Selected Projects In Scenic Design And Theatre Technologies,
2026
Utah State University
Selected Projects In Scenic Design And Theatre Technologies, Daniel T. Simons
All Graduate Reports and Creative Projects, Fall 2023 to Present
This Plan B Report documents the development, execution, and evolution of my scenic design practice during my MFA at Utah State University, using four major productions—You’re a Good Man, Charlie Brown, Xanadu, Annie, and Charlie and the Chocolate Factory—as case studies in innovation, sustainability, and ethical design. Beginning with Charlie Brown, the report examines how a concept-driven approach rooted in research, simplicity, and technological integration established a foundation for sustainable scenic practices. Through detailed analysis of venue constraints, projection mapping, modular construction, and collaborative workflows, the project demonstrates how visual storytelling can emerge from …
Promethean,
2026
Utah State University
Promethean, Jordan B. Snow
All Graduate Reports and Creative Projects, Fall 2023 to Present
The ancient Greek myth speaks of Prometheus, who stole fire from the gods and gave it to mankind. I engaged this body of work without the use of maquette, drawings or markings. What emerges from this method is archetypal in nature. I leave the tool marks as my fingerprints laid bare.
Leveraging Generative Artificial Intelligence To Launch An Independent Game Studio,
2026
Lindenwood University
Leveraging Generative Artificial Intelligence To Launch An Independent Game Studio, Douglas Evans
Theses
This project report examines how Generative Artificial Intelligence (Generative AI) can be integrated into the early formation and operations of an independent/indie game studio. Using a qualitative, practice-based single-case study approach, the project focused on Boar’s Head Studio, LLC. A human-in-the-loop approach was maintained with Generative AI used to support company formation, ideation, planning, documentation, analysis, coding assistance, marketing preparation, and community-building preparation
The report concludes that Generative AI can serve as a meaningful system integrated into the studio pipeline when used with structured, repeatable, human-in-the-loop processes. The project contributes a practical, case-based framework that may be useful to other …
“Who Are We?”: Exploring Adolescent Identity And Community Through Collaborative Mural Art,
2026
University of Tennessee at Chattanooga
“Who Are We?”: Exploring Adolescent Identity And Community Through Collaborative Mural Art, Rachel E. Stacy
Honors Theses
This thesis explores how participation in a high school mural club influences students’ sense of personal identity and community. By creating and leading a mural club, I guided students in designing and painting murals around their school and extending this work into the local community, all focused on how students defined themselves within the context of the school’s motto: “A Star is Rising”. I used qualitative methods including surveys, observational notes, artist statements, and visual documentation to examine and analyze how students experienced identity and collaboration throughout the process. The findings show that the creation of these murals provided students …
Unraveling The Modernist Grid: An Exploration Of Femininity And Containment In Design History,
2026
University of Tennessee at Chattanooga
Unraveling The Modernist Grid: An Exploration Of Femininity And Containment In Design History, Riley Hayes
Honors Theses
This paper examines the Swiss grid as both a foundational tool of modernist graphic design and a cultural system embedded with ideological assumptions about order, neutrality, and authority. While the Swiss design tradition is widely celebrated for its clarity, rationality, and universality, this study argues that such principles are not neutral but historically situated, shaping how postwar Western visual culture organizes information, bodies, and value systems. Focusing on the circulation of Swiss design principles through editorial and advertising media, the paper situates the grid as a structuring logic that extends beyond layout into the framing of identity and gender. This …
Examining Dimensions And Patterns Of Arts Participation In Relation To Positive Youth Development Outcomes Across Socioeconomic Contexts,
2026
Montclair State University
Examining Dimensions And Patterns Of Arts Participation In Relation To Positive Youth Development Outcomes Across Socioeconomic Contexts, Yasmine Perry
Theses, Dissertations and Culminating Projects
Grounded in the Phenomenological Variant of Ecological Systems Theory and the Positive Youth Development framework, the purpose of the current study was to examine how dimensions of arts participation, specifically breadth, intensity, and duration, relate to Positive Youth Development (PYD) outcomes and whether socioeconomic status (SES) moderates these associations over time. Data were drawn from three waves of the 4-H Study of Positive Youth Development. The analytic sample included 747 adolescents aged 12 to 18, capturing a developmental period marked by identity exploration and increased engagement in organized activities. A combination of longitudinal, person-centered, and moderation analyses was used to …
City,
2026
CUNY Hunter College
City, Janina Butz
Theses and Dissertations
Janina Butz observes the improvised support structures holding New York City together at its edges. Looking at the found, cheap materials, spray painted, rusty, drilled, sawed, and haphazardly welded together on the sidewalk. The hard clashes of cheap material and expensive real estate lead Butz to draw a bigger picture of the fraud seams our society is tied together with.
In Spite Of And Because,
2026
CUNY Hunter College
In Spite Of And Because, Katherine Raudenbush
Theses and Dissertations
Photography collects in the home, in frames, photo albums, lockets, held up by magnets on the fridge, propped up on the desk. This thesis and accompanying photography and textile work addresses this accumulation of story and family connection, specifically multigenerational relationships between mothers and daughters.
Ephemeral System,
2026
CUNY Hunter College
Ephemeral System, Shibo Chan
Theses and Dissertations
Ephemeral System examines systems, feedback, repetition, and material fragility through a kinetic wax sculpture repeatedly dragged across a wooden ramp. Drawing from cybernetics, absurdist waiting, and personal mourning, the work explores how bodies and systems wear themselves down through continuous operation.
Tracings,
2026
CUNY Hunter College
Tracings, Masie Sophia Love
Theses and Dissertations
In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.
Memory Organs,
2026
CUNY Hunter College
Memory Organs, Coco Ma
Theses and Dissertations
Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.
Running Around,
2026
CUNY Hunter College
Running Around, Kian T. Mckeown
Theses and Dissertations
Running around reflects on how living in a large city can shape one’s art practice. Daydreaming, impulse, and the frustration of daily life are explored through drawing and sculpture. Divided into 10 sections, the artist creates an index of thoughts relating to his work and the world around him.
The Earth Holds What I Cannot,
2026
CUNY Hunter College
The Earth Holds What I Cannot, Satabdi Tripathy
Theses and Dissertations
This thesis explores memory, landscape, identity, and gendered silence through painting, video and film. Inspired by glaciers, volcanoes, and Arctic landscapes, my work transforms personal memory into environmental memory and investigates silence, trauma, and renewal.
Wind In A Dry Glass,
2026
CUNY Hunter College
Wind In A Dry Glass, Khia Hong
Theses and Dissertations
Khia Hong’s paper unfolds in five sections, tracing the ontological and epistemological inquiries behind her sculptures. When the sculptures stepped down from the pedestal and entered the plane of lived reality, the question “What is sculpture?” expanded into “What is sculpture, the self, and the world?” Through reflections on the self, Hong details how these questions emerge and are addressed in her material encounters.
Notes On Rhythm,
2026
CUNY Hunter College
Notes On Rhythm, Maya Lee-Parritz
Theses and Dissertations
Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.
Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival,
2026
CUNY Hunter College
Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival, Celeste B. Newcomb
Theses and Dissertations
bugs, birds, blue is a multi-channel audiovisual installation that examines queer ecology as a framework for understanding transgender embodiment, kinship, and survival amid environmental crisis and ongoing political attacks on trans life (Mortimer-Sandilands and Erickson). Through sculpture, projection, sound, reflective surfaces, and biological imagery, the installation places human bodily matter alongside microbial and aquatic life forms to challenge narratives that frame trans existence as unnatural, recent, or isolated. Instead, the work proposes transness as relational, adaptive, and deeply entangled with broader ecological systems. The installation is composed of two interconnected environments. On one side of the space, three aquariums rest …
The Space In Between,
2026
CUNY Hunter College
The Space In Between, Cailyn Dawson
Theses and Dissertations
This paper asks the question: is it possible for our bodies to hold contradicting identities at the same time? Through monochromatic self- portraits, the artist creates a link between quantum mechanics and painting, using the principle of superposition to depict these multiple unformed states of being.
Lovepilled,
2026
CUNY Hunter College
Lovepilled, Zhiliang Zhao
Theses and Dissertations
"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.
Embodied Archives: Cultural Memory And Material Rhetoric In Dindga Mccannon’S Fiber Arts Practice,
2026
CUNY Hunter College
Embodied Archives: Cultural Memory And Material Rhetoric In Dindga Mccannon’S Fiber Arts Practice, Mary Lisette Morris
Theses and Dissertations
“Embodied Archives: Cultural Memory and Material Rhetoric in Dindga McCannon’s Fiber Arts Practice” examines mixed-media artist Dindga McCannon’s interdisciplinary career and practice. It argues that her research-driven homages to Black women’s lives and achievements challenge divisions of fine art and craft through cultural memory, material rhetoric, and textile-based archival strategies.
Cannibalizing The American Dream: Memory, Materials, And Manifesting,
2026
CUNY Hunter College
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Theses and Dissertations
Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.
