Threads,
2024
Nova Southeastern University
Threads, Julianna R. Patalano
Digressions: Literary & Art Journal
No abstract provided.
Full Issue,
2024
Nova Southeastern University
The Math Behind Travel,
2024
Nova Southeastern University
The Math Behind Travel, Diana E. Dancea
Digressions: Literary & Art Journal
No abstract provided.
A Pocket Of Sunshine,
2024
Nova Southeastern University
A Pocket Of Sunshine, Inchara Kumar
Digressions: Literary & Art Journal
No abstract provided.
Apples In Six Styles,
2024
Nova Southeastern University
Apples In Six Styles, Alia Yiskis
Digressions: Literary & Art Journal
No abstract provided.
Mesmerizing Motions Of A Carousel,
2024
Nova Southeastern University
Mesmerizing Motions Of A Carousel, Dalianys Cruz-Rojas
Digressions: Literary & Art Journal
No abstract provided.
Body Dysmorphia On Social Media,
2024
Nova southern university
Body Dysmorphia On Social Media, Sofia A. Albornoz
Digressions: Literary & Art Journal
No abstract provided.
The Mounted Warrior: An Investigation Into An Unpublished Coptic Textile Featuring Equestrian Imagery,
2024
Portland State University
The Mounted Warrior: An Investigation Into An Unpublished Coptic Textile Featuring Equestrian Imagery, Elizabeth Hines
University Honors Theses
The warrior on horseback visual motif has existed for millenia. Such equestrian imagery was widely distributed in the visual arts and material culture, including that of textiles. This scholarly exploration centers on an unpublished Coptic Egyptian textile fragment portraying a warrior atop a horse in motion, presenting an analysis of its symbolic significance and potential cultural functions. Through an intricate examination of the artifact and comparative study with contemporaneous first millennium CE eastern Mediterranean material culture, this extraordinary equestrian motif and its implications for understanding ancient visual narratives is realized. By situating the textile fragment within its historical and cultural …
Here—There,
2024
Rhode Island School of Design
Here—There, Glikeriya Shotanova
Masters Theses
Here—there explores the nature and ways of gathering, proposing an alternative path to organizing a cultural center. Divided into three acts (Act One: There, Act Two: Here, and Act Three: Together), it touches on the topics of collective knowledge and the importance of its accessibility to the local communities. How do we organize communities in a way that operates as a body, and how do we use industrial spaces as a bridge between knowledge and those who carry the knowledge? Due to alienation in societies, the decentralization of creative communities, and the inaccessibility of real estate to younger generations, there …
Perform—Produce,
2024
Rhode Island School of Design
Perform—Produce, Rebecca Wilkinson
Masters Theses
Perform — Produce defines graphic design as a discipline rooted in work rather than a process that springs forth spontaneously from the creative imagination.
Perform — Produce is driven by strict constraints and machine-like craft, employing outdated tools and the physical body in processes of making that are stubbornly slow.
Perform — Produce deploys performance as a tactic to expose the otherwise invisible labor of design, and to reveal the ways design acquires value.
Perform — Produce proposes a new organizational model that integrates live happenings, cross-disciplinary exchange, and self-publishing to consider not just the product of design but also …
Never Real Historians,
2024
Rhode Island School of Design
Never Real Historians, Emily Bluedorn
Masters Theses
Never Real Historians is a graphic inquiry into how surfacing hidden histories can lead to a liberatory and layered design practice. It is both a record of my process and a template for future making and future ancestors. Mining inheritance can be an ambiguously murky territory, full of contradictions, collisions, and tension between the past and present. My hope is that this thesis functions as a model of navigating that terrain, by interacting with storied objects and ephemera, in order to revive forgotten and marginalized histories. By re-examining my own shared and personal inheritances, as an American woman designer living …
Anthophile,
2024
Nova Southeastern University
Self Portrait,
2024
Nova Southeastern University
Self Portrait, Luciana M. Fernandez
Digressions: Literary & Art Journal
No abstract provided.
Soar To The Skies,
2024
Nova Southeastern University
Soar To The Skies, Marilyn Yanes Perez
Digressions: Literary & Art Journal
No abstract provided.
Eyes Without A Face,
2024
Nova Southeastern University
Eyes Without A Face, Fidel E. Perez Pujols
Digressions: Literary & Art Journal
No abstract provided.
Sentir,
2024
Nova Southeastern University
Rani,
2024
Nova Southeastern University
Conceptual Self Portrait,
2024
Nova Southeastern University
Conceptual Self Portrait, Tyriana White
Digressions: Literary & Art Journal
No abstract provided.
Surface Tension,
2024
Rhode Island School of Design
Surface Tension, Berett Wilber
Masters Theses
Land is the premise upon which all questions of identity, belonging, and consciousness are set.
Our relationship to land is simple and complex. On one hand, in our daily experience there is no daylight between body and land. On the other hand, our relationship to land is intensely mediated through design in the form of tools, ritual, technology, tradition, and law. Language and design are primary mediums through which land is transformed into a material resource and commodity.
Understanding how designed systems craft our understanding of land can help us recognize their limits — and open our eyes to the …
Asili,
2024
Rhode Island School of Design
Asili, Husna Abubakar
Masters Theses
ASILI is a Swahili word meaning ORIGIN, SOURCE, and ESSENCE. It can also mean the fundamental principal of a culture. It is not cognitive, it is metaphysical.
The work that I do explores the preconceptual, prespatial and pretemporal organization of culture, specifically African culture and even more specifically, Swahili culture.
I use multiple techniques to interpolate a visual voice to an othered people both continental and abroad. I explore the mythoform that connects the mystical and dive into what of it that becomes a practice within Swahili culture. I take experience from my life as a Swahili woman, from the …
