Art and Design Commons^™

Forest For The Trees, Anthony Prud'homme

CGU MFA Theses

These paintings show life’s swarming energy coalescing into form. They are propositions to make space for connection.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

Criminal Justice Bias: Fact Or Fiction, Hiba Mobarak

Quest

Objective Analysis

Research in progress for CRIJ 1301: Introduction to Criminal Justice

Faculty Mentor: Stefanie LeMaire

The following paper represents work produced by a student in an Introduction to Criminal Justice course at Collin College. The paper is an objective analysis of prominent research regarding potential police biases and how officers’ decisions may be influenced by a suspect’s race. The topic of racial bias within policing is quite controversial, as evidenced by the community protests, media coverage, and destruction that has ensued after officer-involved shootings. This assignment asks students to objectively review scholarly research on police bias and constructively criticize …

Graphic Design, Symposium Printed Program Contest, Marvin Wills, Marvin Wills

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Brooklee Mason, Brooklee Mason

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design (this design, by Brooklee Mason) was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Abby Deason, Abby Deason

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Hannah Jones, Hannah Jones

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Shankar Dayal Dayalan, Shankar Dayal Dayalan

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Ansley Mccullough, Ansley Mccullough

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Savannah Meek, Savannah Meek

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Elyona Davis, Elyona Davis

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Lulu Hamissou, Lulu Hamissou

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Anna Milner Guyton, Anna Milner Guyton

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Eli Cobb, Eli Cobb

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Madison North, Madison North

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graphic Design, Symposium Printed Program Contest, Ashlyn Brooks, Ashlyn Brooks

JSU Student Symposium 2020

Art and Design students participated in a graphic design project contest. The winning design was used for the 2020 JSU Student Symposium printed program.

Graffiti As Art: Shedding Light On The Artistic Value Of Graffiti In Minneapolis, Luke Iverson

Augsburg Honors Review

Throughout the paper the author finds it incredibly important to set the stage for the audience and provide them with proper graffiti culture terminology, explanations of the styles and common motivations of graffiti, along with how the public and government typically respond to graffiti. The author seeks to share further understanding with the audience through sharing the trends of location of graffiti, the "hiddert art" aspect of graffiti creation, the impact of legal walls and spaces in graffiti culture, how social media impacts graffiti, and ultimately how citizens can begin to recognize graffiti writers as artists. This submission challenges the …

Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland

CLCWeb: Comparative Literature and Culture

This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from these ‘fast fashion’ objects when they no longer please us, clothing becomes, like the monster, an abjected figure for waste and shame, moving around the globe destructively, created from the bodies of the poor …

Collaboration Is A "Work Of Art", Madeline Neal, Bs, Meg Zomorodi, Phd, Rn, Anef, Faan, Carolyn Allmendinger, Phd, Elizabeth Mankein, Ma

Collaborative Healthcare: Interprofessional Practice, Education and Evaluation (JCIPE)

The 2019 "Guidance on Developing Quality Interprofessional Education (IPE) for the Health Professions" suggests that intentional IPE should be built with outcomes-based goals, deliberate design, and assessment throughout. At the University of North Carolina at Chapel Hill, we created an art-based activity to initiate IPE early in the curriculum, in order to expose students to other professional colleagues, and also to raise awareness of how unintentional biases can be created before class activities begin. For that reason, we designed, implemented, and evaluated an interactive art event during the orientation process for incoming health professional students. In partnership with our colleagues …

Flax Growing In Late Antique Egypt: Evidence From The Aphrodito Papyri, Isabelle Marthot-Santaniello

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

While flax culture was a major economic sector in Egypt throughout antiquity and the medieval period, one can only agree with John R. Rea, the editor of P. Coll.Youtie II 68, when he says: “it has not escaped notice that surprisingly little information about [flax and linen] has been recovered from the Greek papyri”. By way of example, the specific word for the flax plant, linokalamē, appears in Greek papyri only in around 60 of more than 60,000 published texts. More specifically, the agricultural conditions set to produce flax are seldom visible in the texts: little more than twenty documents …