Renaissance Studies Commons^™

A Tale Of Two Shakespeares: Staging Shakespeare At Conservative Christian Colleges, Christine Sustek Williams

Quidditas

American Theatre publishes an annual list of the top ten plays in production in regional theatres each year and simply removes all Shakespeares from consideration. Otherwise the top ten list would simply be the top ten Bard List. However, when it comes to attempting Shakespeare on the college stage, I argue that many theatre teachers in higher education think twice, or even thrice, before brushing off the old complete works. Most students are quite intimidated when they reach for Shakespeare, having been told for many years that his work is hard to read and harder to understand. Add to that …

Front Matter

Quidditas

No abstract provided.

Writing And Rewriting Early Modern History: Five Sixteenth-Century English Chroniclers, Barrett L. Beer, Andrea Manchester

Quidditas

In the field of early modern historical writing, sixteenth-century English chronicles have been regarded as an outdated medieval form, and they and their authors have suffered in comparison with later works influenced by Renaissance humanism. Yet in the Tudor period, chronicles, especially the smaller, abridged versions, enjoyed a substantial readership and were reprinted multiple times—very often with revisions. The nature of and motivation behind these revisions reveal much about the varying personal priorities and backgrounds of the chroniclers as well as the readership for which they were writing. This study focuses on five sixteenth-century chroniclers, Thomas Cooper, Robert Crowley, Richard …

Re-Envisioning Reproduction: Dividing Life From Death In Charles Etienne’S De La Dissection, Miranda Mollendorf

Quidditas

Charles Estienne’s De la Dissection des parties du corps humain (1546) presents the uterus not only as a site of generation and life, but also putrefaction and death. Estienne first writes about the uterus as a surgical site where life and death converge and must be separated, and then as an anatomical site where pain and pleasure are divided because of Galenic theories about the uterus that involve generation and corruption. In spite of frequent attempts to visually quarantine the uterus from the rest of the body with a printed inset, these surgical and anatomical separations between life and death …

Unchaste Veneration In Titian's Worship Of Venus, Fern Luskin

Publications and Research

The identity, activities, and attributes of Venus and her devotees in Titian's Worship of Venus have long been misunderstood. Although based on Philostratus' Erotes, Titian's actual textual source was Demetrios Moschos' Italian translation of the Erotes. Previous analyses of Titian's painting have relied either on faulty transcriptions and translations of Moschos' Amori, or on the original Greek or Loeb edition of Philostratus, which differ from Moschos' work. A careful translation of Moschos' text, closely compared to Titian's painting, yields a new interpretation of its theme, riddles, and humorous double entendres pointing toward a decidedly unchaste Venus worshipped not …

Delno C. West Award Winner 2011

Quidditas

James H. Forse

The Delno C. West Award recognizes the most distinguished paper presented by a senior scholar at the annual conference.

Work As A Manifestation Of Faith In The English Nunnery: Barking Abbey, Essex, Terri Barnes

Quidditas

This paper discusses various occupations held by nuns in the late-medieval and early-modern English convent, and argues that while the nuns did have extraordinary opportunities for self-management when compared to secular women, nuns carried out those responsibilities in part as extensions and expressions of their faith. This paper looks at offices held by the nuns at Barking Abbey in Essex, from the late Medieval period up to the Abbey’s dissolution in the sixteenth century as a result of the shifting political and religious sands under King Henry VIII. Barking Abbey was a large, wealthy institution that needed capable administration, and …

Robert Yaxley, Tudor Physician, Phyllis Johnson Walton

Quidditas

On the 22nd day of the month of October, 1540, Robert Yaxley, doctor of Physic of the city of London, dwelling in the parish of St. Michael in Cornhill, made his last will and testament. (Although a recent statute allowed for transfer of real property by will, any land owned by Dr. Yaxley would almost certainly have been held in trust and not subject to the terms of his will.) After bequeathing his soul to Almighty God, his blessed mother, Saint Mary, and all the company of heaven, and his body to be buried in the churchyard of St. Michael’s, …

Hostis Antiquus Resurgent: A Reconfigured Jerusalem In Twelfth-Century Latin Sermons About Islam, Todd P. Upton

Quidditas

This paper investigates how Christian writers from late antiquity through the twelfth century transformed explanations of encounters with Middle Eastern peoples and lands into a complex theological discourse. Examinations of sermons and narrative sources from antiquity through the first century of Crusades (1096-1192) serve as evidentiary bases because of the polemical way in which Pope Urban II’s 1095 sermon at Clermont defined Muslims. In that sermon, chroniclers recorded that the pope rallied Frankish support for an armed pilgrimage by disparaging Muslims who had overrun Jerusalem and the Holy Sites – calling them a “race utterly alienated from God” (gens …

Allen D. Breck Award Winner 2011

Quidditas

Michael Call

The Breck Award recognizes the most distinguished paper presented by a junior scholar at the annual conference.

The Changing Portrayal Of Sir Thomas More’S Life, Gary Cirelli

Quidditas

Sir Thomas More is an important figure in European intellectual history. During his lifetime, he was known throughout Europe as an accomplished thinker, writer, and lawyer. His devotion to the Church, pious lifestyle, and dramatic execution at the hands of Henry VIII made him a Catholic martyr, leading to his canonization in 1935. The facts of his remarkable life, his status among early modern Humanist intellectuals, friendship with Erasmus, his written works, like his famous Utopia, make it unsurprising that numerous scholars have written about More and analyzed his works. However, many of these scholars do not fully address …

Walters Ms W720: Chapters To Be Observed By The Singers Of The Cappella Giulia (1574), Ilona Klein

Faculty Publications

The manuscript W720 that bears the title Capitoli che hanno da osseruare gli Cantori della Cappella di San Pietro is an unstudied and unpublished document held in the archives of the Walters Art Gallery in Baltimore, Maryland. As one of the earliest surviving written texts of its kind, W720 documents in detail the rules that the singers of the Julian Chapel had to obey during the year 1574. The following critical edition of the manuscript and the accompanying English translation are intended to provide materials that will assist Renaissance specialists in a number of areas (art history, philology, history, musicology, …

Front Matter

Quidditas

No abstract provided.

Politics And Play: The National Stage And The Player King In Shakespeare’S Henry V And Macbeth, Kristin M.S. Bezio

Quidditas

This article examines the intersection between theatrical and political discourse in early modern England. It argues that that the dialog surrounding early modern discourses of monarchy intersects specifically with theatrical notions of performance by means of the social contract implicit in English Common Law. The link between the political stage and the theater is perhaps most transparent in the metaphor of the theatrum mundi. Because the theatrum mundi requires the active participation of the audience, they must always be included in the theatrum mundi as participatory citizens in its illusory world. They are drawn into the conversation between stage …

Putting On The Garment Of Widowhood: Medieval Widows, Monastic Memory, And Historical Writing, Katherine Clark

Quidditas

The idea of the widow in communal memory and historical writing was a resonant and multi-faceted concept for monastic writers of the Middle Ages. This essay focuses on the function and meaning of widowhood in two examples of early medieval historical writing, by one male and one female author, to illustrate how monastic authors engaged significant and enduring aspects of widowhood during the Western European Middle Ages to construct institutional histories. Images of female memory and widowed piety (especially because the widow represented the Church who awaited her spouse, Christ) were useful in describing the experiences of women who held …

Cognition And Recognition In King Lear, Act Iv. Scene Vii, Jenny Rebecca Rytting

Quidditas

Although King Lear’s half-line “You are a spirit I know” (IV.vii.49) has no internal punctuation in the Folio or Quarto versions of Shakespeare’s play, most modern editors add a comma between the words “spirit” and “I.” This spurious comma forces the line to be interpreted to mean “I know that you are a spirit” rather than “You are a spirit that I know,” whereas, without punctuation, both interpretations are viable. I argue that the latter reading is not only possible, based on Shakespeare’s syntactical practices, but also preferable, based on both the immediate context of the line and the theme …

Satire In Boaistuau’S Théâtre Du Monde, Alison Baird Lovell

Quidditas

Le Théâtre du monde [Theater of the World] (1558) of Pierre Boaistuau was an encyclopedic compilation in three books presenting a litany of vices and miseries in human life; the book proved to be an early modern “bestseller” and was reproduced in many editions and translations across Europe. Boaistuau, the first editor of the tales of Marguerite de Navarre, also edited other story collections, besides investigating religious matters, early modern science and medicine including prodigies and monsters, and other developing forms of knowledge. The Théâtre du monde manifested topoi including the theatrum mundi with its vast spectacle displayed …

The Right Stuff: Habitus And Embodied Virtue In Sir Gawain And The Green Knight, Alice F. Blackwell

Quidditas

One of the themes weaving in and out of Sir Gawain and the Green Knight is that of virtue: Gawain’s shield proclaims his virtue, yet at the end of the Green Chapel scene, he exclaims vice has destroyed his virtue, leaving him “faulty and false.” This scene has troubled critics and students, however, for many consider his reaction excessive for his default on the rules of a courtly game. The present paper contends that the notion of virtue written for Gawain naturalizes embodied virtue. While both religious and lay writers tended to argue that one possessed predisposition to moral or …

Review Article: Quidditas And Medieval Studies Today, Erin Felicia Labbie

Quidditas

Medieval studies today may be precisely characterized by quidditas. The Aristotelian term quidditas became central to the development of medieval scholastic inquiry in the West when, in 1066 Anselm of Canterbury wrote the Monologion. This eleventh-century foray into the revival of Aristotelian thought is also seen in Porphyry’s third-century translations of Aristotle and in Boethius’ sixth-century concern with universals elaborated in his commentaries on universals and categories. For Anselm and the developing model of medieval scholastic thought, the Monologion and its immediate successor, the Proslogian, assert a double discourse of the difference between quidditas and haeccitas, …

Saints And The Social Order: Alexander Barclay’S The Life Of St. George, Maggie Gallup Kopp

Quidditas

This paper examines The Life of St. George, Alexander Barclay’s 1515 translation of a humanist Latin prose poem. Barclay, who styled himself a laureate in the tradition of Lydgate, adapts laureate poetic practice in order to address a noble audience in a bid to gain court patronage. Barclay’s emendations and additions transform the hagiography of England’s patron saint into a commentary on traditional English ideals of citizenship and good governance, aimed at an audience comprised of both common citizens and noble elites, including, as this paper argues, the young king Henry VIII.

Allen D. Breck Award Winner (2010)

Quidditas

Kristin M.S. Bezio

The Allen D. Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference of the Rocky Mountain Medieval and Renaissance Association

“Hand Hand Shooke”: Compassionate Touch In George Chapman’S Hero And Leander, Patricia Davis Patrick

Quidditas

Chapman begins his continuation of Marlowe’s Hero and Leander by announcing that he intends to “censure the delights” which the lovers have enjoyed without the sanction of ceremony. However, the narrator does not maintain this attitude of stern judgment. As readers of Chapman’s Hero and Leander have often noticed, the narrator continuously shifts his tone, sometimes censuring the lovers and sometimes sympathizing with them. Chapman’s poem is thus as deeply concerned with the problem of appropriate compassion as it is with the containment of Eros. The narrator’s vacillation between censure and compassion can be fruitfully considered by examining early modern …

Banishing Ganymede At Whitehall: Jove’S “Loathsome Staines” And Fictions Of Britain In Thomas Carew’S Coelum Britannicum, Jessica Tvordi

Quidditas

Thomas Carew’s masque Coelum Britannicum, performed at Whitehall on Shrove Tuesday of 1634, deploys an image of conjugal perfection in order to codify a fiction of national union. Not only are Charles I and Henrietta Maria models of moral and political comportment powerful enough to reform the profligate court of Jove, their harmonious marriage also provides the inspiration for reconciliation between England, Scotland, and Ireland. In order to assert this fiction of unification, the masque invokes images of sexual transgression, symbolically enacts their removal, and equates the strength of Britain with the absence of the deviant monarch, James I. …

“Talk Of Marriage” In Northwest England: Continuity And Change In Matrimonial Litigation, 1560-1640, Jennifer Mcnabb

Quidditas

This article suggests that the matrimonial culture of northwest England from 1560 to 1640 was marked by a complex range of strategies, values, and processes that emphasized matrimony as a performative process. While present-tense language of consent created, in the words of sixteenth-century lawyer Henry Swinburne, the “Substance and indissoluble knot of Matrimony,” people in the northwest consistently identified other words, actions, and attitudes that also communicated matrimonial intent. Litigation from the diocese of Chester’s two consistory courts features considerable “talk of marriage” by litigants and deponents and reveals an enduring emphasis in the northwest on public performance of matrimonial …

Full Issue

Quidditas

No abstract provided.

Conference Reports: Society For Renaissance Studies Third International Conference, Fern Luskin

Publications and Research

Report from the Third International Conference held at Trinity College, Dublin, July 10-12, 2008.

Allen D. Breck Award Winner (2009)

Quidditas

Adele Lee

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Delno C. West Award (2009)

Quidditas

Andrea Knox

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

“The Whole Is An Idle Dream:” The Early Modern And Post-Modern Quest For Cathay, Adele Lee

Quidditas

This article examines how the Renaissance English understood and responded to the land of Cathay. It argues that although Cathay is technically just another name for China it represented a separate conceptual realm in this period. In other words, Cathay must be considered as being, in many ways, a distinct discursive construct. Viewed as the ‘glittering prize’ of the East India Company, Cathay, which fuelled countless (doomed) attempts at discovery, possessed characteristics both Chinese and Tartar. Descriptions of it converged and diverged simultaneously with descriptions of China and Tartary. As well as being a culturally liminal entity, Cathay was also …

Dancing In The Shadows: Ritual, Drama And The Performance Of Baptisms In The Digby Conversion Of St. Paul And Philip Massinger’S The Renegado., Matthew C. Hansen

Quidditas

The anonymous Digby Conversion of St. Paul aims at historical verisimilitude in order to distance the on-stage baptism the play contains from the rite as performed in early sixteenth-century English churches. Philip Massinger’s The Renegado (published 1624), presenting the conversion and baptism of a Muslim woman, employs specific details to establish the baptism performed on stage as a rite that, while efficacious within the contexts of the play, is markedly different in substantive performance than the form of baptism presented in the 1559 Book of Common Prayer. Both plays frame the dramatically significant and sensitive performance of the religious rite …