Renaissance Studies Commons^™

Findlist_Venice_1477-1517, Doug Wayman

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Provides information about three important functions enabled by the accompanying finding list spreadsheet of books examined at The Ohio State University (OSU) Rare Book and Manuscript Library (RBML) during the 2022 National Endowment for the Humanities summer seminar, Books and Printing during the Reformation, 1450-1650 that took place in July of 2022. Those functions are: to provide links to global databases for descriptive information related to each book, to provide access to authorized versions of names associated with each book, and to provide value-added access to information-rich resources (including images) detailing certain aspects of some of the books, printed between …

Introduction To A Finding List Of Early Venetian Books Printed From 1477 To 1517 In The Rare Book And Manuscript Library Of The Ohio State University, Doug Wayman

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Provides information about three important functions enabled by the accompanying finding list spreadsheet of books examined at The Ohio State University (OSU) Rare Book and Manuscript Library (RBML) during the 2022 National Endowment for the Humanities summer seminar, Books and Printing during the Reformation, 1450-1650 that took place in July of 2022. Those functions are: to provide links to global databases for descriptive information related to each book, to provide access to authorized versions of names associated with each book, and to provide value-added access to information-rich resources (including images) detailing certain aspects of some of the books, printed between …

Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland

Tenor of Our Times

Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.

Osu Venetian Imprints Dataset, Doug Wayman

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Provides information about three important functions enabled by the accompanying finding list spreadsheet of books examined at The Ohio State University (OSU) Rare Book and Manuscript Library (RBML) during the 2022 National Endowment for the Humanities summer seminar, Books and Printing during the Reformation, 1450-1650 that took place in July of 2022. Those functions are: to provide links to global databases for descriptive information related to each book, to provide access to authorized versions of names associated with each book, and to provide value-added access to information-rich resources (including images) detailing certain aspects of some of the books, printed between …

A New Language: Apophatic Discourse In John Donne's "Devotions", Jessica M. Farris

Masters Theses

Not much ink has been spilled over John Donne’s relationship to negative, or apophatic, theology. A few scholars have written about apophatic discourse in Donne’s poetry and sermons, but, in general, the subject continues to be overlooked. This thesis seeks to (re)start the conversation by shedding light on Devotions Upon Emergent Occasions, a text which has yet to be linked to the negative tradition despite its clear engagement in apophatic discourse. Indeed, throughout Devotions, Donne wields several apophatic strategies when speaking of God including via negativa, predicates of action, linguistic regress, paradox, and a consistent reliance upon metaphorical …

Zucchero E Status E Tutto Bello, Ava Garofono

Italian Renaissance Foodways

No abstract provided.

Il Corpo E Il Sacrificio Delle Donne; Affermazione Femminile Di Sé Attraverso Il Cibo, Katherine Sanchez

Italian Renaissance Foodways

No abstract provided.

"In Loving Virtue": Staging The Virgin Body In Early Modern Drama, Miranda Viederman

Honors Projects

The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of …

The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring

The Forum: Journal of History

This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.

Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale

Doctoral Dissertations

In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally to …

The Shadow Of Dante In French Renaissance Lyric: Scève's Délie, Alison Baird Lovell

Research in Medieval and Early Modern Culture

This book presents an interpretation of Maurice Scève's lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the evident allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch's vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s …

Damnatio Memoriae: On Deleting The East From Western History, Koert Debeuf

New England Journal of Public Policy

The story we read in books about the Renaissance tells us that Petrarch and Poggio rediscovered the books of antiquity that had been copied for centuries in medieval abbeys. The re-introduction of Greek science and philosophy, however, began in the twelfth century but occurred mainly in the thirteenth century. These works were first translated into Syriac and Arabic in the eighth and ninth centuries and stored in the House of Wisdom in Baghdad. There they were read, used, and commented on by Arab philosophers, of whom the most famous was Averroes (1126–1198), who lived in Cordoba. The translation of his …

The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney

Senior Honors Theses

This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement …

[Review Of] "In Centro Et Oculis Urbis Nostre": La Chiesa E Il Monastero Di San Zaccaria. Bernard Aikema, Massimo Mancini, And Paola Modesti, Eds. Chiese Di Venezia 4. Venice: Marcianum Press, 2016. Xii + 426 Pp., Johanna D. Heinrichs

Architecture Faculty Publications

No abstract provided.

[Review Of] Lateinische Musterprosa Und Sprachpflege Der Neuzeit (17.–Anfang Des 19. Jhs.): Ein Wörterbuch. Oleg Nikitinski. Leiden: Brill, 2017., Terence Tunberg

Modern and Classical Languages, Literatures and Cultures Faculty Publications

No abstract provided.

What Women Know: The Power Of Savoir In Marguerite De Navarre’S Heptaméron, Nora Martin Peterson

Department of Modern Languages and Literatures: Faculty Publications

The verbs savoir and connaître appear in central moments in the Heptaméron. Knowledge—as it appears in the frame narrative and in the novellas—can be a way for men and women to debate, among many other things, the relationship between the sexes. When women use this word, or when they demonstrate that they know something, it creates the space to participate – not always unambiguously – in otherwise male-dominated conversations. How Marguerite writes about the acquisition, possession, fragmentation, or loss of knowledge, underscores her interest in exploring the role of women in communities of knowledge.

Rewriting A Murder Pamphlet: The Perspective Of Deviance In The Changeling” Appositions, Jennifer Andersen

English Faculty Publications

This article focuses on the relationship between murder pamphlets and early modern drama. I first provide a brief overview of typical features of murder pamphlets. In the rest of the article, I examine a specific example of a play based on a murder pamphlet, Thomas Middleton and William Rowley’s The Changeling. Exploring the play in contrast to its pamphlet source reveals some of the key differences between the two genres: namely, the pamphlet stories typically follow a moralizing narrative that ensures that providence will bring murderers to a just punishment and repentance, whereas the play invites the audience to …

Walters Ms W720: Chapters To Be Observed By The Singers Of The Cappella Giulia (1574), Ilona Klein

Faculty Publications

The manuscript W720 that bears the title Capitoli che hanno da osseruare gli Cantori della Cappella di San Pietro is an unstudied and unpublished document held in the archives of the Walters Art Gallery in Baltimore, Maryland. As one of the earliest surviving written texts of its kind, W720 documents in detail the rules that the singers of the Julian Chapel had to obey during the year 1574. The following critical edition of the manuscript and the accompanying English translation are intended to provide materials that will assist Renaissance specialists in a number of areas (art history, philology, history, musicology, …

Temples Of Caesar: The Politics Of Renaissance Georgics Translations, Kimberly Johnson

Quidditas

Between the last years of Elizabeth I’s reign and the regicide of Charles I, three major English translations of Virgil’s middle poem, the Georgics, were published. Each translation appeared at a moment of religio-political crisis in England, a coincidence made more significant by the ambivalent political stance of Virgil’s text, which simultaneously communicates praise for Octavian and suspicion about an imperial program that disenfranchised the agricultural classes, an oversight which Virgil records in the Georgics as impiety. This paper charts the ways in which seemingly innocent translation decisions manage to perform a critical interrogation of monarchal authority, particularly as it …

Re-Visioning Renaissance Women: On The Perils And Pleasures Of Re-Viewing The Past, Sara Jayne Steen, Susan Frye

Quidditas

Two years ago, editor Sharon Beehler and the editorial board of the jour- nal Quidditas (formerly the Journal of the Rocky Mountain Medieval and Renaissance Association) requested that we—Sara Jayne Steen and Susan Frye—edit a gathering of essays on women in the Renaissance as one way to mark the journal’s new name and critical directions. The gathering printed here, even more than we had hoped, announces this journal’s position as interdisciplinary, historically grounded, and willing to ask of history, literature, and the arts both familiar, recurring questions and those newer questions occasioned by a variety of theoretical perspectives.

Review Essay: Timothy Verdon And John Henderson, Eds., Christianity And Renaissance: Image And Religious Imagination In The Quattrocento, Edward J. Olszewski

Quidditas

Timothy Verdon and John Henderson, eds., Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento, Syracuse University Press, 1990, xix, 611 pp., ill., $55.00 (cloth), $18.95 (paperback).

From Medieval To Renaissance: Paradigm Shifts And Artistic Problems In English Renaissance Drama, John Boni

Quidditas

In describing the change from Medieval to Renaissance, Theodore Spencer writes;

There finally came a time when realism, at first connected inextricably with religion, was used for its own sake. What we call the Renaissance began at that moment.

For Spencer, "realism" denotes an increased concern with depicting the actual world itself. As an illustration, one may cite the exclamation attributed to Paolo Uccello, "What a wonderful thing is this perspective!", an exclamation over a technique which aided him in more accurate representation of the world as he had begun to perceive it.

Matrimony And Change In Webster's The Duchess Of Malfi, Margaret L. Mikesell

Quidditas

Profound changes occurred in the institution of marriage during the Renaissance. Love was gradually replacing fiscal and dynastic considerations as the foundation considered crucial for a binding union. The love marriage was largely a middle-class phenomenon, born of the changing relationship between the family and the state, articulated and refined by Protestant divines, and diffused through aristocratic society. Drama of the period is much concerned with this shift. The bourgeois conjunction of love and marriage triumphs in the aristocratic societies of many a romantic comedy. The weddings at play's end promise a new social order. The disintegration of the old …

Catharsis In Aristotle, The Renaissance, And Elsewhere, Thomas Clayton

Quidditas

In an essay on "Shakespeare and the Kinds of Drama," Stephen Orgel presents an appealing and sympathetic view of Renaissance dramatic-generic theory and practice as original, capacious, and flexible, concluding that, "like Scaliger, Shakespeare thought of genres not as sets of rules but as sets of expectations and possibilities." In relation to this finding, we should perhaps be content to be "unclear about tragic catharsis," because "at least we know it is there, convincing us that tragedy works—even if we do not know how or on whom" (p.120). As the Renaissance read Aristotle, "tragedy achieved its end by purging …