Graphic Design Commons^™

Chalk The Block 2013 Poster, Anne Giangiulio

Selected Works Temporary Series

I designed this poster for the annual Chalk the Block event which took place October 11–October 13, 2013 in downtown El Paso. For the pop-up gallery component of the event, I organized a group of 6 students from my 'Graphic Design 4: Typography' class at The University of Texas at El Paso. Their posters were judged and selected to be on sale in a downtown space, previously a vacant restaurant, which had been converted into a gallery for the three-day weekend event. All proceeds from the sale of the posters went directly to the students.

Conquistador Of The Useless, Anne Giangiulio

Selected Works Temporary Series

Book cover and interior template I designed for 'Conquistador of the Useless' by Joshua Isard, published by Cinco Puntos Press. Joshua Isard’s debut novel is a hoot. The hero Nathan Wavelsky moves into the burbs with his wife. Life is good. He’s a successful slacker. He doesn’t want to rock the boat. His definition of a good time is listening to his favorite bands on his iPod and staring at the grass and the poplar trees in his backyard. As a mid-level corporate manager, he does what his bosses tell him. If they want somebody fired, he fires them. No …

Exhibition Catalog For 'Navigating Art Languages: The James M. Shelton, Jr. Collection', Anne Giangiulio

Selected Works Temporary Series

Catalog designed for 'Navigating Art Languages: The James M. Shelton, Jr. Collection' exhibition, on display from September 20, 2013 to February 2, 2014 at the Peter and Margaret de Wetter Gallery of the El Paso Museum of Art. 28-pages.

Next, Anne Giangiulio

Selected Works Temporary Series

Book cover and interior template I designed for the young adult novel 'Next' by Kevin Waltman, published by Cinco Puntos Press in both hardcover and paperback. Derrick Bowen has one thing on his mind when basketball practice starts his freshman year: winning the starting point guard job. (Well, a girl too.) But his old-school coach makes him sit on the bench. An elite prep school wants him to transfer from his inner-city public school, but all the adults steering him there have ideas of their own.

Remember Dippy, Anne Giangiulio

Selected Works Temporary Series

Book cover and interior template I designed for the young adult novel 'Remember Dippy' by Shirley Reva Vernick, published by Cinco Puntos Press in both hardcover and paperback. Between helpings of mouthwatering shortcake, mysterious ferret disappearances, and a romance that misfires, thirteen-year-old Johnny discovers an unexpected, improbable friendship. 'Remember Dippy' is the 2014 Dolly Gray Children's Literature Award Winner for its focus on autism and a finalist for the The Texas Institute of Letters’ annual award—Fred Whitehead Award for Design of a Trade Book.

Silk Scarf Designed For Utep's Centennial Celebration, Anne Giangiulio

Selected Works Temporary Series

I watercolored over 20 buildings located on the campus of The University of Texas at El Paso (UTEP) to design this 100% silk scarf. It is being sold as commemorative merchandising to celebrate UTEP's Centennial Celebration in 2014.

Voices Of Hope: Designing Social Change, Donald Tarallo

Presidential Fellows Program

Proposal Abstract:

If awarded this fellowship, I will devote my time to employ graphic design toward creating positive social change for youth living in the underprivileged neighborhoods of Providence, Rhode Island. The change my project will embody addresses a paradigm shift taking place in the graphic design community as the focus moves from design as a practice that fuels a market to the awareness that graphic design is a social practice and that it can be vehicle for powerful and sustainable social change. This effort will inform my teaching, resulting in a model for art and design education addressing social …

El Adobe De Capistrano, San Juan Capistrano, California, El Adobe De Capistrano

The Raymond Earl Oetgen Menu Collection

No abstract provided.

San Clemente Inn, Original Dinner Menu, San Clemente Inn

The Raymond Earl Oetgen Menu Collection

No abstract provided.

The Harbor Light, Oceanside Yacht Harbor, Oceanside, California, The Harbor Light

The Raymond Earl Oetgen Menu Collection

No abstract provided.

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Art & Design Faculty Research

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully …

S., J.J. Abrams, Doug Dorst, Special Collections, Fleet Library

Graphic Design

xiv, 456 pages : illustrations. Konfidentiell letter (2 leaves) [insert between pages viii-ix] + Pollard State University : VMS accused of ... (1 leaf) [insert between pages 10-11] + Xerox copy of journal article (1 leaf) [insert between pages 20-21] + Newspaper clipping (2 pages) [insert between pages 32 -33] + Telegram (2 leaves) [insert between pages 54-55] + 1 newspaper clipping/memo (1 leaf) [insert between pages 68-69] + Letter from Desjardins (1 leaf) [insert between pages 86-87] + Letter from Jen (4 pages) [insert between pages 100-101] + 1 Brazil postcard [insert between pages 112-113] + 1 photograph of …

Graphic And Gutsy, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Some people just can't help themselves. They've got an indefinable restlessness—a drive to do things most people don’t. By the time she was 26, Jessica Walsh GD 08 had pushed the proverbial envelope enough that esteemed designer Stefan Sagmeister (who had been in the business since before she was born) invited her to become a partner in his NYC-based firm.

Community As Client: Defining Social Design As A Means Of Designing For Good, Ryan Kough Gibboney

Open Access Theses

Approaching the design field today is a significant quantity of societal needs that have potential to be resolved through systematic design initiatives. There is increasing curiosity around the designer's role and responsibility within society; a belief that designers have the power to make social change happen in their own communities. Many neighborhoods with driven community members and professional designers are working together to turn to design as problem solving, as social activism on a local scale. But how do we make this sustainable?

To create a systematic change, designers must rethink the processes in which they view the problems and …

Producing Children's Toys Through 3-D Printing: A Multidisciplinary Approach, Rebekah Rifareal

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

One of the things that first attracted me to VCU was the opportunity for interdisciplinary discussions and interactions. I saw HSURP as a way to push my boundaries and interact with peers from different disciplines. When I saw the Social Design and 3-D Printing project, it just clicked. I saw the opportunity for engineering, for arts, for research, for graphic design. All of the things I was interested in learning about all came together.

Under A Pale Grey Sky: An Interactive Timeline Of Iroquoian Warfare And Its Impact On The Acceleration Of American Colonization, Thomas Weaver

Theses

Early American settlers thought the Iroquois to be a violent, forceful and barbaric amalgamation of Native American Nations. Their organization of warfare, community, and politics allowed them to remain one of the most powerful nations for many years. Conflict with other tribes was a normal part of life for the Iroquois and the surrounding nations. However, as the American settlers began moving towards the frontier, Iroquois conflicts with the Algonquian begin to rise in frequency. This led to weakening of the Iroquois population and allowed the American settlers to usurp land from the Six Nations without considerable opposition.

Designing With Images: Using A Realism Continuum To Choose Pictures For Communication Tasks, Stuart Medley

Research outputs 2013

Graphic design has historically been concerned with giving identity to clients’ projects. But what of its own identity? Graphic design and typography have become interchangeable terms, to the detriment of any theoretical position on pictures. This paper explains the necessity of a theory of pictures specific to the graphic design discipline. Bamford (2003) says there can’t be a vocabulary of images since it would be as limitless as the imagination and graphic skills of humanity. But a search for a vocabulary of images is a red herring for graphic design. Typography is less about what is spoken and more about …

A Picture Is Worth A Thousand Votes: Graphicacy Skills For Political Debate, Amanda Rainey, Stuart Medley

Research outputs 2013

Political campaigns are greatly influenced by changes in technology and communication, from FDR’s ‘Fireside Chats’ to JFK’s embrace of television. Now a combination of technologies allows almost everyone to create, reproduce, transform, and share images with friends and family, or with the world. Individuals and grassroots organisations can communicate using images alongside mainstream media, corporations and governments. There is now a great need for all of us to develop the visual literacy – or graphicacy – required to interpret and recreate images, to communicate as educated equals in this new political environment. Political advertising can use graphic design to make …

Re:Creation, Heather Boone

Theses and Dissertations

This intent of this project is to explore the importance of handmade objects in the age of information.

Experience As An Experiment, James Walker

Theses and Dissertations

My work is an exploration of new media that demonstrates the influence a community has on visual communication. The community reveals content as objects go unnoticed after they become a permanent part of the landscape and assumptions are made from cultural archetypes. Through exploration, immersion, and reflection, I am able to recognize the invisible and expected, establish a familiarity with a community, and design responses that communicate directly to it.