Renaissance Studies Commons^™

Ai And A Possible Renaissance For Christian Higher Education, Derek Schuurman

University Faculty Publications and Creative Works

The early Greeks saw the essence of education as Paideia: the process of forming a whole person into an ideal citizen. They emphasized the formation of virtues like prudence, justice, fortitude, and temperance in preparation for active citizenship. In Plato’s Republic, we read that “The object of education is to teach us to love what is beautiful,” which involves the shaping of desire.¹ For the Greeks, the purpose of education was training in virtue.

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright

Electronic Theses and Dissertations

Through a selection of and close reading of key passages, I offer an interpretation of Hamlet that seeks to illuminate the play as an important work of moral philosophy, and to situate the play within a strand of moral philosophy named moral perfectionism by Stanley Cavell. Indeed, Hamlet is a masterpiece of Renaissance drama, but when read with attention to moral perfectionism, the play yields additional layers of meaning. Hamlet is a “philosophical drama” that navigates the “moral calling of philosophy”—a text that seems to, almost uncannily, elicit the audience to think reflectively, to ask fundamental human questions along …

Envisioning The Virgin’S Assumption In Renaissance Florence: Reflections Of Religious And Private Patronage, Beth I. Campbell

International Journal of Undergraduate Research and Creative Activities

This study examines religious artistic works by Renaissance Florentine masters in the late fifteenth and early sixteenth centuries, employed as instruments of spiritual inspiration and devices of persuasion in the Republic. Through their depictions of Old and New Testament stories, artists portrayed significant biblical characters and ideals to both enlighten and influence. Not surprisingly, the life of the Virgin Mary was a popular subject of such pieces. However, one important event commonly illustrated was never definitively described in the Bible: that of the Virgin’s Assumption into Heaven. Earlier studies have considered patron influence in fifteenth-century Italian Renaissance interpretations of religious …

The Unicorn And Christ – Metamorphosis And Symbology, Luis Mendonça De Carvalho, Francisca Maria Fernandes, Maria Fátima Nunes, Ana Maria Costa, Paula Nozes, Ana Paula Figueira

International Journal of Religious Tourism and Pilgrimage

The unicorn is a legendary chimaera that, for centuries, has been present in the mindset of Euro-Mediterranean cultures. Although its morphological description changed, tradition identifies it as an animal like a horse, albeit smaller and with a spiralling horn on its head pointing forward. The unicorn has been known since Antiquity, with references by authors such as Ctesias and Pliny. However, its relevance for medieval Europeans began with the Biblical references to this animal in several Old Testament verses. These verses gave legitimacy to the unicorn, and it was accepted as a tangible animal. During the Middle Ages and early …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

"To Keep Men In Awe": Religious Subversion And Anti-Providentialism In Marlowe's Tamburlaine And The Jew Of Malta, Will White

Honors Theses

In early modern England, the term “atheist” held quite a different meaning from its modern usage. Most often, it referred not to person who rejected God’s existence, but who rejected the validity of divine providence: the notion that God exerts control and order over the events of Earth. This understanding of atheism informs the reading of the 16th century playwright Christopher Marlowe, whose connection to atheistic ideas is perhaps more visible than any of his contemporaries. In this thesis, I argue that the unifying element of religion in Marlowe’s drama is anti-providentialism – a rejection of providence. I examine two …

Review Of Lu Ann Homza's Religious Authority In The Spanish Renaissance, Alice L. Alvarado

Bound Away: The Liberty Journal of History

Lu Ann Homza’s intricate study of the major players involved in religious authority comes to life in her thought-provoking work Religious Authority in the Spanish Renaissance. Homza delicately weaved social, political, and religious analysis throughout the various layers of her chapters to give the reader a sense of the powers-that-be behind the secretive Spanish Inquisition and the overall hierarchical structure of the Catholic church. Homza does not shy away from confronting the previously upheld authority of Marcel Bataillon, and simultaneously challenges the reader to refuse to apply modern constructs or context to the unique time and place known as …

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

Titian’S Bacchus And His Two Loves, Fern Luskin

Publications and Research

Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy-satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed pentimenti. Titian was probably the first to embed this homoerotic love story in a painting depicting the Bacchus and Ariadne myth. The textual impetus for Titian's inclusion of the Ampelos myth was Nonnos' Dionysiaca. Guided by Nonnos' text, Titian alludes not only to Bacchus' love for Ampelos, …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

The Authority Of Clothes: Queen Elizabeth I And Her Succession Crisis Of 1562/63, Kalen R. Melton

Department of History: Dissertations, Theses, and Student Research

This thesis looks at the silent messaging associated with Queen Elizabeth I's clothing during her early reign. The goal of this thesis is to look at outfits Elizabeth could have worn and see what sort of messages her contemporaries in Parliament might haven taken from them. I specifically looked at Elizabeth's Parliamentary meeting from 1562/63. I did so because this meeting was early in her reign, her legitimacy was being questioned on two fronts, and she had just gotten over smallpox. Elizabeth was not known yet for her extravagant outfits, but she would have needed to have had a powerful …

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Centering Maternal Breastfeeding In The Old English Metrical Charm 6, Kierra E. Burns

Quidditas

This article examines female authority and self-determination in relation to maternal lactation during early medieval England. While breastfeeding has always been essential to infant survival, its cultural significance extends beyond nourishment alone, reflecting broader social values and assumptions about gender and motherhood. Within this context, early English texts reveal that lactating mothers were regarded as natural authorities in the processes of childbearing and nourishing their infants. Through analysis of historical and literary evidence, this article argues that maternal breastfeeding was viewed in inherently positive and empowering terms with maternal self-determination and authority at the heart of that positivity. The article …

Review: Balthazar: A Black African King In Medieval And Renaissance Art, Karli R. Snyder

Quidditas

Western European medieval and Early Modem art history is full of representations of ethnically diverse peoples. However, there are relatively few examples of scholarly publications that coherently organize these visual representations into a complete analysis of the topic. One recent publication that aims to do just that is Balthazar: A Black African King in Medieval and Renaissance Art. The slim paperback boasts 121 full-color illustrations and features a collection of essays and narratives edited by museum curator Kristen Collins and art historian Bryan C. Keene. The book was published as a companion to the 2019 exhibition of the same …

Animal Triangulation – Expanding The Oppressed/Oppressor Binary To A Triadic Constituency: The Oppressor, The Proxy, And The Oppressed, Katherine A. Abelanet

English Dissertations - Archive

Drawing on three fields of study, Animal Studies, Black Studies, and Shakespeare Studies, this dissertation examines animal triangulation as a system of oppression in which three constituents are triangulated for the benefit of the oppressor. Through triangulation, the oppressed/oppressor duality expands, creating a triad: the oppressor, the proxy, and the oppressed. This reimagining of the traditional binary of oppression opens new areas of conversation by adding an additional component. In animal triangulation, a proxy is created when an oppressor trains an animal or an animalized human to produce an abusive outcome on an oppressed group. By using a proxy, the …

Review: Alle Thyng Hath Tyme: Time And Medieval Life, Kaitlyn Garrett

Quidditas

In a topical addition to the Medieval Lives series, Adler and Strohm's Alie Thyng Hath Tyme: Time and Medieval Life provides an overview of the average medieval person's keeping of, value of, and relationship to time. Gillian Adler, Assistant Professor of Literature and Esther Raushenbush Chair in Humanities at Sarah Lawrence College, and Paul Strohm, professor emeritus at Columbia University, combine literary backgrounds to delve into both technical forms of timekeeping and abstract interpretations of time, including "timescapes" and philosophies of passing time and human aging. Alle Thyng Hath Tyme educates readers on technical forms of timekeeping as well as …

Review: The Catholicism Of Literature In The Age Of The Book Of Common Prayer: Poetry, Plays, Works, 1558-1689, Brandon Schneeberger

Quidditas

Anyone who has observed the worship trends of the younger generation of Christians in the last ten to twenty years will have noticed a renewed interest in traditional, liturgically conservative forms of worship. Whether it is interest in liturgy itself, or in the materials of liturgy - ornate vestments, incense, candles, bells, chanting, etc. - young people today display a keen interest in forms of worship and reverence that seem to have been lost in the cultural upheaval of the late twentieth century, a revolution that affected both Protestant and Catholic forms of worship. However effective the late twentieth-century iconoclasm …

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Front Matter

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"Gladly Wolde He Lerne And Gladly Teche": Balancing Humanity And Pragmatics In Teaching, Peter Steffensen

Quidditas

Teachers of AP courses have to balance passing on love of the subject matter and accomplishing the more pragmatic goals of the course. I have found that in the English classroom those two goals can complement one another when specific approaches are taken to teaching. This article explores those moments when humanity and pragmatics collide in the classroom and provides suggestions for navigating these sometimes conflicting goals.

Review: Out Of The Mouths Of Babes: Infant Voices In Medieval French Literature, Alani Hicks-Bartlett

Quidditas

Voicing a stirring call for readers to reconsider the silence and lacunae that are traditionally attributed to infancy, in her latest monograph, Julie Singer situates infancy as both an essential critical framework and an instructive, illuminative methodology through which a gaping archival silence can be rectified-that silence being literary representations of the medieval child, and specifically, the spoken life of the medieval child. As Singer argues, infancy and childhood entwine rather indiscernibly with each other in accordance with the medieval attribution of a longue dureé to infancy (Isidore of Seville, for instance, posited infancy as a stage lasting for about …

Review: Shaping Intellectual Disabilities In Early Modern England, Mardy Philippian

Quidditas

In Shaping Intellectual Disabilities in Early Modern England, Alice Equestri has assembled an impressive collection of essays by researchers interested in early modern conceptions of intellectual disability. Like Hobgood and Wood's groundbreaking collection Recovering Disability in Early Modern England (2013) and Leslie C. Dunn's edited collection Performing Disability in Early Modern English Drama (2020), Equestri's volume will benefit scholars for some time to come. Of use to both early career scholars and those well established in the field of early modern disability studies, Shaping Intellectual Disabilities in Early Modern England invites readers into twelve individual studies of a diverse …

One Thing Leads To Another: A New Approach To Teaching Medieval Literature In The Twenty-First Century, Nicholas Markellos

Quidditas

Part of the problem with defining the "Middle Ages" stems from nineteenth-century historians' attempts to distinguish the Renaissance as a unique period that brought about modernity. In examining the literature of this period, however, it is clear that there was a certain element of queerness that surrounded this bewildering age. As a literature teacher, I found that my students do not always see these strange and important elements in the antiquated translations of the texts. To that end, I designed a new curriculum unit that approaches the reading of several medieval stories through a queer perspective, as well as a …

Medieval Old Age As Discourse: Conflicting Views And Perspectives In Pre-Modern German And European Literature From The Early To The Late Middle Ages, Albrecht Classen

Quidditas

This article revisits and reviews the broad and intense discourse on old age in the medieval and to some extent early modern worlds and examines the major scholarly contributions to this extensive topic. The discussion of old age during the Middle Ages found expression in fields such as history, philosophy, medicine, theology, literature, the visual arts, pharmacy, and military studies. It is not that long ago that old age itself finally gained more interest in historical research, but we can by now rely on a number of well-researched monographs and edited volumes dealing with this highly complex topic. Previous scholarship …

Allen D. Breck Award Winner

Quidditas

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Recipient of the Breck Award 2025

Kierra E. Burns

Dante And The Nine Worthies: Glory Or Fame?, Thomas L. Cooksey

Quidditas

In Paradiso 18, Dante is introduced by Cacciaguida, to eight martial heroes: Joshua, Judas Maccabaeus, Roland, Charlemagne, William of Orange, Renouard, Godfrey of Bouillon, and Robert Guiscard. Joined by Cacciaguida they form a group of nine, suggesting that Dante is playing with the topos of the Nine Worthies, popular in chivalric literature. While there are various prototypes, the canonical version of the Nine was codified by Jacques de Longuyon in his romance Voeux du paon (The Vow of the Peacock), appearing around 1312, a date tantalizingly close to the composition of the Paradiso. A comparison is instructive both …