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Articles 7561 - 7590 of 10561
Full-Text Articles in Fine Arts
The Explosion Effect: A Custom Volume Fx Production Pipeline, Hongyuan Jia
The Explosion Effect: A Custom Volume Fx Production Pipeline, Hongyuan Jia
All Theses
Explosions are very important elements in film FX production. This paper introduces a custom volume FX production pipeline and how to use the pipeline to produce explosion FX. A detailed explanation is given of the pipeline artistic and technical aspects.
Producing An Animated Tattoo Visual Effect, Zachary Trabookis
Producing An Animated Tattoo Visual Effect, Zachary Trabookis
All Theses
Throughout society tattoos have established a mode of expression for individuals
that allows them to communicate without verbal means. This form of interaction may
appear somewhat static to the observer, but significant meaning and emotion are often
conveyed. With the advent of visual effects tools available today, tattoo representation
can be enhanced by including motion. This thesis presents a solution for illustrating this
form of visual communication using two-dimensional compositing and three-dimensional
techniques in a short animated film entitled '< italic>Legion.'
Shenshi 紳士 Atau Gentry Cina: Sekilas Sejarah Dan Profil Kaum Aristokrat Cina Pada Zaman Kekaisaran, Adrianus L.G Waworuntu
Shenshi 紳士 Atau Gentry Cina: Sekilas Sejarah Dan Profil Kaum Aristokrat Cina Pada Zaman Kekaisaran, Adrianus L.G Waworuntu
Paradigma: Jurnal Kajian Budaya
In order to comprehend the many aspects of social and cultural historiography of traditional China, it is imperative to recognize who are the main actors. In traditional Chinese society, there is a significant category known as the Chinese gentry, or the shenshi 紳士 in Mandarin. They were known as the Chinese scholar-official class who administered the traditional Chinese dynastic government system since more than two-thousand years ago until the abolishment of the system in 1911. The Chinese gentry emerged from the intellectuals who became officials by going through a special, open-recruited, educational system; a system that enabled every person from …
The Kunsthalle: A Study In Contemporary Art Display Archetypes, Ainsley K. Wagoner
The Kunsthalle: A Study In Contemporary Art Display Archetypes, Ainsley K. Wagoner
Kaleidoscope
No abstract provided.
Spray-Paint Angst In A Tropical Paradise: Street Art In Costa Rica, The Switzerland Of Central America, Lena E. Reich
Spray-Paint Angst In A Tropical Paradise: Street Art In Costa Rica, The Switzerland Of Central America, Lena E. Reich
Kaleidoscope
No abstract provided.
Reviving Blacksmithing With An Open Die Forging Hammer, Will B. Doerting
Reviving Blacksmithing With An Open Die Forging Hammer, Will B. Doerting
Kaleidoscope
No abstract provided.
The "Purposes" Of Poetry, Tracy A. Townsend
The "Purposes" Of Poetry, Tracy A. Townsend
Understanding Poetry
This classroom discussion-oriented lesson, which takes between sixty to seventy minutes, exposes students to two very different poetic styles and voices (William Carlos Williams and T.S. Eliot) and challenges them to think about their own relationship to poetry. This is a useful lesson to work into the beginning of a longer unit on poetry, and can be used as a preparatory discussion for unveiling the Laureate Project assessment to your students (also available on the Digital Commons). This lesson is suitable for grades 9-12.
Triggering Subjects V. Actual Subjects, Tracy A. Townsend
Triggering Subjects V. Actual Subjects, Tracy A. Townsend
Understanding Poetry
This classroom discussion-oriented lesson, which takes between sixty to seventy minutes, involves close-reading of texts, use of evidence to convey an interpretation, and discussion of authorial purposes and techniques. Students use poet Richard Hugo’s theory of poetry having both a “triggering subject” and an “actual subject” to analyze and respond to example poems selected by the teacher. The end goal is to engage in a discussion of how poets use observation and experience to take sometimes everyday moments and convert them into thoughtful, surprising, and moving commentaries. This lesson is well-suited to preparing students to read poetry more effectively and …
The Culturator: Film Noir Meets Bike Culture, Daniel Dean
The Culturator: Film Noir Meets Bike Culture, Daniel Dean
Art & Design Faculty Research
Part of this weekend’s nuit blanche Northern Spark festival, project Mobile Experiential Cinema invites goers to embark on a rambling, bicycle-mounted, multi-location cinematic experience that blends bike culture with locally-bred film. Created by artists Daniel Dean and Ben Moren, the project launched alongside the inaugural Northern Spark fest last year as an interactive projected film-focused group ride featuring live performance elements and urban exploration embodying all plot twists and theatrical curve balls we’ve come to expect from the mystery genre. We caught up with Mobile Experiential Cinema collaborators Dean and Moren to chat about the project’s creation, its noir influences …
¡Escriba! ¡Write! Volume 10, June 2012, Hostos Community College Library
¡Escriba! ¡Write! Volume 10, June 2012, Hostos Community College Library
¡Escriba!
No abstract provided.
Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter
Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter
Lawrence University Honors Projects
Die Werke von E.T.A. Hoffmann konzentrieren sich auf ein bestimmtes romantisches Konzept: auf die Sehnsucht nach dem Unendlichen und auf das Erlebnis dieses sublimen romantischen Reiches. Um Hoffmanns romantische Ästhetik besser zu begreifen, lohnt es sich seine Werke (Novellen, musikalische Schriften, Aufsätze und Kompositionen) heranzuziehen, um festzustellen, wie seine Figuren vor allem durch die Musik das romantische Reich erleben und wie und aus welcher Perspektive der Zuschauer auf dieses Reich reagieren kann. Diese Arbeit wird untersuchen, wie sich Hoffmanns romantische Ästhetik in den Erzählungen, den theoretischen Schriften und in der Oper Undine offenbart, wie seine Charaktere durch die Musik danach …
Invisible Cities: Photographic Fictions Of Architecture, Maria Levitsky
Invisible Cities: Photographic Fictions Of Architecture, Maria Levitsky
LSU New Orleans Theses and Dissertations
The artist's process in which she examines the built environment through the medium of black and white photography. By tracing the trajectory of her awareness of architecture from her early career as a dancer, to the making of photographic images, the artist illuminates the process of deconstructing architectural and pictorial space into fragmented yet illusionistically convincing photographic montages. Influenced by the urban localities in which she dwells, she tells the story of being captivated by the post-industrial landscape of Williamsburg, Brookyn, NY, followed by landing in New Orleans and her fascination with post-Katrina architecture. Grounded in the analog techniques of …
Everyday Rituals, Chen Gu
Everyday Rituals, Chen Gu
LSU New Orleans Theses and Dissertations
This thesis traces the trajectory of Chen Gu’s work over a three year period, looking at major influences such as Bustos and Saville, on her painting and film projects. She explores the concept of childhood, memory, and portraiture.
Codemakers, Dawn Manning
Codemakers, Dawn Manning
LSU New Orleans Theses and Dissertations
Codemakers is a book of poems by Dawn Manning divided into three sections: "Topophilia," "Goodwill," and "Women's Work."
I Was Born In A Rabbit Hole, Chris Davis
I Was Born In A Rabbit Hole, Chris Davis
Student Theses and Dissertations
In the exhibition "I Was Born in a Rabbit Hole," I have continued to explore beauty, form, and balance. There is a strong Modernist tilt to the work that is most prominent in the use of materials. In this thesis, I will discuss how, despite the perceived mutual exclusivity of autobiographical information and Modernism, I explore autobiographical themes using a Greenbergian model.
Whiff Of Black Ice, Alina Tenser
Whiff Of Black Ice, Alina Tenser
Theses and Dissertations
This document is a concentration of thoughts, peripheral and direct, that occurred around the making of my thesis exhibition at the Anderson Gallery, Whiff Of Black Ice. While these thoughts meekly occupy space on the following pages, I assure the reader that they are quite physical, even extending three-dimensionality to them. My awareness of their form and their containment within the inner space of the mind, which also extends to the body, becomes central to understanding their meaning and, finally, knowing them.
Reflections Of Self, Melissa Athey
Reflections Of Self, Melissa Athey
Theses and Dissertations
I vacillate between all extremes, beauty vs. ugly, internal vs. external, micro vs. macro. It is these disparate notions that inspire what I make. We cannot ever see ourselves objectively, but does that mean we shouldn’t try? This thesis is my attempt to dissect what I created in my 2 years at Virginia Commonwealth University, my exploration of the illness within and the psychological nature of how we go about hiding our insecurities.
Artist Alien Ghost Juggler: Performance Of “Troilus And Cressida” As Graduate Thesis, Vladislav Smolkin
Artist Alien Ghost Juggler: Performance Of “Troilus And Cressida” As Graduate Thesis, Vladislav Smolkin
Theses and Dissertations
Through an analysis of my adaptation of Shakespeare’s “Troilus and Cressida”, I will deconstruct the artist’s studio within an institution as a paradoxical heterotopic space.
Warm Compression – Damp Gestures, Melanie Mclain
Warm Compression – Damp Gestures, Melanie Mclain
Theses and Dissertations
Thoughts on vulnerability, emotions, social interaction, self-awareness, skin, touching, bodily functions, and the combination of all these ideas into a confined space filled with heat and humidity just enough to leave you feeling damp and perhaps a bit sore.
You Can Eat Off The Counter I Wiped It Down This Morning, Jessica Kain
You Can Eat Off The Counter I Wiped It Down This Morning, Jessica Kain
Theses and Dissertations
Alternative to meeting a calculus of quality roundness and curves are everywhere. Peaches, pinks, browns, ochres, greens. Klein Blue. --------- An experiment like a party; the hows and whys of picking bedfellows yields a list of possibilities— iterations of better, advantages in flesh volume. Inventory whittled down to give us stories, aspirations, allegiances. --------- Just to see it and touch it. Build in different ways, depending. Grow, cover, carve, cast—let for flexibility. Limbs in one direction sawed off, turned round, glued back on. If it looks like two more ways of how I want it there’s more work to be …
Being-There, Atilio A. Pernisco
Being-There, Atilio A. Pernisco
CGU MFA Theses
I blend figures with backgrounds to define pensive areas of focus and delve between figuration and abstraction. These paintings connect the viewer with the strangeness of the ordinary world. This is the moment of unconsciousness. It is then where elements of a narrative emerge. I depict the figure in movements of awkwardness. Images of the familiar environments of children involved in some kind of work-play activity, the inheritors of generational trauma, reoccur in my work--a parade of daydreamers in direction to witness the uncertain.
White Light, Tessie Whitmore
White Light, Tessie Whitmore
CGU MFA Theses
The work is about nothing and everything. It is about belief systems engaged with everyday, monotonous theories of repetitious acts that will deliver freedom and freewill or acceptance and enlightenment. These acts become systems, which are bought into with ridiculous dedication. What is left is the void, potential death, fleeting mortality.
I use the highway as a place of investigation and motivation building a relationship between its physical and psychological aspects. I focus on moments from the drive: tension, the possible crash, monotony, and the trance state. I use materials from high culture and low culture to form a cultural …
The Darkness Is Passing, Grace Heeeun Park
The Darkness Is Passing, Grace Heeeun Park
CGU MFA Theses
My work is about the interplay of light, darkness and space. I express illumination of space and penetrating light with abstract painting. I use the white of canvas and thick application of black paint to create frames and to break rules of defined dimensions. Through my paintings, I challenge the perception of space and question the boundaries between two and three dimensions.
Gabriel Bizen Akigawa Interview, Joe Ondrey
Gabriel Bizen Akigawa Interview, Joe Ondrey
Asian American Art Oral History Project
Artist Bio: Gabriel Bizen Akagawa is the Assistant Director of Academic Advising and recently former Academic Advisor in the Office of Student Affairs and Assistant Adjunct Professor in the Sculpture department at the School of the Art Institute of Chicago. He exhibits regularly as a Chicago-based artist. He has been awarded Artist-in-Residencies at the Alternator Gallery for Contemporary Art in Kelowna, British Columbia, at Crabtree Farm in Lake Bluff, Illinois, and at Ox-Bow in Saugatuck, Michigan. His curatorial projects include an ongoing and changing series he initiated in 2005 called “Faketure” (fake nature), which lead to founding the Faketure Consortium …
In Tub And Wig Out, Ryan Crowley
In Tub And Wig Out, Ryan Crowley
Theses and Dissertations
Using short stories, descriptions of objects and thoughts on process, I aim to establish a few ideas about the way I see and think through making in the studio.
Auto Tune, Dana Ollestad
Auto Tune, Dana Ollestad
Theses and Dissertations
This thesis is an overview of the source material, methodologies, artistic influences, and conceptual decisions that inform my artwork and characterize my art practice. Utilizing participation (audience, community, viewer), I engineer experiences and encounters for the general public. Whether through directed physical interaction or implicit reaction, I create open-ended situations or environments that I may influence, but not fully control. The democratic cede of authorial control, as well as the heightened risk and unpredictably in my work, instigates a more positive, non-hierarchical social model in which every viewer is an “author,” who produces content and communication signals, and has a …
Freedom Of Interpretation, Georgi Ivanov
Freedom Of Interpretation, Georgi Ivanov
Theses and Dissertations
The photographic series Ideal Cities that I started in 2011 is inspired by the conflict between my idea of the “west” and my evolving experience in the United States. What struck me was the popularity of what I see as model experience – a spatial experience controlled by the Spectacle. In the terms of the Situationist International and its most prominent figure Guy Debord, the Spectacle is the collapse of reality into the streams of images, products and activities sanctioned by centralized monopolist business or state bureaucracy. Thus, personal experience is replaced with preconceived notions, which control the way people …
Between Utopia And Dystopia, Zhe Ren
Between Utopia And Dystopia, Zhe Ren
Student Theses and Dissertations
I watch the city. I am fascinated by the swift change and goings on of metropolitan life. I think of it as a collective performance and exemplary of basic human nature. The urban space also frightens me because it is expanding so fast that it disrupts the relationship between human civilization and the natural balance. My work is an exploration of this coexistence between humans and nature. As populations continue to expand and energy becomes rare, we find new ways to cohabitate. While creating new life forms both naturally and scientifically, humans become parasitic to their surroundings. Population growth is …
Jacob Hashimoto Interview, Madeline Barnabee
Jacob Hashimoto Interview, Madeline Barnabee
Asian American Art Oral History Project
Bio: Jacob Hashimoto was born in Greeley Colorado 1973 and grew up in Walla Walla, Washington. He Currently lives in New York City. He received his Bachelors degree in fine arts from The School of the Art Institute of Chicago. Hashimoto “redefines Japanese screen painting with his assemblages of paper "kites" in undulating, interactive compositions.” Jacob is represented by Studio La Citta, Rhona Hoffman Gallery, Galerie Forsblom and Mary Boone Gallery. – Bio from http://jacobhashimoto.com/bio-cv/
White Sands, Laura Vitale
White Sands, Laura Vitale
Theses and Dissertations
I’ve constructed a narrative thread that connects experiences, events, and artworks made during my time in graduate school. This narrative, which has the perspective of time, betrays the firsthand experience of wayfaring through the projects and places I describe. The narrative loosens as it approaches the present moment. Rather than to arrive at any conclusions, my goal for creating this narrative is to understand a tension between expectations: of systematic rationality and subjective knowledge, of play and display. I understand that my work productively fails to r-r-resolve contradictions about the way things are.