Renaissance Studies Commons^™

Delno C. West Award (2013)

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Ginger L. Smoak

The Delno C. West Award recognizes the most distinguished paper presented by a senior scholar at the annual Rocky Mountain Medieval and Renaissance Association conference.

“Nothing But Sit, And Sit, And Eat, And Eat”: The Cantankerous Teacher In The Taming Of The Shrew, Eric L. De Barros

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By definition, all comedies must end by praising and/or celebrating the elimination of a serious threat to the patriarchy order, and Shakespeare sets up the final scene of The Taming of the Shrew, one of his earliest comedies, to do just that. In short, by the time we reach Lucentio and Bianca’s wedding banquet, Petruccio has effectively tamed Katherine of her shrewishness. However, despite this scene of and cause for celebration, Petruccio remains oddly dissatisfied, as he responds to Lucentio’s encouragement of the sitting, chatting, and eating appropriate to such a festive occasion with these mood-killing words: “Nothing but …

Aethelflaed: History And Legend, Kim Klimek

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This paper examines the place of Aethelflaed, Queen of the Mercians, in the written historical record. Looking at works like the Anglo-Saxon Chronicle and the Irish Annals, we find a woman whose rule acted as both a complement to and a corruption against the consolidations of Alfred the Great and Edward’s rule in Anglo-Saxon England. The alternative histories written by the Mercians and the Celtic areas of Ireland and Wales show us an alternative view to the colonization and solidification of West-Saxon rule.

Shylock And Joachim Gaunse: And A Real Jew, Michael T. Walton

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Joachim Gaunse, a Bohemian metallurgist, was brought to England to help evaluate the resources of the New World. During a visit to Bristol in 1589, he defended his Jewish rejection of Jesus. The reaction of those who heard this real Jew gives some indication of how theater audiences may have responded to Shakespeare’s Shylock.

The Several Faces Of Late-Gothic Eve: Gender And Marriage In The Mystery Creation And Fall Plays, Thomas Flanigan

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The critical drive to make fundamental, substantive distinctions between Catholic and Protestant dogma and culture has always been central to early modern English studies, but over the past fifty years a prominent contingent of literary and historical scholars has endeavored more specifically to identify and articulate significant differences between Catholic and Protestant perceptions of women and marriage. According to one familiar, now widely accepted theory advanced primarily by Miltonists, a relatively feminist and pro-marriage Protestant ethic emerged in response to the extreme, aggressively misogynistic attitudes attributed to late-medieval Catholic thought. This paper will seek to demonstrate, through a close comparative …

Imagining Pregnancy: The Fünfbilderserie And Images Of “Pregnant Disease Woman” In Medieval Medical Manuscripts, Ginger L. Smoak

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The Fünfbilderserie consists of anatomic schematics utilized in medical school dissections beginning in the thirteenth and fourteenth centuries. Anatomists would create these mnemonics to help students envision the internal systems of the body. Besides the standard five male pictures, an additional image, the “Pregnant Disease Woman” acted as a means to understand the reproductive system and organs of the pregnant woman. This paper argues, however, that despite the empirical observation of the anatomy of the gravid woman, they continued to visualize and “imagine” it, largely due to the existing classical ideas these anatomist retained about women, their natures, and their …

Holy Places & Imagined Hellscapes: Qualifying Comments On Loca Sancta Sermon Studies—Christian Conversion In Northern Europe & Scandinavia, C. 500-1300, Todd P. Upton

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The paper uses methods from medieval sermon studies to argue that an insularity in “monastic consciousness” can be traced to earlier centuries than the more generally discussed (and better documented) scholastic environments of 13th century monastic and cathedral schools. It assesses how a monastic discourse reliant on Biblical typologies informed the Christian conversion of northern Germanic and Scandinavian peoples (c. 500-1300, including the British Isles and Iceland). Moments of encounter between Christian missionaries and pagan cultures helped delineate this discourse, most apparent in extant records that reveal Christian and Norse perceptions of geography, holy places, deity worship, and eschatological expectations. …

Classifying Early Modern Sexuality: Christopher Marlowe, Edward Ii, And The Politics Of Sexuality, Michael John Lee

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This paper argues that Christopher Marlowe’s Edward II (1594) questions gender expectations and sexuality. The analysis finds that the same-sex attraction and affective relationship that develops between King Edward and Gaveston can be seen as neither simply sodomy nor exclusively as male friendship. Instead, the emotional bonds and marriage-like relationship between the king and his minion suggest that their identities are, in part, formed by their same-sex attraction.

Titian, Colonna And The Renaissance Science Of Procreation: Equicola's Seasons Of Desire [Book Review], Fern Luskin

Publications and Research

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Who Killed Lycidas?: Lycidas And The Spanish Tragedy, Clay Daniel

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In Lycidas, the protagonist searches for an explanation for why his virtuous friend has mysteriously died in a cultural-political landscape of unpunished, thriving, official corruption. Though Renaissance pastoral sometimes inveighed against corrupt authorities, pastoral elegy did not. What models, then, other than the Bible, would Milton have had for the swain’s search? Milton’s headnote calls his poem a monody, which within a literary context primarily is a speech in Greek tragedy. Milton then invites us to read the poem within a dramatic context. But which dramatic context? The Book of Revelation of course is one these contexts. But contemporary …

Front Matter

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No abstract provided.

Delno C. West Award (2012)

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Jessica Winston

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Hyperreal Blessings: Simulated Relics In The Pardoner’S Tale, Chelsea Henson

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This article argues that reading the relics Chaucer’s Pardoner carries through the lens of Jean Baudrillard’s definition of simulacra illustrates the potential existence – and subsequent dangers – of a simulated hyperreality to the spirituality of the fourteenth century. Juxtaposing “The Pardoner’s Prologue” from The Canterbury Tales and Baudrillard’s Simulacra and Simulation lends meaning to both the machinations of Chaucer’s (arguably) most corrupt pilgrim, and to the postmodern idea of simulated realities. Rather than doubles or imitations of an original image or conception of reality, Baudrillard’s simulacra are indistinguishable replacements for the real, as the Pardoner would have us believe …

“A Neighbour, Hedges Haue Eyes, And High-Wayes Haue Eares” Traveling Players, Traveling Spies In 1 Henry Iv And The True Tragedie Of Richard The Third, Robert D. Stefanek

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The Elizabethan government used companies of travelling players to serve a number of intelligence functions, which extended to the surveillance of audiences during performances. This surveillance was facilitated by the discursive instabilities of their plays and the architecture of the spaces in which they were performed. Surveillance by travelling players was part of an essentially colonial project in which the crown sought to extend its power and increase its visibility while attempting to fashion a nationalist, pro-Protestant, pro-Tudor identity in the provinces. To consider these dynamics, this article considers two conjectured performances. First, Shakespeare’s 1 Henry IV performed by the …

A Fascinating But Frustrating Study Of Marlowe’S Drama And Its Historical Context, Jefferey H. Taylor

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Clayton MacKenzie’s Deathly Experiments; A Study of Icons and Emblems of Mortality in Christopher Marlowe’s Plays is a fascinating, but equally frustrating, study of Marlowe’s drama and its historical context. The basic premise, to enrich our reading of Marlowe’s plays through resonance with widely available printed emblems and similar iconic art, is a worthy endeavor, one that follows the impulse to illuminate drama by examining contemporary visual art, and foregrounding the presence of theater as visual communications and enriching sensitivity to the communicative power of image and icon.

Full Issue

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No abstract provided.

Modernizing Matthew Paris: The Standards And Practices Of The First Printed Editions, Kristen Geaman

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This article discusses the first printed editions of Mathew Paris’s thirteenth-century chronicle, Chronica Maiora, arguing that these editions show a much higher level of editorial sophistication than has yet been recognized. Written between 1235 and 1259, the Chronica Maiora is one of the most extensive and detailed chronicles of medieval England; yet the work was not printed until 1571, as part of a series of historical publications overseen by Matthew Parker, Archbishop of Canterbury. Although the text of Parker’s edition has been almost universally criticized by scholars, this work suggests that he actually set a high editorial standard, especially by …

‘Robes And Furr’D Gowns Hide All’: Edgar’S Role(S) In King Lear, Annette Lucksinger

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Despite his centrality in the play, Edgar’s role in King Lear has rarely attracted sustained analysis. To be sure, scholarly neglect doubtless results from Edgar’s own elusiveness, from the disguises that grant him access to the major characters in the play, disguises that encourage others to read in him what they wish to see. Analyzing what other characters see or fail to see in Edgar’s disguises offers important light on his character and his role in the play. A Lacanian analysis of Lear’s reading of Edgar’s role as Poor Tom shows that Lear’s effort to establish (or to re-establish) his …

“Rise Up, Lord, Scatter Your Enemies (Please)”: Faith And Doubt In The Anglo-Saxon Staffordshire Hoard1, Thomas Klein

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As is now well known, in July of 2009, an unemployed metal “detectorist” named Terry Herbert was plying his device in the recently plowed field of a friend in the farmland outside of Lichfield, in Staffordshire, in the English West Midlands, and came upon a remarkable find.2 Over the course of several days, he uncovered hundreds of items of what turned out to be early Anglo-Saxon gold and silver metalwork. The find was subsequently reported to the British Portable Antiquities Scheme, which took over the site, and eventually some 1300 distinct objects (and many more pieces) were recovered. The news …

Marking The Woman A Sinner: Testimony And Legal Fiction In Renaissance England, Lesley Skousen

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Throughout Medieval England, ordained clergy could avoid secular punishment for felony by claiming a privilege known as benefit of clergy. During the Reformation, this privilege was repurposed by the ministers of Henry VIII and offered as a lay benefit. The plea of clergy left women ineligible, as they could not be priests and were rarely convicted in the same numbers as men. Even when accused of crimes, women could rely on legal fictions and evasive testimonies to escape conviction. Then in 1624 and 1691, Parliament redesigned benefit of clergy to include women, first for slight theft and then on equal …

Midwives As Agents Of Social Control: Ecclesiastical And Municipal Regulation Of Midwifery In The Late Middle Ages, Ginger L. Smoak

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Regulation of Midwifery in the Late Middle Ages was the result of both the trend toward supervisory social and institutional control and also the harnessing of midwives as agents of that control. This paper examines the procedure of ecclesiastical and municipal regulation through oaths and licensure, arguing that midwives were able to gain agency and autonomy, as well as protection, by occupying a liminal role between the private world of the birthing chamber and the public world of the witness stand. They were therefore vital to both sides of the process of regulation

Allen D. Breck Award Winner (2012)

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Lesley Skousen

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

The Signifying Power Of Pearl, Jane Beal

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The spiritual language, Ovidian love stories, and use of liturgical time in Pearl all invite allegorical interpretations of the poem. While there is clearly a literal, elegiac sense to the poem, there are also allegorical meanings. This makes perfect sense in light of the tradition of four-fold scriptural and literary interpretation in the Middle Ages, which the Pearl-Poet clearly used to understand biblical parables and compose his poetic masterpiece. The poet’s use of metaphoric language, memory of the legends of Orpheus and Eurydice and Pygmalion and Galatea, and astute interweaving of parables from the church liturgy alongside invocations of the …

Capturing The Imagination Of A Distracted Audience, David Paradis

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We compete for students’ attention. Surrounded by smart phones, tablets, and laptops, we compete for their attention, sometimes in the classroom but definitely outside of it. To combat this deluge of distractions, assigned readings must contain attractive content. The challenge can be particularly acute in pre-modern history classes, partly because the language and the content of primary sources, even when translated into clear, modern prose, is often unfathomable to readers accustomed to reading Sparknotes or Wikipedia. One potential solution to this challenge is Maurice Keen’s Outlaws of Medieval Legend (rev. ed. New York: Routledge, 2001).

Approaches To The Atonement In The Mystery Plays, Adam C. Wolfe

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The English Corpus Christi plays were a vibrant expression of late medieval Christianity, but they did not survive the Reformation. Many Protestant reformers opposed religious drama altogether, but there were some attempts by reformers to edit the plays and recast them in a Protestant mold, attempts which were ultimately unsuccessful. This paper examines one such attempt and finds that the problem went far beyond obvious references to, and representations of, specifically Catholic beliefs. Focusing on representations of the Atonement in the York and Towneley plays, I found at least four distinct theological approaches to this central concept of Christian theology, …

Much Ado And Pride And Prejudice: Twin Characters And Parallel Plots, Ace G. Pilkington

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Much Ado About Nothing and Pride and Prejudice are telling a similar story which centers on Beatrice and Benedick in the first case and Darcy and Elizabeth in the second. The article also argues that Jane Austen had Much Ado in mind while writing Pride and Prejudice, but this second proposition is not readily provable (as such borrowings often are) by direct quotation and comparison. Jane Austen’s familiarity with Shakespeare and the similarity of her plot suggest the truth of this second proposition, but more important for this paper are the comparisons between the narratives themselves since they tell important …

Full Issue

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No abstract provided.

Money For Nothing: Molière’S Miser And The Risky World Of Early Modern France, Michael Call

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Molière’s 1668 comedy L’Avare, or The Miser, takes place during a significant shift in the way that early modern Europeans thought about chance and risk. Staged at the same historical moment that Pascal, Huygens, and Leibnitz were developing the first foundations of probability mathematics, L’Avare conjures up an atmosphere of uncertainty, setting in opposition risk-takers and the risk-averse. As the characters encounter and debate the concepts of usury, life expectancy, gambling, and the risks of maritime travel, they grapple palpably with the consequences of an uncertain world in which Divine Providence can no longer be assumed—a new world …

“Mutual Comfort”: Courtly Love And Companionate Marriage In The Poetry Of Sir Philip Sidney And Edmund Spenser, Amanda Taylor

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The interaction between courtly love poetry and the development of companionate marriage has received little critical attention. Rather, critics of courtly love poetry focus on authorial ambition and self-presentation. This paper explores how the revision of the courtly love genre in the poetry of Sir Philip Sidney and Edmund Spenser participated within the societal transformation toward companionate marriage. The individualized female characters in their poetry shatter courtly stereotypes, but the relationship options presented either fragment the sequence, as in Sidney’s Astrophil and Stella, or enable it to drive forward to completion, as in Spenser’s Amoretti and Epithalamion. I …

Love And Marriage On The Medieval English Stage: Using The English Cycle Plays As Sources For Social History, James H. Forse

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Much scholarship concerning the concept of “companionate” marriage traces its origins to the early modern period as clergymen, especially Protestant ones, began to publish “guides” to the relationships and respective duties of husbands and wives in the 1500s and 1600s. Studies of marriage in the Middle ages concentrate on marriage among the nobility, since there is more documentary evidence about the medieval elites. Examinations of sermons reveal that the Church, especially after the twelfth century, stressed the sanctity of marriage as an institution created by God and blessed by Christ at the marriage at Cana, but sermons say little about …