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36,874 full-text articles. Page 1274 of 1342.

8:09 A.M., Doug Burg 2012 Dordt College

8:09 A.M., Doug Burg

Pro Rege

No abstract provided.


8:10 A.M., Doug Burg 2012 Dordt College

8:10 A.M., Doug Burg

Pro Rege

No abstract provided.


8:11 A.M., Doug Burg 2012 Dordt College

8:11 A.M., Doug Burg

Pro Rege

No abstract provided.


Bom Pops, Matt Drissell 2012 Dordt College

Bom Pops, Matt Drissell

Pro Rege

No abstract provided.


Mint Chip, Matt Drissell 2012 Dordt College

Mint Chip, Matt Drissell

Pro Rege

No abstract provided.


Wood Fired Clay Vessels, Jake Van Wyk 2012 Dordt College

Wood Fired Clay Vessels, Jake Van Wyk

Pro Rege

Stoneware clay, wheel and hand built construction, sprayed glaze with iron oxide under‑washes, fired to 2350 degrees.


Scarab Beetles: Masked Chafers, David Versluis, Roy R. Behrens 2012 Dordt College

Scarab Beetles: Masked Chafers, David Versluis, Roy R. Behrens

Pro Rege

Iowa Insect Series 2012. Digital Collage -- Giclèe Prints. The “Iowa Insect Series” of ten images was completed during the month of January, 2012. Versluis initiated the collaboration, which was conducted long distance, and image files were volleyed back and forth. Each designer/artist added, subtracted, or modified the image until both felt the print was finished and the series completed. Collaborative prints by David Versluis, Dordt College, and Roy Behrens, University of Northern Iowa. Both teach graphic design.


Bees, David Versluis, Roy R. Behrens 2012 Dordt College

Bees, David Versluis, Roy R. Behrens

Pro Rege

Iowa Insect Series 2012. Digital Collage -- Giclèe Prints. The “Iowa Insect Series” of ten images was completed during the month of January, 2012. Versluis initiated the collaboration, which was conducted long distance, and image files were volleyed back and forth. Each designer/artist added, subtracted, or modified the image until both felt the print was finished and the series completed. Collaborative prints by David Versluis, Dordt College, and Roy Behrens, University of Northern Iowa. Both teach graphic design.


Leaf Beetle, David Versluis, Roy R. Behrens 2012 Dordt College

Leaf Beetle, David Versluis, Roy R. Behrens

Pro Rege

Iowa Insect Series 2012. Digital Collage -- Giclèe Prints. The “Iowa Insect Series” of ten images was completed during the month of January, 2012. Versluis initiated the collaboration, which was conducted long distance, and image files were volleyed back and forth. Each designer/artist added, subtracted, or modified the image until both felt the print was finished and the series completed. Collaborative prints by David Versluis, Dordt College, and Roy Behrens, University of Northern Iowa. Both teach graphic design.


Yellow Jacket Wasp, David Versluis, Roy R. Behrens 2012 Dordt College

Yellow Jacket Wasp, David Versluis, Roy R. Behrens

Pro Rege

Iowa Insect Series 2012. Digital Collage -- Giclèe Prints. The “Iowa Insect Series” of ten images was completed during the month of January, 2012. Versluis initiated the collaboration, which was conducted long distance, and image files were volleyed back and forth. Each designer/artist added, subtracted, or modified the image until both felt the print was finished and the series completed. Collaborative prints by David Versluis, Dordt College, and Roy Behrens, University of Northern Iowa. Both teach graphic design.


Asian Ladybird Beetle, David Versluis, Roy R. Behrens 2012 Dordt College

Asian Ladybird Beetle, David Versluis, Roy R. Behrens

Pro Rege

Iowa Insect Series 2012. Digital Collage -- Giclèe Prints. The “Iowa Insect Series” of ten images was completed during the month of January, 2012. Versluis initiated the collaboration, which was conducted long distance, and image files were volleyed back and forth. Each designer/artist added, subtracted, or modified the image until both felt the print was finished and the series completed. Collaborative prints by David Versluis, Dordt College, and Roy Behrens, University of Northern Iowa. Both teach graphic design.


Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter 2012 University of Central Florida

Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter

UCF Forum

When Pablo Picasso presented his first cubist paintings to the world, even most educated people thought them hideous and irrational, yet his peers saw them to be ingenious.


Between Floors: The Ups And Downs Of Mediated Narrative, Melinda White 2012 Virginia Commonwealth University

Between Floors: The Ups And Downs Of Mediated Narrative, Melinda White

Theses and Dissertations

“Between Floors: The Ups and Downs of Mediated Narrative” and the accompanying creative remediation project, “Between Floors: Love and Other Blood Related Diseases,” meld theory and practice of print with electronic literature and installation art. I argue that as the medium changes, the narrative is transformed. The narrative can be reconstructed and pieced together as the reader or viewer becomes increasingly involved, even embodied within the work. This embodiment is what Nathaniel Stern calls “Moving and thinking and feeling” (1) and can result in a more direct emotional experience. The form, structure, and medium (sjužet) rely on authorial intention, yet …


La Mostra Access Denied Alla Hilton M. Briggs Library, Leda Cempellin 2012 South Dakota State University

La Mostra Access Denied Alla Hilton M. Briggs Library, Leda Cempellin

School of Design Faculty Publications

No abstract provided.


Blood Works: The Sanguineous Art Of Robert Sherer, Robert Sherer 2012 Kennesaw State University

Blood Works: The Sanguineous Art Of Robert Sherer, Robert Sherer

KSU Press Legacy Project

Robert Sherer is an internationally recognized gay American artist whose work explores race, gender, sexuality, and Southern identity, intertwined with beautiful and provocative botanical and anatomical illustration. His premier book concerns the complexities of romantic life and sexual attraction in the age of AIDS and conveys a profound and highly personal aesthetic statement in response to the continuing AIDS crisis in America and abroad. Images of his stunning illustrations are printed with non-toxic ink—the originals were executed in blood drawn from the artist, as well as donated by friends, both HIV-negative and HIV-positive.

Contents

Part 1

Blood Works: Love and …


Para La Defensa De Las Americas: The Pictorial Magazine En Guardia In Nelson A. Rockefeller’S Propaganda Campaign For Latin America During World War Ii, Carlos R. De Souza 2012 The University of Texas Rio Grande Valley

Para La Defensa De Las Americas: The Pictorial Magazine En Guardia In Nelson A. Rockefeller’S Propaganda Campaign For Latin America During World War Ii, Carlos R. De Souza

School of Art & Design Faculty Publications

Propaganda models recommend the use of familiar media, such as existing local or national newspapers and magazines, because target audiences are inclined to trust them more than newly established and untried publications. It is assumed that if the media cannot be used or needed to be supplemented with a more directly controlled and plentiful message, then the propagandist could not do any better than to replicate their formats. By reproducing the tested design and mode of information delivery of these trusted conduits, the sponsor of propaganda capitalizes on existing readings habits and this increases the likelihood of attaining his or …


Memory Traces 2012 : Hong Kong, Department of Visual Studies, Lingnan University 2012 Lingnan University

Memory Traces 2012 : Hong Kong, Department Of Visual Studies, Lingnan University

Visual Studies Programme : Students’ Monographs

Memory Traces is a photography book project which comprises a collection of images created by students of Jack Picone during a studio practice class at Lingnan University. The collective body of work is an exploration of a wide array of themes based on each student's own personal interests.


Richards, Beatrice (Lightfoot), 1900-1989 (Sc 768), Manuscripts & Folklife Archives 2012 Western Kentucky University

Richards, Beatrice (Lightfoot), 1900-1989 (Sc 768), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 768. Copies of weaving drafts (11 items), with one bearing the above date. Beatrice Richards collected the drafts from her roommate’s family (the Detons) while a student at Berea College. The drafts are believed to be of Scottish origin and to have been brought to the Glasgow- Edmonton area of Kentucky when the family migrated from North Carolina. The drafts bear the names Double Bow Knot, Flower of the Mountain, the Honey Comb and Nine Dimons, Tennessee Trouble, Union Cross Roads, and World's Wonder.


Eastern Shore Stories: Technology, Place, And Local Culture, Patricia Bloxom 2012 Virginia Commonwealth University

Eastern Shore Stories: Technology, Place, And Local Culture, Patricia Bloxom

Theses and Dissertations

The Eastern Shore of Virginia is a narrow peninsula separating the Chesapeake Bay from the Atlantic Ocean. Residents of the rural counties of Accomack and Northampton County share a strong sense of cultural identity based on geography, rooted in a distinct communal sense of place reinforced by an agricultural lifestyle. Storytelling around dinner tables and on front porches at dusk, speeches at high school graduations, family recipes talked through in a grandmother’s kitchen – it is through oral language that Eastern Shore people have primarily shared the knowledge that sustains their sense of communal identity. Oral knowledge of farming techniques …


Mccormack, Arthur Thomas, 1872-1943 (Sc 749), Manuscripts & Folklife Archives 2012 Western Kentucky University

Mccormack, Arthur Thomas, 1872-1943 (Sc 749), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 749. Correspondence between sculptor Charles Henry Niehaus and Dr. Arthur Thomas McCormack, Louisville, Kentucky, regarding statues of Henry Clay and Ephraim McDowell completed by Niehaus and placed in Statuary Hall, Washington, D.C. The letters also discuss a memorial to Jane Crawford, McDowell's famous patient.


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