Patchwork: 76km Between Juárez And El Paso,
2024
Rhode Island School of Design
Patchwork: 76km Between Juárez And El Paso, Naheyla Medina
Masters Theses
Located at the western edge of Texas where the Río Bravo ~ Rio Grande, becomes the border between México and the United States. Resides a spectacle of misconceptions that, along with an expansive corten steel border wall embedded into the earth, live to suppress the histories, culture, and environment entangled together like patchwork along this border space. The built environment influences our daily experiences, and our daily experiences can often influence our built environment. This project seeks to leverage, murals as a medium, creative writing, and architectural representations, to rework the mapping between Mexico and the US. Honing in on …
The Future Is Over,
2024
Rhode Island School of Design
The Future Is Over, Dotan Appelbaum
Masters Theses
History is constructed out of the narratives by which we organize the substance of all that has ever happened. Our understanding of the contemporary moment is determined by how we shape our history. The future is a promise that emerges from how we contextualize our place in time.
This thesis starts by acknowledging that the futurity promised by enlightenment liberalism is inconceivable in the face of contemporary horrors and climate catastrophe. Given this reality, what are we doing as designers? With a Benjaminian understanding of and a Foucauldian approach to history, this thesis constructs a history of design that follows …
Untitled,
2024
Rhode Island School of Design
On The Impulse To Notate,
2024
Rhode Island School of Design
On The Impulse To Notate, Lydia Chodosh
Masters Theses
On the Impulse to Notate assembles an array of dialogic encounters. Composed in fragments — written and collected, designed and curated — this catalog resists linear narrative formulas to favor an open poetic syntax.
Here, the designer relies on her propensity to notate, aggregate, and persistently recompose.
She materializes language that promotes movement toward knowledge and craft in conversation.
She reads and translates stories spatially, frequently shifting their frames.
Graphic Desire,
2024
Rhode Island School of Design
Graphic Desire, Michelle Belgrod
Masters Theses
Before I knew about design, I knew about desire. A desire for the new, the beautiful, the promising. A desire that lives on a surplus of surfaces. On packaging, social media, on websites. A desire that makes the job of a graphic designer an object of desire itself. A practice that prioritizes aesthetics over meaning. Expectations over reality.
In Graphic Desire, I complicate the ways that desire affects both designers and consumers. Caught up in our own need for creative fulfillment, we often overlook our impact as the arbiters of desire. Under capitalism, we create work that over-promises a …
Industrial Tenderness,
2024
Rhode Island School of Design
Industrial Tenderness, Elbert Girón
Masters Theses
Industrial Tenderness surveys the relationship between visual language, cultural expression, and diasporic practices through the design of functional sculptures. These designed objects seek to communicate cultural legibility, or intuitive cultural belonging, to Mexican-American peoples by challenging legacy notions of design language. Through a proposed design language framework and designed objects, Industrial Tenderness seeks to affirm a pluriversal practice of industrial design.
Legacy industrial design confines design language to a heavily prescriptive canon, resulting in a stark monocultural language that is unrepresentative of perspectives outside of a legacy dominant white eurocentricity founded in thinking from the Bauhaus and Ulm schools. Through …
Life Of Things, Things Of Life,
2024
Rhode Island School of Design
Life Of Things, Things Of Life, Shiyue Wang
Masters Theses
In a world often captivated by the grand and explicit, my thesis, Life of Things, Things of Life explores the quiet yet profound narratives hidden within everyday objects. Drawing on my background in data design, I adopt a methodology that intertwines subjective narrative with rational analysis and challenges traditional hierarchies of value. Through processes of observation, collection, archiving, and re-contextualization, I elevate what is often overlooked as mundane and fleeting. This thesis not only uncovers the narrative potential of ordinary objects but also repositions them as protagonists in their own right, urging viewers to reconsider their conventional roles not as …
Space Between: Navigating Openness,
2024
Rhode Island School of Design
Space Between: Navigating Openness, Torie Stotz
Masters Theses
In a predominantly human-made, constructed world, I am exploring how I can manifest the natural world with a hand made screen divider system, based on form and structure, that replicates that of a work of nature, more specifically simulating dappled light. Questioning sustainability through the limitations of terracotta clay, while introducing a passive, bioclimatic design, I explore how a fragile, rounded, hollow fired system impacts its structural integrity and its ability to embed nature like qualities in modular form. Clay is brittle when thin, dry, or water absorbing material is added; it absorbs water slowly, needs to be a certain …
Homeward Bound: Moving Homes, Moving Home,
2024
Rhode Island School of Design
Homeward Bound: Moving Homes, Moving Home, Ella Nadeau
Masters Theses
The built environment has a powerful way of showing where our human attention and care is, a magic trick of emphasis and deemphasis. We proudly display our assets, wrapping them in light and gold while we shun the background people and places, choosing ubiquitous skins of plastic or brick in an effort to remove them from our visual language. Since we have had people we have had spaces to place them in but where some spaces relay the message that the person inside is a gift to the world, the majority chant a tired monotony of oppressive apathy: you do …
Furnicreature,
2024
Rhode Island School of Design
Furnicreature, Yijing Huang
Masters Theses
Project "Furnicreature" reimagines domestic furniture and furnishing as unique 'creatures' with anthropomorphic features such as 'facial' expressions, 'body' gestures, dynamic movements, as well as distinct personalities, to foster interactive experiences. By blending the inanimate with the animate and adding humor into the approach, the 'Furnicreature' project not only cultivates mindfulness, empathy, and care towards possessions but also promotes humility and responsibility. Its storytelling and dynamic design inspire imagination and prompt reflection on oneself, surroundings, and relationships. With sustainability as a long-term goal, Furnicreature aims to encourage a departure from everyday challenges and foster a more mindful and empathetic engagement with …
Dimensional Dialogues,
2024
Rhode Island School of Design
Dimensional Dialogues, Farida Abousteit
Masters Theses
Dimensional Dialogues, a multi-installation series, offers us a place to interact with language in a way that is whimsical and transcends our need to understand and comprehend language. We remove the tensions of language barriers by finding beauty and personal connection to typography, now scaled up to a human scale and reacting in real time to our movements. A process begins from ancient practices of designing Arabic Calligraphy, to creating Graphic Outputs of that calligraphy, to technologically heavy and new works in creating 3D models of these works that can be projected and respond to human movement. These installations, in …
“Touching The Untouchable”: Time As Material And The Fragmented Self In The Maximodern Era Shori V. Sims © 2024 Shori V. Sims All Rights Reserved Shorisims.,
2024
Rhode Island School of Design
“Touching The Untouchable”: Time As Material And The Fragmented Self In The Maximodern Era Shori V. Sims © 2024 Shori V. Sims All Rights Reserved Shorisims., Shori V. Sims
Masters Theses
In the conventional division of disciplines, film/video/moving images and stationary sculpture are categorized as formal and conceptual opposites. In my work and in this thesis, I am arguing that moving images constitute a form of sculpture in the style of assemblage by the manipulation of time around them. Yes, the image is flat and stationary on its own: but the cut of time which it represents exists multi-dimensionally (spatially and temporally) to be combined in a collage-like manner. In my practice, moving images constitute a form of assemblage that manipulates time and space in ways normally attributed to sculpture.
This …
Kelly Gang's Last Stand,
2024
Rhode Island School of Design
Kelly Gang's Last Stand, Alejandro Toro, Special Collections, Fleet Library
11th Baker & Whitehill Student Artists' Book Contest 2025
Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.
Lost Stories,
2024
Rhode Island School of Design
Lost Stories, Yuxuan Huang
Masters Theses
The owner of the laundromat by the corner of my temporarily sublet room in New York once told me his life story randomly on the last day I went to dry my bedding. We had never spoken before because we both weren't sure if the other spoke Mandarin.
It’s a long and intricate one, so long and intricate that he could write his own book and become the protagonist of a realist novel. If one word could describe this world and the life we all live, it should be “Wuchang.” According to various authoritative Chinese-to-English dictionaries, it could mean unpredictable, …
One Of One Of A Kind,
2024
Rhode Island School of Design
One Of One Of A Kind, Dominic Rishe
Masters Theses
This thesis probes the discourse around the increasing use of advanced digital tools in art and design, and articulates a paradoxical stance that these tools are re-illuminating a set of old ideas - ideas that have been preserved in a lineage of craft movements, historically perceived as anti-technological, nostalgic, or backwards-looking.
Over the last two decades, the use of generative and computational tools in art and design has evolved from a niche, experimental activity to a fully-fledged epochal movement, rising across all disciplines from architecture and graphic design to film and illustration.
Craft, which has always found its definition unstable …
Repair Rolodex: Exchanges, Changes, And Patchwork Parables,
2024
Rhode Island School of Design
Repair Rolodex: Exchanges, Changes, And Patchwork Parables, Ethan Howard
Masters Theses
This book is an index of nine exchanges with strangers whom I met online through email Listservs or by word of mouth. In these transactions, I offered to repair broken things for a trade-in-kind payment. Through the brief relationship between owner and designer, each interaction suggests that an object is almost never entirely obsolete despite its perceived obsolescence.
At the core of these trades is a grassroots protest of the landfill and a critique of our global capitalist commerce system. The apparent desire for and nature of these trades demonstrates that stories make our objects meaningful. Each interplay studies peoples’ …
Beyond Display: Crafting Emotional Journeys For Belonging And Connectivity,
2024
Rhode Island School of Design
Beyond Display: Crafting Emotional Journeys For Belonging And Connectivity, Jiamin Yang
Masters Theses
In bustling urban areas like Manhattan, New York, the majority of interactions between individuals occur amidst the whirlwind of daily life. Yet, there is an absence of genuine connections within local communities, particularly among neighbors who are geographically close, creating a sense of detachment, untrusting, and anonymity. This thesis involves exploring innovative interventions with the ultimate goal of uncovering novel possibilities in interactive exhibitions, distinct from traditional displays. All of this is an effort to curate emotional journeys that transcend routine, fostering vibrant community belonging and connectivity. Against the backdrop of the city’s vertical living, where neighbor encounters are often …
Snapbot - The Enhanced Physical Play,
2024
Rhode Island School of Design
Snapbot - The Enhanced Physical Play, Morong Li
Masters Theses
Snapbot is a building toy set. It investigates the integration of physical and digital mediums within the realm of play, addressing the dominance of video games in children’s entertainment. By merging Morong’s interests in toys, design, and psychology, this project aims to balance different play mediums to offer combined benefits without diminishing each one’s value.
To address screen time’s dominance, I developed a toy concept for 11- to 13-year-olds that merges physical and digital play. This concept allows for the physical construction of robotic toys that, when transferred to a digital environment, come alive and tackle digital challenges. In this …
So Far So Good,
2024
Rhode Island School of Design
So Far So Good, Cooper Goldman
Masters Theses
What is the most beautiful object in the world?
The thick, heavy, white, porcelain diner mug.
Describe what you make…
Home goods and furniture. Crafted with attention to detail, with materials that you can feel good about.
Why do you make what you make?
Through the elevation of ordinary objects, we can elevate our daily routine.
This Is For You: A Handbook For Design Students,
2024
Rhode Island School of Design
This Is For You: A Handbook For Design Students, Gabriel Drozdov
Masters Theses
This Is For You is a handbook for design students. It is a collection of stories, projects, and conversations on the subjects of design, code, and teaching. The book’s first part, “Learning,” contains stories about the experiences that shaped me as a designer. The second part, “Making,” summarizes the projects that taught me how to design. The third and final part, “Sharing,” is a series of conversations with the people that helped me along the way. In collecting and publishing these resources, This Is For You is an attempt to create an open-source example of what a career in design …
