Art and Materials Conservation Commons^™

Evaluating The Influence Of Some Factors On Capability Maturity Model Integration For Development (Cmmi-Dev) Maturity Level, Sakawa Ogega

All-Inclusive List of Electronic Theses and Dissertations

Capability Maturity Model Integration for Development (CMMI-DEV) is a collection of characteristics of effective processes that guide improving an organization's operations and ability to manage software projects' development. The CMMI-DEV maturity levels range from 1 to 5 for the staged model; however, there are no certifications for maturity level 1. Organizations appraised may seek higher CMMI-DEV maturity levels. Most clients will seek to do business with organizations with at least CMMI Maturity Level 3 certification. This research aimed to find if software development methodology (SDM), CMMI training, and other process improvement (OPI) standards affect CMMI maturity level rating. The dependent …

Limitations And Possibilities Of Digital Restoration Techniques Using Generative Ai Tools: Reconstituting Antoine François Callet’S Achilles Dragging Hector’S Body Past The Walls Of Troy, Charles O'Brien, James Hutson, Trent Olsen, Jay Ratican

Faculty Scholarship

Digital restoration offers new avenues for conserving historical artworks, yet presents unique challenges. This research delves into the balance between traditional restoration methods and the use of generative artificial intelligence (AI) tools, using Antoine François Callet’s portrayal of Achilles Dragging Hector’s Body Past the Walls of Troy as a case study. The application of Easy Diffusion and Stable Diffusion 2.1 technologies provides insights into AI-driven restoration methods such as inpainting and colorization. Results indicate that while AI can streamline the restoration process, repeated inpainting can compromise the painting’s color quality and detailed features. Furthermore, the AI approach occasionally introduces unintended …

The Research And Treatment Of A Qing Dynasty Garment From The Buffalo Museum Of Science, Nhat Quyen D. Nguyen

Art Conservation Master's Projects

The scope of this project was to research, analyze and treat a sleeveless garment from the Buffalo Museum of Science that is thought to be originally from China. The sleeveless garment was donated to the museum by Chauncey J. Hamlin and little information is known about the context or origin of the garment. Research was conducted to gain historical information about the type of garment and why it was made. Analysis was conducted on the fibers, metal wrapped threads and dyes to identify the materials used. The garment was treated with a heat activated adhesive support patch to stabilize the …

Casar Student Discussion Series: Should Cultural Artifacts Be Returned To Their Country Of Origin?, The Prince Alwaleed Center For American Studies And Research Casar

Performances, Events, and Presentations

Student Debate Series - Launched in Fall 2023:

The Center of American Studies and Research (CASAR) launched a Student Discussion Series in Fall 2023 semester, it is a student-led debate on a plethora of current hot topics. In this student discussion series, students play the role of delving into topics together to understand one another. This event is broadcasted on facebook live via the CASAR Facebook Page, where the entire record is still available to watch. Students passionately present their arguments in an organized manner, going back and forth between the two sides, and often students become excited about leading …

Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Blanket Statements, Issue 160, Fall 2023

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 160, Fall 2023

Conservation Treatment And Technical Analysis Of A Blue & White Parian Vase, Yuyin Li

Art Conservation Master's Projects

Parian ware is a type of hard-paste, biscuit porcelain first manufactured in Victorian England and later in Bennington, Vermont as well. This project studied a Parian vase with Multi-Spectral Imaging and x-ray radiography and analyzed it with x-ray fluorescence (XRF) and scanning electron microscopy with energy dispersive spectroscopy (SEM-EDS). Results suggested a potassium rich clay, a zinc rich cobalt overglaze, and an interior clear lead glaze. Conservation treatment cleaned and compensated for the losses in the vase. Library research did not identify the vase’s place of manufacture; it showed the vase has similar designs as objects in the Elizabeth McCullough …

The Technical Study And Conservation Of A Multiplex Hologram, Lindsay Cross

Art Conservation Master's Projects

“The Kiss II” is a Multiplex hologram created by Lloyd Cross in 1975. Conservation treatment was sought out to address condition concerns that included instability and dust and dirt accumulation. In addition to completing conservation treatment, this project aims to improve upon the imaging and preventive protocol for Multiplex holograms. Although there is much research available on the technology of holograms, there is very little information available on conservation treatment of Multiplex holograms. The steps taken throughout the course of this project have been thoroughly documented to lay the groundwork for a potential protocol for documenting and treating Multiplex holograms.

Technical Analysis And Treatment Of A Folk Art Portrait Of A Boy, Khanh P. Nguyen

Art Conservation Master's Projects

This Master’s Project is a multidisciplinary technical study and conservation treatment of Portrait of a Boy, a 19th century oil painting on canvas and thought to be an example of the American Folk Art movement. Research into Folk Art traditions was executed to inform the context of the artwork. Comprehensive imaging and scientific analyses provided additional historical and material context for the painting. The painting was imaged with the following techniques: visible illumination, ultraviolet (UV) reflectography, ultraviolet-induced visible fluorescence, infrared reflectography, visible-induced infrared (IR) luminescence, x-radiography, and multispectral imaging (MSI). Scientific and materials analyses included: optical microscopy of fiber …

19th-Century Medical Saddlebag: An Analysis Of The Contents And A Conservation Treatment, Lorna J. Brundrett

Art Conservation Master's Projects

The medicinal contents found within a mid-1800’s saddlebag were investigated using multimodal imaging techniques, micro-transmission Fourier Transform Infrared spectroscopy (transFTIR), pyrolysis Gas Chromatography Mass Spectroscopy (pyGCMS), X- Ray Fluorescence Spectroscopy (XRF), Raman Spectroscopy and the reference collection of the SUNY Buffalo State Eckert Herbarium. Housed within glass vials and paper packets, the medicinal samples from seventeen different containers were analyzed and their results compared with historical references. Medicines with probable identification were found to be of both mineral and botanical origins: mercurous chloride, lead acetate, magnesium carbonate, iron oxides, gum arabic, ground croton seeds, benzoin resin, Fabaceae senna and Arctostaphylos …

A Lifetime Of Stress: Analysis And Treatment Of An Inlaid Chinese Box, Katherine Mcfarlin

Art Conservation Master's Projects

Inlaid wooden objects are complex and intricate mixed media assemblages that can provide significant challenges to the conservator, as the properties of the individual materials can conflict and complicate treatment options. For example, traditional inlay materials such as ivory and mother-of-pearl are particularly susceptible to shifts in moisture and acidity, and the hygroscopic nature of historic proteinaceous adhesives can exacerbate dimensional changes in the surrounding wood. This paper describes the research and subsequent treatment to stabilize and restore a Qing dynasty wooden tabletop chest inlaid with ivory, mother-of-pearl, and various siliceous minerals. A combination of adhesive failure along multiple joints …

Les Trésors De La Maison, Or L’Amour Maternel: The Technical Study And Treatment Of Previously-Restored Painting, Katherine C. Aguirre

Art Conservation Master's Projects

“Mother and Children” is a painting belonging to the collection of the Garman Art Conservation Program at SUNY Buffalo State College. The painting depicts a seated woman with light skin and dark hair and two children. The painting was damaged in the past, and the image was obscured by thick layers of grime and oxidized varnish. It had also been previously treated on at least two occasions. A full technical analysis and conservation treatment was completed. The methods of analysis included multi-modal imaging, x-radiography, Fourier transform infrared spectroscopy, X-ray fluorescence spectroscopy, and cross-sectional analysis. The goal of the analysis was …

Straight Out-Of-The-Tube: Analysis And Conservation Of George Mathieu’S Pour Une Aliénation Définitive Du Logos, Christy H. Mccutchen

Art Conservation Master's Projects

Pour une aliénation définitive du logos (96.5 cm × 195.6 cm, Buffalo AKG Art Museum, Acc.1971:7), painted in 1955 by French artist Georges Mathieu (1921-2012) is an iconic example of Lyrical Abstraction. Mathieu launched this European counterpart to Abstract Expressionism in the post-war upheaval of 1947. His unorthodox methods present a unique combination of aesthetic concerns and intrinsic material instability. Mathieu’s technique involved squeezing oil paints out-of-the-tube directly onto his canvas with rapid and spontaneous calligraphic motions. The primary condition issue for Pour une aliénation définitive du logos was the failing adhesion between this thickly applied paint and the primed …

Blanket Statements, Issue 159, Summer 2023

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 159, Summer 2023

Women's Work: The Sublime Is Now, Michelle Blackstone

MFA in Visual Arts Theses

What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …

Moving In, Moving Up, Moving On : The Adaptation And Preservation Of Chinese Diasporas Through Food, Jieqi Yao

Masters Theses

Moving In, Moving Up, Moving On explores the processes of Chinese culture and space in America of adaptation, assimilation, and preservation that underlie food changes. As Chinatowns across the US have evolved and residents have relocated, former centers of Chinese cultural identity have progressively transformed into restaurant districts with increasingly diverse populations and space gentrification.

The thesis argues that food is central to preserving cultural memory and reducing the generation divide. In the context of the Chinese diaspora transformation, culture has changed food in different spaces, and it gives people more choices to acquire and exchange information and values through …

Tracing As Process, Lesley Su

Masters Theses

Tracing is a way to observe, document and translate, to be anchored in the physical working, to find personal occupancy in the built environment.

By establishing one-to-one relationships with the physical context, tracing enables us to comprehend objects in multiple dimensions. Through tracing, we can explore how two-dimensional drawings can be transformed into three-dimensional objects, and vice versa, objects can be documented through drawing to capture the essence of reality.

Based on materials and motion, research on tracing techniques guides me into how tracing could act as a process of art and architecture practice.

Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor

Masters Theses

A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …

Militure, Bingdong Duan

Masters Theses

The aim of this research is to explore how individual soldier equipment can be systematically integrated into everyday life. War, as the epitome of struggle and conflict, stimulates the fundamental human instinct for survival. To achieve this end, various methods involving a wide range of fields such as technology, culture, economy, and politics are utilized. Under the driving force of survival, explorations are conducted in various areas, with individual soldier equipment being notably prominent. Nations spend a substantial amount each year on developing individual soldier equipment, which optimizes functionality to such an extent that it has formed its unique aesthetics …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …