Rabbitware,
2018
Winthrop University
Scoop And Pour,
2018
Winthrop University
Textile Society Of America Newsletter 30:2 — Fall 2018,
2018
Textile Society of America
Textile Society Of America Newsletter 30:2 — Fall 2018, Textile Society Of America
Textile Society of America: Newsletters
Letter from the Editor
Letter from the President
TSA News
Welcome New TSA Board Members
Our Focus on Diversity: Vision Statement
R. L. Shep Ethnic Textile Book Award
Diedrick Brackens Honored with 2018 Brandford/Elliott Award
International Report
Featured Exhibitions
Centre for Heritage, Arts and Textile (CHAT)
Opportunity
The University of North Texas to Close Fibers Program by Spring 2019
TSA Symposium
The Social Fabric: Deep Local to Pan Global in pictures
TSA Members' Exhibition
Reports from Student & New Professional Awardees
A Long-Delayed Professional Conversation
Book Reviews
Art, Honor, and Ridicule: Fante Asafo Flags from Southern Ghana
Polychromatic Screen Printing …
Wild Power,
2018
Rhode Island School of Design
Wild Power, Iris Han
Masters Theses
Wild Power is a journey to understand myself by creating wearable pieces representing aspects of my character. A human body is limited physically and it cannot show the whole identity of a person. I have desired to empower myself and also express my complex innermost feelings by ornamenting my body with another layer. This aspiration has motivated me to make wearable objects with diverse and different qualities of beauty. Especially, I have thought for a long time about how fashion can strengthen a women’s power living under societal standards that treats gender differently. From this interest, my artwork naturally reflects …
The Dream Alchemy,
2018
Rhode Island School of Design
The Dream Alchemy, Yue Tan
Masters Theses
I strive to record and express moments from within my dreams, in order to obviate their elusiveness. I am a spectator in my dreams and sometimes find myself seized by violent and terrific events. These dreams from my subconscious guide me to the part of myself which I do not always recognize in my consciousness. I wish to know where these contents come from, why I have these dreams, or if these dreams are referencing narratives from my personal experience. The contents of these dreams, as well as the act of reflecting on them, call out my shadow––the unconscious aspect …
Biovice: A Survival Tool Company,
2018
Rhode Island School of Design
Biovice: A Survival Tool Company, Chubai Liu
Masters Theses
This fictional dystopian society is the background of my work: In the year 2057, Earth’s environment has been deeply polluted, humanity has come to rely on external survival tools to live. BioVice as one of the largest bioengineering company in the world, committing themselves to the production of the most advanced survival tools.
There are two production lines in the BioVice Company. One is the economy line which targets the majority, especially the middle class; while the luxury line targets the wealthy and the elite. The designs of both production lines have futuristic appearances, combining forms from clinical devices and …
From Armor To Augmentation : Reclaiming My Everyday Body,
2018
Rhode Island School of Design
From Armor To Augmentation : Reclaiming My Everyday Body, Molly Palecek
Masters Theses
My work explores the silhouette of the body and how we can be empowered to augment it. First impressions are formed instantly and inform much of our social interactions, but these impressions are often made with the limited information of a quick glance and the simple outline of a body shape. There is a negative stigma about some body types and this can make social interaction daunting. This is especially true for women in general, for whom physical appearance is closely tied to perceived value by society. It is even more of an issue for women like myself, whose body …
Safe Haven,
2018
Stephen F. Austin State University
Safe Haven, Korey Burns
Electronic Theses and Dissertations
Safe Haven is a body of work that reflects my interest in different cultures that have similarities to my personal background. Recreating familiar symbols, colors, textures, and finishes, I create wearable sculptures that communicate memories based upon historic imagery from areas that have impacted my life. By being able to clasp a necklace or pin a brooch on, the viewer physically engages with the work. This interaction resembles my own experiences within the areas I traveled and artists that I have met. With the combination of different metalworking techniques and personal experiences, I am able to developed work that adorns …
An Analysis Of Trade-Offs: The Artisan Fair Trade Sector,
2018
Clark University
An Analysis Of Trade-Offs: The Artisan Fair Trade Sector, Stephanie Leiderman
Sustainability and Social Justice
This paper examines the history, frames, critiques and current applications of Fair Trade in the artisan sector, with an eye to raising up the specific trade-offs being made, and their implications for an evolving artisan market in the global north and south. It includes a discussion of the history of the Fair Trade idea, including that sector’s increasing focus on certification, agricultural commodities, and corporate involvement. It investigates the potential lessons the artisan sector can learn from the agricultural one, as well as the lessons learned from current actors in the artisan Fair Trade field. Using a continuum of trade-offs …
Textile Society Of America Newsletter 30:1 — Spring 2018,
2018
Textile Society of America
Textile Society Of America Newsletter 30:1 — Spring 2018, Textile Society Of America
Textile Society of America: Newsletters
Letter from the Senior Editor
Letter from the Editor
Letter from the President
TSA News:
From the Nomination Committee
Slate of Candidates
TSA "Meet Up" at the Textile Museum, Washington, DC
R. L. Shep Ethnic Textile Book Award 2017 Nominees
Textile Society of America 30th Anniversary
A Personal Connection to TSA
Call for Submissions: Textile Month
RE: Gender Bend: Women In Wood, Men at the Loom
Coping with the Perils from Apparel
Book Reviews
Women Artisans of Morocco: Their Stories Their Lives
From Tapestry to Fiber Art: The Lausanne Biennials, 1962-1995
Inside the Royal Wardrobe: A Dress History of Queen …
Keep Watch-Ing,
2018
Vocational Training Council
Keep Watch-Ing
SIGNED: The Magazine of The Hong Kong Design Institute
During September, the exhibition Swiss Accessory and Watch Design by HEAD - Genève came to HKDI with a vision of the future for watch and jewellery design
From 3d To 3d,
2018
School of Art, Stephen F. Austin State University
From 3d To 3d, Erik O. Lozano, Lauren B. Selden, Robert Z. Selden Jr.
CRHR: Archaeology
From 3D to 3D is a research project that involves traditional ceramics and technology to re-create a clay vessel at different scales and in different materials while trying to understand aesthetic and perceptions of value. With a background in Industrial Design, I have always been interested in technology and fabrication methods, three-dimensional (3D) printing being one of them. However, this often implies repetition and standardization, and as an artist I strive to create one-of-a-kind objects that include evidence associated with the making process. Part of my work is based on traditional forms that incorporate small alterations. I use one or …
Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection,
2018
Hope College
Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner
Kruizenga Art Museum Exhibition Catalogs
Produced by Storming the Castle Pictures for the Kruizenga Art Museum as a catalog for the exhibition “Living Tradition: Contemporary Ethiopian Contemporary Art from the Sobania Collection,” September 21 – December 15, 2018. Photography by the Kruizenga Art Museum, Neal Sobania, Raymond Silverman and Tom Wagner. Design by Tom Wagner.
The "Whys" Of The Grand Cameo: A Holistic Approach To Understanding The Piece, Its Origins And Its Context,
2018
Sotheby's Institute of Art
The "Whys" Of The Grand Cameo: A Holistic Approach To Understanding The Piece, Its Origins And Its Context, Constantine Prince Sidamon-Eristoff
MA Theses
The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. This pattern can and should be broken, allowing the stone to be what all objects truly are: windows to the lives that that objects have lived, just as all physical things are; evidence of an experience part of the world went though, whose meanings have and continue to be part of a wider …
Converging Objects Of The Universe,
2018
Virginia Commonwealth University
Converging Objects Of The Universe, Everett Hoffman
Theses and Dissertations
Reconfigured found objects shape scenes of everyday life, questioning the structural histories that go into defining an identity. Engaging in a multidisciplinary approach of making, my work reimagines the function of ornamentation and its relationship to the body. I approach new materials and found objects with the eye of a jeweler, highlighting and exploiting the subtle, and often invisible, links between material histories and their connection to identity. Material debris patinated with age like skillets, baseballs, and furniture are used to penetrate normative structures around identity, gender, and sexual desire. Using adornment as a support in my installations I propose …
Through My Window,
2018
Virginia Commonwealth University
Through My Window, Haiyin Liang
Theses and Dissertations
I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The …
Edgelands,
2018
Virginia Commonwealth University
Edgelands, Anne Bujold
Theses and Dissertations
Animal imagery has been part of the human effort to understand our place in the world since the beginning of recorded history. Through examining the role and use of animal imagery in the creation of cultural signals, I have developed a framework for my practice. Edgelands employs representations of feral animals as symbols for the “misfit” to emphasize the value of those who do not fit in. My experience as a woman in the field of metal work informs my material choice and process, subverting ironwork motifs and the purpose of gates and boundaries. Edgelands overlaps a series of material …
Anxious?: Re-Designing Women’S Jewelry To Help Manage Symptoms Of Anxiety Disorders,
2018
Virginia Commonwealth University
Anxious?: Re-Designing Women’S Jewelry To Help Manage Symptoms Of Anxiety Disorders, Nourbanu Feras Hijazi
Theses and Dissertations
Anxiety is a common and often stigmatized condition. Destigmatizing mental disorders can positively impact people’s interaction and communication with others and can prompt conversations in which people share their experiences with mental health, leading to improved societal understanding and perception.
My design solution tackles behavioral symptoms of anxiety, specifically two conditions that fall under obsessive-compulsive behavior: Dermatillomania and Trichotillomania. By redesigning women’s jewelry to specialized accessories, my intention is for these objects to help destigmatize these conditions and relieve symptoms of maladaptive behaviors and hurtful impulses. By redirecting these irresistible urges to an external artifact, the objects are designed to …
Teacher Evaluations: Do Classroom Observations And Evaluator Training Really Matter?,
2017
Indiana State University
Teacher Evaluations: Do Classroom Observations And Evaluator Training Really Matter?, Sarah J. Pies
All-Inclusive List of Electronic Theses and Dissertations
The purpose of this study was to determine if the minimum number of observations stated in a district’s teacher evaluation plan, observation characteristics described in a district’s evaluation plan, and the characteristic of those evaluating teachers had an impact on whether a school would receive a bonus or penalty point for Indiana’s A-F accountability model. This study analyzed both math and English/language arts bonus and penalty points for all schools whose district has been implementing the new mandated teacher evaluation plan since the 2012-2013 school year. This included 3,997 schools within 215 districts in Indiana. Overall, when predicting whether a …
Textile Society Of America Newsletter 29:2 — Fall 2017,
2017
Textile Society of America
Textile Society Of America Newsletter 29:2 — Fall 2017, Textile Society Of America
Textile Society of America: Newsletters
Letter from the Editor
Letter from the Development Committee
Letter from the President
TSA's 2018 Symposium: The Social Fabric: Deep Local to Pan Global
Textile Society of America 30th Anniversary
The Textile Society of America: Its Foundation and Early Days
Textile Society of America: A Community Endeavor and a Personal Journey
TSA News:
TSA Honors Louise Mackie and Anne Wilson
R. L. Shep Ethnic Textiles Book Award 2016 and Call for Nominations 2017
Textiles Close Up: Bloomington Blues
TSA Welcomes New Contributors
Woven Interiors: Late Antique Textiles in DC Collections
Camille Ann Brewer at the Textile Museum of America
In …
