Graphic Design Commons^™

Remember Dippy, Anne Giangiulio

Selected Works Temporary Series

Book cover and interior template I designed for the young adult novel 'Remember Dippy' by Shirley Reva Vernick, published by Cinco Puntos Press in both hardcover and paperback. Between helpings of mouthwatering shortcake, mysterious ferret disappearances, and a romance that misfires, thirteen-year-old Johnny discovers an unexpected, improbable friendship. 'Remember Dippy' is the 2014 Dolly Gray Children's Literature Award Winner for its focus on autism and a finalist for the The Texas Institute of Letters’ annual award—Fred Whitehead Award for Design of a Trade Book.

Silk Scarf Designed For Utep's Centennial Celebration, Anne Giangiulio

Selected Works Temporary Series

I watercolored over 20 buildings located on the campus of The University of Texas at El Paso (UTEP) to design this 100% silk scarf. It is being sold as commemorative merchandising to celebrate UTEP's Centennial Celebration in 2014.

Voices Of Hope: Designing Social Change, Donald Tarallo

Presidential Fellows Program

Proposal Abstract:

If awarded this fellowship, I will devote my time to employ graphic design toward creating positive social change for youth living in the underprivileged neighborhoods of Providence, Rhode Island. The change my project will embody addresses a paradigm shift taking place in the graphic design community as the focus moves from design as a practice that fuels a market to the awareness that graphic design is a social practice and that it can be vehicle for powerful and sustainable social change. This effort will inform my teaching, resulting in a model for art and design education addressing social …

El Adobe De Capistrano, San Juan Capistrano, California, El Adobe De Capistrano

The Raymond Earl Oetgen Menu Collection

No abstract provided.

San Clemente Inn, Original Dinner Menu, San Clemente Inn

The Raymond Earl Oetgen Menu Collection

No abstract provided.

The Harbor Light, Oceanside Yacht Harbor, Oceanside, California, The Harbor Light

The Raymond Earl Oetgen Menu Collection

No abstract provided.

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Art & Design Faculty Research

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully …

S., J.J. Abrams, Doug Dorst, Special Collections, Fleet Library

Graphic Design

xiv, 456 pages : illustrations. Konfidentiell letter (2 leaves) [insert between pages viii-ix] + Pollard State University : VMS accused of ... (1 leaf) [insert between pages 10-11] + Xerox copy of journal article (1 leaf) [insert between pages 20-21] + Newspaper clipping (2 pages) [insert between pages 32 -33] + Telegram (2 leaves) [insert between pages 54-55] + 1 newspaper clipping/memo (1 leaf) [insert between pages 68-69] + Letter from Desjardins (1 leaf) [insert between pages 86-87] + Letter from Jen (4 pages) [insert between pages 100-101] + 1 Brazil postcard [insert between pages 112-113] + 1 photograph of …

Graphic And Gutsy, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Some people just can't help themselves. They've got an indefinable restlessness—a drive to do things most people don’t. By the time she was 26, Jessica Walsh GD 08 had pushed the proverbial envelope enough that esteemed designer Stefan Sagmeister (who had been in the business since before she was born) invited her to become a partner in his NYC-based firm.

Community As Client: Defining Social Design As A Means Of Designing For Good, Ryan Kough Gibboney

Open Access Theses

Approaching the design field today is a significant quantity of societal needs that have potential to be resolved through systematic design initiatives. There is increasing curiosity around the designer's role and responsibility within society; a belief that designers have the power to make social change happen in their own communities. Many neighborhoods with driven community members and professional designers are working together to turn to design as problem solving, as social activism on a local scale. But how do we make this sustainable?

To create a systematic change, designers must rethink the processes in which they view the problems and …

Producing Children's Toys Through 3-D Printing: A Multidisciplinary Approach, Rebekah Rifareal

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

One of the things that first attracted me to VCU was the opportunity for interdisciplinary discussions and interactions. I saw HSURP as a way to push my boundaries and interact with peers from different disciplines. When I saw the Social Design and 3-D Printing project, it just clicked. I saw the opportunity for engineering, for arts, for research, for graphic design. All of the things I was interested in learning about all came together.

Re:Creation, Heather Boone

Theses and Dissertations

This intent of this project is to explore the importance of handmade objects in the age of information.

Experience As An Experiment, James Walker

Theses and Dissertations

My work is an exploration of new media that demonstrates the influence a community has on visual communication. The community reveals content as objects go unnoticed after they become a permanent part of the landscape and assumptions are made from cultural archetypes. Through exploration, immersion, and reflection, I am able to recognize the invisible and expected, establish a familiarity with a community, and design responses that communicate directly to it.

Blue Book, Daniel Cole

Theses and Dissertations

Alain De Botton writes in The Architecture of Happiness, that “any object of design will give off an impression of the psychological and moral attitudes it supports.” Interpreting design then is done by understanding the attitudes of the designer, which either will or will not resonate with the viewer. I may consider the formal and conceptual merits of an object of design, but ultimately my attitudes determine whether the object will have resonance with me. These “attitudes” are, anthropologically speaking, values: what a person finds most good, proper, or desirable in life. Values are the key to the creation of …

Arabic Typography Play, Sarah Alfalah

Theses and Dissertations

I believe that spoken and written languages are verbal and visual expressions of cultures. Language is used to convey and sustain values and the belief system of people. Arabic is a language of complexity and formal beauty that is being disregarded and pushed away by its own native speakers. It is losing its value in the Arab world. In other words it is dying. Both the written and spoken language is being affected. As the world is interchanging, integrating, and becoming closer, there has been a strong impact on many societies, threatening their original culture. Arab cultures are abandoning the …

Transforming Narratives, Lucia Weilein

Theses and Dissertations

Narrative, often considered synonymous with “story,” can be viewed from a structuralist perspective and analyzed independent of any particular content. Breaking narrative into categories of story and discourse, this autonomous structure makes possible a translation of content from one form to another. The various media and form types common in graphic design can serve as both recipient and translator of narratives, converting content into a framework that includes the concept of craftsmanship, aesthetic components and specifications, legibility and composition, and the physical form of the designed object. To examine how this framework functions in practice, I have developed a series …

Wanderings, Jetter Jorge Silva

Theses and Dissertations

While it implies aimless movement, the act of wandering is an act of discovery and can become a search for the unexpected. Wandering, as a metaphor for making, creates opportunities to work in ways where the final outcome is unknown. This can be accomplished by the creation of methods and instructions designed for wandering-the act of discovery. In the field of design, these ideas can be incorporated as methods for making that guide the design process in ultimately unknowable ways, resulting in products that bear little trace of preconception. The role of chance and indeterminacy as methods for relinquishing control …

Designing With Images: Using A Realism Continuum To Choose Pictures For Communication Tasks, Stuart Medley

Research outputs 2013

Graphic design has historically been concerned with giving identity to clients’ projects. But what of its own identity? Graphic design and typography have become interchangeable terms, to the detriment of any theoretical position on pictures. This paper explains the necessity of a theory of pictures specific to the graphic design discipline. Bamford (2003) says there can’t be a vocabulary of images since it would be as limitless as the imagination and graphic skills of humanity. But a search for a vocabulary of images is a red herring for graphic design. Typography is less about what is spoken and more about …

A Picture Is Worth A Thousand Votes: Graphicacy Skills For Political Debate, Amanda Rainey, Stuart Medley

Research outputs 2013

Political campaigns are greatly influenced by changes in technology and communication, from FDR’s ‘Fireside Chats’ to JFK’s embrace of television. Now a combination of technologies allows almost everyone to create, reproduce, transform, and share images with friends and family, or with the world. Individuals and grassroots organisations can communicate using images alongside mainstream media, corporations and governments. There is now a great need for all of us to develop the visual literacy – or graphicacy – required to interpret and recreate images, to communicate as educated equals in this new political environment. Political advertising can use graphic design to make …

Autonomous Systems, Karolis Kosas

Theses and Dissertations

The ubiquity of digital media provides an unprecedented possibility to redefine the process and methods of design. Through experience from a series of creative projects, I investigate how certain aspects of the web allow for design to attain a degree of autonomy, thus producing results that go beyond anticipation and expertise of the author. Utilizing an unlimited capacity to store the content and retrieve immediate feedback, the designer’s role can be shifted to that of an initiator defining rules and boundaries, from which the process can evolve independently based on the input of users and data. The design output in …