Fine Arts Commons^™

Marshall University Music Department Presents A Guest Artist, Yuri Mccoy, Piano, Department Of Music Alumnus, 2008, Yuri Mccoy

All Performances

No abstract provided.

Exhibition Catalog For Blind Corners, Portals And Turning Points, Ronald Mills De Pinyas, Brian Winkenweder

Exhibition Catalogs, Essays, and Related Materials

This catalog features work from the exhibit Blind Corners, Portals and Turning Points by Ronald Mills de Pinyas. Blind Corners, Portals and Turning Points was presented by the Linfield Gallery and the Department of Art and Visual Culture at Linfield College from October 10 through November 12, 2011. Brian Winkenweder's essay "Painting to Be" is included in the catalog.

Krause & Spellmann: Scenes From Lost America, Jo Neace Krause, Charles Spellman, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artists Jo Neace Krause and Charles Spellman.

Robert Morgan: The Age Of Discovery, Robert Morgan, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artist Robert Morgan.

Human Rights, Collective Memory, And Counter Memory: Unpacking The Meaning Of Monument Avenue In Richmond, Virginia, Melanie L. Buffington, Erin Waldner

Art Education Publications

This article addresses human rights issues of the built environment via the presence of monuments in public places. Because of their prominence, monuments and public art can offer teachers and students many opportunities for interdisciplinary study that directly relates to the history of their location Through an exploration of the ideas of collective memory and counter memory, this article explores the specific example of Monument Avenue in Richmond, Virginia, Further; the authors investigate differences in the ways monuments may be understood at the time they were erected versus how they are understood in the present. Finally, the article addresses the …

Systemy Systemus, Anna Macleod

Exhibition Catalogues

No abstract provided.

Data In, Data Out, Jill Auckenthaler, Gail Biederman, Martin Brief, Stephen Cartwright, Nancy Daly, Samwell Freeman, Dennis Hlynsky, Patti Jordan, Jaime Kennedy, Heins Kim, Mie Kongo, Jason Lujan, Sarah Nicole Phillips, Ben Pranger, Ryan Russo, Tore Terrasi, Amanda Thackray, Kelly Urquhart, Star Varner, Kati Vilim, C.J. Yeh

Exhibition Catalogs

Catalog for the exhibition Data In, Data Out held at the Seton Hall University Walsh Gallery, October 31 - December 16, 2011. Curated by Jeanne Brasile. Includes an essay by Jeanne Brasile. Includes color illustrations.

Working In Wonder, Lasse Antonsen, Paul Baumann, Kathy Goodell, Tracy Heneberger, Heidi Jensen, Susan Napack, Roberto Osti, Lisa Perrin, Michael Sherwin, Paul Stout, David K. Thompson, Bill Westheimer, Kimberly Witham

Exhibition Catalogs

Catalog for the exhibition Working in Wonder held at the Seton Hall University Walsh Gallery, January 18 - February 11, 2011. Curated by Erin Gray, Danielle Schallom, and Ed Stapley-Brown. Includes an essay by Erin Gray, Danielle Schallom, and Ed Stapley-Brown. Includes color illustrations.

Jose Camacho - How To Speak Puerto Rican, Jose Camacho

Exhibition Catalogs

Catalog for the exhibition Jose Camacho - How to Speak Puerto Rican held at the Seton Hall University Walsh Gallery, June 5 - July 21, 2011. Curated by Jeanne Brasile. Includes curatorial statement by Jeanne Brasile. Includes the essay Jose Camacho Speaks Puerto Rican by Niria E. Leyva-Gutierrez (in both English and Spanish, translation provided by Maria Jose Garcia Vizcaino). Includes color illustrations.

The Feathered Hand: Installation, Drawings, Prints By Alison Derby Hildreth, University Of New England Art Gallery

Exhibition Catalogues

The Feathered Hand: Installation, Drawings, Prints is the catalogue from the University of New England Art Gallery’s January 5 –April 3, 2011 exhibition of work by Alison Hildreth.

Hildreth described the work as: “… an installation and a group of drawings and prints that I have been working on over the past 2 years. The drawings and prints I think of as walks through a changing landscape of associative ideas; each carries something from the previous image but moves on to a new interpretation. They continue end to end: divided cities, natural and manmade terrains, maps of investigations inspired as …

Trangressing Time: Imagining An Exhibition Of Works By Alanna O'Kelly And Phil Collins, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Inscape 2011, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2011 edition of the Inscape: Literary and Art Magazine.

Portraiture: Inside Out, Sarah Bliss, Dominic Guarnaschelli, Gwen Hardie, Jenny Hyde, Pat Lay, Greg Leshe, So Yoon Lym, Ryan Roa, Steve Rossi, Jesse Eric Schmidt, Travis Leroy Southworth, Tanja Targersen, Peter Whittenberger, Christine Wong Yap, Raphael Zollinger

Exhibition Catalogs

Catalog for the exhibition Portraiture: Inside Out held at the Seton Hall University Walsh Gallery, February 28 - April 1, 2011. Curated by Ruth Ballester, Whitney Fehl, and Lauren Thompson. Includes an essay by Ruth Ballester, Whitney Fehl, and Lauren Thompson. Includes color illustrations.

Ivy Leaves, Volume 85, Ivy Leaves Editorial Staff

Ivy Leaves

The 2011 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Anna Davis, Brianne Holmes, Sarah Dobrotka, Rafael Alcantar, Jr., Josh Overstreet, Calli Lawson, Kelly Johnson, Jennifer Hall, Rachel Spoon, Mandie Wines, Naomi Nakazato, Lindsey Dilleshaw, Jivan Davé, Phillip Belger, David Bishop, Laura Jones, Seth Christie, Andrew Higgins, Teresa Jones, and Tim Speaker.

Fan Letter, Spring/Summer 2011, Illinois State University, College Of Fine Arts

FAN Letter

Newsletter of the College of Fine Arts

Vista, Amanda Lineberry

The Messenger

No abstract provided.

Dance, Nina Mondelli

The Messenger

No abstract provided.

Print, Irena Stanisic

The Messenger

No abstract provided.

Viva La Vida, Mary Johnston

The Messenger

No abstract provided.

Collage Collage, Irena Stanisic

The Messenger

No abstract provided.

Acknowlegdement, Elizabeth Ygartua

The Messenger

No abstract provided.

La Suma Del Tiempo, Abi Olivera

The Messenger

No abstract provided.

The Messenger, 2011

The Messenger

No abstract provided.

Untitled 2, Irena Stanisic

The Messenger

No abstract provided.

Heart Grip, Irena Stanisic

The Messenger

No abstract provided.

Making Art History Come Alive In The Online Classroom, Anahit Ter-Stepanian

Art & Design Faculty Publications

Student engagement, development of critical thinking, and fostering original ideas are among the many challenges of online course design. This concern is particularly pertinent for courses in humanities, where the lack of face to face interaction and group discussions needs to be compensated with other methods resulting in similarly successful learning outcomes. Since most of the communication and exchange of ideas in the online classroom takes place in discussion threads, designing intellectually stimulating and motivating discussion topics is instrumental for fostering students’ enthusiasm for the subject. The paper discusses learner engagement strategies the author has developed, experimented with and found …

A "Desperate Vitality": Tableaux Vivants In The Work Of Pasolini And Ontani (1963–1974), Anna Mecugni

Fine Arts Faculty Publications

This essay focuses on four key works by Pier Paolo Pasolini (1922-75) and Luigi Ontani (b. 1943) that involve tableaux vivants after sixteenth- and seventeenth-century paintings held in Italian churches and museums: Pasolini’s short film La ricotta (1963), and Ontani’s video Favola impropriata (1970-71) and two photographic works – La caduta dei ciechi d’après Brueghel and San Sebastiano nel bosco di Calvenzano (d’après Guido Reni) – also from circa 1970. In the 1960s and 1970s, several other Italian filmmakers and artists referenced past art in their work. Indeed, quotations and allusions to past art are characteristic of an idiosyncratic strain …

Dynamic Cloth For The Digital Character, Martin Furness

All Theses

Cloth simulation tends to have a lingering reputation for being notoriously complex and therefore casually avoided. Very few artists are enthusiastic about a cloth simulator's primary use, and perhaps even fewer would consider cloth simulation for anything other than clothing. This thesis presents typical practices of cloth simulation based on the artistic perspective of a Cloth Technical Director (TD) who worked on the animated feature film and applied case study, Cloudy with a Chance of Meatballs (2009). Through proof of concept using a generic character, simple props, and commercial software, key techniques are demonstrated to replicate the workflow of clothing …

Art In The Light Of Knowing A Cognitive Approach To The Creative Process, Victor M. Knoe

HIM 1990-2015

Art can be an elusive concept. Neither an outsider nor a professional artist is immune to abstractions in the attempt to describe it. Every individual must necessarily come from their own, unique perspective. The obstacles that we experience in defining the essence of art can be better understood if we see them as a gauge for our historical period. Given the limits of our contemporary conditions, it seems impossible that we may ever overcome the vast chasms that imprison us. We are discouraged to build bridges, at almost every turn, by the suggestive hopelessness of the abysmal distances between us. …

Sensing Synesthesia, Jeffrey Harlan Johnson

LSU Master's Theses

Sensing Synesthesia is an exhibition of experiments, carried out through the medium of graphic design as an attempt to generate a synesthesiac experience by visualizing sound. Since many elements within the realms of sound and sight are relative, creating a genuine synesthesiac experience for a viewing audience proved challenging. To address this problem, I created visual elements that corresponded with personal convictions, emotions and proclamations and presented them in a way congruent to the sounds being heard. Through these experiments, I discovered the personal growth of myself: the sharpened skills as a graphic designer, initiated interest in hand-rendered type as …