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Ivy Leaves, Volume 100, Anderson University - South Carolina

Ivy Leaves

The 2025 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jaylee Koon, Jenna Martin, Rachel Riddle, Milena Ulrich, Emma Brightman, Corinne Lowe, Torie Johnson, Anna Leigh Avant, Darcy Hseih, Kaylie Sheriff, Claudia Sarmiento, LIly Gregory, Ethan Wright, Elise Frauenholtz, KJ Lian, Ellie Gramm, Iley Gramm, Kenzi Miller, Ellie Ruperto, Miriam Cabrera-Santana, Ashlee Keller, Mateo De Los Cobos, Jacob Enzor, Claire Nunes, Abby McDonald, Heidi Dillow, Derek Updegraff and Tim Speaker.

“Plenty Of Heart And Plenty Of Hope”: An Analysis Of Social And Historical Implications In Post-Wwii Western Musical Films, Katelyn N. Lister

Selected Honors Theses

World War II had a profound and significant impact on American life and culture. Hollywood and film production was one area that was notably different after the war with themes and settings that promoted patriotism and American values being seen more frequently. Film lends itself to analysis due to its recorded and preserved nature that allows audiences today to view the same thing that audiences in the early 1950s were seeing, albeit with a different worldview. Western movies made in the late 1940s and early 1950s perfectly encapsulate the feelings of most Americans during the postwar period. Additionally, a new …

Con Fe Te Vere Otra Vez, Edwin Perez-Hernandez

Student Projects

"Con Fe the vere otra vez" is a photographic series that documents the struggles associated with immigration. How it causes a divide in the familial construct as one member separates themself to build a better opportunity while sacrificing the opportunity to live a life with the family they were raised with. This work focuses on showing how though separated they still find ways to connect with each other. This series also serves as a way to connect and comfort immigrants and individuals whose family immigrated and remind them they are not alone. In a political climate where Mexican and Mexican-Americans …

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

Pathos, Spring 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna

Akda: The Asian Journal of Literature, Culture, Performance

The Philippines as locus of both specific experience and shared sympathy with regard to climate change allows for an investigation of the complex factors that describe a realm of experience unique to this present age: catastrophic weather in both its scorching and diluvian iterations. In this paper, I argue that the atmospheric delusions in the artistic practices of Mark Orozco Justiniani’s Arkipelago and the Vargas Museum’s Fever Dream point to a more expansive relationality with climate that forces us to re-evaluate precisely what ecocritical scholars have called the derangements of everyday modern life. The experience of exceptional heat and rain, …

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

Sacred Oath Of Healing - Volume 9

be Still

No abstract provided.

The Hidden Scars Of Healing, Amanda Almeida

be Still

A photograph collection of Mark's unique road to healing, and a medical narrative.

The Essence Of Resilience, Evelyn Echevarria Cruz

be Still

No abstract provided.

Putting Myself First, Nicholas E. Doberstein

be Still

No abstract provided.

The Circle Of Life And Care, Isabel M. Vera Machado

be Still

As a first-year medical student on the osteopathic path, my art is a reflection of my journey to balance creativity and the principles of holistic care. Osteopathic medicine’s focus on treating the whole person—mind, body, and spirit—aligns closely with my approach to art, which aims to capture the connections between humanity, healing, and empathy.

Through my work, I explore themes of care, connection, and the values I hope to uphold as a future physician. Whether it’s through symbolic imagery or simple, heartfelt compositions, my art reflects the importance of compassion and the human connection in both medicine and life.

For …

Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman

be Still

This essay is built off of a paper I wrote in a college global health course on culture and mental illness. I have always been fascinated by cultural interpretations of illness & believe that as a future physician, it is my responsibility to educate myself and others on the complex interplay between religious ideologies & recognition/management of biological disease in order to provide appropriate patient-centered care.

The Masculine Way, Jessica Asuquo

be Still

This painting was conceptualized after a particularly impactful patient visit. During the visit, the patient described a traumatic event in greater detail, stating that the doctor and I were the first people he had ever spoken to about the event.

I felt both honored and disheartened by this statement. I was honored that this man trusted us with this knowledge. Still, I was immensely sad that he dealt with the trauma of this event alone for decades. I believe he released some of the grief, pain, anger, fear, and hurt when he shared his burden with us, and I will …

A Child’S Oath, Nozimakhon K. Omonullaeva

be Still

"A Child's Oath" reflects the transformative journey of a young girl shaped by her personal experiences with healthcare inequities, both in her home country of Uzbekistan and in the United States. This piece explores the emotional impact of these experiences and how they inspired a lifelong commitment to healing and serving underserved communities. It is a testament to the resilience born from hardship and the sacred promise to bring compassion and equity to medicine.

The Glacier, Emily Rodman

be Still

The Glacier discovers the inner workings of a medical student's mind as she devotes years of her life to eventually partake in the "sacred oath of healing." She knows that these years of medical training - filled with strife and joy alike - will eventually lead her to fulfill the career of her dreams, serving others.

The Sacred Healing Of A Little Warrior, Adrianna M. Zambrano

be Still

As a hopeful pediatrician, I find my sacred oath of healing to be inspired by the radiant positivity and resilience of children. My goddaughter was not even three years old when she had her first major surgery, and I was so worried about her future recovery. Then, she was just a few hours post-op and already cracking a smile. Her innocence and purity extended to the point where she made sure that she wasn't the only one being taken care of; after all, her "baby" Julie needed to be taken care of, too.

The Heart Of Healing, Madison Prieto

be Still

No abstract provided.

Nourishing The Body, Nurturing The Soul, Vidhi Raval

be Still

No abstract provided.

Frankenstein Colorized, Marianne Koleng

be Still

One of my favorite novel's growing up was Mary Shelley's Frankenstein. I see Frankenstein's desire to create a "Monster" as a way to grasp at the fundamental human drive for connection, and healing through connection. In this piece, I attempt to bring that inner yearning for fundamental connection to paper.

Beyond Myself - Healing Through Pain, Marianne Koleng

be Still

In this piece I reflect on the importance of setbacks, non-linear growth, injuries, and pain and their ability to provide self-reflection, a platform for growth, and an crucial reminder of the fragility of life. I have often been self-critical for not following a "traditional" path in life, and reflecting on my experiences allows me to show myself grace and hopefully may influence others to do so as well.

The Orchard Of Golden Apples, Ambika Kapil, Brendan Ginsberg

be Still

This poem was written collaboratively by Ambika Kapil and Brendan Ginsberg, reflecting our shared journey through the challenges and rewards of medical school. The inspiration for this piece comes from a pivotal time in Ambika's journey, when she found herself balancing the demands of medical education with personal struggles. During this period, she often turned to the lectures and guidance of various faculty members, including Dr. Lori Dribin, whose wisdom and support provided a sense of stability and hope. The guidance of these mentors became a beacon, helping Ambika navigate through uncertainty.

As many students face an array of challenges …

Death Is Not The End, Marianne Koleng

be Still

In this piece, Death is Not the End, the juxtaposition of maintaining a connection with those lost, while simultaneously adjusting to life without them is explored. The use of mixed media to convey a spectrum of emotions surrounding death along with the use of both a skeleton, to represent death, and "normal" hands and body contours to represent life, highlight the importance that proper healing play in both mourning and celebrating life.

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Community Engagement For The Children's Theatre, Lindsey R. Guilford

Undergraduate Theses

Community Engagement for the Children’s Theatre examines how children’s theatres across the United States build and sustain mutually beneficial relationships with their surrounding communities. In a field where community support is essential, but resources are often limited, long-term success depends on meaningful, reciprocal engagement. This research draws on surveys and interviews with theatre professionals to investigate strategies used by organizations of varying sizes to connect with local audiences, educators, and families. Findings highlight key practices such as sharing resources, aligning programming with community needs, valuing both internal and external stakeholders, and maintaining transparent, ongoing communication. By consolidating these insights, the …

The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy

Regards

This article examines the outlaw figure in modern Egyptian fiction

through the lens of the conceptual framework of social banditry and classical

tragedy. It offers a unique angle of analysis of one of Mahfouz’s most prolific

works that emerges in times of growing political anxiety following the Egyptian

Revolution of 1952. Reading the 1962 film adaptation of Naguib Mahfouz’s The

Thief and the Dogs directed by Kamal El-Sheikh as a projection of the socio-

political uncertainty of the post-revolution Nasser era, this paper considers the

outlaw figure within the condition of social alienation. Using the conceptual

borders set by Eric …

A Polyphonic Adaptation: Noir Sensibilities In Naguib Mahfouz And Salah Abu Seif’S Take On Émile Zola’S "Thérèse Raquin", Fadi Awad Elsaid

Regards

In 1951, Salah Abu-Seif directed Lak Yūm yā ẓālim (Your Day Is Coming) – scripted by Naguib Mahfouz – adapting Émile Zola’s Thérèse Raquin (1867). In their third collaboration, Abu-Seif and Mahfouz went beyond merely adapting Zola’s novel – they also incorporated traits and techniques from film noir, creating what this article terms a “polyphonic adaptation” that draws from multiple sources. While their partnership is often credited with pioneering realism in Egyptian cinema, this article argues that the film’s crime-thriller elements invite a reassessment of that narrative. Although adapting French novels was common in pre-1952 Egyptian cinema, their …

The 1953 Codes: Rayyā And Sakīna On Screen (1953-2005), Elena Chiti

Regards

This paper examines on-screen representations of female criminals. It focuses on Rayyā and Sakīna, two sisters who were arrested in Egypt in 1920 and executed in 1921. Since 1953, the sisters have inspired movies and TV series that have entrenched their myth in popular culture. Rayyā and Sakīna are at the core of narratives that bear moral imperatives on societal issues, such as the place of women in society and the relation of the nation to its margins. I will argue that, until a recent off-screen resignification, Rayyā and Sakīna have not been deeply resignified in Egyptian movies. Instead, they …