Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of Southern Maine (23)
- City University of New York (CUNY) (9)
- California Polytechnic State University, San Luis Obispo (2)
- Fordham University (2)
- Harding University (2)
-
- University of San Diego (2)
- Arcadia University (1)
- Central Washington University (1)
- East Tennessee State University (1)
- Indiana State University (1)
- Liberty University (1)
- Louisiana State University (1)
- Old Dominion University (1)
- Rhode Island School of Design (1)
- Technological University Dublin (1)
- University of Arkansas, Fayetteville (1)
- University of Dar es Salaam (1)
- University of Nebraska at Omaha (1)
- University of New Mexico (1)
- Washington University in St. Louis (1)
- Keyword
-
- Renaissance (6)
- Holy Roman Emperor (3)
- Patronage (3)
- Titian (3)
- Art (2)
-
- Art history (2)
- Charles V (2)
- Iconography (2)
- Italian Renaissance (2)
- Love (2)
- Painting (2)
- Plague (2)
- Reformation (2)
- Renaissance Art (2)
- 1491-1547; Assertio septem sacramentorum adversus Martinum Lutherum (Henry VIII (1)
- 1500-1558; Lutheran Church; Catholic Church (1)
- 1500-1558; Schmalkaldic League (1)
- 1500-1558; Schmalkaldic War (1546-1547); Church history; Europe--Holy Roman Empire (1)
- 1501-1573; Authority--Religious aspects--Catholic Church; Lutheran Church--Controversial literature--Catholic authors; Poetry (1)
- 1530-1547 (1)
- 1530-1547; Augsburg Confession; Schmalkaldic War (1546-1547) (1)
- Affect (1)
- African Diasporic Dance (1)
- Afro-Caribbean (1)
- Agua (1)
- Albert A. Howard Book History Collection (1)
- Allegory (1)
- Ampelos (1)
- Anatomy (1)
- And Faith (1)
- Publication Year
- Publication
-
- Albert A. Howard Book History Collection (23)
- Publications and Research (4)
- Theses and Dissertations (3)
- Developing Pedagogy Graduate Student Showcase (2)
- Tenor of Our Times (2)
-
- The Forum: Journal of History (2)
- All-Inclusive List of Electronic Theses and Dissertations (1)
- Capstone Showcase (1)
- Center for LGBTQ Studies (CLAGS) (1)
- Dissertations, Theses, and Capstone Projects (1)
- Electronic Theses and Dissertations (1)
- International Journal of Religious Tourism and Pilgrimage (1)
- International Journal of Undergraduate Research and Creative Activities (1)
- Italian Renaissance Foodways (1)
- Journal of Humanities and Social Sciences (1)
- Journal of Religion & Film (1)
- Knowledge and Creativity Expo (1)
- LSU Master's Theses (1)
- MFA in Illustration & Visual Culture (1)
- Masters Theses (1)
- Posters and Presentations (1)
- School of Art Undergraduate Honors Theses (1)
- Senior Honors Theses (1)
- Undergraduate Theses in Art History (1)
- Publication Type
Articles 1 - 30 of 54
Full-Text Articles in Renaissance Studies
The Image Falls Apart, Alexa N. Curran
The Image Falls Apart, Alexa N. Curran
Masters Theses
The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …
Two Wrestlers: An Unrealized Herculean Pendant To Michelangelo’S David, Theodore Mayberry
Two Wrestlers: An Unrealized Herculean Pendant To Michelangelo’S David, Theodore Mayberry
Knowledge and Creativity Expo
Following the completion of Michelangelo’s David 1504, Gonfalonier Piero Soderini presented the emerging Florentine artist with a proposal for a second statue on behalf of Florence’s government: a statue of Hercules to stand alongside the David at the entrance of the Palazzo Vecchio. Michelangelo readily accepted, however the commission never came to be; what remains of Michelangelo’s vision for the Herculean pendant now resides in the Casa Buonarroti Museum of Florence: a rough terracotta model of Hercules and Cacus. Upon review of the scholarship documenting Michelangelo’s unrealized Hercules as well as his David, an intriguing pattern can be observed …
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Journal of Humanities and Social Sciences
The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …
Envisioning The Virgin’S Assumption In Renaissance Florence: Reflections Of Religious And Private Patronage, Beth I. Campbell
Envisioning The Virgin’S Assumption In Renaissance Florence: Reflections Of Religious And Private Patronage, Beth I. Campbell
International Journal of Undergraduate Research and Creative Activities
This study examines religious artistic works by Renaissance Florentine masters in the late fifteenth and early sixteenth centuries, employed as instruments of spiritual inspiration and devices of persuasion in the Republic. Through their depictions of Old and New Testament stories, artists portrayed significant biblical characters and ideals to both enlighten and influence. Not surprisingly, the life of the Virgin Mary was a popular subject of such pieces. However, one important event commonly illustrated was never definitively described in the Bible: that of the Virgin’s Assumption into Heaven. Earlier studies have considered patron influence in fifteenth-century Italian Renaissance interpretations of religious …
The Unicorn And Christ – Metamorphosis And Symbology, Luis Mendonça De Carvalho, Francisca Maria Fernandes, Maria Fátima Nunes, Ana Maria Costa, Paula Nozes, Ana Paula Figueira
The Unicorn And Christ – Metamorphosis And Symbology, Luis Mendonça De Carvalho, Francisca Maria Fernandes, Maria Fátima Nunes, Ana Maria Costa, Paula Nozes, Ana Paula Figueira
International Journal of Religious Tourism and Pilgrimage
The unicorn is a legendary chimaera that, for centuries, has been present in the mindset of Euro-Mediterranean cultures. Although its morphological description changed, tradition identifies it as an animal like a horse, albeit smaller and with a spiralling horn on its head pointing forward. The unicorn has been known since Antiquity, with references by authors such as Ctesias and Pliny. However, its relevance for medieval Europeans began with the Biblical references to this animal in several Old Testament verses. These verses gave legitimacy to the unicorn, and it was accepted as a tangible animal. During the Middle Ages and early …
Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart
Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart
Journal of Religion & Film
Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …
Titian’S Bacchus And His Two Loves, Fern Luskin
Titian’S Bacchus And His Two Loves, Fern Luskin
Publications and Research
Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy-satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed pentimenti. Titian was probably the first to embed this homoerotic love story in a painting depicting the Bacchus and Ariadne myth. The textual impetus for Titian's inclusion of the Ampelos myth was Nonnos' Dionysiaca. Guided by Nonnos' text, Titian alludes not only to Bacchus' love for Ampelos, …
Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo
Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo
Undergraduate Theses in Art History
During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …
Aguaaaa!!!, Cory Villegas
Aguaaaa!!!, Cory Villegas
Theses and Dissertations
“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Dissertations, Theses, and Capstone Projects
This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Tenor of Our Times
Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.
Il Cibo E Il Corpo Nell’Immagine- I Dipinti Rinascimentale Del Cibo E Del Corpo, Lainey Tomasoski
Il Cibo E Il Corpo Nell’Immagine- I Dipinti Rinascimentale Del Cibo E Del Corpo, Lainey Tomasoski
Italian Renaissance Foodways
Questo progetto esamina il modo in cui l'arte rinascimentale rappresentava la cultura del cibo nella prima era moderna e cosa dice questo sulle dinamiche sociali dell'identita.
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
School of Art Undergraduate Honors Theses
Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …
Piero Della Francesca And The Invention Of The Artist [Book Review], Fern Luskin
Piero Della Francesca And The Invention Of The Artist [Book Review], Fern Luskin
Publications and Research
No abstract provided.
Art And Power: How The D'Este Family Ruled Renaissance Ferrara, Luke Ziegler
Art And Power: How The D'Este Family Ruled Renaissance Ferrara, Luke Ziegler
Tenor of Our Times
During the Renaissance, the d'Este family ruled the Northern Italian city of Ferrara. To make up for their modest land holdings, the d'Este chose to exert influence and control over Italian politics through artistic patronage. The court of Ferrara became known for its beauty, intelligence, and sophistication. All the dukes of Ferrara contributed to the city's cultural significance, and elevated Ferrara as one of the dominant cities on the Italian peninsula.
Navigating Femininity: Queen Elizabeth I And The Armada Portrait, Julia Maurer
Navigating Femininity: Queen Elizabeth I And The Armada Portrait, Julia Maurer
Capstone Showcase
By analyzing the iconographic program of the Armada Portrait, this essay demonstrates the various visual strategies that Queen Elizabeth I employed in order to navigate certain gendered, cultural barriers present in Early Modern England. I argue throughout this essay that Elizabeth was meticulous in her delicate dance of bolstering her individual authority, while not radically undermining the patriarchal dispensation in which she lived and ruled. In particular, I demonstrate that Queen Elizabeth I effectively utilized the visual arts to control the public perception of her reign in ways unique to female regnants, as she both confirmed and denied her femininity. …
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
MFA in Illustration & Visual Culture
This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …
The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring
The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring
The Forum: Journal of History
This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.
Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey
Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey
Theses and Dissertations
Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.
The Medici Example: How Power Creates Art And Art Creates Power, Margaret Hayden
The Medici Example: How Power Creates Art And Art Creates Power, Margaret Hayden
Electronic Theses and Dissertations
This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only one hundred …
Reading Plague Images: Visual Literacy In The History Classroom, Katherina Fostano
Reading Plague Images: Visual Literacy In The History Classroom, Katherina Fostano
Developing Pedagogy Graduate Student Showcase
In 2016 Peter Felten, Director of the Center for Advancement of Teaching and Learning at Elon University, wrote, “Our students live in a highly visual world, where images are fundamental in shaping their understandings of history before they ever enter our classrooms.” This observation prompted me to create a series of exercises that introduce students to general visual literacy skills in the History classroom. These exercises aim to help students use visual sources to make evidence-based interpretations of the past with rigor and efficacy. In this presentation, I focused on images of past plagues since the recent proliferation of plague-related …
Teaching The Black Death During Covid-19, Rachel Podd
Teaching The Black Death During Covid-19, Rachel Podd
Developing Pedagogy Graduate Student Showcase
On the 13th of November 2020, the Renaissance Society of America, in conjunction with Fordham University, hosted on a symposium, “Plagues, Pandemics, and Outbreaks of Disease in History”, including a series of presentations focused on pedagogical strategies related to the topic of disease in Early Modern History. As part of this pedagogy roundtable, Rachel Podd developed a variety of materials suitable for educators in secondary or higher education; these materials use the current pandemic, COVID-19, as a teaching tool and analytical lens for the study of historical pandemics and, more specifically, of the Black Death of the fourteenth century. Conceived …
Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey
Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey
LSU Master's Theses
Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis analyzes …
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Theses and Dissertations
Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.
The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney
The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney
Senior Honors Theses
This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement …
Titian, Colonna And The Renaissance Science Of Procreation: Equicola's Seasons Of Desire [Book Review], Fern Luskin
Titian, Colonna And The Renaissance Science Of Procreation: Equicola's Seasons Of Desire [Book Review], Fern Luskin
Publications and Research
No abstract provided.
Unchaste Veneration In Titian's Worship Of Venus, Fern Luskin
Unchaste Veneration In Titian's Worship Of Venus, Fern Luskin
Publications and Research
The identity, activities, and attributes of Venus and her devotees in Titian's Worship of Venus have long been misunderstood. Although based on Philostratus' Erotes, Titian's actual textual source was Demetrios Moschos' Italian translation of the Erotes. Previous analyses of Titian's painting have relied either on faulty transcriptions and translations of Moschos' Amori, or on the original Greek or Loeb edition of Philostratus, which differ from Moschos' work. A careful translation of Moschos' text, closely compared to Titian's painting, yields a new interpretation of its theme, riddles, and humorous double entendres pointing toward a decidedly unchaste Venus worshipped not …
Curated Exhibit Art In Medicine: On The Fabric Of The Human Body, Laura J. Hall
Curated Exhibit Art In Medicine: On The Fabric Of The Human Body, Laura J. Hall
Posters and Presentations
The Art in Medicine: On the Fabric of the Human Body exhibit, curated by Laura J. Hall, MFA, and sponsored by the New Mexico Health Historical Collection at UNM’s Health Sciences Library and Informatics Center, highlighted the 1543 anatomy book De Humani Corporis Fabrica by Andreas Vesalius. This Renaissance work united artistic innovation with anatomical science, contributing to advances in medicine. The exhibit offered a glimpse into the intersection of art and medicine during the Renaissance and was accompanied by a suggested reading list and public programming. The exhibit was nationally recognized, winning a poster design and marketing award from …
"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow
"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow
Center for LGBTQ Studies (CLAGS)
The farther back we go from modern into early modern history, the harder it gets to document those facets of an artist's personal life that might provide an anchor for claims to discern forms of homosexual authorial intention—without the probability of which, gay/lesbian studies might indeed collapse into the baldest claim of its detractors, that it is naught but meaningless psychospeculation.