Fiber, Textile, and Weaving Arts Commons^™

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.

Kruizenga Art Museum Online Collection - Exhibition Gallery

A Girl Is A Girl Is A Girl, Paige Lizbeth Morris

Theses and Dissertations

It is well known that Western society uses men’s visual pleasure as a means to determine womxn’s value; her success is dependent on her compliance with culturally determined beauty standards. This process turns womxn into commodities and reinforces notions of gender complementarity, perpetuating a lifetime of servitude to patriarchal ideologies. It reminds the non-male that she is incomplete, insufficient, insignificant, and so easily dismissable. It forces her to be dependent, to shut up, to sit down, and to enjoy it.

In an effort to reject these presumed histories and narrow connotations of womxn, I have analyzed my gender performance in …

Judy Chicago's The Dinner Party: An Influential And Historical Masterpiece, Tejas Fruean

AWE (A Woman’s Experience)

No abstract provided.

Overalls - Complex Document(S): A Never-Ending Artistic Research Process, Niels W. Lund

Proceedings from the Document Academy

I want to show that a pair of overalls can be a document in many senses, and thus demonstrate that the complementary relationship between materiality, sociality and conceptuality is a very complex relationship.

I will use an artistic approach to show the complex relationship and make an exposition of verbal text and images, consisting of 4 parts:

1. Origin of overalls

A short history of overalls - denim pants first with suspenders and later with bibs. They go back to the 18th century, were mass-produced by Levi Strauss and Lee and became popular work garment and later for leisure and …

Ciencia De Las Mujeres: Experiencias En La Cadena Textil Desde Los Ayllus De Challapata, Denise Y. Arnold, Elvira Espejo

Textile Research Works

En el contexto de la crisis económica que atravesó Bolivia en los años ochenta, una comunidad de puna de pastores andinos, Livichuco, que forma parte integral del ayllu mayor de Qaqachaka, emprendió por iniciativa propia un proceso de mejoramiento de su producción textil, con un programa de rescate de los tintes naturales de la región. Con recursos mínimos, los comunarios compraron ollas y bateas metálicas, y comenzaron a preguntar a las personas mayores sobre sus conocimientos prácticos tradicionales en el ámbito de la tinción de textiles. Durante un período de diez años, y en coordinación con varias instituciones —incluida la …

Development Of A Prototype Shirt For Post Double Mastectomy Women Without Breast Reconstruction, Hannah Lane

Apparel Merchandising and Product Development Undergraduate Honors Theses

Breast cancer is a common cancer among women in the United States, with thousands of fatalities and hundreds of thousands of diagnoses every year. A common course of treatment for breast cancer is the surgical removal of all or some of the breast tissue; this is known as mastectomy. Mastectomy is invasive in nature and results in noticeable physical changes to the body and psychological effects in regard to self-image. However, it is becoming more common for breast cancer survivors to embrace their now flat chests following mastectomy, instead of opting for reconstructive surgery. This has become a lifestyle choice …

Measurement Of Antibacterial Properties Of Foil‑Backed Electrospun Nanofibers, Mary Ann Wagner-Graham, Herbert Barndt, Mark Andrew Sunderland

College of Life Sciences Faculty Papers

Current methodologies for evaluation of antibacterial properties of traditional textiles are not applicable to foil‑backed, poorly‑absorbent electrospun nanofiber materials, since existing test methods require absorbent fabrics. Since electrospun nanofibers are adhered to the foil backing only by electrostatic interactions, methods used to evaluate antibacterial properties of surfaces cannot be used because these protocols cause the nanofibers to lift from the foil backing. Therefore, a novel method for measurement of the antibacterial properties of electrospun metallic foil‑backed nanofiber materials was developed. This method indicated that acetate‑based nanofibers manufactured to contain 5 to 30 weight percent of cold‑pressed hemp seed oil or …

Textile Society Of America Newsletter 31:2—Fall 2019, Textile Society Of America

Textile Society of America: Newsletters

Letter from the President

TSA News:
Announcing the 2019 Fellows of the Textile Society of America
New Professionals Convening: Envisioning Textiles Futures
Observations of New Professionals Convening: Envisioning Textiles Futures
Board Workshop with artEquity
Announcing Research Travel Grant Recipients
Textiles Close Up: Textiles Old and New in Detroit’s Cultural Center
Cooper Hewitt’s Object of the Day Blog Hosts TSA Members for NYC Textile Month

In Memoriam: Marion Coleman

In Memoriam: Archie Brennan

TSA Symposium News
17th Biennial Symposium: Hidden Stories/Human Lives
16th Biennial Symposium Workshop Review: Rediscovering the Potential of WARP(S)

International Exhibitions

Featured Article
A Land of Light and …

Blanket Statements, Issue 140, Fall 2019

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 140, Fall 2019

Unity In Diversity: Textile Expressions Of The Human Condition In Times Of Economic And Cultural Anxiety, Eli J. Baez

Independent Study Project (ISP) Collection

Questions about the roots of human nature have been plaguing human societies across the globe since the beginning of time. Whole societies are built around the perceived answers, and the art which these societies produce reflect upon it and even contribute to constructing ‘proper’ human behavior. One such artistic material that lays literally quite close to the human body is the textile. Textiles can possess the specific power to shape the way in which an individual human body is presented to others, as well as to position a collective of humans in relation to others. In other words, textiles can …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Weaving Modern Forms: Fiber Design In The United States, 1939–1959, Sarah Mills

Dissertations, Theses, and Capstone Projects

This dissertation traces the emergence and development of modern weaving in the United States. In a series of case studies, it follows the paths of three weavers: Anni Albers, Marianne Strengell and Dorothy Liebes, who make inroads in the field of American textile design from the late 1930s to the late 1950s through their teaching, writing and weaving practices. In the 1930s, these women, alongside other professional weavers in the United States, retooled hand weaving in a practice of prototype designing for power loom (machine) production. In adapting their skills to the design of machine-loomed textiles, their artistic agency expands. …

Christopherson, Kathryn Kendall (Donley) "Katy," 1921-2017 (Mss 672), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 672. Correspondence, articles, interviews, photographs, and printed matter relating to the work of Katy Christopherson, Louisville, Kentucky, as a maker, curator, judge, lecturer and writer on quilts and quilting. Includes material relating to her involvement with the Kentucky Heritage Quilt Society and the Louisville Nimble Thimbles, Inc.

Blanket Statements, Issue 139, Summer 2019

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 139, Summer 2019

Jennifer Tshab Her, Allison Bautista

Asian American Art Oral History Project

Artist Bio: My work demonstrates and complicates the politics of displacement through my experience as a second-generation Hmong-American woman. As a nation-less ethnic minority from Southeast Asia, I fear cultural extinction. I create work that reveals the diaspora of the Hmong, questioning the roles of site and place, and instead looking in-between. My work engages political and cultural space through multidisciplinary practices such as embroidery, installation, and social practice. I use color as a dialogue–a tool for bringing attention to space, claiming space and recognizing how spaces are claimed. I interpret the question of ownership, whether land or body, through …

Floating, Nina Shishkina

Masters Theses

My writing is influenced by the concept of Montage. It has bits of readings, thoughts, memories. Everything is carefully picked and curated to inform the viewer of the ideas behind the work.

This book is aiming to explain the context of the time and space I was born and raised. The nineties in Russia were an extremely dynamic space. The flow of information, ideas, cultural events were enormous. Everything coexisted. the real democracy and freedom, as now it would be described. It was a dark time, full of hope and expectations.

Unfortunately for the reader, this text is not that …

Awe-Struck, Emily Robertson

Masters Theses

Awe-struck is an exploration at the intersection of embodied and situated cognition, sight, sense-making and nature with an additional layer of artistic interpretation and emotional response. Adapting elements of Terrapin Bright Green’s biophilic design principles, this work pushes past the well researched benefits of incorporating nature into a designed space, to uncover an individual’s personal connection to an environment. The connection is multi-faceted—layered with observations of space, color and location, filtered through a lense of physical, philosophical and psychological reactions and then translated into an individual personal history. With a specific focus on wild spaces, where humans have designed and …

Mais Fica : More For Me, Gabrielle Marie Ferreira

Masters Theses

This book is as much a part of my thesis as the fabrics and patterns themselves, stitched together from moments and memories. You may take these stories with you, but those hidden moments between my words will always remain for me and me alone. No matter how many people take these stories with them, still mais fica.

Sculpture As Souvenir: Reportable And Repeatable, Ashlyn Lee

Art Theses and Dissertations

In this paper, an analysis of the site as material, process, and concept for an artwork results in an understanding of the art object as a souvenir. Reportable and repeatable experiences are discussed and remembered in the six works of the Qualifying Thesis Exhibition at the Pollock Gallery. Of the six works is an installation, Catfish Fence, and five small works displayed on the gallery window sill: Bundle, Posted: No Trespassing, Sling, Right Recipe, and Margie Ruth’s Swing Where the Wasp Bit Me. Susan Stewart’s discussion of souvenirs from On Longing (1984) serves as a tool for considering the art …