Fine Arts Commons^™

Reconciliation: An Auditory Exploration Of Redemptive Suffering, Emily Eid

MFA in Visual Art

Reconciliation examines the intersection between chronic pain, Catholic theology, and contemporary sound art through the lens of radical honesty. It documents a dramatic aesthetic and spiritual pivot in my art practice, moving from grotesque, abject portrayals of agony to a hopeful representation of redemptive suffering. I share how the project evolved from an installation of anthropomorphic furniture to a sculptural work using my bed, to an audio piece presented in a semi-private “confessional booth,” all while challenging the misconceptions surrounding chronic pain and disability. Utilizing the theories of Roland Barthes, I break down the semiological and authorial aspects of the …

Grounding In Place And Space, Levi Anthony Walker

MFA in Visual Art

The foundation of Levi Walker’s artistic practice relies on the use of natural materials that reference the landscape. The materials within his sculptures, in combination with sculptural processes, create a conceptual language that is in conversation with the land and the ways that we engage with it as a community. As a member of the Lumbee Tribe of North Carolina, his work addresses the relationship that Indigenous tribes have with the federal government, and the ways the tribe must navigate colonial systems in order to support their communities without erasing their identities or beliefs. Influenced by his upbringing, a strong …

On Paper, Dallas Spears

MFA in Visual Art

I create sculptural works from discarded copy paper that I combine with found objects, all sourced from my immediate environment. The associations of paper such as writing, tearing, stacking, folding, and scribbling echo through my formal gestures. Found objects mimic these gestures, while adding unexpected textures and colors to the compositions. These machine-made objects are intertwined with the handmade to form displays of exchange. I am interested in the tension between the manufactured and the hand-formed, and how these tensions inform our daily lives. Objects that surpass the human lifespan, products alienated from us via opaque networks of exchange, especially …

Care As Method: Sound, Duration, Relation In Contemporary Art Practice, Violet L. White

MFA in Visual Art

Abstract Care as Method: Sound, Duration, and Multispecies Relation in Contemporary Art Practice

This thesis proposes care as a method of artmaking, not a subject, theme, or aesthetic position, but the actual structural logic through which a body of work is built, sustained, and understood. Working at the intersection of ecological art practice and relational aesthetics, it asks what happens when the encounter at the center of the work is not between two people but between species, infrastructures, and histories of use and what obligations that encounter generates.

The argument is developed through six interconnected works: installations, sound compositions, sculptures, …

Temporal Ubiquity, Brittni Mosby

MFA in Visual Art

My thesis examines looking as a sacred and relational practice rooted in familial memory, storytelling, and the photographic archive. Drawing from early experiences of engaging family photographs alongside my mother and great-grandmother, I conceptualize these encounters as the formation of “temporal altars”: living vessels that activate space, memory, and multiplicity. These intimate acts of looking and listening position the home as a critical site where Black subjectivity is held with care and complexity.

By casting these modes of perception into domestic spaces, my thesis not only resists reductive external gazes but interrogates the archive as a colonial apparatus structured by …

Alive In Translation, Shiyao Fu

MFA in Visual Art

Alive in Translation explores in-between cultural conditions through my process of working with materials metaphorically, focusing on how they interact and intersect. By using paradoxical pairings—organic and synthetic, fluid and rigid, liquid and solid, flux and suspension—my sculptures and installations simultaneously hold multiple conditions. My process is grounded in my own negotiations with materials. By embracing both the material limitations and my own frustrations, I allow the materials to act as active agents in my process of making. The resulting forms exist in between the materials’ own tendencies and my own intentions. My thesis project, We twist, extend, and accrete …

Panorama, Qian Shen

MFA in Visual Art

This thesis examines the uncanny, bodily, grotesque, and metamorphic states of beings that exist between human and non-human forms. In my sculptural practice, I approach the body not as a fixed or self-contained object, but as a fluid, unstable, and continuously transforming condition. Working primarily with wool, foam, silicone, wax, latex, and metal, I use material interaction, fleshy quality, gravity, and open-ended processes to generate forms that appear unresolved, bodily, and in the middle of becoming. These sculptures often suggest skin, organs, wounds, hair, membranes, or other bodily elements, yet they resist clear identification and remain suspended between attraction and …

Quiet Change, Close Attention, Tianqing Xu

MFA in Visual Art

This thesis explores how sculpture can reorganize the experience of viewing through material change and small scale. The research begins with a phenomenon I am curious about: viewers are often drawn to moments when objects undergo destruction or transformation. However, rather than focusing on these dramatic moments of collapse, this thesis turns its attention to processes of change that are slow, subtle, and not easily perceived. It argues that material transformation can make time visible, allowing processes that are otherwise difficult to grasp to leave recognizable and traceable clues within the work. At the same time, small scale is not …

Within Stillness, Yitian Chen

MFA in Visual Art

This thesis explores how photography can make ongoing processes perceptible. Here, ongoing processes refer to the continuous shaping of landscape through the interaction and temporary balance of different forces, rather than a fixed or static condition. Through photographic series my work focuses on subtle traces left by different forces, including natural growth, gravity, environmental conditions, and human intervention. By introducing the concept of “trace,” the image is no longer understood as a static record of a single moment, but as a manifestation of a temporary balance among multiple forces. Rather than relying on event-based or linear narratives, my thesis artwork, …

Fluid Belonging, Soft Boundary, Jingyi Liu

MFA in Visual Art

This thesis conceptualizes cultural identity as a fluid and dynamically generated process shaped through the experience of migration. Drawing on contemporary art practices and theoretical frameworks of diaspora and hybridity, the thesis is structured around four interrelated dimensions: fluid identity, memory fragmentation, material interaction, and spatial displacement.

Within the artist’s practice, traditional techniques are reactivated as both cultural signifiers and material approaches that adapt and transform across shifting contexts. Fragmentation is understood not as the loss of information but as a mode of reassembly. Materials such as ink, textile, and dye function as active agents that carry time and cultural …

If Life Were Only As Our First Encounter, Yixiao Zhang

MFA in Visual Art

This thesis examines how contemporary portrait painting extends beyond the representation of physical appearance toward the construction of collective memory, history, cultural identity, and mechanisms of seeing. Using staged, photo-based portraits as a point of departure, my work engages both Eastern and Western traditions to produce new autoethnographic narratives. Rethinking the significance of portraiture today, this paper considers what persists and what has shifted over time. It argues that portrait painting is no longer merely a representation of an individual; rather, like a literary text, it functions as a signifier shaped by both the moment of its production and the …

What Is Lost When Time Is Saved: Drawing In Collaboration With The Urban Periphery, Carmen Ribaudo

MFA in Visual Art

I pay attention to the overlooked spaces where land and industry meet, prompting me to wonder what can be gleaned in the oily and cracked urban periphery. With a focus on my hometown St. Louis, this industrial city is my subject matter. And so, I draw in a neighborhood bisected by a highway. I animate with sand near the river confluence on land preserved after a historic flood. I make my own bricks in this Brick City, setting up in locations of former terra cotta clay mines. I sit in the tension of what author Michael Martone calls the “midwestern …

Go Cry About It!, Grace C. Ryder

MFA in Visual Art

I have always been a crier. I have always felt deeply and intensely. Goodbyes, heartbreak, joy, and empathy—I’m grateful to feel it all, even when it hurts. My artwork often investigates vulnerable topics through making the personal public using self archival and diaristic elements. Inspired by my familial and romantic relationships, I explore my connections to other people and how I memorialize and honor them. My painted works often depict ephemeral objects, establishing their value through the use of oil paints while my sculptures are often exaggerated, oversize forms, emphasizing the passage of time.

From January 1st to December 31st …

Undefinitive, Lan Mu

MFA in Visual Art

My thesis project, Undefinitive, examines the cyclical process of destruction, transformation, and rebirth through installation, ceramics, and text. With a deep unease toward my own gendered body, I investigate how vulnerability, both physical and psychological, can become a site of resistance and empowerment. Drawing from feminist theory, Chinese mythology, and stream-of-consciousness narratives, my work explores the monstrous and the fragmented as inseparable states of one’s becoming. Through references to body art, speculative fiction, and queer theory, I reimagine femininity and queerness as forces capable of dismantaling societal structure and forging new modes of existence.

Set in a post-apocalyptic world where …

Places, Please!, Catie Cook

MFA in Visual Art

Growing up in the American South as the daughter of a scenic designer, I frequently found myself on both the physical stage of the theatre and the metaphorical stage of gender performance. Through immersive oil paintings, I seek to visually represent where these two experiences merge, depicting imagery and characters from my childhood staged in theatrical and uncanny environments. In this thesis I explore the canine motif as my primary subject, positioning the Dalmatian as a self-insert and exploring the show dog as a foil to the Southern beauty. Building upon Judith Butlers theory of gender performance, and Laura Mulvey’s …

Hauntological Warfare: Explorations In Propaganda, Influence Campaigns, And Online Affect, Roy Uptain

MFA in Visual Art

This thesis, Hauntological Warfare: Explorations in Propaganda, Influence Campaigns, and Online Aesthetics, investigates how ideological power continues to shape contemporary reality through both overt and spectral means. Drawing from concepts like hauntology, psychological operations (PsyOps), and disinformation aesthetics, I examine how propaganda does not simply vanish once its immediate goals are achieved, but instead lingers—reshaping memory, identity, and cultural narratives through what I call hauntological warfare.

My post-conceptual research-based art practice engages this terrain by creating site-specific installations, performances, and media works that make these invisible forces perceptible. Works such as Kill Zones (for Boeing) (2024), r/RoastMe (2024), …

Unmeasured, Detached, And Isolated: The Legitimation Of A Domesticated Identity, Eva M. Agüero

MFA in Visual Art

Unmeasured, detached and isolated explores the lingering effects of colonialism on identity, behavior, and cultural perception through the lens of my personal experience as a Venezuelan immigrant in the United States. I investigate how colonial legacies—especially those codified through manuals of etiquette like Manuel Antonio Carreño’s Manual de Urbanidad y Buenas Maneras—continue to shape self-perception and societal expectations. Through video, sculpture, miniatures, and installation, I reconstruct a visual language that resists simplification and reclaims complexity. Engaging with the symbolic weight of tropical imagery, domestic spaces, and hybrid aesthetics, my work challenges Eurocentric frameworks and examines the figure of the migrant …

Hot Girls Don't Worry About Copyright: Trans/Formative Works And The Femmage Lifestyle, Czeslawa Wojtkowski

MFA in Visual Art

This thesis examines the ways in which collage is an ontologically transgender medium due to its freedom from traditional artistic formal and narrative structures. Considering that many trans experiences center around dichotomies, juxtaposition, and self-definition, collage is the best equipped to communicate these experiences in innovative ways. Through interrogations of feminized labor and the ways in which the art world upholds harmful gender binaries, as well as discussions of Femmage, maladjustment, and obsession, I argue that the fragmentary nature of photomontage, digital collage, and videomontage can externally express the multitude of feelings and identities contained within a body, to a …

Digital And Physical Spaces: All At Once, Addyson Hoey

MFA in Visual Art

In this thesis, I explore our experience of digital and physical spaces in the ever-increasing presence of technology. By investigating the intersections of these spaces, I focus on how our experiences in the physical world are processed through the digital space, to re-merge in lived spaces. Through digital collage paintings, I explore how assisted chance and machine destruction can be productive in the formation of space that is not possible on the screen. By using the drop shadow as primary content, my work takes on the arrangements of surface and space—rather than the requirements of the physical world. In addition, …

The Kinship Of Creatives, Saba Saif Ur Rehman

MFA in Illustration & Visual Culture

This research essay contends that artists and creative individuals must recognize their agency in shaping societal narratives, particularly during times of technological and political upheaval. The essay draws on the insights and contributions of visionaries like Walter Benjamin, Ursula K. Le Guin, and Tomm Moore to emphasize the power of imagination and creativity in addressing real-world issues. It argues that previous technological advances have often reinforced hierarchical and oppressive systems, benefitting a select few while neglecting the masses. As we enter the fourth Industrial Revolution, this essay calls the artists to reclaim their tools from being co-opted for exclusionary and …

The Liminal Space Of Dreams: Narration Of Dreams In Graphic Novel And Comics, Muyang Li

MFA in Illustration & Visual Culture

This essay explores the dream as a narrative in graphic novels and comics, examining its character as a subconscious experience depicted by means of visual storytelling. Focusing on psychological, symbolic, and aesthetic functions of dream narrative, I demonstrate that dream narration offers an allegory by means of which both creator and reader can explore issues of identity, desire and trauma in an intimate and healing way. In analyzing these functions of dream narration, I draw upon ideas from theorists such as C.J Jung, Freud and other scholars who have engaged their work on the psychological perspective of the experience of …

Froggy People: Anthropomorphism And Slice-Of-Life In Autobiographical Comics, Maddie Baker

MFA in Illustration & Visual Culture

This essay explores how the following three comics categories overlap and interact with one another: slice-of-life, anthropomorphic, and autobiographical. I search for reasons why comic makers would choose to tell their own daily life stories using animal avatars rather than their own faces. While each of these three categories has been studied extensively individually, I hope to find additional insights by observing how comic makers employ the genres together as storytelling devices. Each category has unique narratological power which impacts the reader’s experience. For example, anthropomorphism affects how the author and reader internalize and relate to characters. Slice-of-life comics are …

Firing The Canon: Queer Representation In The Magical Girl Genre, Lena C. Humble

MFA in Illustration & Visual Culture

This research delves into the impact queer representation in the shoujo (Japanese for young girl) genre has on audiences. More specifically, the “Magical Girl” (a subgenre of shoujo) genre’s main focus is about ordinary girls whose lives are drastically changed when they are given magical powers. One of the major plot points of magical girl media is how these girls find balance with their ordinary lives with their magical alter egos, and their attempts to keep these lives separate. Much of this media follows a small group of girls, who tend to build deeply emotionally intimate relationships as they share …

America Is Banking On You! Selling American Ideology During World War Ii, David W. Maupin

MFA in Illustration & Visual Culture

This essay uncovers advertising from World War II found in tear sheet archives. Through deep reading and contextual analysis, this essay seeks to determine what these advertisements—found in magazines, newspapers, and posters—were asking their viewers to do in response to the global conflict of the 1940s. It argues that advertisers used emotions and racism to entice citizens of specific classes to invest, enlist, and align their values with American ideals. The creators of these advertisements were hired by American companies, who used government sponsored tactics to woo citizens to the American Ideology while keeping the corporate brand in the public …

Illustrated Nonfiction In The Screen Age, Katie Klaras

MFA in Illustration & Visual Culture

The addictive qualities of our phones and incessant demands on our attention pose consequential challenges to individuals and the collective. In the age of screens, what are illustrated nonfiction books uniquely positioned to offer modern audiences? This essay seeks to understand how the genre can serve as one possible antidote to the infinite scroll. I examine the qualities of three illustrated nonfiction texts: Abbi Jacobson’s I Might Regret This, Shaina Feinberg and Julia Rothman’s How We Got By, and Nora Krug’s Diaries of War. The essay considers how the slower pace of the reading experience, the careful curation of image …

Adler, Asterios, & Maus, Crystal Ganatra

MFA in Illustration & Visual Culture

Adler, Asterios, & Maus examines how small visual decisions in illustrations make up a language. And when the dialect changes from the predominant one in a graphic novel, something novel happens. A scene or specific quality gets the spotlight. It also explores how these visuals tie to Adlerian psychology and El Refaeian ideas on autobiography, behavior, and emotion. It identifies through two interesting grpahic novels- Asterios Polyp by David Mazzuchelli and Maus by Art Spiegelman- how these ideas can be used to understand ourselves. It intensely zeroes in on specific moments of visual language shift. Some of these change range …

Lines Of Thought: The Cartoon As A Phenomenological Object And A Philosophical Tool, Thomas Attwood

MFA in Illustration & Visual Culture

Cartooning’s greatest strength is its simplicity. This essay argues that the cartoon’s inherent modesty and accessibility are central to its philosophical utility, and that its spare visual language conveys more than meets the eye. Drawing on phenomenology, it considers cartooning as a process grounded in the body, and it investigates the bodily encounter between the viewer and the cartoon. Through an analysis of cartooning work by Saul Steinberg, R.O. Blechman, and Liana Finck - a “family of cartoonists” - it demonstrates how a line-drawn, representational cartooning language can transform the act of looking into a participatory experience that interrogates issues …

Comics As Confrontation : A Case For Breaking Silence Around Sexual Abuse In Comics, Manimanjari Sengupta

MFA in Illustration & Visual Culture

In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived …

The Dragon's Eye: A Quest For Tabletop Role-Playing's Visual Culture, Benjamin Kent

MFA in Illustration & Visual Culture

The world of Tabletop Role-Playing Games (TRPGs) has always been defined and dominated by Dungeons & Dragons (D&D), the game that pioneered the industry in the 1970’s. Meanwhile during this time, independent games have consistently innovated new ways of utilizing this highly creative field both in contrast and in concert with D&D’s growth. As a decade-long player and developing creator of these games, I hold a vested interest in furthering our understanding of them. The visual aspects of these products are well-documented and celebrated, but in this essay I attempt to define the overall landscape of TRPG visual culture …

Transmutation, Sam Berger

MFA in Visual Art

My artistic practice is about change itself. I am inspired by the doubling and layering effects that came out of Surrealist Photography. Scale, fracture, and doubling are intentional components of my process. I combine those methods to create complex works of art, focusing on the untamable light that I hope to capture when making my images, which often are self portraits. Poetry is an integral element of this thesis text as well as my art making process. Through my poetic work I hope to offer my audience a glimpse into how I see and experience the world. This thesis text …