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Metal and Jewelry Arts Commons

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The Passing Show, Kathryn Fanelli 2021 University of Massachusetts Amherst

The Passing Show, Kathryn Fanelli

Masters Theses

The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.


Ballad Of A Bootlegger, Sarah K. Parker 2021 Virginia Commonwealth University

Ballad Of A Bootlegger, Sarah K. Parker

Theses and Dissertations

Roll in the soot of fires-gone! Purification through osmosis(?). They don’t pass onward so you can pass on the recognition. Learn the lesson, you bootlegger! This is necessary; you must use your hands and forge onward. Shit fire to save a match and light the birthday candles, time will pass before you’ve finished blinking so take another sip in and breathe easy child-- loss is part of life and no one can ever take that away from you (not that you’ve feared this). Slip the ring on your finger and marry to a practice of breaking perceptions of rules that …


Beside| |Between, Brooke J. Armstrong 2021 University of Montana, Missoula

Beside| |Between, Brooke J. Armstrong

Graduate Student Theses, Dissertations, & Professional Papers

Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.


Sweet Fruit, Daa Guy-Vasson 2021 VCU

Sweet Fruit, Daa Guy-Vasson

Theses and Dissertations

The writing and images in Sweet Fruit are an exploration of my creative works. In the first section, memory, making, and poetics come together to help the reader feel the nuances of my experience. In the exhibition works section, images allow an extended look at the work. Accompanying text describes the relevance of my childhood and my parent's Caribbean upbringing to my creative practice.


Verify In Field, Zohar Propp-Hurwitz 2021 Bard College

Verify In Field, Zohar Propp-Hurwitz

Senior Projects Spring 2021

Senior Project submitted to The Division of Arts of Bard College.


Perceiving Mathematics And Art, Edmund Harriss 2020 University of Arkansas, Fayetteville

Perceiving Mathematics And Art, Edmund Harriss

Mic Lectures

Mathematics and art provide powerful lenses to perceive and understand the world, part of an ancient tradition whether it starts in the South Pacific with tapa cloth and wave maps for navigation or in Iceland with knitting patterns and sunstones. Edmund Harriss, an artist and assistant clinical professor of mathematics in the Fulbright College of Arts and Sciences, explores these connections in his Honors College Mic lecture.


A Space For Reconciliation, Xiaoran Liu 2020 Rhode Island School of Design

A Space For Reconciliation, Xiaoran Liu

Masters Theses

The environment where I grew up retains some characteristics from The Chinese Cultural Revolution, and still influences my thinking and behavior close to the mainstream and following the rules unconsciously. Contemporary jewelry has affected me to be more critical in a positive way. I want to share this transformative experience with people who have never had contact with contemporary art, which is an alien concept for most Chinese people.

I use jewelry as the medium to express my ideas. But the typical response to my work is “I appreciate your concepts, but I can’t accept your pieces.” So, how can …


Bluenessless, Yuxin Long 2020 Rhode Island School of Design

Bluenessless, Yuxin Long

Masters Theses

Jewelry has a long history of functioning as wearable objects with memories. A small piece of jewelry on our body can become the bridge between one person and another.

My work is a memorial for the avifauna. It serves as a place that allows me to find the balance between myself and nature. The ritualized actions from the making process help me mourn for the loss of the kingfishers, who are hunted for the bright blue feathers used in traditional jewelry. Sometimes, people put a photograph in their jewelry to keep the memory of the one they love. I use …


Bundles And Blanks And Binds And Bends, Steven Kaplan-Pistiner 2020 Rhode Island School of Design

Bundles And Blanks And Binds And Bends, Steven Kaplan-Pistiner

Masters Theses

This thesis investigates how objects we make offer us a chance at maintaining what makes us human.


The Line, Hannah Oatman 2020 Rhode Island School of Design

The Line, Hannah Oatman

Masters Theses

The Line is a series of exaggerated contemporary jewelry “products” that engage the audience through collecting, marketing, and nostalgia. It grew from a dissatisfaction with the world of “contemporary jewelry,” or “art jewelry,” or “author jewelry,” or whatever people are calling the field now (assuming they’re calling it anything).

The Line pushes against the rarely questioned conventions of contemporary jewelry by playing along with them (sometimes even playing a little rough).

This work intentionally walks on the lines between jewelry and art, and between art and product: lines that exist whether we want them to or not, but which can …


Tenacity, Order & Disorder, Lucy Manalo 2020 Claremont Graduate University

Tenacity, Order & Disorder, Lucy Manalo

CGU MFA Theses

My work is about empowerment. The idea of using metal comes from my past experience as a welder/machinist in the Air Force. Metal is a tough medium and I believe it conveys the themes of strength and tenacity through it’s materiality.


Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near 2020 Hope College

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.


Dredge The Foundry | For Dirt And Era, Woody Stauffer 2020 Fort Hays State University

Dredge The Foundry | For Dirt And Era, Woody Stauffer

Master's Theses

Billions of years are past us and billions of years await. Shaping earthen material into sculptural abstractions is my way to sense and convey the lethargic natural progression of the planet. Fossilization, rot, dirt, plant growth, animal existence, and rust are aesthetics I endow with new perspectives and form through mold making and casting. The dichotomy between the eons of time behind us and the endless possibility of a technological future has inspired the addition of a science fiction aesthetic. To rust these computerized constructed geometric forms demonstrates how futuristic ideals will also wither away. In many ways we are …


Textile Society Of America Newsletter 31:2—Fall 2019, Textile Society of America 2019 University of Nebraska - Lincoln

Textile Society Of America Newsletter 31:2—Fall 2019, Textile Society Of America

Textile Society of America Newsletters

Letter from the President

TSA News:
Announcing the 2019 Fellows of the Textile Society of America
New Professionals Convening: Envisioning Textiles Futures
Observations of New Professionals Convening: Envisioning Textiles Futures
Board Workshop with artEquity
Announcing Research Travel Grant Recipients
Textiles Close Up: Textiles Old and New in Detroit’s Cultural Center
Cooper Hewitt’s Object of the Day Blog Hosts TSA Members for NYC Textile Month

In Memoriam: Marion Coleman

In Memoriam: Archie Brennan

TSA Symposium News
17th Biennial Symposium: Hidden Stories/Human Lives
16th Biennial Symposium Workshop Review: Rediscovering the Potential of WARP(S)

International Exhibitions

Featured Article
A Land of Light and …


Photo Essay: Holding Up The Sky: Wabanaki People, Culture, History & Art, Tilly Laskey 2019 Maine Historical Society

Photo Essay: Holding Up The Sky: Wabanaki People, Culture, History & Art, Tilly Laskey

Maine History

Holding up the Sky is on view at Maine Historical Society through February 1, 2019. The exhibition gallery is located at 489 Congress St. in Portland. Please visit MaineHistory.org for hours and ticket information.


Law Library Blog (June 2019): Legal Beagle's Blog Archive, Roger Williams University School of Law 2019 Roger Williams University

Law Library Blog (June 2019): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.


Trademark, Cathryn Jasterzbski 2019 Rhode Island School of Design

Trademark, Cathryn Jasterzbski

Masters Theses

We are characterized by the assets which comprise our identity. These possessions provide us with numerous tools to navigate the social constructs that make up our lives. Growing up in a working-class family forced me to develop strategies to navigate various class structures as I engaged with them. This body of work redefines the value of the working class through a confluence of materials and techniques to bridge the two worlds that construct my identity—allowing me to coexist within both, yet bound by neither.


Instants // Intervals, Valerie James 2019 Rhode Island School of Design

Instants // Intervals, Valerie James

Masters Theses

The structure of this thesis aligns directly with the ritual structure of the rites of passage as set forth by ethnographer Arnold van Gennep. I see myself as both a participant and purveyor of ritual, visualizing the liminal stages of my own life into tangible and intimate pieces of jewelry. According to Gennep, a participant progresses through a rite of passage in three stages: separation, liminality, and re-integration. 01 Each chapter is organized around these three categories, and on how the work and I pass in and out of the studio. Out/Separation describes the process of walking and the poetics …


Distance Is A Place, Zhiqing Guo 2019 Rhode Island School of Design

Distance Is A Place, Zhiqing Guo

Masters Theses

Distance is a Place documents a body of work and a process — a journey in translation, where a quality of feeling becomes an effort of physical capture in jewelry.

The desire to reveal how a deep responsiveness to the atmospheric distance of the sky is associated with an innermost nonverbal place of refuge motivates me to make perceptible this awareness for contemplation. Incorporating photographic images of the immeasurable dimensions of sky within translucent resin, a spatial distance collapses into wearable, tangible stillness to be worn on the body as an eternal present. 8


Confronting The Uncomfortable, Kathryn Clapsaddle 2019 Bowling Green State University

Confronting The Uncomfortable, Kathryn Clapsaddle

Honors Projects

With this Honors Project, I wanted to explore some issues that might be uncomfortable through the design and creation of jewelry. The Confronting the Uncomfortable section of the project accomplished this goal. These pieces explored themes such as issues with society and the world today. I also wanted to complete a project that combines jewelry with technology to improve some aspects of the health field. The Jewelry Design in the Medical Field section of the honors project accomplished this goal. This part of the project focused on updating the medical alert bracelet design and technological integration to make these tools …


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