Fiber, Textile, and Weaving Arts Commons^™

Holler, Ashley Gregg

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts thesis exhibition Holler, held at Tipton Gallery March 2^ndto March 13^th, 2020. The exhibition features an installation of works on fiber, paper, and found objects tied to her upbringing in Southern Appalachia. A variety of collected materials including bedsheets, chalkboards, and barbwire are taken out of their traditional contexts and brought into a new vantage point through the artist’s alterations.

Gregg re-contextualizes materials, language, and signifiers as a process of decoding formative experiences in domestic and academic spaces. Themes examined in the work include rote learning, tradition, …

Study Of Native Colombian Tribes' Art As A Mean Of Inspiration, Sofia Fernandez

UCARE: Research Products

Culture is one of the most important aspects of a human being, it shapes our behavior and identity since we are born. It is our lifestyle and it refers to many aspects such as the language we use, our values, traditions, beliefs, etc. Cultural diversity is one of the aspects communities nowadays emphasize the most, they want people to be mindful and respectful of the different cultures represented within the community itself. This creative project examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project aims to …

Blanket Statements, Issue 143, Spring 2020

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 143, Spring 2020

Paper Sculptures: Planes With Movement, Elizabeth Adams Thomas

P-12 Lesson Plans

In this art lesson for K-3 students will consider how flat planes can be combined to make interesting compositions in both two and three dimensions and practice building their paper sculptures from flat planes.

I Poked You Where We Were Connected, Sophia Ruppert

School of Art, Art History, and Design: Theses and Student Creative Work

Life leaves behind physical and mental residue. Some of these remnants are precious while others are tragic. Regardless of its origin, this residue can be made beautiful. Remnants of the objects that surround us chronicle our history as complex individuals. My sculptures investigate my own physical and mental residue to dissect and examine my personal history.
I unravel experiences that are residually prominent in my memories. Of particular importance are events and objects that have shaped my perception of self.
stories told by my grandmothers
a dysfunctional family dynamic
objects that provide visual touchstones to my childhood
These fragments are …

2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2020 IGGAD Conference: Without Borders: Tracing the Cultural, Archival, and Political African Diaspora.

A New Kind Of Loom In Early Roman Egypt? How Iconography Could Explain (Or Not) Papyrological Evidence, Maria Mossakowska-Gaubert

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The question of the different kinds of loom used in ancient Egypt is one of the most crucial issues to understanding the evolution of textile production and its technological development in the Nile Valley. However, sources concerning looms (archaeological, iconographic and written) from the Pharaonic era until the Arab medieval period are meagre, and many research questions remain open. This article is an attempt at a new interpretation of some evidence, particularly iconographic and papyrological, which could add new data to the study of weaving looms used in Egypt of the early Roman period (1st–2nd century AD).

Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Covers

Dedication

Contents

Introduction by Maria Mossakowska-Gaubert

Contributors

Tackling The Technical History Of The Textiles Of El-Deir, Kharga Oasis, The Western Desert Of Egypt, Fleur Letellier-Willemin

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The site of El-Deir is situated north of Kharga in the “Great Oasis” of the Egyptian Western Desert (fig. 1). The site was occupied between the 6th century BC and the 6th century AD. A complex history emerged with the influence of many cultures: Persian, Greek, Roman and early Christian. Archaeological finds in both El-Deir and the oasis itself (the site of Dush and the temple of Darius in Hibis, a city north of Kharga) confirm that the Great Oasis was a wealthy region. This is also substantiated by texts from Ain Manawir and Dakhleh. The presence of an artesian …

What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt, Barbara Köstner

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Silk samites from Late Roman and Early Medieval Egypt are well-known objects in museum collections all over the world. One group of fragments, the so-called Akhmim silks, show a mechanically repeated floral pattern. More than 100 examples with this design are known; the fragments bear striking similarities in design and technique. Were they woven in the same workshop? If all or at least a large number of pieces could be traced back to several batches of production, this would lead to further insights concerning the economics of early silk weaving. A detailed analysis of two exemplary pieces reveals features that …

Ancient Greek Dyeing: A Terminological Approach, Peder Flemestad

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The Oxford English Dictionary defines dyeing as: “to impregnate (any tissue or the like) with a colour, to fix a colour in the substance of, or to change the hue of by a colouring matter”. In ancient Greek this operation is in general expressed by the verb βάπτειν, but the process of dyeing could be designated by a multitude of other terms. The following contribution provides an overview of the extensive ancient Greek terminology for the action of dyeing. The focus therefore lies primarily on the verbs designating the dyeing process itself, while wider dye terminology is only occasionally touched …

Dyeing In Texts And Textiles: Words Expressing Ancient Technology, Ines Bogensperger, Helgo Rösel-Mautendorfer

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The complex chaîne opératoire of ancient textile production in various stages has been frequently discussed by textile scholars. According to documentary papyri, textile manufacturing represented the highest taxed industry after agriculture. This emphasises its importance as a significant sector in the ancient economy. A highly specialised branch within the chaîne opératoire is the dyeing industry. Ancient dyers used natural and animal dyestuffs, as well as different dyeing techniques to achieve their colourful results. They were also aware of the specific properties of the different textile fibres. In ancient times, wool and linen were the characteristic materials for manufacturing textiles, but …

How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης, Kerstin Droß-Krüpe

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

For almost the last 100 years, various ancient historians have suggested that organisations comparable to the “putting- out” system existed in the Roman Imperial period. They are most commonly believed to have occurred in textile production. As early as 1913, Theodor Reil assumed that the production of textiles in Roman Egypt was organised through the putting-out system. This idea can subsequently be traced through more than a century to recent publications. However, as this assumption is rarely based on genuine source material, it seems appropriate to get to the bottom of this hypothesis. In this context, special attention will also …

Textile Production In The Papyri: The Case Of Private Request Letters, Aikaterini Koroli

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Throughout the “papyrological millennium”, that is from the 3rd century BC to the 8th century AD, both administrative and private life in Egypt were largely based on letters. Apart from oral communication, letter writing, mostly on papyri and ostraca, was the only available form of communication for the inhabitants of the land of Nile when they needed to get in touch and exchange information with people who did not live in their immediate surroundings. Papyrus letters, written by and sent to private, ordinary people and not to the authorities, composed in the Greek vernacular and intended to fulfill a wide …

Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad, Jennifer Cromwell

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Ancient Kellis, modern Ismant el-Kharab is located in Dakhleh Oasis in Egypt’s Western Desert. The main occupation of the village was from the early to late Roman period (late 1st century to the beginning of the 5th century AD). Excavated as part of the Dakhleh Oasis Project, the site has revealed textual and archaeological evidence from which a detailed picture of life can be painted. To date, the main publications of the village’s finds have focussed on the textual remains, of literary and documentary texts in Coptic, Greek, and Syriac.1 A comparable publication of the archaeological evidence from the site …

Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence, Johanna Sigl

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

In discussions on the development of weaving technology, specifically treadle looms in the Mediterranean area, Egypt is often referred to as one of the earliest countries in which people used foot-powered looms for producing cloth. It is thought to have been in regular use in the production of cloth as early as the second half of the 1st millennium AD. This belief is built on results from excavations undertaken during the early 20th century by the Egypt Exploration Fund at the hill of Sheikh Abd el-Qurna in Luxor, as well as on textile studies. Unfortunately, none of the postulated looms …

Conclusion: Egyptian Textiles And Their Production, Dominique Cardon

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

This book, “Egyptian textiles and their production: ‘word’ and ‘object’ (Hellenistic, Roman and Byzantine periods)” is both very useful and… frustrating. Indeed, all volumes of transactions of a scientific symposium are bound to be so, since research is a never-ending story. However, this is particularly true of textile research, which involves so many different approaches. Most of the relevant scientific domains are represented in this volume. There is a good combination of several reports on new research – recently studied archaeological textiles and iconographic documents on weaving – with attempts at syntheses of available evidence, both archaeological and textual, alongside …

Reconstruction Of A Deconstructed Tunic, Anne Kwaspen

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Tunics of the 1st millennium AD can be classified into two main groups according to the direction of the warp in the finished tunic. The first group of tunics has horizontal warp threads in the finished tunic. This means that the cloth as it is worn is rotated 90° from the weave direction on the loom. In the second group of tunics the warp runs vertically in the finished tunic. Each group of tunics has their typical technological features and finishing methods, with additional distinctions between wool and linen tunics. This article focuses on the study of a tunic belonging …

Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert

Zea E-Books Collection

This volume presents the results of a workshop that took place on 24 November 2017 at the Centre for Textile Research (CTR), University of Copenhagen. The event was organised within the framework of the MONTEX project—a Marie Skłodowska-Curie individual fellowship conducted by Maria Mossakowska-Gaubert in collaboration with the Contextes et Mobiliers programme of the French Institute for Oriental Archaeology in Cairo (IFAO), and with support from the Institut français du Danemark and the Alexander von Humboldt Foundation. Twelve essays are arranged in 4 sections: I. Weaving looms: texts, images, remains; II. Technology of weaving: study cases; III. Dyeing: terminology and …

Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland

CLCWeb: Comparative Literature and Culture

This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from these ‘fast fashion’ objects when they no longer please us, clothing becomes, like the monster, an abjected figure for waste and shame, moving around the globe destructively, created from the bodies of the poor …