Fine Arts Commons^™

Icarus: For Solo Viola And Orchestra, John C. Leavitt, Devan Freebairn

Faculty Publications

Out of class, student-led project to compose and perform a new viola concerto, with an all-volunteer (mostly student) orchestra. Composition is based on the story of Icarus, his imprisonment with his father in the labyrinth of Crete, their escape, and Icarus’ downfall when he flew too close to the sun.

Reframed : A Collection Of Photographs, And, Capturing The Real : Reframing Visual Pleasure In The Photographed Female Nude, An Exegesis, Larry Defelippi

Theses : Honours

This creative Honours project is a practice-led inquiry into the photographed female nude. The images of the female nude photographed during the course of this project were taken in Australia and Colombia, providing a progression in aesthetics as the project unfolded. Informing the practice, and hence the images, is Roland Barthes’ concept of the punctum as read through Jacques Lacan’s psychoanalytical concept of the real. The project endeavours to develop an aesthetic of visual pleasure to liberate the female nude from a predominant psychosexual reading, and advocate a revisualisation of the nude as a less sexually objectified form.!In addition, while …

Paint And Sound: A Dialogue, Alyse M. Emanuel

Departmental Honors Projects

This project is an exploration of the confluence of visual and musical artistic processes. As well as exploring how music and visual arts can inform each other and create dialogue, a central part of the project is an attempt to reach a synesthetic state in my own artistic processes for which my training as a visual artist and musician laid the groundwork. Through active, creative experimentation with making music in response to artwork and vice versa, I undertook to achieve a union of the senses. The project includes historical research that places my work in the context of other artists …

The Veil, Eric Richard Euler

LSU Master's Theses

The Veil is a print media exhibition exploring the politics surrounding internet and internet related technologies and how they shape our identity. All of the works shift within a satirical and enigmatic visual language which accumulates to form a critique of our online habits and rituals. My work is driven by questions surrounding digital identity, privacy, data mining, narcissism, and commodity fetishism. How is the internet changing us as people and consumers? What are the repercussions of frivolously sharing private information online? And how are new government bills affecting our freedom online? Gallery visitors will encounter the hand-pulled print in …

A Peculiar Paradigm Of Perpetual Parallax, Randi Marie Willett

LSU Master's Theses

Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthbound—mounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Finally, with a last breath, an emergence blooms upon that which contextualizes momentary “reality” or rather that which defines a metaphorical escape from… actuality. My singular endeavor is to escape. My momentary escape is found in the illusory. My illusion is a perception of reality and with this perception I find my singular endeavor... …

Love Story, Grace Weaver

Theses and Dissertations

I think of my paintings as pop songs. My aim in the work is to embrace a complicated femininity, championing and questioning the aesthetics of girliness, cuteness, and whimsy. This is the realm of the Young-Girl. The text that follows will chart a path from the cliché to the empathic—holding hands with philosophical comrades in that same territory, ranging from Taylor Swift to Kaja Silverman—seeking the way in which the paintings relate to the grand tradition of the love story.

Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White

All Master's Theses

The dynamics of power between the privileged and those who must be subordinate to them was glaringly apparent at the 1904 Louisiana Purchase Exposition in St. Louis. While natives from many countries were displayed in ethnographic villages, the Irish were represented in the Irish Industrial Exposition concession on the Pike. A group of ninety performers came from Ireland to show their skills this concession; among these were a troupe of actors from Dublin. The Dublin troupe was engaged to perform AE’s Deirdre, but left before they had been at the exposition for a month because they felt that the Irish …

Aggro Duality, Michael B. Lesh

College of Graduate Studies: Theses & Dissertations

Aggro Duality features sculptures inspired by skateboarding and custom–automobile cultures. This body of work is inspired by the manufacturing process, physicality of materials, individual aesthetic, and attention to craft. Each sculpture in Aggro Duality is created through intensive construction techniques that aim to modify materials into a unified form; which indicate a combination, a duality of mechanical and organic coexistence. Within the skateboarding and custom/automobile cultures there is an aggressive attitude that pushes individuals above and beyond boundaries of traditional standards, meaning, and styles. These cultures intend to create products that are dramatic, personalized, and stand-out from the norm. This …

Lights And Shadows - 2015, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Grotesque Depictions And Seduction: Exotification Of Asian/American Women, Mabelle Bong

Scripps Senior Theses

My senior art project is an exploration of contemporary representations of women of Asian descent in the United States, specifically looking at issues of body image, sexuality, and exotification. I will examine the lack of representation of Asian women in America in media and art, specifically painting and mixed media. Ultimately, I will elucidate on why I chose this topic and used certain techniques and materials to explore the contemporary features and symbolic representations of Asian women in America.

The Quiet Conversation, Samantha Weisend

Williams Honors College, Honors Research Projects

No abstract provided.

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …

The Music And Flute Of Joaquim Antonio Callado A Study Of Selected Compositions, Denis Almeida Dos Santos

Theses and Dissertations--Music

The purpose of this dissertation is to provide a survey of eight selected compositions for flute by the nineteenth-century Brazilian composer and flutist, Joaquim Antonio Callado (1848-1880). The aim of the survey is to identify early structural, melodic, rhythmic, and harmonic elements of the popular Brazilian instrumental genre, called choro, in Callado’s compositions. In addition, this study will investigate the hypothesis of Callado’s use of two different flute models to compose and perform: a nineteenth-century, simple-system, five-keyed wooden flute and the, then, newly invented silver, multi-keyed, Boehm flute. The study will also look for evidence of Callado’s use of …

Snip, Snap, Snout: This Tale Is Told Out, Crista A. Ames

Graduate Student Theses, Dissertations, & Professional Papers

Mythology has shaped human thought and experience since before recorded history. Passed from one generation to the next, myths elevate and aggrandize realities that are difficult, complex or horrifying. This is what makes us human, an inspiring capacity toward metaphor and the ability to make beauty, lyricism and splendor—order from the chaos. Within mythology, the cause and effect of both misery and joy may be explored in their wholeness. In this act of imaginative translation, we may come to understand how misery and joy are naturally coexisting.

In my thesis exhibition this tale is told out, I use the layering …

More Is The Same, Tyler Reeves Nansen

Graduate Student Theses, Dissertations, & Professional Papers

Nansen, Tyler, M.F.A. Spring 2015

More Is The Same

Chairperson: Associate Professor Trey Hill

More is the Same is the result of my examination of the perception of space in relation to architecture and landscape. By embracing modern concepts of the grid, formalism and design, this compilation of personal experiences and memories, manifests as post-minimal sculptures. However, when considering the hierarchy of importance in my work this involves pure visual perception over any specific narrative. The final product is an exhibition which elicits a perceptual experience for its viewer.

My work is about space and the creation of visual interactions, …

Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca

Akron Law Faculty Publications

Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 Copyright Act’s work made for hire doctrine. This doctrine states that works created by employees within the scope of their employment result in the employer owning the copyright. One key determination in this analysis is whether the hired party is an employee or independent contractor. In 1989, the U.S. Supreme Court, in CCNV v. Reid, answered the question of how employees are distinguished from independent contractors by setting forth a list of factors courts should consider. Unfortunately, the Supreme Court did not give further guidance on …

Unexpected Zeus, Adam Lambert

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Art 102 Research Paper Guide, Rachelle Street, Robert Rubyan, J S. Held

Open Educational Resources

This art analysis form will help guide your students through looking at artwork with the aim to writing a research paper on a work they observe in-person.

This Is Not A Trend, Michael T. Workman

Undergraduate Theses, Professional Papers, and Capstone Artifacts

ABSTRACT

Workman, Michael, B.F.A., May 2015 Art

THIS IS NOT A TREND

Faculty Mentor: Elizabeth Dove

This is not a trend is a multi-media art installation that examines the valuation system of contemporary art by creating an absurd situation that mimics a real commercial experience. The manner in which value is placed on art is artificial. Both the monetary and intellectual value of art is decided mostly on the reputation of the artist, their fame, and how well their work is marketed to the public. These characteristics are marketed to art consumers in order to sell them an authentic “art” …

Ex Post Modernism: How The First Amendment Framed Nonrepresentational Art, Sonya G. Bonneau

Georgetown Law Faculty Publications and Other Works

Nonrepresentational art repeatedly surfaces in legal discourse as an example of highly valued First Amendment speech. It is also systematically described in constitutionally valueless terms: nonlinguistic, noncognitive, and apolitical. Why does law talk about nonrepresentational art at all, much less treat it as a constitutional precept? What are the implications for conceptualizing artistic expression as free speech?

This article contends that the source of nonrepresentational art’s presumptive First Amendment value is the same source of its utter lack thereof: modernism. Specifically, a symbolic alliance between abstraction and freedom of expression was forged in the mid-twentieth century, informed by social and …

Boom, Jessica Sanchez

Digressions: Literary & Art Journal

No abstract provided.

Ice Cream City, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

When I Saw I Cried, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

A Mickey's Nightmare, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

Surprised, Zara Khan

Digressions: Literary & Art Journal

No abstract provided.

My Thinking Place, Claudia Murcia

Digressions: Literary & Art Journal

No abstract provided.

Polygonal Provocateur, Abigail Daleki

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis calls attention to what we interpret as a painting; an object hung on a wall for decoration, to be looked at, thought about, or just as an interruption to a dull, white surface. Historically, paintings were used in religious practice or to serve utilitarian purpose. Through the years, paintings have become less about content and more about catching the eye, making the viewer think. Paint, on a canvas, stretched over a frame and hung on a wall is, traditionally, a painting. I am focused on challenging that regime. I want to challenge the idea of what a painting …

Unapologetic Self, Aashish Maskey

All Graduate Theses, Dissertations, and Other Capstone Projects

This body of work began with an intention to transform the mundane. During this process of intuitively interacting/improvising with my surrounding environment, objects and people, I noticed the photographs had more to them than my intentional concept. They were perhaps fragments of my subconscious at the time of making each of them. This body of work represents the contents of my conscious and subconscious mind, connected through my intuition. It is a visual story of polarity, which perhaps resides within us all.

Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun

UROP Posters

Through art exhibitions in Beijing, China and Richmond, Virginia, Reviving project 01 aims to help promote/ revive a craft technique in Qinghai, China that is disappearing due to the urbanized surroundings.

American artist were invited to collaborate with people from Qinghai to make new pieces incorporating original crafted pieces.

Guest Editor's Column, Geoffrey Kain

Publications

“Increasingly in higher education we are said to value interdisciplinary approaches to subjects, to consider creative means to perforate if not actually dissolve some boundaries between disciplines, to potentially develop courses or opportunities for students and/or faculty to establish some innovative bridges between the arts and sciences, philosophy and technology, etc…”