Designing A School: Creating A Map For Pace University,
2020
Pace University
Designing A School: Creating A Map For Pace University, Tanner Maple
Honors College Theses
The map of a university is an essential tool for students, not only for navigation but also to promote the campus. When the map is outdated, students don’t find it functional and it can not complete its purpose. With the map of Pace University’s downtown campus, a new design was needed to go with the renovations that are taking place. When redesigning the map, features that are seen amongst the most common maps should be considered in the design. One feature that most maps now have is some sort of interactivity. To include this, maps have an online version that …
Hyperreal Communication,
2020
Utah State University
Hyperreal Communication, Idil Tayhan
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
”In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles.” -Guy Debord
Particularly in the contemporary era, image duplication and manipulation techniques have been advancing rapidly. These advancements are forming a new discourse around communication that is drastically different from its predecessors. For this reason, in the contemporary era, communication has become questionable in its truthfulness and sincerity. As a designer, I am concerned with the extreme commercialization and commodification of communication. My work looks to the situationist movement of the 60's, which sought to disrupt every cultural front in order …
An Exploration Of Procedural Methods For Motion Design,
2020
East Tennessee State University
An Exploration Of Procedural Methods For Motion Design, David Hamilton
Undergraduate Honors Theses
This research aims to apply procedural techniques, similar to those employed in node-based modeling or compositing software packages, to the motion design workflow in Adobe After Effects. The purpose is to increase efficiency in the motion design process between pre-production and production stages. Systems Theory is referenced as a basis for breaking down problems in terms of inputs and outputs. All of this takes place within the context of a larger motion design project.
Q&A With Wyatt West (Bfa Graphic Design),
2020
University of Mississippi
Q&A With Wyatt West (Bfa Graphic Design), Wyatt West
Q & A Interviews with Art Students
No abstract provided.
Final Project: Claire Brewer,
2020
University of Dayton
Final Project: Claire Brewer, Claire Brewer
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Megan Farnan,
2020
University of Dayton
Final Project: Megan Farnan, Megan Farnan
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Emily Cordonnier,
2020
University of Dayton
Final Project: Emily Cordonnier, Emily Cordonnier
COVID-19 Graphic Design: Data Visualization and Information Design
Inspired by the Russian Constructivism movement over 100 years ago, this piece pays homage to the parallels that exist in 2020 and that we are still grappling with in our society. The Russian Revolution of the 1920s brought a philosophy and design movement that was aimed to reflect modern industrial society and urban spaces that favored art, design, and architecture for practical and social purposes. The movement’s design was based on construction from products of society or what was in the studio, home, or office. The modern-day feeling of unrest and contempt for not having enough resources to survive living …
Final Project: Lucy Rauker,
2020
University of Dayton
Final Project: Lucy Rauker, Lucy Rauker
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Grace Burke,
2020
University of Dayton
Final Project: Grace Burke, Grace Burke
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Remy Mcallister,
2020
University of Dayton
Final Project: Remy Mcallister, Remy Mcallister
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Megan Lewis,
2020
University of Dayton
Final Project: Megan Lewis, Megan Lewis
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Kathryn Niekamp,
2020
University of Dayton
Final Project: Kathryn Niekamp, Kathryn Niekamp
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Eman Alshafai,
2020
University of Dayton
Final Project: Eman Alshafai, Eman Alshafai
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: William Carreras,
2020
University of Dayton
Final Project: William Carreras, William Carreras
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Madeline Spicer,
2020
University of Dayton
Final Project: Madeline Spicer, Madeline Spicer
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Shannon Stanforth,
2020
University of Dayton
Final Project: Shannon Stanforth, Shannon Stanforth
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Ajay Madlinger,
2020
University of Dayton
Final Project: Ajay Madlinger, Ajay Madlinger
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
Final Project: Samantha Johnson,
2020
University of Dayton
Final Project: Samantha Johnson, Samantha Johnson
COVID-19 Graphic Design: Data Visualization and Information Design
This poster was the final project in the spring 2020 semester of Graphic Design I (VAD 411), taught by Misty Thomas-Trout, assistant professor of art and design. Following the transition to all-remote learning on March 23, 2020, in response to the COVID-19 pandemic, students in the class drew from data, health information, news coverage, personal reflections and other sources to create this work.
User Research And Real User Problems: Improving The User Experience Of Online Shopping,
2020
University of Connecticut
User Research And Real User Problems: Improving The User Experience Of Online Shopping, Lauren Ciulla
Honors Scholar Theses
“User Research and Real User Problems: Improving the User Experience of Online Shopping” is a creative thesis project that incorporates user research, user experience design, and coding skills. The first phase of the project consisted of market research and generative user research to develop a plan for a shopping companion app. The findings of this research shaped the scope of the project according to user needs and established the basis of a plan to create a progressive web application and Google Chrome browser extension that will respond to specific user problems. These tools would solve three key user problems: users …
"Here In The Western World": A Comparison Between Japanese Manga In America And American Comics,
2020
West Chester University of Pennsylvania
"Here In The Western World": A Comparison Between Japanese Manga In America And American Comics, Daniel Feathers
English Student Work
This project, “Here in the Western World: A Comparison between Japanese Manga in America and American comics”, examines the structural and compositional differences between Japanese Manga and American comics. Specifically, it focuses on the ways in which the two similar mediums split from each other in the early 60’s to become two distinct “genres” in the comic book world. The project examines the effects of the “localization” of Japanese manga to fit more “western” sensibilities regarding both art and content on the integrity of the work. Methodologically, it draws from a range of comic-book scholarship including Scott McCloud’s “Understanding Comics.” …
