Fine Arts Commons^™

Between Their Hands And Mine, Ellie Barnes

Art and Art History Honors Projects

We better understand the people who came before us through objects, images, and stories. Between Their Hands and Mine is a studio art honors project that connects wheel-thrown ceramics to the stories and experiences of the women in my life, known and unknown. Adorning the home with love and care through objects like cups with butterflies was common in my upbringing. My family’s Norwegian background inspired the florals and stripes that decorate the surface. This series of plates, bowls, mugs, and other dinnerware set amongst a dining room and ancestral objects is reminiscent of the homemaking women in my life.

There Is No Real : The Burden Makes It Real, Matthew L. Brown

Masters Theses

This thesis explores the concept of burden ship as a framework for understanding human connection and meaning within contemporary life.  Through a series of interconnected essays, this project examines different facets of burden including themes of knowledge, time, identify, responsibility, and choice, and through this exploration, the project investigates how these burdens shape Individual and collective experiences of reality.

These essays are accompanied by artistic projects that use light, digital interaction, weight, constriction, and material tension, as methods of embodying burden in physical form.

At the core of this thesis, is the belief that meaning is not passively discovered; it …

An Introduction To East Asian Art: Tour Guide #3, The Year 1591, Victoria Weston

OER Textbooks

Please Note: This tour guide is the third in Victoria Weston's An Introduction to East Asian Art in Three Journeys. To access the full book, visit https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining sections, visit:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative …

An Introduction To East Asian Art: Tour Guide #2, The Year 1230, Victoria Weston

OER Textbooks

Please Note: This is the second of three tour guides connected to Victoria Weston's Introduction to East Asian Art. For the full guidebook, visit https://scholarworks.umb.edu/oer_textbooks/3/

The remaining sections can be found at these links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …

An Introduction To East Asian Art: Tour Guide #1, The Year 748, Victoria Weston

OER Textbooks

Please Note: This book is chapter one of Victoria Weston's Introduction to East Asian Art in Three Journeys, which can be found in full at https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining chapters, visit:

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. …

Sweetly Somatic, Grace Edwards

Graduate Theses and Dissertations

The delight of biting into something sweet. The freedom of getting lost in the movement of your own body. The sensation of being completely enveloped by color. The flutter that rises in your chest when surrounded by abundance. Sweetly Somatic traces personal sensory experience across time, transforming ephemeral moments of joy into forms that capture enduring perseverance. Sculpted from fluxing ceramic materials, piped grout, and glass adornments, the works examine the elasticity of memory, both bodily and retrospectively. My bodily sensations are my most accessible form of joy, and a filter that all experiences move through.

Entwurzelt, Melanie Fischer

Theses and Dissertations

Entwurzelt (Uprooted) is an installation that explores the emotional landscape of displacement-trauma, grief, and the search for belonging in the aftermath of war and unrest. The vessels in this installation evoke the presence of a forest--each one a symbolic tree, rooted in memory and shaped by personal and collective histories. Being torn from the familiar means leaving behind everything except memories and carrying a void that may never be fully filled. Yet, in unfamiliar places, fragments of comfort can be found--echoes of what once was. For me, the forest is more than a memory--it is a bridge between past and …

Among The Remnants, Jade-Lynn B. Lewis Vance

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis serves as supporting documentation and research for my Master of Fine Arts thesis exhibition, Among the Remnants, at West Virginia University. This dissertation will explain how my artistic vision, influences, research, and thesis exhibition fits into larger art and cultural contexts. Drawing from art history and theory, my work explores memory, touch, and fragmentation. My fascination with artifacts and the stories they hold inspires my research and drives me to create personal connections within my own art. The figurative sculptures serve as a vessel for recalling impactful experiences and embodying personal perception and these interactions. The …

A Mutant Perfect, Amelia R. Baxter

Theses and Dissertations

A Mutant Perfect examines how embodied knowledge can be made visible and transmissible through ceramic figures. The research asks what forms emerge when making is understood as a mode of thinking rather than a vehicle for pre-formed ideas, and how those forms might activate somatic recognition in a viewer. The primary method is coil-built ceramic sculpture. Color is applied in layered coats and removed by hand-sanding to expose varying strata beneath, producing a speckled, worn surface. In a second approach, pigment is built directly into the clay body through coil construction, making color structural rather than applied. Narrative prose and …

Adaptive Compulsion, Amanda A. Santos

Electronic Theses, Projects, and Dissertations

Adaptive

Adjective

Adap.tive ( ə-ˈdap-tiv)

of, relating to, or being a heritable trait that serves a specific function and improves an organism's fitness or survival

Compulsion

Noun

Com.pul.sion (kəm-ˈpəl-shən)

a repetitive behavior or mental act that a person feels driven to perform to alleviate the anxiety and distress caused by an unwanted thought or urge, known as an obsession.

For years we have lived in unprecedented times. From the worldwide quarantine in 2020 resulting from the pandemic, to our current US political crisis. The constant barrage of events is overwhelming and demoralizing.

The work in this gallery is a display …

Processing Self, Ethan B. Mckellar

All Theses

Processing Self is a body of sculptural and utilitarian ceramic work that explores the intersection of the materiality of clay with the expression of grief and vulnerability. In this work I utilize the process of building unstable ceramic vessels and the communal action of wood firing to translate the experiences of grief and care into physical forms. As I build, I manipulate the clay to its limits, allowing it to falter under its own weight, and display the breakage and damage. By committing to support each vessel through its creation, I make a promise to persevere, echoing the commitment I …

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez

Departmental Honors & Graduate Capstone Projects

This research explores artworks within the Global Baroque as visual and ideological evidence through which colonial power, trade, and cross-cultural influence shaped the material culture of the early modern world. Centering on blue and white ceramics as a key medium of transcultural and trans-local exchange, the study analyzes how global motifs, particularly those drawn from Aztec and Chinese traditions, were reinterpreted, aestheticized, and circulated in Aztec and Novohispanic artistic practices.

Through a close observational comparison of Aztec and Chinese decorative systems, the study recognizes contrasting systems of cultural documentation embedded within similar visual forms. Aztec motifs, rooted in ritual, calendrical, …

Unmeasured, Detached, And Isolated: The Legitimation Of A Domesticated Identity, Eva M. Agüero

MFA in Visual Art

Unmeasured, detached and isolated explores the lingering effects of colonialism on identity, behavior, and cultural perception through the lens of my personal experience as a Venezuelan immigrant in the United States. I investigate how colonial legacies—especially those codified through manuals of etiquette like Manuel Antonio Carreño’s Manual de Urbanidad y Buenas Maneras—continue to shape self-perception and societal expectations. Through video, sculpture, miniatures, and installation, I reconstruct a visual language that resists simplification and reclaims complexity. Engaging with the symbolic weight of tropical imagery, domestic spaces, and hybrid aesthetics, my work challenges Eurocentric frameworks and examines the figure of the migrant …

Go Cry About It!, Grace C. Ryder

MFA in Visual Art

I have always been a crier. I have always felt deeply and intensely. Goodbyes, heartbreak, joy, and empathy—I’m grateful to feel it all, even when it hurts. My artwork often investigates vulnerable topics through making the personal public using self archival and diaristic elements. Inspired by my familial and romantic relationships, I explore my connections to other people and how I memorialize and honor them. My painted works often depict ephemeral objects, establishing their value through the use of oil paints while my sculptures are often exaggerated, oversize forms, emphasizing the passage of time.

From January 1st to December 31st …

Studies About The World, And The Magical Principles Of Our Destructive Dynamics, Vanessa Georjana Sandoval Cuadrado

Theses and Dissertations

This thesis paper arises from an interest in how realities are fictional constructions. In it, I am exploring and questioning the separation between nature and culture, and how bodies are expressions of ecological relations. In this sense, I conceived the end of this world (the main subject of this paper) as an opening to the possibility of other worlds emerging.

Mandatory Bliss, Jocelyn Reid

Graduate Theses and Dissertations

Mandatory Bliss is an exhibition of sculptural objects that discuss value, feminism, material hierarchy, and societal expectation. Using mundane structures and objects, this installation aims to frustrate and dissect the significance of the tangible items that we interact with every day.

A Living House Never Stands Still, Holly Rose Kranker

Graduate Theses and Dissertations

A Living House Never Stands Still is an exhibition that explores the interplay between place, memory, and the suspension of time through diverse mediums and materials. I engage with seemingly mundane objects, interpreting them through a non-linear, dream-like, and irrational framework to unearth latent connections across time–past, present, and future. Central to these explorations is the concept of home—not merely as a physical location, but as an evolving entity. Home is a sacred space for me.

My recent studio reflections are focused on the lifecycle of objects, the emotional responses they evoke, and how these cycles emulate the human body …

Moments In The Making, Paige M. Harper

All Graduate Reports and Creative Projects, Fall 2023 to Present

Gathering around a table with good company, sharing stories and food, creates lasting memories. These moments of warmth, laughter, and connection stay with us long after a meal is over. These experiences are the driving force that inspire the vessels | create. These vessels serve as conduits for connection, helping to shape and enhance the shared experience. These objects are not only individual pieces, but also components of broader compositions. I consider how they are related in space. Using repetition, contrast, proportion, and negative space, I strive to create cohesive visual experiences that invite curiosity.

Unearthed And Exposed, Kelly Hagen

Master's Theses or Doctor of Nursing Practice

My work is a continuous dialogue between ancient symbolism and contemporary womanhood, weaving together personal experience, historical reference, and natural form. Through clay and mixed media, I explore the layered identities women inhabit—nurturer, creator, survivor, transformer—often drawing inspiration from early figurative sculpture, myth, and the cyclical patterns found in nature. Unearthed and Exposed speaks to the heart of my practice: revealing what has been buried, silenced, or overlooked, and bringing it to light through form and material. I am particularly drawn to the timelessness of the feminine figure and the stories it holds. From Paleolithic Venus figurines to amphora vessels, …

Pigments: The Bridge Of Disciplines, Candace Gwyther

Postgraduate

This practice-based research explores the intersection of oil painting and ceramics, highlighting the shared techniques and methods that bridge these two disciplines. By using common pigments and integrating cross-disciplinary approaches, this study demonstrates how each discipline can inform and enhance the other, leading to the creation of an innovative and adaptable medium that seamlessly functions within both ceramics and painting. This interdisciplinary approach challenges traditional boundaries, opening new pathways for creative expression where technical material manipulation intersects with the broader narrative of my artistic practice. Grounded in foundational theories such as path making, meshwork, play, and bricolage, the research culminates …

In The Performance Of A Lifetime: Pepper Plinkett, Lily Camille Hollinden

Graduate Theses and Dissertations

This narrative depicts a caricature of the human experience through the eyes of my alter- ego character, Pepper Plinkett. Pepper is a symbol of my personal philosophies of what it means to be human, and serves as a protagonist and guide through an infinite, ambiguous natural world. This exhibition is a celebration of the vibrancy, curiosity, and ridiculousness of a lifetime. The uniqueness of humor as a specifically human trait and its use as a tool of communication, particularly in expressing authenticity, is the driving force behind my use of clowns in my work. I take an absurdist approach to …

El Otro Cielo, Ana Buitrago

Graduate Theses and Dissertations

El Otro Cielo is an exhibition that mixes family items with personal creations, symbolizing the balance between evolving and staying connected to your roots. The work is about embracing change while remembering where you come from. This exhibition explores the stages to find one's true self while adapting to new cultures and changing over time. This installation delves into the complexities of cultural identity, memory, and the human experience. The space invites viewers to contemplate their own relationships with place, nostalgia, and the ongoing process of self-discovery.

My Body Adorned, Marie Y. Peterson

Art and Art History Honors Projects

My studio art honors project is an autobiographical body of work expressed through a ceramic-based installation. Further exploring the hybridized identity of being an Asian-American adoptee, My Body Adorned aims to juxtapose the contentious history of body modifications using the familiar and prestigious visual language of South Korean-inspired celadon-ware. My Body Adorned showcases a collection of vessels inspired by Korean ceramics with “tattooed” exteriors. Reinforced and informed by my tattooing practice, my work exposes the visual, linguistic, and technical skills that intertwine clay and skin and establishes a conversation between my physical human body and body of work.

Commonplace, Heather Lepp

Graduate Theses, Dissertations, and Problem Reports (ETD)

The paper as follows will explore the conceptual and aesthetic decisions behind my MFA thesis exhibition titled Commonplace. It will outline my personal history, philosophical outlook, and conceptual framework behind making utilitarian pottery to elevate daily experiences. It will also investigate my individual exploration into beauty in relation to the process of making my work. Formal considerations such as visual, tactile, and functional aspects of the work will be addressed. Sharing, gathering, and preparing food influences me as a maker, and being attentive inspires me to create utilitarian wares that are used as cherished tools to enrich daily life.

Formed By Fire: A Global Story Of Women And Clay, Denise Tepe

MA Projects

In 1971, art historian Linda Nochlin implored the art world to be introspective of its long-held, male-centered narratives when she published the profound essay ‘Why Have There Been No Great Women Artists?’ Nochlin articulated the individual and societal factors that have disadvantaged women collectively and have historically kept them from receiving the same level of recognition as male artists for the same quality of work. This essay, compounded with growing feminist sentiments of the late 20th century, insighted art world institutions to highlight and recontextualize the art of women. These institutional efforts have culminated in female artists having a renaissance …

Material And Making: An Exploration Of Georgia Wild Clays, Nina Samuels

Honors College Theses

Wild clay is an abundant and diverse material that has a long history with both utilitarian and decorative uses. Since the industrial revolution, processed and manufactured clay bodies have become commonplace. However, there has been a recent resurgence in the use of wild clays in contemporary ceramic practices for the purposes of material connection, accessibility, and sustainability.

This thesis explores the abundant wild clays of Georgia including the sourcing, processing, testing, of these materials. It also shows examples of the portfolio of work that was created with this research.

Evolution Of The Artist: The Impact Of A New Medium On Creative Expression, Isabel Y. Balladares

Honors Undergraduate Theses

This paper examines the impact of learning a new medium on artistic expression and creativity. By investigating art made during the learning process of ceramic art, I clarify the influence of initial learning stages in an art medium and their influence on creative thinking and motivation. I use two qualitative research strategies, a narrative analysis of the emotional and technical changes I experienced using clay and ceramic materials, and an examination of the art produced during this process. Data is collected through journal entries and photographs of art as I progress. This paper combines previous research in art education and …

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …