibility of the brand identity.
This manual outlines the visual and verbal applications that currently embody the Viseral Projects brand across the multimedia environment. It includes information outlining the Viseral brand story, identity system,
platforms, and examples of executions. It has been constructed with the anticipation …
The Women Of The Bauhaus Weaving Workshop: Anni Albers' And Gunta Stölzl's Impact,
2020
Claremont Colleges
The Women Of The Bauhaus Weaving Workshop: Anni Albers' And Gunta Stölzl's Impact, Sophia Silane
Pitzer Senior Theses
This thesis discusses two female weavers, Gunta Stölzl and Anni Albers, and their critical works from 1920-1935 that shaped Bauhaus weaving and the artistic significance of the medium. Over the course of three chapters, the thesis discusses Stölzl's shift from pictorial to material interests, Albers' themes of mass production and industry, and the women's post Bauhaus years which involved Stölzl blending work and art and Albers expanding the capabilities and fine art presence of textile.
On The Cover: Artist’S Statement For A Glimpse Of Motherhood,
2020
Bridgewater State University
On The Cover: Artist’S Statement For A Glimpse Of Motherhood
The Graduate Review
No abstract provided.
Adhd,
2020
Illinois Mathematics and Science Academy
Institucioni I Arteve Kontemporane,
2020
University for Business and Technology - UBT
Institucioni I Arteve Kontemporane, Leonita Trolli
Theses and Dissertations
Ky studim ka për qëllim fitimin e njohurive të reja rreth temës së përzgjedhur, si shkak që dizajnimi i hapësirës të jetë në bazë të normave që secili objekt kërkon. Njohja e historikut te muzeve, mënyra se si kanë evoluar muzetë nga ato private në institucione moderne, na jep mundësinë që të përjetojmë sadopak atë kohë dhe pse vetëm në mendjet tona. Sot, shumë muze janë ndër vendet më të vizituara në botë. Në mënyrë që të kuptojmë se si ndodhi ky fenomen i rëndësishëm kulturor, është e rëndësishme të kuptojmë origjinën e tij, të hulumtojmë evolucionin e tij dhe …
Art Appreciation Open Educational Resource [Complete Collection Of Lessons],
2020
East Tennessee State University
Art Appreciation Open Educational Resource [Complete Collection Of Lessons], Marie Porterfield
Art Appreciation Open Educational Resource
This course explores the world’s visual arts, focusing on the development of visual awareness, assessment, and appreciation by examining a variety of styles from various periods and cultures while emphasizing the development of a common visual language. The materials are meant to foster a broader understanding of the role of visual art in human culture and experience from the prehistoric through the contemporary. This is an Open Educational Resource (OER), an openly licensed educational material designed to replace a traditional textbook.
Lesson 01: Introduction To Art Appreciation,
2020
East Tennessee State University
Lesson 01: Introduction To Art Appreciation, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers the elements and principles of art. Elements of art are the physical parts of the work, including line, shape, form, space, texture, value, color, and time. Principles of art are the ways in which those parts are arranged, including unity/variety, balance, contrast, emphasis, movement, rhythm, and pattern.
Lesson 03: Prehistory - Our Connection To The History Of Humankind Before Text,
2020
East Tennessee State University
Lesson 03: Prehistory - Our Connection To The History Of Humankind Before Text, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers prehistoric art from the Paleolithic and Neolithic Ages. It focuses on cave art (Pech-Merle, Chauvet-Pont-d’Arc, Lascaux) and carved figures (Woman of Willendorf) from the Paleolithic period and megalithic architecture (Stonehenge) from the Neolithic period.
Lesson 04: Death And Mourning In The Prehistoric And Ancient World,
2020
East Tennessee State University
Lesson 04: Death And Mourning In The Prehistoric And Ancient World, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers death and mourning in the prehistoric and ancient world by discussing related art and architecture including, but not limited to, Varna Necropolis, The Flood Tablet / The Gilgamesh Tablet, Ziggurat in Uruk, Royal Tombs of Ur, Great Pyramids of Giza, Tomb of King Tutankhamun, and Book of the Dead of Hunefer.
Lesson 10: The Northern Renaissance And Arnolfini Double Portrait,
2020
East Tennessee State University
Lesson 10: The Northern Renaissance And Arnolfini Double Portrait, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers artworks created during the Northern Renaissance with a focus on Jan van Eyck’s Arnolfini Double Portrait.
Lesson 02: Elements And Principles,
2020
East Tennessee State University
Lesson 02: Elements And Principles, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers the elements and principles of art. Elements of art are the physical parts of the work, including line, shape, form, space, texture, value, color, and time. Principles of art are the ways in which those parts are arranged, including unity/variety, balance, contrast, emphasis, movement, rhythm, and pattern.
Lesson 08: The Renaissance,
2020
East Tennessee State University
Lesson 08: The Renaissance, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers artworks created during the Renaissance in Europe. It begins with a preface on artworks created prior to the Renaissance that focused on Christian ideology and iconography. Artists discussed include Botticelli, Donatello, Michelangelo, Bernini, and Leonardo da Vinci.
Lesson 06: Divine Architecture,
2020
East Tennessee State University
Lesson 06: Divine Architecture, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers divine architecture including the Ancient Greek Parthenon, Ancient Roman Pantheon, Byzantine Hagia Sophia, and Gothic Chartres Cathedral.
Lesson 05: Ideal Beauty In The Ancient World,
2020
East Tennessee State University
Lesson 05: Ideal Beauty In The Ancient World, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers ideal beauty in the ancient world by discussing related art and architecture from Mesopotamia, Egypt, Greece, and Rome.
Lesson 07: The History Of Blue,
2020
East Tennessee State University
Lesson 07: The History Of Blue, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers the history of Lapis Lazuli and Tyrian Purple in art and architecture.
Lesson 11: Bosch And Other Scenes Of The Apocalypse,
2020
East Tennessee State University
Lesson 11: Bosch And Other Scenes Of The Apocalypse, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers artworks of scenes from the apocalypse with a focus on Hieronymus Bosch’s Garden of Earthly Delights.
Lesson 09: Michelangelo- From High Renaissance To Mannerism,
2020
East Tennessee State University
Lesson 09: Michelangelo- From High Renaissance To Mannerism, Marie Porterfield
Art Appreciation Open Educational Resource
This lesson covers artworks created between the High Renaissance and Mannerism with a focus on Michelangelo.
Lesson 17 Part 1: Reactions To The Modern World-Introduction And Impressionism,
2020
East Tennessee State University
Lesson 17 Part 1: Reactions To The Modern World-Introduction And Impressionism, Marie Porterfield
Art Appreciation Open Educational Resource
This lessons covers the difference between impressionism and expressionism. Impressionism is represented through artworks by Claude Monet, Pierre-Auguste Renoir, Mary Cassatt, and Edgar Degas.
