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Articles 6031 - 6060 of 10548

Full-Text Articles in Fine Arts

House Of God: Ma Thesis, Michael James Cimino Jan 2016

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …


Work It: A Study In Fashion Photography Portraiture, Dominic J. Iudiciani Jan 2016

Work It: A Study In Fashion Photography Portraiture, Dominic J. Iudiciani

Williams Honors College, Honors Research Projects

Fashion is a device with which the perception of one’s appearance is manipulated. It is a device that is used across all cultures to identify, symbolize, isolate, and appropriate. It is figuratively and literally woven into the fabric of humankind as a whole. Fashion has the ability to reinforce gender or create dissonance within it through androgynous silhouettes. It can express strength and confidence or emphasize vulnerability.

Through this study, the use of specific studio lighting techniques accentuates design elements of a highly curated collection of avant-garde, 21st century garments. Drape, texture, form, and luster are but a few …


Cold Lapse, Tressa Jones Jan 2016

Cold Lapse, Tressa Jones

Graduate Student Theses, Dissertations, & Professional Papers

cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …


So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.


Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride Jan 2016

Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride

Art Inquiries

No abstract provided.


“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams Jan 2016

“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams

Art Inquiries

No abstract provided.


God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri Jan 2016

God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri

Art Inquiries

No abstract provided.


Front Matter Jan 2016

Front Matter

Art Inquiries

No abstract provided.


Interview With Duane Paxson, Dorothy Joiner Jan 2016

Interview With Duane Paxson, Dorothy Joiner

Art Inquiries

No abstract provided.


From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber Jan 2016

From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber

Art Inquiries

No abstract provided.


Gunther Gerzso: A Mexican Master, Carlos A. Colón Jan 2016

Gunther Gerzso: A Mexican Master, Carlos A. Colón

Art Inquiries

No abstract provided.


The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards Jan 2016

The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards

Art Inquiries

No abstract provided.


The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner Jan 2016

The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner

Art Inquiries

No abstract provided.


Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington Jan 2016

Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington

Art Inquiries

Book review of Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites, edited by Cynthia Kristan-Graham and Laura M. Amrhein.


David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker Jan 2016

David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker

Art Inquiries

No abstract provided.


The Urbanism Of Frank Lloyd Wright, Michael Lewis Jan 2016

The Urbanism Of Frank Lloyd Wright, Michael Lewis

Art Inquiries

Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.


Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe Jan 2016

Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe

Art Inquiries

No abstract provided.


Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger Jan 2016

Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger

Art Inquiries

Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.


Gee, He Has No Brushstroke: Gender Performance In Andy Warhol’S Oxidation Paintings, Anthony J. Morris Jan 2016

Gee, He Has No Brushstroke: Gender Performance In Andy Warhol’S Oxidation Paintings, Anthony J. Morris

Art Inquiries

No abstract provided.


Francis Alÿs: A Story Of Negotiation, Kerr Houston Jan 2016

Francis Alÿs: A Story Of Negotiation, Kerr Houston

Art Inquiries

No abstract provided.


Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk Jan 2016

Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk

Art Inquiries

No abstract provided.


Back Matter Jan 2016

Back Matter

Art Inquiries

No abstract provided.


Closed For Business, Tyler Schrandt Jan 2016

Closed For Business, Tyler Schrandt

All Graduate Theses, Dissertations, and Other Capstone Projects

Closed for Business is an installation which creates an immersive environment that awards the curious. The inspiration for the exhibition came from local industry and human tendency. In likeliness of a defunct factory, the installation transforms the gallery into a dimly lit mysterious space. Using mostly objects found on local farms and in everyday households, a narrative takes shape. The question "what happened here?" looms as you investigate the space looking for clues. With a keen eye for observation, you navigate the room and stumble upon the office of a misguided -- and missing -- entrepreneur. As you internalizing the …


Jasmine Greenwaldt: Continuum, Jasmine Elise Greenwaldt Jan 2016

Jasmine Greenwaldt: Continuum, Jasmine Elise Greenwaldt

All Graduate Theses, Dissertations, and Other Capstone Projects

I create in order to explore. I welcome the unexpected, not only in my art but in my life as well. The process of creation and exploration have just as much importance as the finished product itself. I seek to express emotion in my work, whether that be through color, brush strokes or simply the movement of paint. My thesis reflects all of the exploration I have done not only throughout graduate school but during my life. It has become a written book of my journey, demonstrated through the use of paint.


Concerning The Interaction Of Forms, Luke Splinter Jan 2016

Concerning The Interaction Of Forms, Luke Splinter

All Graduate Theses, Dissertations, and Other Capstone Projects

"Concerning the Interaction of Forms" is exactly what is in my mind when creating and thinking about work. I am concerned with all of the interactions that can be made when thinking about and looking at forms. How do the forms interact with one another? How do they interact with the space they are placed in? How do they interact with the viewer? These are the questions that concern me the most when creating work

When making work I do so with the help of basic geometric shapes, mathematic ratios, and the feeling I get from the form as it …


Hagiografía Del Fuego, Marco Antonio Rodríguez Murillo Jan 2016

Hagiografía Del Fuego, Marco Antonio Rodríguez Murillo

Open Access Theses & Dissertations

Hagiografía del fuego es un poemario que se conforma de cinco partes, que tratan de mapear la ciudad de El Paso, Texas, histórica como geográficamente.


Art Inquiries, Xvii:1, Full Issue Jan 2016

Art Inquiries, Xvii:1, Full Issue

Art Inquiries

No abstract provided.


Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton Jan 2016

Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton

Art Inquiries

Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.


Beyond The Binary, Petr Wiese Jan 2016

Beyond The Binary, Petr Wiese

Senior Independent Study Theses

No abstract provided.


Crescendo, Jeffery A. Pabotoy Jan 2016

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …