The Lantern, 2012-2013,
2013
Ursinus College
The Lantern, 2012-2013, Nora Sternlof, Kerrey Kahn, Quinn Gilman-Forlini, Chelsea Callahan, Anna Lorine, Sophie Zander, Caroline Putscher, Dominick Knowles, Samuel Brenner, Amanda Sierzega, Emily Duffy, Emily Fogel, Chloe Campbell, Andrew Tran, Maxwell Bicking, Jillian Goldstein, Erica Gorenberg, Alex Niedmann, Kelsey Knowles, Logan Metcalf-Kelly, Edwin Kosik, Gladys Martinez, Olivia Hovick, Shane English, Brooke Haley, Isabella Esser-Munera, Joshua Hoffman, Michael Heimbaugh, Anna Lobo, Kristin Cichowski, Brett Neslen, Allison Cavanaugh, Monica Reuman '15, Rikki Kathryn Eble, Angier Cooper, Rayna Nunes, Stephanie Breitsman, Julianna Lepore, Rachel Blunt, Nicole Kovacs
The Lantern Literary Magazines, 1933 to Present
• How They Run
• What Was Said in Boston
• On the Last Day of the Month
• An Angel Tries to Surprise Humans
• I Wonder if God Modeled Boys After Books
• Marred with Modern Scars
• Feather Bed
• Ode to a Pen
• Objet Petit A
• Breaking News: Grownups Fear Return of Disco
• Neuroscience
• New Document
• We Were Stars, and the Sky was Our Grass
• About a Man
• Trojan
• An Ode
• Yr Body Sour
• That Lake in Jamaica
• Live While Chiefs are Still Fighting
• …
Visual Metaphor In Games Of Chance: What You See Is What You Play,
2013
Johnson & Wales University - Providence
Visual Metaphor In Games Of Chance: What You See Is What You Play, Stephen Andrade
Computer Graphics Department Faculty Publications and Creative Works
Visual images have been a key element in the development of wager-based games. The legacy of visual metaphor in gaming can be traced through paper ephemera such as playing cards and lottery tickets. Both paper and printing technology ushered the age of wide spread playing opportunities in the 19th and 20th centuries. Modern play behaviors have given way to Postmodern gaming norms in digital space. The digital age has presented a new set of challenges for gaming architecture in wager-based play. Action research in prototyping games is beginning to reveal a new and different set of game characteristics.
The Unstable Ground Of Low Hierarchies,
2013
University of Westminster, London, United Kingdom
The Unstable Ground Of Low Hierarchies, Joshua Dinsmore
The Transdisciplinary STEAM+ Journal
Broad Vision is a collaborative project between the Sciences and Arts. It involves students and lecturers from six different departments, across three schools at the University of Westminster, London, UK. In the first year of the project we worked with the microscope as the locus for our interconnections.
The Emerald Ash Borer,
2013
Baldwin-Wallace College, Berea, Ohio, USA
The Emerald Ash Borer, Emily Bryant
The Transdisciplinary STEAM+ Journal
An Emerald Ash Borer made from recycled natural materials to create sustainable art.
Connecting The Contradictory With Science Art And The Aid Of A Caption,
2013
Claremont Colleges
Connecting The Contradictory With Science Art And The Aid Of A Caption, Carel P. Brest Van Kempen, Darryl Wheye
The Transdisciplinary STEAM+ Journal
When the disciplines of science and art intertwine to reveal a truth then words and images are suited to telling different parts, and reveal the whole story most effectively when working in tandem. Decoding the underlying science within a work of art through a caption does not diminish its value as art, but when we fail to decode the science we miss entry into a narrative.
Balconies,
2013
Blaze Hill Press, California, USA
Balconies, Joe Guimera
The Transdisciplinary STEAM+ Journal
Recent developments in theoretical physics suggest the possibility of parallel universes. What if we could see two or more universes at the same time? In effect, superimpose a scene from one universe; say a street corner, over the image of the same scene from a second universe? The photograph “Balconies” imagines the possibilities.
Merging Science And Art: The Bigger Picture,
2013
Universidad de Les Illes Balears, España (University in the Balearic Islands, Palma, Balearic Islands, Spain)
Merging Science And Art: The Bigger Picture, Natasha Hall
The Transdisciplinary STEAM+ Journal
It has been stated that artists comprehend and chronicle the completeness of the visible world (Wallach & Bret, 1987), defining Art as the creative expression of knowledge about the visual world. But to what extent does that awareness extend into a scientific appreciation of the world? The acronym STEAM is an abbreviation of Science, Technology, Electronics, Arts and Mathematics. Weaving interactions between Science and Art, have been shown by Clarke and Button (Clarke & Button, 2011), to intensify interconnections between nature, with Landscape, and ultimately with sustainability.
30,
2013
IvandeMonbrison
29,
2013
IvandeMonbrison
28,
2013
IvandeMonbrison
Screw,
2013
Rollins College
Tropos: A Magazine Of Literary And Artistic Works 2012-2013,
2013
Lawrence University
Tropos: A Magazine Of Literary And Artistic Works 2012-2013, Lawrence University
Tropos
No abstract provided.
Brunswick Cafe, Coeur D'Alene, Idaho,
2013
Johnson & Wales University
Brunswick Cafe, Coeur D'Alene, Idaho, Brunswick Cafe
The Raymond Earl Oetgen Menu Collection
No abstract provided.
El Adobe De Capistrano, San Juan Capistrano, California,
2013
Johnson & Wales University
El Adobe De Capistrano, San Juan Capistrano, California, El Adobe De Capistrano
The Raymond Earl Oetgen Menu Collection
No abstract provided.
San Clemente Inn, Breakfast Menu,
2013
Johnson & Wales University
San Clemente Inn, Breakfast Menu, San Clemente Inn
The Raymond Earl Oetgen Menu Collection
No abstract provided.
San Clemente Inn, San Clemente, California, Four Souvenier Versions Of Original Dinner Menu,
2013
Johnson & Wales University
San Clemente Inn, San Clemente, California, Four Souvenier Versions Of Original Dinner Menu, San Clemente Inn
The Raymond Earl Oetgen Menu Collection
No abstract provided.
Red Onion, Rolling Hills Estates, California,
2013
Johnson & Wales University
Red Onion, Rolling Hills Estates, California, Host International
The Raymond Earl Oetgen Menu Collection
No abstract provided.
Ivar's Acres Of Clams, Pier 54, Seattle, Washington,
2013
Johnson & Wales University
Ivar's Acres Of Clams, Pier 54, Seattle, Washington, Ivar's Acres Of Clams
The Raymond Earl Oetgen Menu Collection
No abstract provided.
Hollywood Turf Club, The Track Of The Lakes And Flowers, Harry Curland Catering,
2013
Johnson & Wales University
Hollywood Turf Club, The Track Of The Lakes And Flowers, Harry Curland Catering, The Hollywood Turf Club
The Raymond Earl Oetgen Menu Collection
No abstract provided.
Chalk The Block 2013 Poster,
2013
University of Texas at El Paso
Chalk The Block 2013 Poster, Anne Giangiulio
Selected Works Temporary Series
I designed this poster for the annual Chalk the Block event which took place October 11–October 13, 2013 in downtown El Paso. For the pop-up gallery component of the event, I organized a group of 6 students from my 'Graphic Design 4: Typography' class at The University of Texas at El Paso. Their posters were judged and selected to be on sale in a downtown space, previously a vacant restaurant, which had been converted into a gallery for the three-day weekend event. All proceeds from the sale of the posters went directly to the students.
