Risd Graphic Design | Utkan Dora Öncül,
2020
Rhode Island School of Design
Risd Graphic Design | Utkan Dora Öncül, Uktan Dora Öncül
UNBOUND 2020 Archive (Virtual)
RISD Graphic Design offers BFA and MFA programs that push on the boundaries of the discipline, where students learn to communicate ideas visually, frame points of view and messages, build community, and embrace a fluid, networked culture. risd.gd
Olivia Orr,
2020
Rhode Island School of Design
Olivia Orr, Olivia Orr
UNBOUND 2020 Archive (Virtual)
I am a graphic design senior at RISD (2020) and I love book arts! Most of my work involves Biblical themes and illustrated typography and graphics. I took a “Print on Paper” class last semester (2019) and made two risograph printed books that are on sale for Unbound. behance, oliviawaugh.com
Erik Gould,
2020
Rhode Island School of Design
Erik Gould, Erik Gould
UNBOUND 2020 Archive (Virtual)
I am a photographer and a bookmaker. I am interested in the ways that groups of images can work together and how those groups join with text, with sound and with pages, both physical and digital, held within the container of a book. The unique encounter of a reader with a book is where I wish the work to meet an audience. – Erik Gould, Senior Photographer, RISD Museum erikgouldprojects.com
Skate Or Dye | Mikaela Kautzky,
2020
Rhode Island School of Design
Skate Or Dye | Mikaela Kautzky, Mikaela Kautzky
UNBOUND 2020 Archive (Virtual)
SKATE OR DYE is a 120-page art publication on DIY skateboarding, natural dyeing and textiles in a northern island context. This iteration comprises drawings, textile works, colour photography, short pieces of writing, and how-to’s on natural dyeing as well as skate feature assembling. Through words and visuals SKATE OR DYE investigates islands as laboratories for DIY culture and inclusive design. www.mikaelakautzky.com, mik00k instagram
Jr.,
2020
Rhode Island School of Design
Jr., Corinne Ang, Jina Choi, Julia Chu
UNBOUND 2020 Archive (Virtual)
Julia, Corinne and Jina are a self-publishing group of RISD graphic design students interested in creating stories and narratives through various printed mediums. We are particularly intrigued in the connection and interaction of people and culture and enjoy sharing these discoveries through print.
Ugly Duckling Presse,
2020
Rhode Island School of Design
Ugly Duckling Presse, Ugly Duckling Presse
UNBOUND 2020 Archive (Virtual)
Ugly Duckling Presse is a nonprofit publisher for poetry, translation, experimental nonfiction, performance texts, and books by artists. Through the efforts of a volunteer editorial collective, UDP was transformed from a 1990s zine into a mission-driven small press that has published more than 300 titles to date, and produced countless prints and ephemera.
UDP favors emerging, international, and “forgotten” writers, and its books, chapbooks, artist’s books, broadsides, and periodicals often contain handmade elements, calling attention to the labor and history of bookmaking. uglyducklingpresse.org
Meichen Liu,
2020
Rhode Island School of Design
Meichen Liu, Meichen Liu
UNBOUND 2020 Archive (Virtual)
Meichen Liu, PRINT 22 makes larger-than-human-size installations, picture books and zines to present personal understandings of human emotions as well as relationships, and also to resonate with her audience. She seeks a deeper meaning behind ordinary things, and her seekings are reflected in her arts. She is searching for a way to combine maths with fine arts. She hasn’t found the one she likes yet, but she never gives up on things she values, and she gains better comprehension in both fields through this process. View Meichen's Baker & Whitehill Annual Student Artists' Book Contest entries Pockets, 2020 and …
Yiqun Zhou,
2020
Rhode Island School of Design
Yiqun Zhou, Yiqun Zhou
UNBOUND 2020 Archive (Virtual)
I've been working on a 32 pages comic about humor for over a year now (2020). It’s a story about a super power comedian interviewing another super power comedian. It has very interesting paneling (said by my professor and my classmates) and it’s a nice story.
Party For One: A Monologue Of The Importance Of Oneself Through Book Arts,
2020
University of Central Florida
Party For One: A Monologue Of The Importance Of Oneself Through Book Arts, Jacob Zhefu Wan
Electronic Theses and Dissertations, 2020-2023
This thesis explores the importance of oneself through sexuality, context, and introspection in the art of book arts. I work with memories, imagination, and consciousness in the form of book arts to express the importance of the self from my personal experience. Through the use of colors, materials, spatial compositions, and other visual components to manifest the content of my art, I want to illuminate the awareness of otherness including gender issues and an individual's vulnerability. Playing with the texts of Chinese and English, I intend to create narratives with languages, images, and other mixed media. In addition to crafting …
Fish Tales, Experiments With Fish Skin For Bookbinding,
2020
Syracuse University
Fish Tales, Experiments With Fish Skin For Bookbinding, Peter D. Verheyen
Librarian Publications
Tanned fish skin has been used in binding for decorative elements such as inlays and onlays, but it has a much longer history of use for clothing, sword handles, objets d’art, and other applications across global cultures. This article describes the history of fish skin in bookbinding, how to prepare parchment, basic materials testing, and shows bindings works by the author and others.
This Month,
2020
CUNY Lehman College
This Month, Jennifer N. Figueroa
Theses and Dissertations
This Month is a series of collages that depict police violence at civil rights and Black Lives Matter protests. By pairing events from 1964 to contemporary protests that occurred in the same month, the collection draws a connection between the past and present.
Explorations In Book Binding Techniques,
2020
The University of Akron
Explorations In Book Binding Techniques, Kristen Faux
Williams Honors College, Honors Research Projects
This project is to explore different binding methods and techniques used in book creation. The final product will be 4-5 books created using the binding methods. The contents of these books will be research about the methods used as well as a description of the creation process. The final books will be displayed in the Projects Gallery at the Myers School of art, in the Fall semester of 2019.
The Morse Dry Dock Dial,
2020
Rhode Island School of Design
The Morse Dry Dock Dial, Sarah Nicholls, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : illustrations ; 31 x 46 cm folded to 17 x 13 cm. Cover title. Edition of 250. "The Morse Dry Dock Dial is the Spring 2020 Informational Pamphlet, taking its name from the magazine published by the Morse Dry Dock Company, my great-grandfather's employer in the early years of the twentieth century. The original publication reported on the lives and activities of their community of workers, many of which lived in the neighborhood, what was then called Bay Ridge and is now named Sunset Park, Brooklyn. This pamphlet talks about my family's history in the neighborhood, …
Avalanche Safety Book,
2020
Rhode Island School of Design
Avalanche Safety Book, Casey Gardner, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : illustrations Title from cover; imprint from colophon. "Written, drawn, printed and bound by the artist"--Colophon. Limited edition of 50 copies. Letterpress printed accordion-bound folios with pamphlet-stitched interior booklets. Printed on a Vandercook 4 with photo-polymer plates and carved linoleum. Two digitally printed, hand-bound fascicles. Covers are cloth-cornered davey board. Typefaces: Cheltenham, Kabel, Gill Sans, Futura, and Bodoni. Paper: Moulin du Gué, Zerkall Book, and Curious Metallic. "This book, through a story of two climbers, explores human vulnerability and vision in navigating physical and existential risks. The story reflects our era of environmental peril and the blind …
Review Of When Novels Were Books. By Jordan Alexander Stein.,
2020
University of Louisville
Review Of When Novels Were Books. By Jordan Alexander Stein., Mark A. Mattes
Faculty and Staff Scholarship
But novels ARE books, you might be thinking. Jordan Stein points out that this is true, but not in the way that many of us have thought to be the case. Twentieth- and twenty-first century literary history, Stein argues, has too often failed to deliver a programmatic discussion of the media history of genre. Attention to changes and continuities in the early Anglophone novel’s artifactual status within an evolving, transatlantic media ecology, supplements, and in some cases rethinks, critical understandings of the development of novelistic form. Stein’s method is axiomatic for those working at the intersection of form and format: …
Visionaire 69: "2020" Guest Curated By Edison Chen,
2020
Rhode Island School of Design
Visionaire 69: "2020" Guest Curated By Edison Chen, Edison Chen, Barbara Kruger, Tom Sachs, Lebron James, Greg Foley
Visionaire
1 box (10 laser-cut copper stencils, 1 face mask, 1 can of spray paint) wrapped in a silk scarf Title from infomation sheet Limited Edition of 500 hand-numbered copies include silk scarf by CLOT, wrapping a stenciled case housing; 1 face mask by Barbara Kruger, 1 can of spray paint, and 10 laser-cut copper stencils by 10 artists "Due to current shipping restrictions, we are sorry to inform you that the can of spray paint is not able to be sent inside the edition."--Information sheet
"VISIONAIRE 69 2020 guest curated by the inimitable, multi-hyphenate star, Edison Chen, comes as a …
A Cloud Index,
2020
Rhode Island School of Design
A Cloud Index, Spencer Finch, Special Collections, Fleet Library
Artists' Books
60 folded sheets : illustrations. "The sixty pastel drawings that comprise this book were originally created for a public art project at the new Elizabeth Line station at Paddington in London. The entire work, titled "A Cloud Index," presents 27 different types of clouds within a single composition. The drawings were scanned and then printed onto 180 clear glass panels (each 2 meters x 6 meters) and installed in the canopy of the station. The pages of this book can be assembled and attached to a wall to re-create the entire artwork, at a reduced scale. The number printed on …
Don't Cut Your Hair It's Beautiful,
2020
Rhode Island School of Design
Don't Cut Your Hair It's Beautiful, Kellee Morgado, Special Collections, Fleet Library
Artists' Books
3 volumes : color illustrations Edition of 50. Each volume has 24 unnumbered pages, bound so that the reader can lift the center illustration to reveal a larger illustration within. The gatherings are unopened throughout, obscuring text and illustrations. In a cloth-covered portfolio, held closed with a printed paper band. "The work questions personal rituals surrounding hair, constructs associated with hair in Western culture, and the shift in value when hair is unattached to bodies. In this ongoing inquiry I explore my own experience with femininity, womanhood, my relationship with my own hair, and how it conforms to or disrupts …
Baldio,
2020
Rhode Island School of Design
Baldio, I.E. S̆Egota, Special Collections, Fleet Library
Artists' Books
20 unnumbered pages : all color illustrations Title from cover. "Dibugado por I.E. S̆egota para Concordia, MX, en la ciudad de Qro., en el año de la pandemia."--back cover. Signed in pencil by the artist on back cover. Accordion book, front side has one continuos illustration screen printed in green, orange, and purple on beige paper. Illustration on verso in blue on beige.
Delirium,
2020
Rhode Island School of Design
Delirium, Philip Zimmermann, Special Collections, Fleet Library
Artists' Books
60 unnumbered pages : color illustrations Printed by archival inkjet in a numbered edition of 30 copies, signed. "Delirium is a book born of the Covid-19 pandemic and time spent in lock-down. The text uses a paragraph from the 1866 masterpiece "Crime and Punishment" by Fyodor Dostoyevsky. Towards the end of the book, his protagonist, Rodion Romanovich Raskolnikov, has a feverish dream. This strangely prophetic text is quoted and used as the narrative line in this book. Highly manipluated images of jewel-like approximations of the corona virus appeared all over the web in the first few months of the pandemic …
