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Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii

Dissertations, Theses, and Capstone Projects

This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …

The Shadow Of Dante In French Renaissance Lyric: Scève's Délie, Alison Baird Lovell

Research in Medieval and Early Modern Culture

This book presents an interpretation of Maurice Scève's lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the evident allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch's vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s …

Review Essay: Petrarch, Francesco. Petrarch's Songbook: Rerum Vulgarium Fragmenta. A Verse Translation By James Wyatt Cook. Medieval & Renaissance Texts & Studies, Vol. 151, Joseph Rosenblum

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Petrarch, Francesco. Petrarch's Songbook: Rerum Vulgarium Fragmenta. A Verse Translation by James Wyatt Cook. Medieval & Renaissance Texts & Studies, vol. 151. Medieval & Renaissance Texts & Studies, Binghamton, N.Y., 1995. 445 pp. $30.00

Petrarch's "Trionfo Dell'eternità": Aesthetics Of Conversion, John S. Smurthwaite

Quidditas

As the first of Petrarch's six Triumphs, the "Trionfo del Tempo," comes to an end, the poet affirms time's apparent victory over all things in the sublunar world. Not even fame is able to endure time's unrelenting and ultimately disintegrating onslought:

che è questo però che sì s'apprezza?

Tutto vince e ritoglie il Tempo avaro;

chiamasi Fama, ed è morir secondo,

ne più che contra 'l primo è alcun riparo;

così il Tempo trionfa i nomi e 'l mondo!

("Trionfo del Tempo," vvs. 141-45_

What is this that is so highly valued? Greedy Time overcomes and steals all away. …

Review Essay: Hans Baron, Petrarch's "Secretum": Its Making And Its Meaning, Ronnie H. Terpening

Quidditas

Hans Baron, Petrarch's "Secretum": Its Making and Its Meaning, Medieval Academy of America, 1985. $22.00

Chaucer And The Three Crowns Of Florence (Dante, Petrarch, And Boccaccio): Recent Comparative Scholarship, Madison U. Sowell

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Chaucer and the Italian Trecento. Ed. Piero Boitani. Cambridge: Cambridge University Press, 1983. 313 p. $49.50.

Howard H. Schless, Chaucer and Dante: A Revaluation. Norman, OK: Pilgrim Books, 1984. 268 p. $85.00.

R. A. Shoaf, Dante, Chaucer, and the Currency of the World: Money, Images, and Reference in Late Medieval Poetry. Norman, OK: Pilgrim Books, 1983. 313 p. $39.95.

Petrarch's Rhetorical Reticentia As Politics, Lucia Re

Quidditas

A discussion of Petrarch's politics must take into account the historicity of politics itself: political science, as distinct from other disciplines, is generally believed to originate with Machiavelli. It would therefore be anti-historical to attribute to Petrarch a systematic political vision (as it is understood today). The modern claim for the independence of political theory and practice is as alien to Petrarch as the possibility of a theologically integrated political vision: Petrarch could not and would not have written either Il Prinicpe or Dante's De Monarchia. Nevertheless, I will speak of Petrarch's politics not only because, at a very …