Graphic Design Commons^™

Ctrl Shift, Kit Son Lee

Masters Theses

CTRL SHIFT makes a case for design under contemporary computation. The abstractions of reading, writing, metaphors, mythology, code, cryptography, interfaces, and other such symbolic languages are leveraged as tools for understanding. Alternative modes of knowledge become access points through which users can subvert the control structures of software. By challenging the singular expertise of programmers, the work presented within advocates for the examination of internalized beliefs, the redistribution of networked power, and the collective sabotage of computational authority.

Street Art: The Gallery Of The City, Mia Pinzelik

University Honors Theses

This project will look to better understand the culture and community of Portland street art, the unique aspects of the art form, the kinds of people participating in street art culture, the difficulties they face, and what defines this specific Portland subculture in 2020. The goal of this project is to compile this research into a board game illustrating a general overview of the process and experiences of street artists in Portland.

Personal Positioning System, Laura Diez De Baldeon

Masters Theses

Personal Positioning System (PPS) is an exploration of spatial memory in an unstable world. While the GPS gathers many different, shifting data points in order to provide us with an apparently stable representation of our position, a longitude and latitude in the earth’s grid, PPS offers alternative forms of mapping based on a more flexible unit: memory. PPS reverses the directionality of the GPS and returns to the fragmentary; it disperses rather than unifies, offshooting in different directions, overlaying the intimate on corporate territory, chasing the shifting flow of geographical information. It conceives of design as a spatial practice, one …

Open Articulations, Matthew Bejtlich

Masters Theses

Open Articulations invites an exchange between human and environmental worlds through cycles of improvisation, reflection, and rebirth. It is a study of how exchanges emerge, what forms they can take, how they are mediated, and how we can sustain them with each other and with our surroundings. Through our coordinated immersion in landscapes and our spontaneous creation in them through frameworks encouraging play, we channel the spirit of a jazz drummer riffing with his midnight quartet, exchanging rhythms, images, sounds, movements, and textual fragments. A gentle breath, a flickering sensation, a gesture: expressions of a specific time rooted in a …

Refiguring Relations, Daphne Hsu

Masters Theses

Refiguring Relations sets conditions for interdependence and visualizes the affective relationships that people have with one another. Through scripts and participatory experiences, my work explores, challenges, and formulates expressions of collaboration. I extend spaces of overlap between individuals to encourage connection and alliance building, however temporary, slow, or small. In reading experiences, both print and digital, models of circulation and accessibility allow the audience to see and affect each others’ interactions. This thesis assembles methodologies and blueprints for reciprocal engagement, between designer and collaborators, designer and participants, and among participants themselves.

Future As Medium, Georgie Nolan

Masters Theses

FUTURE AS MEDIUM through critical examination develops a working premise for advancing designed visualizations of the future. In an effort to build new models of practice that consciously work towards the future, I undertake a set of delicate negotiations rooted in critical inquiry as well as creative production, all expressed across three temporal contingencies: yesterday, today and tomorrow.

I work the terrain of the past as an assembled archive of speculative worlds created by architects, designers, and artists, and problematize the mediation of futures through a close reading of their world-building tools. I use this archive to make sense of …

Jettisoning The Frame: Strategies For Designing At The Threshold, Will Mianecki

Masters Theses

Jettisoning the Frame: Strategies for Designing at the Threshold explores graphic design’s capacity for facilitating critique and understanding of accelerating systems of technological control and complexity. Working across archives, architectures, and infrastructures, designing at the threshold is an approach that takes the opacity of systems and subjects alike as a starting point from which new possibilities, configurations, and relations emerge. It is a loose methodology predicated on shifting, jettisoning, and reorienting the role and frame of the designer from objectivity to subjectivity. From neutrality to implication. From scientific to messy. From solutionism to something else.

The Relativity Of Value, Lai Xu

Masters Theses

My practice is an inquiry into the fluctuation of value. To deconstruct the simplistic consumer tropes of mundane/luxury, simple/complex, or hidden/obvious, I experiment with speculative forms of hybridization using interactive media platforms to create an alternate temporality. Microscopic moments open the door to design opportunities. Through field observations, image sequences, data, and archives of artifacts, I roll out the simple signifiers of symbolic value to pause attention while also exposing the paradox of our consumptive behaviors.

Community, Harana & Karaoke: Towards A Theatrical Design, Ryan Diaz

Masters Theses

Community, Harana, & Karaoke: Towards a Theatrical Design explores graphic design’s potential as theatrical staging for building community and practicing the difficult and complicated art of loving others through performance.

Studying graphic design as harana, the traditional Filipino custom of romantic serenade, offers a framework to view both mediums as social architectures that propose and transform proximities of relation between people. As in harana, graphic design facilitates in naming, grounding, and organizing social relationships; in taking these affective environments as content and form, both arts align with the nature of performance and staging. Through practice, research, and abstraction, the graphic …

Parentheses Asterisk Ellipses, Everett Epstein

Masters Theses

Textual punctuation — those common marks that pace a text — are rarely static. They allow a message to flow, providing space and also emphasis. While words hold the stage, humble commas and periods coax the message.

This thesis urges another orientation to these tools, with the graphic designer assuming the role of one who principally punctuates. In Parentheses Asterisk Ellipses, punctuation becomes the primary driver of meaning — a perfect technology for rich associative networks of history, type, and the social. Tracing the grain of these forms, Parentheses Asterisk Ellipses offers a close reading of the three marks in …

Paperwork, Romik Bose Mitra

Masters Theses

This thesis is about the politics of identity and belonging. It is about the impact that practices of identification, government surveillance, and global systems of citizenship and nationality have on the people that live by them. Inspired by the various borders (both real and imagined) that I maneuvered around to get to Rhode Island, and enriched with perspectives gathered in conversation with theoreticians in the field, Paperwork is a set of documents and debriefs that details the work that I made in response to a migratory and investigatory journey. Through this thesis, I attempt to better understand various bureaucratic practices …

Elsewhere: Impressions Of Sense & Nonsense, Madeline Woods

Masters Theses

I’m not going to give it all away up front, but here are a few things you’ll find inside: a flower that tastes like peppermint, a book that smells like sunscreen, a silver orb that purrs, a woman becoming a tree, a shy rainbow, and a hat that is also a disguise. There are lists, letters, dreams, and notes. I hope there aren’t typos, but I’m only human, after all. There is sense, and there is also nonsense.

If you decide to join me here, we will wander elsewhere — across different kinds of terrain, into sensory experiences, between mediums, …

Remembrance, Nhu Ngoc Quynh Dao

LSU Master's Theses

The artwork in the collection, “Remembrance,” is a collection of three-dimensional paper toys inspired by the culture of Dong Son civilization. The study was intended as an investigation into a mysterious, once-lost kingdom that flourished in the northern delta region of Vietnam. The designs and art motifs found on bronze artifacts from Dong Son have been scrutinized, then compared with stories in Vietnamese legends to decipher their hidden message and symbolism. I collected and translated the design motifs digitally as part of the creative process before analyzing their philosophies and intentions to not only introduce the culture but also accurately …

Mixed (F)Ixed Messages, Lauren A. Verrett

LSU Master's Theses

Many individuals have an understanding that our lives have a timeline, and this timeline is full of objectives that we perceive as absolutes. Through personal observations it has become apparent that there are many amazing men and woman that are stagnant because they were raised to believe that meeting these goalposts are a priority. In an age of individualism, it is evident that every individual has control of their own life through their actions. However, in this same age of technology and social media, the anxiety of not meeting certain requirements or standards is even more apparent than previous generations. …

Connection, Compassion, And Honesty: Using Picture Books To Help Build A Healthier Relationship To Death In A Death-Denying Culture, Kami Sahalie Upshaw Gould

University Honors Theses

This paper explores the ways children are taught about death and dying and how children's picture books can be utilized in difficult conversations of this nature. I go into the historical advent of books specifically for children and research how different ways of explaining death can help or hurt a child. Through this research, I explore how our situationality in a death denying culture has shaped how we explain death to children and what steps can be taken to counter this denial.

What's Important To You? A Look Into The Historical And Social Significance Of Buttons, Hope Je Ferns

University Honors Theses

This project is an exploration into the social and historical significance of buttons and the culture surrounding buttons. Not only is it looked at from a graphic design context, but it is also looked at from the context of nonverbal communication, social change, and a piece of history that is tangible, accessible, and for all groups of people.

Using Graphic Design To Create Packaging For Myers-Briggs Personality Candles, Mary Elizabeth Horton

Senior Honors Theses

Throughout history, art has been used to communicate ideas, stimulate the imagination, and engage the senses. In recent times, with the advancement of graphic design in the art industry, creative boundaries have been pushed in the pursuit of innovative design approaches. Design is utilized not only to convey artistic meaning but also to engage the viewers’ senses and influence buyers’ decisions. Some consumers associate designs with different moods or feelings, and color and visual design can powerfully encapsulate personality. This paper and associated creative work show the versatility of graphic design to create candle packaging inspired by each of the …

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.

Cosmic Desert Art, Mike Graham De La Rosa

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.

My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes …

Wave Tunes, Abigail Walters, Brianna O'Neal

Liberty University Research Week

Undergraduate

Graphic Design