Fine Arts Commons^™

Digital Age: A Collection Inspired By Nostalgia, Memory, And A Late-2000’S Youth, Syd Libby

Art and Art History Summer Fellows

The cycle of visual culture, objects, and entertainment marketed to children changes rapidly. However, the objects, sounds, music, places and people we attach to as young people tend to hold weight in our lives and shape our understanding of the world. “Digital Age” is a series of paintings, sculptures and fiber works inspired by these feelings of nostalgia for a time that wasn’t really that long ago; around the late 2000’s – early 2010’s. I took this idea of nostalgia and represented it in different forms; both the images of me as a kid, alongside the objects I associate with …

Purgatory, Kat Mccormick

Bachelor of Fine Arts Theses

Artist Statement:

Purgatory is my exhibition of paintings and sculptures investigating the complex relationships between the self, the psyche, and the process of healing. Living with long-term and recurring mental health issues can breed despondency toward treatment when trial and error lead nowhere. Enduring instability seems no more difficult than endlessly trying to hold onto stability. I represent the stagnancy of this limbo between healing and devolving by painting in limited color. I create contrast through juxtaposing textures such as soft and sharp, and leaning into the differing intensities of phthalo green and tints mimicking raw canvas. Using self-portraiture in …

Lovepilled, Zhiliang Zhao

Theses and Dissertations

"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.

Brightly Slacked Tight, It Sways, Molly Brooke Martin

Graduate Theses and Dissertations

Brightly Slacked Tight, It Sways is a body of work that investigates unpredictability and process-based making through collage and materially hybrid forms that combine natural and synthetic elements, operating between drawing, painting, and sculpture. Using familiar, readily available materials gathered from the studio, hardware store, and my surrounding environment, the work embraces improvisation as a generative force. Unpredictability keeps me in relation to the work, interrupting certainty, requiring responsiveness, and mirroring the shifting conditions of the natural world. I break, cut, and recombine sticks gathered from my yard and athletic tape from gymnastics, along with scrap drawings and paintings. Shaped …

Entwurzelt, Melanie Fischer

Theses and Dissertations

Entwurzelt (Uprooted) is an installation that explores the emotional landscape of displacement-trauma, grief, and the search for belonging in the aftermath of war and unrest. The vessels in this installation evoke the presence of a forest--each one a symbolic tree, rooted in memory and shaped by personal and collective histories. Being torn from the familiar means leaving behind everything except memories and carrying a void that may never be fully filled. Yet, in unfamiliar places, fragments of comfort can be found--echoes of what once was. For me, the forest is more than a memory--it is a bridge between past and …

Fallow Ground, Eli Kerns

Theses and Dissertations

Fallow Ground refers to the agricultural practice of intentionally leaving a field unseeded for a year or more in order to restore fertility and interrupt cycles of depletion. Although fallowing is a beneficial and necessary practice, the term has also come to signify waste or a lack of productivity. This double meaning is central to the work, reflecting a central contradiction: that withdrawal can be as vital as effort, and that rest, like labor, can function as a deliberate and sustaining act. The question I explore in this work is how to organize, understand, and live with these contradictions. Through …

Among The Remnants, Jade-Lynn B. Lewis Vance

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis serves as supporting documentation and research for my Master of Fine Arts thesis exhibition, Among the Remnants, at West Virginia University. This dissertation will explain how my artistic vision, influences, research, and thesis exhibition fits into larger art and cultural contexts. Drawing from art history and theory, my work explores memory, touch, and fragmentation. My fascination with artifacts and the stories they hold inspires my research and drives me to create personal connections within my own art. The figurative sculptures serve as a vessel for recalling impactful experiences and embodying personal perception and these interactions. The …

A Mutant Perfect, Amelia R. Baxter

Theses and Dissertations

A Mutant Perfect examines how embodied knowledge can be made visible and transmissible through ceramic figures. The research asks what forms emerge when making is understood as a mode of thinking rather than a vehicle for pre-formed ideas, and how those forms might activate somatic recognition in a viewer. The primary method is coil-built ceramic sculpture. Color is applied in layered coats and removed by hand-sanding to expose varying strata beneath, producing a speckled, worn surface. In a second approach, pigment is built directly into the clay body through coil construction, making color structural rather than applied. Narrative prose and …

Spell Of Forty Small Failings, Erin B. Ehren

Theses and Dissertations

Spell of Forty Small Failings is a collection of images and writings that draws from an unruly range of literary forms, academic disciplines, and religious cannons in order to address the Divine—all that which exists on account of the phenomena of what it is to see and be seen: to hear and be heard: to touch and be touched: to know and be known, and through that knowing proceed beyond mediation. I wrote this thesis for me in the hopes that all along I was writing for you.

Subculture And Identity As An Escape From The Societal Norms Of Power Imbalance And Authoritative Abuse, Sarah Goldberg

Master's Theses

By definition, a “bolthole” is an animal’s escape or burrow; or, a person’s escape or place of refuge. It also connotes construction, building, even sculpture - relating proletarian materials to themes of working-class labor and the need for escape. Through sculpture, installation, drawing, and oil painting, Bolthole as a body of work examines power imbalance as a societal norm, and identity and subculture as a rejection of the influence of capitalist institutions. Animal symbolism is used in combination with figurative work and portraiture, directly comparing power imbalances between humans to those in nature; such as predator and prey, parent and …

Pick & Choose, Sana Lulu

be Still

To me, attention goes hand in hand with patience and is a core part of my creative process. When it comes to my art, I generally ride inconsistent waves of inspiration, meaning I often churn out pieces all in one session, finessing a piece until I am satisfied. In that span of time, all that matters to me is getting my piece as close to how I picture it in my mind as possible, giving it my full undivided attention. I tend to fixate on projects and have a hard time revisiting them once I decide to end the session. …

Resonance, Jess D. Skyleson

Masters Theses

Resonance is a digital media installation intended to facilitate a deeper understanding of inter-connection within and between ourselves and others, and to depict how our voices live both within and beyond us. The exhibit is divided into two intertwining halves:

Externally, the piece involves creative communication between people, art mediums, and life experiences. This aspect includes the contributions of thirty patients, doctors, and caregivers who responded to one another’s artwork in a series of workshops led by the artist. Starting with the creative writing of patients, this was provided to a group of unrelated medical providers, who responded with visual …

Weep No More, My Lady (Oh! Weep No More Today): Love, Violence, Printmaking, And Kentuckian Futurity, Madison Brown, Marshall Brown

Bachelor of Fine Arts Senior Papers

Situated within a regressive political climate, this essay considers the writer’s thesis artwork Weep No More, My Lady as a simultaneous account of Southern gendered violence and a desire for healing. Through personal and historical connections to Kentucky’s material culture, the work navigates binaries of class, race, and gender that have dictated the dominant contemporary conception of the region. Placing the competing forces of care and brutality in dialogue, Weep No More, My Lady translates these theoretical challenges into formal attributes. The work suggests modes of making — stitching, unraveling, tearing — can act against the construction and naturalization of …

Go Cry About It!, Grace C. Ryder

MFA in Visual Art

I have always been a crier. I have always felt deeply and intensely. Goodbyes, heartbreak, joy, and empathy—I’m grateful to feel it all, even when it hurts. My artwork often investigates vulnerable topics through making the personal public using self archival and diaristic elements. Inspired by my familial and romantic relationships, I explore my connections to other people and how I memorialize and honor them. My painted works often depict ephemeral objects, establishing their value through the use of oil paints while my sculptures are often exaggerated, oversize forms, emphasizing the passage of time.

From January 1st to December 31st …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

Mandatory Bliss, Jocelyn Reid

Graduate Theses and Dissertations

Mandatory Bliss is an exhibition of sculptural objects that discuss value, feminism, material hierarchy, and societal expectation. Using mundane structures and objects, this installation aims to frustrate and dissect the significance of the tangible items that we interact with every day.

A Living House Never Stands Still, Holly Rose Kranker

Graduate Theses and Dissertations

A Living House Never Stands Still is an exhibition that explores the interplay between place, memory, and the suspension of time through diverse mediums and materials. I engage with seemingly mundane objects, interpreting them through a non-linear, dream-like, and irrational framework to unearth latent connections across time–past, present, and future. Central to these explorations is the concept of home—not merely as a physical location, but as an evolving entity. Home is a sacred space for me.

My recent studio reflections are focused on the lifecycle of objects, the emotional responses they evoke, and how these cycles emulate the human body …

Big Blue, Caitlin Mae Ramos

Graduate Theses and Dissertations

Big Blue is a record keeping system of sorts- to show the story of my relationship with the tallgrass Big Bluestem as an Oglala Lakota tribal citizen of The Sioux Nation. It’s meant to question the idea of binaries, what is valued, how verticality is only powerful if supported horizontally, and the legacy of the remnants that remain. Big Bluestem is a reminder of our linked survival as humans with the land and the importance of knowing the individual names of the leafy and legged beings who exist equally on it.

My Art Is Garbage, Beth Shepherd

The Goose

In “My Art is Garbage,” I describe three recent art projects where garbage is both a theme and an artistic medium used to critique the overuse of and inability to reuse or safely dispose of plastics we use every day. The first work, Untitled (Plastic Film Balls), uses non-recyclable single-use household plastic made to form an installation of shimmering balls and alludes to the environmental footprint of the artworld. Plastic Shores, a series of monotype prints, reminds us that plastics in the environment are deleterious to species that we see every day. Finally Plastic Pests, a series …

Rhythm Machine: Polyrhythmic Dimensions, James Elam

Theses and Dissertations

James Elam combines visual and aural mediums with technology to capture and manipulate sound. Here, Elam discusses how the repetitive elements in his work serve a practical purpose and add a conceptual and tactile layer to his sculptures and echo the hypnotic qualities in his DJ practice.

The Alienated Self: A Solo Exhibtion, Kade Winterton

2025 Fall Honors Capstones Projects - Archive

Exhibiting works is an essential step for every artist; this capstone is a creative research project that explores feelings of alienation and otherness, as well as the multiple causes they stem from, resulting in a body of work ready for exhibition. First, research was conducted on exhibiting and curating works. Next, works by contemporary artists who also explored the same topic were examined. Completed works were curated, and an inventory of what was needed to create an exhibition-ready body of work was defined. After this was done, new works were uniquely created, each starting with an idea and a sketch. …

Mutual Realm, Tyna Ontko

Theses and Dissertations

mutual realm is a container for my many meandering thoughts on speculative futures, present-day-truth-telling, and the everyday construction of histories. Informed by systems of belief and power that humans have created to grapple with the unknown, the writing illustrates how storytelling builds worlds, assigning value to things by inscribing them with desire. In parts fact and fantasy, sculpture is considered as a form of sorting, making known the ways in which my experience of living between publics whose methods for demarcating boundaries, communally agreed upon superstitions, and algorithms for assigning meaning have marked my unconscious and affect my daily trajectories. …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Unearthed And Exposed, Kelly Hagen

Master's Theses or Doctor of Nursing Practice

My work is a continuous dialogue between ancient symbolism and contemporary womanhood, weaving together personal experience, historical reference, and natural form. Through clay and mixed media, I explore the layered identities women inhabit—nurturer, creator, survivor, transformer—often drawing inspiration from early figurative sculpture, myth, and the cyclical patterns found in nature. Unearthed and Exposed speaks to the heart of my practice: revealing what has been buried, silenced, or overlooked, and bringing it to light through form and material. I am particularly drawn to the timelessness of the feminine figure and the stories it holds. From Paleolithic Venus figurines to amphora vessels, …

Heiniboxitittel, Harry Ritchie

All Graduate Theses, Dissertations, and Other Capstone Projects

This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.

But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

Intangible Shells, Elena Bulet

Masters Theses

The following essay mimics the constant disruption of a fragmented memory. It reflects on intergenerational gendered family dynamics since the civil war and dictatorship-era Spain and how memory articulates narratives of belonging within the matrilineal lineage. A process of excavation departs from personal memories, familial archives, contemporary interviews, theoretical readings, photographic reenactments, and observations of traces in the landscape of Almayate’s town. The author attempts to retrace her roots, as well as her family history, acknowledging the impossibility of making personal histories tangible.

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …

Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish

Bachelor of Fine Arts Senior Papers

Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.

My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …