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Articles 5461 - 5490 of 10546
Full-Text Articles in Fine Arts
Dig, Spin, Repeat, Brittany Anne Sievers
Dig, Spin, Repeat, Brittany Anne Sievers
LSU Master's Theses
Dig, Spin, Repeat, is a body of process based installation objects that uses minimalistic aesthetics placed strategically in the gallery to highlight the architecture of the room. By connecting these unique architectural elements, the work aims to achieve mindfulness similar to the research of Ellen Langer: encouraging active observation. Drawing from my background in sports and factory work, I create multiple repetitive forms out of hand-spun yarn and sourced clay. The room-sized installation objects produced from these raw materials explore the value of staying in the present moment for both the viewer and myself.
After;Life, Morgan Lynn Anderson
After;Life, Morgan Lynn Anderson
LSU Master's Theses
After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.
The Truth About Your Monsters, Cassidy Creek
The Truth About Your Monsters, Cassidy Creek
LSU Master's Theses
The Truth About Your Monsters is an immersive and dialogical exhibition formatted as a walk-through storybook environment. Viewers are transported into a child’s make believe world through hands-on stations. By building on the skeleton of an archetypal narrative, audience members are encouraged to tap into their own experience as they contribute imagery and action to the narrative. I call on audience members to discuss personal or universal fears by prompting them to draw images of monsters that represent their fear.
Coasteering, Adam James Meistrell
Coasteering, Adam James Meistrell
LSU Master's Theses
Coasteering: (noun) An adventure sport tasked with defining and exploring boundaries and coastlines. Adam Meistrell’s artwork is an invitation to interpret evidence and inspiration through making, investigation, and utility. He utilizes a variety of working methods to interpret evidence and share his understanding.
One Two One, Brianna Morgan Ozanne
One Two One, Brianna Morgan Ozanne
LSU Master's Theses
These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.
Baby's Day Out, Andrea Nicole Berg
Baby's Day Out, Andrea Nicole Berg
LSU Master's Theses
Baby's Day Out explores the world through a phenomenological newness that is expressed within abstract figurative painting. Fact and fiction blend in this fantastical array of emotions and real-world referents. I relied on quick mark-making, intuition, and gestural brushwork to explore representations of psychic and emotional states. The results are reminiscent of dreams, poems, secret whispers, unconscious fantasies, and delusions. The viewer is left to navigate the aporia of the space, by gingerly extending each limb forward and backward, to wander from piece to piece. Meaning is relative as the content of each painting is dependent on the interpretive lens …
Reach, Abigail Lauretta Smithson
Reach, Abigail Lauretta Smithson
LSU Master's Theses
During the past three years, I have asked the same two questions over and over again: What is a photograph capable of communicating? What is a document of a place? My thesis exhibition and paper explore these questions using basketball, an art form and creative outlet that I have loved since childhood, as a starting point. Basketball is the lens that I have chosen to look through when approaching my work and a metaphor for larger societal issues, such as racism and gun violence.
Everythingsfine, Reanna Schultz
Everythingsfine, Reanna Schultz
Graduate Student Theses, Dissertations, & Professional Papers
Disarming discomfort through irony, material, and absurdity is at the center of my practice. I chose to describe my efforts of coping through installation instead of objects because I desire to create an immersive experience for viewers. Using a broadly recognized metaphor as weather allows me to reveal the silent yet ubiquitous nature that so many who suffer from anxiety and depression try to conceal. Depression often coexists with anxiety and both share the ability to alter one's perception of reality. The light bulb cloud installation includes hundreds of burnt-out incandescent bulbs to evoke the accumulation of listlessness, emptiness, and …
Musings From The Dean, Elaine Wallace
Guest Editor's Introduction, Steven Caras
Editor's Introduction, Janet Lynn Roseman-Halsband
Photograph Of Mikhail Baryshnikov, 1996, Steven Caras
Photograph Of Mikhail Baryshnikov Dancing Apollo, 1978, Steven Caras
Photograph Of Mikhail Baryshnikov Dancing Apollo, 1978, Steven Caras
be Still
No abstract provided.
Photograph Of Tom Conboy, West Palm Beach, 1994, Steven Caras
Photograph Of Tom Conboy, West Palm Beach, 1994, Steven Caras
be Still
No abstract provided.
Ballet Students At Cubanican, Havana, Cuba, 1978, Steven Caras
Ballet Students At Cubanican, Havana, Cuba, 1978, Steven Caras
be Still
No abstract provided.
Photograph Of Leroy Roberts, West Palm Beach, 1995, Steven Caras
Photograph Of Leroy Roberts, West Palm Beach, 1995, Steven Caras
be Still
No abstract provided.
Photograph Of Donald Williams, Dance Theatre Of Harlem, 1999, Steven Caras
Photograph Of Donald Williams, Dance Theatre Of Harlem, 1999, Steven Caras
be Still
No abstract provided.
Photograph Of Enrique Brown, Ballet Oklahoma, 1997, Steven Caras
Photograph Of Enrique Brown, Ballet Oklahoma, 1997, Steven Caras
be Still
No abstract provided.
Photograph Of Connor Walsh, Houston Ballet, 2010, Steven Caras
Photograph Of Connor Walsh, Houston Ballet, 2010, Steven Caras
be Still
No abstract provided.
Streb, 1999, Steven Caras
A Man And His Eagle, Elaine Wallace
Eagle Festival-Mongolia, Elaine Wallace
Adventures In Mongolia, Elaine Wallace
Outer Mongolia, Elaine Wallace
Outer Mongolia, Elaine Wallace
Mongolian Hunter, Elaine Wallace
Eagle Hunters, Elaine Wallace
Shapeless, Christopher W. Larrimore
Shapeless, Christopher W. Larrimore
be Still
Life extends beyond the boundaries we perceive, and it is through our actions that we are able to either explore or hide from our universal purpose. After completing gross anatomy lab, I learned that while the human body is complex and most impressive, human action is significantly greater. A cadaver can not walk away from a table, it can not speak a word, it was almost void of all purpose. Except that it is not. Because a decision was made to become a medical cadaver, this action created a dramatic impact on the lives of many medical students. An act …
French Man, Christopher Larrimore