Art and Design Commons^™

The Frida Kahlo Self-Portraits : The Objectification Of Self As A Symbol And Statement, Diane Zimbaldi

Theses, Dissertations and Culminating Projects

Even with the vast analysis done on the work of Frida Kahlo, little attention has been paid to both the artist’s probable abuse as a child and her intentional abortions as an adult. This study chooses to incorporate these findings to reexamine six of her famous self-portraits, Self Portrait on the Borderline of Mexico and the United States, My Birth, Henry Ford Hospital, Self Portrait with Monkey, What I saw in the Water and The Two Fridas to uncover a new perspective. Scrutiny of the artist’s words, combined with historical fact dispels the current myth that Kahlo’s painting was done …

Light, Data, And Public Participation, Dave Colangelo, Patricio Davila

School of Film Faculty Publications and Presentations

As practices in reactive architecture and locative media converge and urban screens and projection technologies proliferate we are becoming increasingly able to interact with data in public space. This confluence presents us with modes of digitally mediated participation in urban space that highlight bodily and architectural relationships with data rich environments as well as new sets of problems and possibilities regarding aesthetics, poetics, and politics. The article will analyze works by Alfredo Jaar, Krzysztof Wodiczko, and Rafael Lozano-Hemmer, as they respectively exemplify the efficacy of the key components of public data visualization: mapping, expanded presence through architecture, and the ‘incompleteness’ …

English King And German Commoner: An Exploration Of Sixteenth Century Clothing And Identity, Bradley Dale Moore

Graduate Theses and Dissertations

This paper will explore the connections of clothing and identity in the sixteenth century. The fit and construction of clothing can be directly related to how a person is perceived, or indeed, how one perceives one's self. Henry VIII (1491-1547) of England will be compared and contrasted with Matthäus Schwarz (1496-1574), a commoner from Augsburg, Germany. Tudor will represent how identity can be created for others, particularly through legislation and courtly life; while Schwarz' own words will assist in the exploration of the identity of the individual.

Money Painting And The Duplicitous Multiple: The Interdependence Of American Copyright Legislation And Artistic Production, Jaclyn N. Siemers

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis I investigate the interworking and influences of the United States’ federal copyright legislation, specifically its relationship to the history of artistic production from the late nineteenth-century to the present. A detailed analysis of the evolving copyright statute, the social and legal impact of the multiple (including the counterfeit copy), and the progressive recurrence of representational money paintings will reveal the mutually dependent relationship of copyright legislation and artistic production. The progression of styles in America art—nineteenth-century trompe l’oeil illusionism, mid-century Abstract Expressionism, Pop art, and contemporary appropriation art—provides an illustrated roadmap of the complex relationship between the …

Shenshi 紳士 Atau Gentry Cina: Sekilas Sejarah Dan Profil Kaum Aristokrat Cina Pada Zaman Kekaisaran, Adrianus L.G Waworuntu

Paradigma: Jurnal Kajian Budaya

In order to comprehend the many aspects of social and cultural historiography of traditional China, it is imperative to recognize who are the main actors. In traditional Chinese society, there is a significant category known as the Chinese gentry, or the shenshi 紳士 in Mandarin. They were known as the Chinese scholar-official class who administered the traditional Chinese dynastic government system since more than two-thousand years ago until the abolishment of the system in 1911. The Chinese gentry emerged from the intellectuals who became officials by going through a special, open-recruited, educational system; a system that enabled every person from …

Art Is Always A Series Of Questions To Contemplate, Not Solve, Carla Poindexter

UCF Forum

Why do people value a painting or drawing? An elementary-school student I know recently answered: “Because when we look at art we can see how the artist felt about things.”

The Dorothy And Herbert Vogel Collection: Fifty Works For Rhode Island, Alison W. Chang

Journals

Exhibition Notes, Number 41, Summer 2012. RISD Museum was the recipient of fifty contemporary works from the celebrated collectors Dorothy and Herb Vogel. Both worked as civil servants throughout their lives so they never had extraordinary means with which to build a collection, but acquired more than 4000 works since their marriage in 1962. Their commitment to minimal and conceptual art is well-known, but their taste was much broader and included work rooted in Abstract Expressionism as well as figurative compositions. Most of the collection was given to the National Gallery of Art. The gift to Rhode Island is part …

Dan Walsh | Uncommon Ground, Judith Tannenbaum

Journals

Exhibition Notes, Number 40, 2012. Dan Walsh has been devoted to abstract painting since he arrived in New York in the early 1980s. Naturally his work has evolved over the past three decades, but he has remained consistently attached to Minimalism’s basic language of geometry and grids.

Blanket Statements, Issue 108, Summer 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 108, Summer 2012

From Ruhlmann To Rohde: How French Art Deco Became American, Lily K. Meehan '14

Summer Research Program

The American art deco designers of the 1930s were truly innovators, inventors and artists. They were not, however, the only ones creating “a modern world” during this time. In fact, America was one of the last countries to embrace the art deco style which was thriving in Germany, Austria, and France. There was a strong connection between the French art décoratifs movement and early 20th century American industrial designs. This paper investigates how the International Exposition of Modern Industrial and Decorative Arts held in Paris in 1925 heavily influenced the start of the American art deco movement.

Canvassing Generations: Art Through Postmemory, Julianne Norton

Holster Scholar Projects

Investigated the legitimacy if postmemory, its relationship with art, and completed a creative project addressing the four generations of artists leading to the Norton family. What is postmemory? How does artwork allow for the conceptualization of memory? The research supported the existence of postmemory and led to an increased understanding, analyzing, and recreation of artwork from each of the previous four generations. This artwork served as a tangible form of my own postmemory.

Sculpting Sound And Painting Music: A Study, Documentary, And Art Exhibition, Kaitrin R. Acuna

Holster Scholar Projects

Synesthesia, often referred to as a blending of the senses, is known for its involuntary and automatic perceptual responses. Generally, synesthetic perception is known to be quite varied, both in the types of synesthesia and in the perceptions amongst individuals within each of these types. Despite this, a few commonalities have been located in populations of color-grapheme synesthetes, those who perceive letters and numbers with colors. We aimed to similarly locate potential commonalities in the perceptions of a population of colored-hearing synesthetes, those who have visual responses with auditory stimulation.

Gear Driven, Richard Cammarata

All Student Theses and Dissertations

Merging the past and the present and the simplistic with the complex, form the foundation of my work. My sculptural work in ceramics depicts hybridized versions of distinct pieces of machinery that have been distorted and fused together to create ambiguous forms that offers a sense of curiosity and draws attention to each piece. These pieces are reminiscent of the types of rusted and decayed parts I found lying around my grandfather's truck yard when I was a boy. Machinery appealed to me not only because of the interesting forms but also because of the visual texture and enduring quality …

Taxidermy Of Thought, Jason Walker

All Student Theses and Dissertations

Sculpture is how I bring to life the dark corners of my mind. There have always been images of creatures, geology, and botanical life swirling around my head. Images that often include spires of exoskeleton, creeping tendrils searching for sustenance, or something that moves in an unnatural way. After years of envisioning and automatically sketching out these "things" it is beginning to get a bit crowded in there. It was time to excise this world in my mind and bring it into existence through my hands.

Using many different materials, including plaster, wire, paper mache, epoxy, urethane resins, many different …

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …

Hubbard, Elbert Green, 1856-1915 (Sc 646), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 646. Sketch done by Elbert Green Hubbard, a writer, that has a note on it addressed to J.L. Harman and signed by Hubbard.

Agnes Gough, 1902-1988 (Sc 648), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan of sample item (Click on "additional files" below) for Manuscripts Small Collection 648. Letters to Mary Taylor Moore, librarian of the Kentucky Library, Bowling Green, Kentucky, from Miss Agnes Gough, an artist and a teacher, originally from Benton, Kentucky, but living in Oak Ridge, Tennessee, and Anchorage, Alaska, when these letters were written.

Richardson, Laura Elizabeth (Ferguson), 1908-1986 (Sc 2546), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 2546. Laura Elizabeth Richardson’s notebook containing holographic notes about the history of quilting. Notebook includes hand executed quilt pattern images in ink, poems, definitions of quilting terms, and textile descriptions. Includes notes about the provenance of Richardson’s quilt collection and her furniture.

Wilson, Ivan, 1889-1981 (Sc 625), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 625. Photocopies of records – letters, lists, autobiographies – pertaining to Ivan Wilson of Hazel, Kentucky, an art teacher at Western Kentucky University for years and an artist, whose paintings were sold through the Kentucky Museum from 1955-1973. These transactions were handled and the records kept by Gayle Carver, Kentucky Museum curator.

Ghost2, Matthew Klepac

The Hilltop Review

I'm a ghost; unseen, unheard, untie me

Untimely demise, one word describes me

Damaged; a phantom I float over rhythm

Vanish in thin air and reappear like apparitions

I'm at the mercy of a vengeful god, a lost soul

I float alone unnoticed in this city of ghosts

Those kids all thought they knew me so I tried to fit the mold

But conformity's a fake ID and loneliness is cold