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36,638 full-text articles. Page 662 of 1340.

Plate, Unknown 2020 Morehead State University

Plate, Unknown

Morehead State University Art Collection

A plate used for dinner parties at Morehead State University.


Hd 40307g, NASA JPL 2020 Morehead State University

Hd 40307g, Nasa Jpl

Morehead State University Art Collection

An undated print of planet HD 4307g by the NASA JPL team in a series titled "Visions of the Future."


Henry Watterson, Unknown 2020 Morehead State University

Henry Watterson, Unknown

Morehead State University Art Collection

An undated piece of Henry Watterson by an unknown artist.


Untitled, Unknown 2020 Morehead State University

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated oil painting created by an unknown artist.


Tea Cup, Unknown 2020 Morehead State University

Tea Cup, Unknown

Morehead State University Art Collection

A tea cup used for dinner parties at Morehead State University.


Zephyrus, Western Kentucky University 2020 Western Kentucky University

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.


Blanket Statements, Issue 147, Winter 2020–2021, 2020 University of Nebraska - Lincoln

Blanket Statements, Issue 147, Winter 2020–2021

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 147, Winter 2020–2021


Black Is Every Color, Alisa Banks, Special Collections, Fleet Library 2020 Rhode Island School of Design

Black Is Every Color, Alisa Banks, Special Collections, Fleet Library

Artists' Books

1 volume (8 unnumbered pages) : color illustrations ; in box 11.5 x 12.5 x 12.5 cm. Unique book. Artist's statement: Black, the sum of all colors, mysterious, all-encompassing, a shroud, a swarm. Familiar but unknowable, coveted and uncontained. This book work considers the encompassing nature of blackness. Box containing painted cube surrounded by four flaps featuring single signature books. Each stitched cover opens to reveal a poem about the color black. Media: Book cloth, book board, paper, acrylic paint, graphite, glass, embroidery thread, silk, watercolor, graphite. "Created while watching spring bloom and events unfold during COVID-19."--artist's website. Curated title …


Design Thinking Toolkit - Inspiration Cards, Keith Tam 2020 Hong Kong Design Institute & HK Institute of Vocational Education (Lee Wai Lee), Vocational Training Council

Design Thinking Toolkit - Inspiration Cards, Keith Tam

Staff Publications

Contrary to popular belief, creative inspiration does not have to be elusive. In this pack of cards you will find a selection of tried-and-true ideation prompts that can help you and your team kick-start a concept, get unstuck during a rut, as well as generate fresh ideas from daily life. These prompts may work with any of the 5E actions - feel free to pick out a card randomly when you need a boost, or refer to them every now and then throughout a project.


Design Thinking Toolkit, Keith Tam 2020 Hong Kong Design Institute & HK Institute of Vocational Education (Lee Wai Lee), Vocational Training Council

Design Thinking Toolkit, Keith Tam

Staff Publications

No abstract provided.


Visual Storytelling Of Scientific Data: Collaborations Between Physics And Graphic Design In The College Classroom, Eric M. Edlund, Szilvia Kadas 2020 SUNY Cortland

Visual Storytelling Of Scientific Data: Collaborations Between Physics And Graphic Design In The College Classroom, Eric M. Edlund, Szilvia Kadas

The SUNY Journal of the Scholarship of Engagement: JoSE

The Common Problem Pedagogy (CPP) project, a learning initiative implemented in four SUNY schools, aims to provide students with multidisciplinary, project-based experiences, and to foster a culture of such pedagogy among faculty. This work describes one CPP project that was conducted at SUNY Cortland during the Spring 2019 semester that brought together students from physics and graphic design disciplines. The goal of this project was to identify issues of environmental and social concern, develop numerical models to represent the effects of possible policy actions, and to communicate the meaning of this work as infographics suitable for a non-expert, public audience. …


Career Center Mural Project, Cameron J Davis 2020 University of Louisville

Career Center Mural Project, Cameron J Davis

Undergraduate Arts and Research Showcase

Research for this project started in the fall semester of 2019 when I was assigned my graduate mentor, Erica Lewis, to assist and guide me through the process of my research. I then came up ideas that could be used for the Career Center's mural: (1) Portraits of the famous alumni who attended the University of Louisville, (2) School of Law building with the circular path and landscape, displaying students walking their way through college; contains the first thoughts as a freshman when it comes to choosing a major, progressing to show the students walking through college to graduation, (3) …


White Hall, Unknown 2020 Morehead State University

White Hall, Unknown

Morehead State University Art Collection

An undated print of a large building titled "White Hall". The artist is unknown.


Untitled, Unknown 2020 Morehead State University

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated lithograph by an unknown artist.


Untitled, Unknown 2020 Morehead State University

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated oil painting created by an unknown artist.


By Land And By Sea: Displaced Samplers Reveal Women On The Move, Lynne Anderson 2020 University of Delaware

By Land And By Sea: Displaced Samplers Reveal Women On The Move, Lynne Anderson

Textile Society of America: Symposium Proceedings

Until the middle of the nineteenth century most American girls embroidered as least one needlework sampler as part of their education. A first sampler demonstrated the girl had learned to sew a few different stitches, copy the alphabet, and “write” her own name in thread. If instruction continued past these basics, subsequent embroideries might reveal more advanced needlework techniques and the girl’s expanding literacy. Each sampler was considered a significant accomplishment—by the girl herself, her teacher, her family, and even potential suitors. Embroidered samplers were treasured objects, framed and displayed in the home or tucked away safely for posterity. When …


Artistic Philanthropy And Women’S Emancipation In Early Twentieth-Century Italy, In The Life And The Work Of Romeyne Robert And Carolina Amari, Maria Luciana Buseghin 2020 University of Nebraska - Lincoln

Artistic Philanthropy And Women’S Emancipation In Early Twentieth-Century Italy, In The Life And The Work Of Romeyne Robert And Carolina Amari, Maria Luciana Buseghin

Textile Society of America: Symposium Proceedings

Romeyne Robert, married as Ranieri di Sorbello, started an embroidery school in 1904 in Umbria, at the family’s country estate of Pischiello. Her goal was to teach young peasant women to emancipate themselves by learning the craft of embroidery. She was inspired by the Arts and Crafts movement in America and by contemporary programs developed in settlement houses along the East Coast. Their aim was to help the emancipation of immigrant women from Italy by fostering the recovery of artisan skills. At the Sorbello Embroidery School, Romeyne rediscovered the Renaissance technique originally called the punto Umbro, later renamed punto Sorbello. …


Many Makers: Collaborative Renewal Of Chahta Nan Tvnna (Choctaw Textiles), Jennifer Byram 2020 University of Nebraska - Lincoln

Many Makers: Collaborative Renewal Of Chahta Nan Tvnna (Choctaw Textiles), Jennifer Byram

Textile Society of America: Symposium Proceedings

Using an Indigenous research model of relationality to community and to land, this paper presents the production of a 1700’s style skirt in bison and dogbane fiber by a group of Choctaw textiles artisans. By translating existing archaeological and textual resources into newly produced garments, these practices communicate the research to the Choctaw community in an accessible and inspiring format. Textiles discussed in this paper are made with twining and oblique interlacing techniques using dogbane, bison, and nettle yarns decorated with natural dyes, pigments, or shells. Members of the Choctaw Nation of Oklahoma revitalized a traditional art that had been …


Camelid Fleece And The Hidden Histories Of Colors In The Andes, Penelope Dransart 2020 University of Aberdeen

Camelid Fleece And The Hidden Histories Of Colors In The Andes, Penelope Dransart

Textile Society of America: Symposium Proceedings

This article explores the significance of natural fleece colors that are often hidden by dyeing processes. The earliest domesticated alpacas and llamas probably resembled vicuñas and guanacos, their wild counterparts. By 3000 years ago, differences were beginning to emerge in the coats of alpacas and llamas. Dyers, spinners, and weavers learned to exploit these variations to complement and extend the range of possibilities offered through the use of dyed yarns. The evidence from the Siguas and Nasca cultural traditions considered here is both direct and indirect, taking into account textile remains and the depiction of camelids on ceramics. It indicates …


Aso Òkè Weaving Techniques And Perception In Iseyin, Oyo State, Nigeria, Idowu Jamiu Diyaolu, Halima Ronke Omotosho 2020 Obafemi Awolowo University, Nigeria

Aso Òkè Weaving Techniques And Perception In Iseyin, Oyo State, Nigeria, Idowu Jamiu Diyaolu, Halima Ronke Omotosho

Textile Society of America: Symposium Proceedings

There is need for more women to be involved in weaving activities in southwestern Nigeria. The study examined the techniques employed in local weaving in Iseyin and associated factors, as well as the perceptions of consumers on the woven fabrics. The study was carried out in Iseyin, a city in Oyo State, Nigeria, reputed for weaving aso-oke. Cluster sampling was used to select twenty weavers while simple random sampling was used to select eighty consumers. Interviews and questionnaires were used to collect data then analyzed and interpreted using descriptive statistics and correlation. The result showed that most of the weavers …


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