Renaissance Studies Commons^™

Dante And The Nine Worthies: Glory Or Fame?, Thomas L. Cooksey

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In Paradiso 18, Dante is introduced by Cacciaguida, to eight martial heroes: Joshua, Judas Maccabaeus, Roland, Charlemagne, William of Orange, Renouard, Godfrey of Bouillon, and Robert Guiscard. Joined by Cacciaguida they form a group of nine, suggesting that Dante is playing with the topos of the Nine Worthies, popular in chivalric literature. While there are various prototypes, the canonical version of the Nine was codified by Jacques de Longuyon in his romance Voeux du paon (The Vow of the Peacock), appearing around 1312, a date tantalizingly close to the composition of the Paradiso. A comparison is instructive both …

Dante's Inferno In The 21st Century, Ethan Chebi

Italian 347: Out of Florence: Dante in Exile

No abstract provided.

The Shadow Of Dante In French Renaissance Lyric: Scève's Délie, Alison Baird Lovell

Research in Medieval and Early Modern Culture

This book presents an interpretation of Maurice Scève's lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the evident allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch's vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s …

Review Essay: Dante Alighieri. Monarchia, Joseph Rosenblum

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Dante Alighieri. Monarchia. Trans. and ed. Prue Shaw. Cambridge University Preess, Cambridge, 1995. 186 pp. $54.95.

Review Essay: Antonio C. Mastrobuono, Dante's Journey Of Sanctification, Madison U. Sowell

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Antonio C. Mastrobuono, Dante's Journey of Sanctification, Regnery Gateway, 1990, xiii, 279 pp., ill., biblio., $14.95.

Review Essay: Dante Today, Theodore J. Cachey Jr.

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Dante Today, ed. Amilcare A. Iannucci, special spring and fall volume of Quaaderni d'italianistica, 10.1-2 (1989).

Review Essay: Karla Taylor, Chaucer Reads "The Divine Comedy", Sandy Feinstein

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Karla Taylor, Chaucer Reads "The Divine Comedy," Stanford University Press, 1989, vi, 289 pp., biblio., index, $29.50.

Review Essay: Henry Ansgar Kelly, Tragedy And Comedy From Dante To Pseudo-Dante, Madison U. Sowell

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Henry Ansgar Kelly, Tragedy and Comedy from Dante to Pseudo-Dante, University of California Press, 1989.

Chaucer And The Three Crowns Of Florence (Dante, Petrarch, And Boccaccio): Recent Comparative Scholarship, Madison U. Sowell

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Chaucer and the Italian Trecento. Ed. Piero Boitani. Cambridge: Cambridge University Press, 1983. 313 p. $49.50.

Howard H. Schless, Chaucer and Dante: A Revaluation. Norman, OK: Pilgrim Books, 1984. 268 p. $85.00.

R. A. Shoaf, Dante, Chaucer, and the Currency of the World: Money, Images, and Reference in Late Medieval Poetry. Norman, OK: Pilgrim Books, 1983. 313 p. $39.95.

Latin And Vernacular In Fourteenth- And Fifteenth-Century Italy, Paul Oskar Kristeller

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The subject of this essay concerns Dante only indirectly and in part. Nevertheless I hope to be able, among other things, to explain Dante's historical position and his influence on the Italian Renaissance. I cannot avoid partially repeating what I wrote in some of my previous studies, especially in my early article on the Italian prose language. Some of my prior observations, which seemed new to me at the time, have since been widely accepted; but some new sources and literature have been added in the meantime, and on some points I have changed my opinion or paid attention to …