Art and Design Commons^™

Goin' Down Swinging: Queer Fury, Mad Green

Graduate School of Art Theses

How can kickboxing uplift a community? How can Queer rage be utilized in community building and artmaking?

As a Queer artist, my work is inspired by my own experiences. Through drawing, printmaking, photography, video, performance, sculpture, and social practice, I dissect my violent upbringing and its lingering threads in my adult life. In this essay, I discuss the two most prominent features of my art practice: Fight and Community. I navigate these ideas through past works, such as a performance piece of me destroying a news article, a short film about institutional homophobia through aliens and immaculate conception, and most …

The Land Of Reverie, Sarah Moon

MFA in Visual Art

As children we are fascinated by the mythical. Imagining the attractive or even the disturbing serves as an escape from reality. By painting unicorns, vast surreal landscapes, and imaginative playscapes my work expands the white cube gallery into an immersive extension of my imagination. By viewing the canvas as a portal into a world where limitations dissolve, I paint acidic colors, fluid boundaries, and a malleable reality.

My studio practice is inspired by artists who experiment with color and scale like Kenny Scharf, Katharina Grosse, and Pipilotti Rist. In my colorful, large-scale works I explore the transformative power of play …

Spirit, Art, And Care, Jordan Geiger

MFA in Visual Art

In textiles, installations, and interactive performances, I explore how spiritual practice becomes art practice. My experiences as a hospice volunteer, musician, and Buddhist inform my work’s focus on contemplating impermanence as a path to spiritual transformation. Artmaking is a vehicle for exploring the nature of my reality, and both communicating what I find and sharing the path itself. I take inspiration from mystic/artists such as Hilma af Klint, Sengai Gibon, and Agnes Martin, who have sought to expound the path of awakening in artistic form.

In content as well as process, my work explores notions of empathy, awareness, ceremony, and …

Both Sides, Qi Qu

MFA in Illustration & Visual Culture

This essay explores the American’s and the American-born Chinese’s impressions of China and Chinese culture from different perspectives. It mainly focuses on stereotypes, Chinese figures in Hollywood movies, and family dynamics. This essay and data also come from my own research, which involved conducting twenty interviews with my friends, including eight American-born Chinese (all of whom are second-generation immigrants) and twelve American-born individuals (all of them Caucasian, but from various backgrounds). It then focuses on my picture book, BOTH SIDES, representing how the different thinking modes and the specific cultural differences influenced me as a Chinese illustrator working and learning …

Virtual Bodies: Probing Fake Flesh, Emily Elhoffer

MFA in Visual Art

This thesis explores the fluid and often elusive concept of the body as mediated through technology and art, questioning the boundaries between the physical and virtual. By investigating the interactions of cultural ideals, technological mediation, and material experimentation, the research delves into how contemporary art practices can challenge and expand our understanding of embodiment.

Central to this exploration is the use of varied mediums such as sculpture, digital imagery, and installation art to create what I term "virtual bodies"—conceptual entities that exist at the intersection of imagination and material reality. These creations often reflect and critique societal norms regarding beauty, …

Graveyard Shifts: Unearthing Identity Myths And The Retro Rebrand, Rebecca Puno

MFA in Illustration & Visual Culture

This essay examines a trend in brand identity at the time of writing wherein icons of several decades past are resurrected to play to nostalgic feelings associated with a product or service. It begins with a case study of iconography for popular pizza chain logos through several decades alongside definitions of advertising models employed at the time, concluding with the axioms of cultural branding theory. The next section will reexamine the terminology alongside Roland Barthes writing on mythology as a language of semiotics passed through time. The text will then go on to draw parallels between the American fascination with …

Welcome Home Stranger: The Evolution & Assimilation Of The Queer Monster, Dee Cea

MFA in Illustration & Visual Culture

The queer monster has been a staple in fiction for ages. The “other” aspect that defines monstrosity is naturally paired with the ostracized queer figure. How better to accent a demon, than with the demonized? This essay explores why queerness clings to the monstrous, and how this dynamic has shifted over time. When does monstrosity feed into queerness, and when does queerness enhance the monstrous? Using the character Mystique from the long-standing X-Men franchise as a case study, I compare how her strange appearance and abilities have villainized her queer subtext, and yet how they have come to strengthen her …

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

Visualizing Philosophy And Depicting The Inner World, Becky Moon

Bachelor of Fine Arts Senior Papers

I examine my process and significance of visualizing arguments and examples in the philosophy of perception, especially the works of Susanna Siegel through the language of painting. By creating highly detailed figures and narratives, I give tangible form to the invisible inner world. I explore themes of perception, mind, belief, inner/outer world, and text/art. I reference artwork by Adrian Piper, Hito Steryl, Danica Lundy, and David Altjmed.

Good Enough, Haley Levin

Bachelor of Fine Arts Senior Papers

The seven-foot-tall sculptural painting Good Enough explores the cultural significance of trophies in contemporary American society. As an ancient object representing achievement and reward, the irony of trophies’ current junk-status pokes at absurd contradictions embedded in American culture. I offer context on the evolution of “the readymade” from Dada to Pop Art to 90s assemblage, and position Good Enough’s handmade, tender approach as a celebratory twist to that lineage of cultural critique.

The Cicadas Are Always Beneath Our Feet, Mary Kate Charles

Bachelor of Fine Arts Senior Papers

In an era of exposure to thousands of images every day with practically unlimited access to the world’s archive of art, this essay explores the legacy of the productions of medieval convents and the women who would encounter only a few art objects each year as documented by historians Chiara Frugoni, Jeffrey Hamburger, and Sharon Strocchia. In this era of visual overconsumption, this essay proposes the body of work, Where the Cicadas Burrow as an archive utilizing alternative printing processes to pull forward the tradition of liturgical arts many religious women would have participated in historically. Operating within a contemporary …

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

Crux: Urban Ecology And Cultural Essence, Maria Del Valle

Bachelor of Architecture Theses - 5th Year

The CRUX, stands for islands grappling with the aftermath of hurricanes. Its transformative vision is set against the backdrop of a city scarred by abandoned homes, tainted water sources, agricultural decay, and a crippled electrical grid. CRUX aspires to breathe new life into this urban landscape, envisioning a self-sustaining city dedicated to nurturing community ties for the resilient people of Yabucoa. The testament to the restoration is not just physical structures, but the research studies the very spirit of the community. By delving into the realms of art, farming, Afro-Carribbean culture, and food, the project seeks to create a vibrant …

Acknowledgements, Diamond Line Editors

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Miner Hymnal, Brenna Maxey

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Tonight, Micah Strafford

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Starlit Flames, Marshall Deree

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Beautiful, Tiny Dancers, Ally Iandolo

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Plesiosaurs, Wyatt Becker

Diamond Line Undergraduate Literary Magazine

No abstract provided.

I Can't Wash My Hands, Everett Pledger

Diamond Line Undergraduate Literary Magazine

No abstract provided.