Fine Arts Commons^™

No Place But Here, Dillon Bryant

Graduate Theses and Dissertations

The writing in this document is a dovetailing of fragments ranging from critical inquiry, analysis, scripts, and other observations that relate to the body of work in “No place but here”. It is an accompanying document attempting to enrich the visual work rather than a direct illustration. The installation of “No place but here” at the Rogers Creamery is an investigation utilizing collage, text, and other constructed photographs, images, and objects to play with and against familial and broader narratives of power, control, and ambiguity associated with the American West. Underpinned and intersected by interior questions revolving around artifice, connection, …

"Shhh": A Reflection On Matrescence, Anna Guillory

Graduate Theses and Dissertations

“Shhh” is a collection of drawings that reflect on the many ways the first year of motherhood shifts identity, perspective, and relationships. Focusing on my personal experience of becoming a caregiver, each work acts as an exploration and artifact of the shared labor between parenting and redeveloping an art practice, articulating both the tension and the enmeshing of these two realities. The work poses questions around value and production and consequently presents considerations of the passage into matrescence itself. Through a combination of rendered images, gestures and marks from observed moments in domestic space, postpartum life, and my own inner, …

A Better Box To Lie In, Camille Gros

Graduate Theses and Dissertations

This written thesis accompanies an exhibition of textiles and works on paper that explore the emotional, architectural, and political structures that relay experiences of a Queer Southern livelihood; it is about girlhood, homoeroticism, isolation, passion, hunger, sweet love, and terrible fear. The show is a celebration of our dependance upon one another, and an expression of grief. I am sure that this work will need to be repaired in time, and I hope for many hands to mend it.

Brightly Slacked Tight, It Sways, Molly Brooke Martin

Graduate Theses and Dissertations

Brightly Slacked Tight, It Sways is a body of work that investigates unpredictability and process-based making through collage and materially hybrid forms that combine natural and synthetic elements, operating between drawing, painting, and sculpture. Using familiar, readily available materials gathered from the studio, hardware store, and my surrounding environment, the work embraces improvisation as a generative force. Unpredictability keeps me in relation to the work, interrupting certainty, requiring responsiveness, and mirroring the shifting conditions of the natural world. I break, cut, and recombine sticks gathered from my yard and athletic tape from gymnastics, along with scrap drawings and paintings. Shaped …

Idling, Greta Sky Kresse

Graduate Theses and Dissertations

In Idling, I examine the car as a poetic ground where the intimacy of private space and the expansiveness of landscape collapse. The work holds escape and entrapment, movement and stalling, in unresolved tension. Ultimately more interested in the suspended moment than any destination. The work, rooted in my experience growing up Arkansas and engaging in the broader experience of working class Southern life, examines how this space is a site of adolescent life, a memorial site of loss and risk, and a symbol of class mobility and its limitations. Formal motifs developed through my plein air practice unify the …

The Noise Of Time...., Shannon P. Smith

Graduate Theses and Dissertations

"the noise of time…" is a meditation on home, memory, and the fluidity of time, told through image and sculpture (materiality). Rooted in the complexity of Black identity and ignited by the passing of my father, this work began as a challenge: to create something interior and vulnerable, specific to my experience yet open enough for others to hold. Influenced by Gaston Bachelard’s "The Poetics of Space," I consider home—our personal intimate space—not only as a container for objects, but as a sanctuary for dreams, remembrance, and complicated emotions. I observe the home as a structure that holds what cannot …

Self-Fashioning In Contemporary Figurative Painting, Hal Hardin

School of Art Undergraduate Honors Theses

This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.

In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …

Sweetly Somatic, Grace Edwards

Graduate Theses and Dissertations

The delight of biting into something sweet. The freedom of getting lost in the movement of your own body. The sensation of being completely enveloped by color. The flutter that rises in your chest when surrounded by abundance. Sweetly Somatic traces personal sensory experience across time, transforming ephemeral moments of joy into forms that capture enduring perseverance. Sculpted from fluxing ceramic materials, piped grout, and glass adornments, the works examine the elasticity of memory, both bodily and retrospectively. My bodily sensations are my most accessible form of joy, and a filter that all experiences move through.

Spiral, William Edward Krauland

Graduate Theses and Dissertations

Spiral is an audio programme comprised of six individual, but related, parts. Installed in Rogers, Arkansas at the historical Rogers Milk Processing Plant, colloquially known as “The Creamery”, on the evening on November 7th, Spiral presented the audience with complex entanglements of noise, both gentle and harsh, field recordings, feedback, and synthesized melody. Built in parts, each section of the audio programme used elements from the others, spiraling on itself, attempting a deeper understanding of its own structure and meaning through both moments of centrifugal and centripetal force. Let us consider the following “thesis” a supplement or a reflection on …

Trouble Don't Last Always, Carletta Williams

Graduate Theses and Dissertations

Being born and raised in the South, it has become clear to me that acts of adornment and cultural representations of home are a prevalent factor of the Southern archive. Trouble don’t last always considers the various elements of coloniality that saturate function within the Southern Black home, noting that acts of adornment and cultural representations of home are a prevalent factor of the Southern archive. Enumerating the various roles that Black women play as place makers while also navigating elements of coloniality. In turn these spaces do not function without their knowledge production. This knowledge is one that becomes …

Laughing Tiger, Michael Shum

Graduate Theses and Dissertations

Laughing Tiger is the title of my thesis exhibition/paper, as well as the middle name I was gifted with. The relationship I have with this name has changed throughout my life. At one point, this name was more a reminder of being different, but now it is a personal symbol I take pride in. My name is Michael Laughing Tiger Shum, and I make inventive autobiographical paintings about the relationships we invest in, whether it’s with others, objects, rituals, environments, and so on. I have broken down my painting practice into three main themes, which are actions, experiences, and thoughts. …

Mandatory Bliss, Jocelyn Reid

Graduate Theses and Dissertations

Mandatory Bliss is an exhibition of sculptural objects that discuss value, feminism, material hierarchy, and societal expectation. Using mundane structures and objects, this installation aims to frustrate and dissect the significance of the tangible items that we interact with every day.

A Living House Never Stands Still, Holly Rose Kranker

Graduate Theses and Dissertations

A Living House Never Stands Still is an exhibition that explores the interplay between place, memory, and the suspension of time through diverse mediums and materials. I engage with seemingly mundane objects, interpreting them through a non-linear, dream-like, and irrational framework to unearth latent connections across time–past, present, and future. Central to these explorations is the concept of home—not merely as a physical location, but as an evolving entity. Home is a sacred space for me.

My recent studio reflections are focused on the lifecycle of objects, the emotional responses they evoke, and how these cycles emulate the human body …

Big Blue, Caitlin Mae Ramos

Graduate Theses and Dissertations

Big Blue is a record keeping system of sorts- to show the story of my relationship with the tallgrass Big Bluestem as an Oglala Lakota tribal citizen of The Sioux Nation. It’s meant to question the idea of binaries, what is valued, how verticality is only powerful if supported horizontally, and the legacy of the remnants that remain. Big Bluestem is a reminder of our linked survival as humans with the land and the importance of knowing the individual names of the leafy and legged beings who exist equally on it.

Curated: The Impact Of Architectural Sequence On The Journey Through The Art Museum, Zairis Padilla

Architecture Undergraduate Honors Theses

The museum is a culturally significant institution used for learning, thought, and contemplation from its conceptualization in The Enlightenment Movement of the 17th century. The art museum has the potential to create a powerful relationship between the art and the architecture that houses it. The architecture of an art museum becomes a critical participant in the experience of art and affects the spaces in a dramatic way. If the art or architecture overpowers the other, the user experience is impacted; therefore, the connection created between the two within the museum is one of great importance. When a symbiotic connection, or …

The Footnotes: A Love Practice, Larissa Cheryl Ramey

Graduate Theses and Dissertations

the footnotes: a love practice delves into the intersection of archival methods, fashion, black style and aesthetic, communal thinking, and transformative experiences to unveil a unique narrative of historical significance and contemporary relevance. Through an interdisciplinary approach, my research explores how Black culture, fashion, and style are deeply intertwined and influence our communities' cultural and social evolution, specifically examining the role of transportation and clothing, as systems or conduits for style diffusion and expression becoming their own unique modes of transporting. I investigate a wide array of archival resources, including vintage fashion magazines, photographs, books and both individual and communal …

Memories Of Gimjang_김장: And Performance As The Practice Of Freedom, Chung Park

Graduate Theses and Dissertations

Memories of Gimjang_김장: and Performance as the Practice of Freedom reflects my response to a feeling of isolation as a Korean American MFA graduate student living in Northwest Arkansas for the last three years. This experience led me to an endless search for identity and place, compelling me to reach into my past and cultural history in relation to the present. To satiate a sense of home in this world, I turned to an artistic intervention to translate the indecipherable, which brought to life my thesis performance, Gimjang_김장:. Gimjang_김장: allowed me to reveal multitudes of experiences and imagined a possibility …

Just Out Of Reach, Haley Inyart

Graduate Theses and Dissertations

Just Out of Reach explores memory through personal objects, inviting viewers to connect with their own experiences. The installation delves into the fragility of memory, using hanging objects to evoke nostalgia and reference the passage of time. These objects serve as placeholders, drawing on significant moments with people from the past. Through watercolor painting and collage, the work explores how memories fade over time, evoking feelings of home, family, and the passing of fond moments. Themes of pattern, repetition, and structure emerge as recurring motifs throughout the work, echoing the inherent orderliness of memory and its reliance on familiar frameworks. …

In The Performance Of A Lifetime: Pepper Plinkett, Lily Camille Hollinden

Graduate Theses and Dissertations

This narrative depicts a caricature of the human experience through the eyes of my alter- ego character, Pepper Plinkett. Pepper is a symbol of my personal philosophies of what it means to be human, and serves as a protagonist and guide through an infinite, ambiguous natural world. This exhibition is a celebration of the vibrancy, curiosity, and ridiculousness of a lifetime. The uniqueness of humor as a specifically human trait and its use as a tool of communication, particularly in expressing authenticity, is the driving force behind my use of clowns in my work. I take an absurdist approach to …

Passages, Arden Carlson

Graduate Theses and Dissertations

Passages is a collection of wood sculptures and drawings by Arden Carlson, exploring a mesh of southern intimacies and queer musings; underpinned by the logics of belief, grief, and love. The result is a tender field of angelic birds fixed in flight over gnawed surfaces of grain and graphite. The following dissertation details the artist’s logic during the construction of the visual art thesis exhibition, Passages. The writing is composed in an autoethnographic format, backed by supporting anecdotes and creative methodologies that help to route the operational modes used. Near the end of this writing, you’ll find an additional addendum …

Pillowfort Logic, Victoria Barquin

Graduate Theses and Dissertations

I use textiles, everyday objects, and my own studio archive to create assemblages that are both abstract and familiar. I follow my body, operating without preconceived notions as to what the materials are or how they should act, creating a liberatory practice of working intuitively, embracing play, and challenging my own conceptions of what’s possible. In my thesis exhibition, Pillowfort Logic, this methodology of reimagining what already exists is fundamental. The construction of these pieces mimic the act of building a fort in the living room where chairs are walls and blankets are roofs. The parts may return to work …

The Frimpong Case, Vincent Frimpong

Graduate Theses and Dissertations

The Frimpong Case is the gathering of skills and voices of Africans and African artists. My collaborators from my Ghanaian family and neighbors to my colleagues in the United States have influenced my practice, allowing me to expand the history I have learned from the African musicians who have deeply influenced me to my heritage and the research I am able to expand upon to promote my vision of my culture and legacy. This paper describes the body of work and speaks to the themes of collaboration, migration, assemblage, and installation. The Frimpong Case is the root of my visions …

Porous, Janice A. Agustin

Graduate Theses and Dissertations

Porous presents sensory modalities to convey the theme of memories, creating an active site that resists erasure as an immersive art installation. Through a collage of multichannel video performances, Porous is an assemblage of fragmented, abstract, and non-linear aspects of memory. These videos are portals to sites of resistance, collaged and entangled as the essence of memories. All videos touch slightly on the wall, displaying their interconnectedness. The videos coexist with layered audio and live water ambient noise.

Late To The Party, Brandon Forrest Frederick

Graduate Theses and Dissertations

Late to the Party is a multi-channel installation that addresses the feelings of desire and alienation that result from the unrestrained image and object production of contemporary life. In this state of total consumption, our personal anxieties are magnified, resulting in a deflated experience where it feels difficult to know yourself as an individual; where the performance of yourself, your peers, and the world becomes an obsessive experience. This installation asks how one can persist in a time defined by its flattening of the human experience.

El Otro Cielo, Ana Buitrago

Graduate Theses and Dissertations

El Otro Cielo is an exhibition that mixes family items with personal creations, symbolizing the balance between evolving and staying connected to your roots. The work is about embracing change while remembering where you come from. This exhibition explores the stages to find one's true self while adapting to new cultures and changing over time. This installation delves into the complexities of cultural identity, memory, and the human experience. The space invites viewers to contemplate their own relationships with place, nostalgia, and the ongoing process of self-discovery.

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …

Ways To Endure, Skyler J. Maggiore

Graduate Theses and Dissertations

Ways to Endure is an installation of photographic-based inquiry through light, steel, emulsion, glass and, healing welted skins. Topographic satellite imagery of flood-prone peaks and valleys within my rural home county are abstracted by a Google Earth glitch. Acupuncture needles are a reminder of sorrow and relief and an indicator of boundary and location. The Fresnel lens has a historical responsibility as a beacon, a tool of survival and navigation, originally used to concentrate and project light in lighthouses, and fire starters in survival kits. The Fresnels are fixed in front of intimate portraits to magnify and abstract. This installation …

A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson

School of Art Undergraduate Honors Theses

Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …