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Articles 7441 - 7470 of 10561

Full-Text Articles in Fine Arts

9mm Ii, Daisy Gould Jan 2013

9mm Ii, Daisy Gould

The Messenger

No abstract provided.

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9mm Shell Iii, Daisy Gould Jan 2013

9mm Shell Iii, Daisy Gould

The Messenger

No abstract provided.

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Portrait Of Susan, Shannon Rollins Jan 2013

Portrait Of Susan, Shannon Rollins

The Messenger

No abstract provided.

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The Messenger, 2013 Jan 2013

The Messenger, 2013

The Messenger

No abstract provided.

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Loud Pipes, Dee Glazer Jan 2013

Loud Pipes, Dee Glazer

The Messenger

No abstract provided.

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Waiting, Lourdes Figueroa Jan 2013

Waiting, Lourdes Figueroa

The Messenger

No abstract provided.

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Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche Jan 2013

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …

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I Died I Lived : Shaping An Ecological Balance, Shelby Prindaville Jan 2013

I Died I Lived : Shaping An Ecological Balance, Shelby Prindaville

LSU Master's Theses

I Died I Lived: Shaping an Ecological Balance is a body of work about our tenuous ecological situation and the power humanity has to preserve or destroy it. Through a broad range of two- and three-dimensional media, my installation transforms the gallery into an environment that demonstrates the enrichment nature delivers and the compensatory responsibility we have to conserve that experience.

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Placed Residue, Thomas Lapann Jan 2013

Placed Residue, Thomas Lapann

LSU Master's Theses

“Placed Residue” is a series of eight works that highlight nature and its transformative quality. The video, photos, and sculptural objects, contained in the show, call attention to different materials and how they undergo growth and decay. Using various resources ranging from Kinect to video projection I incorporate the unnatural in order to depict a natural narrative involving the viewer. In order to emulate these natural processes, a cause and effect system had been developed where nature completes the final object. These systems activate the material providing for behaviors to be visible through their tactile qualities and allowing for their …

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Domestic/Terror, Charles Russell Durio Jan 2013

Domestic/Terror, Charles Russell Durio

LSU Master's Theses

The focus of my studio work is an exploration of my interest in the physical and mental dynamics that take place within the confines of my home versus the world outside. The home, spatial arrangements (architecture, passageways), maritime disasters, and the ambiguity of abstract expressionism all have an identifiable impact on my images. Abstraction allows me to maintain a visual ambiguity that often reflects the ambiguity of the real-life situations on which they are based. My drawings are rooted in remembrances of events and interior architecture culled from childhood memories. It also explores the juxtaposition of domesticity and fear, both …

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Now And Then, Scottt Arthur Jan 2013

Now And Then, Scottt Arthur

LSU Master's Theses

I am interested in painting that begins in observation and manifests itself as a meeting ground of the subject and myself. My paintings explore color and spatial relationships as well as a surface that is manipulated over time. I often paint from nature on site as well as from small sketches and drawings that are later brought back to the studio and painted on a larger scale.

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Without Words : An Exhibition Of Functional Objects, Paul William Callahan Jan 2013

Without Words : An Exhibition Of Functional Objects, Paul William Callahan

LSU Master's Theses

At the core of my artwork lie two essential goals, to make objects that convey my understanding of beauty, and while doing this, to preserve the objects functional qualities. The materials that I select to build with, primarily wood and porcelain, are renown for their durability and longevity, resulting in objects that become a permanent fixture in the life of the user. Through utility, the things that I create infiltrate the lives of those around me and provide an entry point for a conversation between myself and the user via the object. Newly developed technological methods are an integral component …

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Suspensory Filaments, Santiago Pineda Jan 2013

Suspensory Filaments, Santiago Pineda

LSU Master's Theses

The interrelationships between vision, desire, and language are the elements that drive my artistic practice. “What is seeing?” “How is seeing related to desire?” These questions are at the base of my interests. I recognize optics as a subset of perception, yet I strive to reform them into interchangeable components. My interest in optics is based on doubt. I’m not interested in optic’s correctness, clinical orientation, or current sophistication, but rather in undermining its limitations. Our culture still struggles to absorb the notion of the sentient being, one example is our acuity of vision being standardized to 20/20. Within my …

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Temporal Cycles, Sarah Anne Shearer Jan 2013

Temporal Cycles, Sarah Anne Shearer

LSU Master's Theses

Temporal Cycles explores how systems and changes in the human body parallel those in nature. The investigation takes the form of a print installation, which captures the essence of bodily processes. The serial nature of printmaking and the organic world plays an important role as biomorphic forms and hourglass shapes are repeated in numerous renditions that breathe, pulse, expand, wither, ovulate, and transform. Labyrinths of pattern, texture, and color connect the symbolic forms as the installation tracks the evolution of processes in the body, and the forms reveal themselves through their pictorial associations.

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Conditions Of My Release, Michael Alford Jan 2013

Conditions Of My Release, Michael Alford

LSU Master's Theses

ABSTRACT From the dawn of human history, technology has driven and shaped our evolution as a species. It has vastly accelerated our ability to communicate, create, conquer and do more with less time, space and energy. Throughout the history of Art, technology has forged new methods, movements and Masters. “Conditions Of My Release” is a series of mixed media works that utilizes a variety of common and cutting edge technologies as a way to explore the relevance of “Time & Space” as an influential medium in artistic production. Have they been masked or obscured by the technology used to create …

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Stillnoticing, Roberta Ann Massuch Jan 2013

Stillnoticing, Roberta Ann Massuch

LSU Master's Theses

The installation stillNoticing contains ceramic still lifes and drawings that illustrate and bring permanence to ephemeral and fleeting moments. The work is an attempt to share my experience of being captivated by the phenomenon of light affecting the perception of objects and spaces. These moments are often found in familiar spaces, with familiar objects. Each work addresses a particular type of looking: one in which the act of noticing an object transforming from one moment to the next becomes a silent, almost meditative experience.

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Pathos, Winter 2013, Portland State University. Student Publications Board Jan 2013

Pathos, Winter 2013, Portland State University. Student Publications Board

Pathos

Editor: Deena Anreise

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Murals Take On New Form And Purposes, Aldemaro Romero Jr. Jan 2013

Murals Take On New Form And Purposes, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

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Reconsidering Brazilian Representations In Choros No. 5 And Bachianas Brasileiras No.4 For Piano By Heitor Villa-Lobos, Paula Maria Lima Galama Jan 2013

Reconsidering Brazilian Representations In Choros No. 5 And Bachianas Brasileiras No.4 For Piano By Heitor Villa-Lobos, Paula Maria Lima Galama

Theses and Dissertations--Music

This study offers a reconsideration of the music of Villa-Lobos and its relationship to diverse musical expressions and musical syntheses in Brazil. Its primary purpose is to present a line of interpretative thought for Heitor Villa-Lobos’s piano compositions, emphasizing significant elements reflective of the folk and popular culture of Brazil that the composer integrates with stylistic features influenced by European art music traditions. It highlights Villa-Lobos’s adaptation of characteristic Brazilian dances, dance rhythms, melodies, direct quotations, and fragments of folk and popular tunes in Choros no. 5 (Alma Brasileira) and Bachianas Brasileiras no. 4 (Brazilian Bachianas no. 4). In the …

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The Collaged Practice : (Un)Familiar, Raina Beth Wirta Jan 2013

The Collaged Practice : (Un)Familiar, Raina Beth Wirta

LSU Master's Theses

My thesis exhibition is an installation of works including sculpture, video, paintings, a hand made book, sound, and drawings that emanated from a series of two-dimensional collages: self-contained forms that evoke the surreal, (un)familiar, and/or grotesque. Infused with a sort of mysterious being-hood and intended to inspire curiosity (at the least), they are unfamiliar in relation to a particular biological thing, but (mostly) recognizable in the autonomous bits and pieces. I seek to question where our physicality ends and the next form of biological life begins, and our responses to that physicality. With childlike inquisitiveness and wonder, and a healthy …

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Illuminating Emotional States Through Portraiture, Taylor Champoux Jan 2013

Illuminating Emotional States Through Portraiture, Taylor Champoux

Art and Art History Honors Projects

No abstract provided.

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Dreaming, Sussy Lobo Jan 2013

Dreaming, Sussy Lobo

Digressions: Literary & Art Journal

No abstract provided.

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Still Life, Natalie Hernadez Jan 2013

Still Life, Natalie Hernadez

Digressions: Literary & Art Journal

No abstract provided.

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Untitled, Alexandra Hernandez Jan 2013

Untitled, Alexandra Hernandez

Digressions: Literary & Art Journal

No abstract provided.

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From Below, Erin Holt Jan 2013

From Below, Erin Holt

Art and Art History Honors Projects

No abstract provided.

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Gilda's Gowns, Rachel Ann Wise Jan 2013

Gilda's Gowns, Rachel Ann Wise

AWE (A Woman’s Experience)

Critics have overanalyzed the portrayal of the femme fatale in film noir as female ruthless seduction in attempts to overpower men. However, a paramount aspect of the femme fatale has been under analyzed—women’s use of and exploitation of fashion. In film noir, Gilda particularly showcases the importance of fashion in the film’s plot. Gilda’s undressing and dressing in the film signifies the multifarious personalities and complexity of the femme fatale character. In understand Gilda’s character via her diegetic, fashionable, and mutable clothes, the femme fatale is exposed as a complex being defying stereotype by the variety of her wardrobe, but …

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An Actor On The Line: Becoming Judy Turner In A Chorus Line, Morgan Mallory Jan 2013

An Actor On The Line: Becoming Judy Turner In A Chorus Line, Morgan Mallory

All Graduate Theses, Dissertations, and Other Capstone Projects

It is a detailed account of author Morgan Mallory's artistic process in creating the role of Judy Turner in the Minnesota State University, Mankato's production of A Chorus Line in the Fall of 2012. The thesis follows the actor's process beginning with the early production analysis in the first chapter. The actor then discusses the work in its historical context followed by a detailed journal of the acting process in chapters two and three. Chapter four is the post-production analysis and the fifth chapter gives an overview of Mallory's growth and process through her time at Minnesota State Mankato. Appendices …

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Scene Design Of A Chorus Line, Naoko Ishizuka Skala Jan 2013

Scene Design Of A Chorus Line, Naoko Ishizuka Skala

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a detailed account of Naoko Skala's design process for A Chorus Line by James Kirkwood and Nicholas Dante. It is submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre from Minnesota State University, Mankato. These documents trace the design process from the designer's preproduction analysis, historical and critical analysis and post production analysis of the effort. Included also is the designer's journal which documents the process chronologically from its inception through its realization. Finally, the designer has provided an analysis of her overall artistic development as it has been …

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The Process Of Directing Edward Albee's The Goat, Or Who Is Sylvia, Shelley Whitehead Jan 2013

The Process Of Directing Edward Albee's The Goat, Or Who Is Sylvia, Shelley Whitehead

All Graduate Theses, Dissertations, and Other Capstone Projects

This paper will follow director Shelley Whitehead's process of bringing The Goat, or Who Is Sylvia? by Edward Albee to production at Minnesota State University, Mankato. Within the paper the director discusses her initial concepts and ideas; a historical look at the playwright and play; journals regarding the rehearsal and performance process; a dissection of that process to ascertain success or failure of the ideas set forth in the first chapter; and a final look at how her years at Minnesota State Mankato shaped her as a director. Included in the paper is an Appendix to supplement the paper's findings. …

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Everyday Arrangements, Rachel Janette Compart Jan 2013

Everyday Arrangements, Rachel Janette Compart

All Graduate Theses, Dissertations, and Other Capstone Projects

These set of works are an arrangement of forms. I am interested in making a simplified version of my subject by limiting the amount of information that is present while still suggesting a space. My subject matter began as a pile of dirty clothes that were lying on my bathroom floor. I first noticed the contrast between the organic clumps of fabric against the vertical lines of the white panel wall. I then realized that this subject matter was much deeper and said a lot about my domestic life as a mother, a daughter, a sister, a girlfriend and a …

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