Fine Arts Commons^™

Ethereal, Kenny Nguyen

The Echo

No abstract provided.

Porcelain Doll, Annie Reigel

The Echo

No abstract provided.

Ricky And The Endless Monotony, Ben Gamble

The Echo

No abstract provided.

No Easy Way, Emily Hardwick

The Echo

No abstract provided.

Safe Here, With You, Camiell Foulger

The Echo

No abstract provided.

Autumn, Ella Morton

The Echo

No abstract provided.

1574, Adel Takacs

The Echo

No abstract provided.

Compañera, Sally Cannon

The Echo

No abstract provided.

Humanoid, Kenny Nguyen

The Echo

No abstract provided.

Slash, Olivia White

The Echo

No abstract provided.

747s, Abby Harwell

The Echo

No abstract provided.

I Wonder What's Out There, Ren Zimmerman

The Echo

No abstract provided.

Snow, Maddie De Pree

The Echo

No abstract provided.

Love Sucks, Emily Lane

The Echo

No abstract provided.

Wall, Eli Simmons

The Echo

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Abba, Zoe Pournaras

The Echo

No abstract provided.

Busy Watching, Catherine Sigman

The Echo

No abstract provided.

Preface & Table Of Contents

The Echo

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Cover

The Echo

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Echo 2019 - Complete Issue

The Echo

No abstract provided.

The Impact Of Patronage On Contemporary Visual Arts, Emily Coats

Honors College Theses

Patronage is vital to the art world and the success and notoriety of its artists. From straightforward patronage during the Renaissance of the Medici Family, the independent artists of modernism, to contemporary crowdfunding, it is important to note the changes in the art world throughout history to truly understand how artists and patrons have grown and continue to evolve in our contemporary society. Considering how patronage has changed and adapted throughout history and understanding the influence it has, not only allows a deeper understanding of the art world but also the world’s culture.

Review Of Environmental Humanities And Theologies: Ecoculture, Literature And The Bible, By Rod Giblett, Sam Mickey

Landscapes: the Journal of the International Centre for Landscape and Language

This is a review of Rod Giblett's Environmental Humanities and Theologies: Ecoculture, Literature and the Bible, published by Routledge in 2018. The review notes Giblett's contributions to the field in tracing wetlands iconography through theological and literary discourses in landmark works in the Anglo-American tradition, Judeo-Christian doctrine, and Australian Aboriginal myth.

Zemlja And Pioneer Day, Natalie D-Napoleon

Landscapes: the Journal of the International Centre for Landscape and Language

Poems: Zemlja and Pioneer Day by West Australia born author Natalie D-Napoleon.

Snorkel Virgin, Emma J. Young

Landscapes: the Journal of the International Centre for Landscape and Language

Snorkel Virgin

Plunging Down Under, Ian Smith

Landscapes: the Journal of the International Centre for Landscape and Language

Plunging Down Under

The Junk That 8 K-Town (View-Master Haiku Series 1, 2 & 3), Brenton M. Rossow

Landscapes: the Journal of the International Centre for Landscape and Language

THE JUNK THAT 8 K-TOWN (View-Master Haiku Series 1, 2 & 3)

My first session taking photos of bush junk near the K-Town train station led to an addiction. I started to see things within images that aroused deeper contemplation. The miniature Eiffel Tower within one landscape seemed to expertly align with a gasping car belly that paid homage to Peter Dam’s The Dogs That 7 Sparrows.

Absent past owners became unconscious artists. Objects in their adopted environments became creatures with lives beyond previous incarnations. I saw things as representations, serendipitous alignments, but more importantly, a culture addicted to …

Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape: Heritage II presents the scholarly and creative contributions to Landscapes, Volume 9, Issue 1.

Complete Issue 1, Volume 9

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 9, Landscapes Journal.

Carbon 碳, Mengyuan Li

CGU MFA Theses

Death is the one certainty in life. This fascinates me and I cannot stop thinking about it. When it comes to life and death, the cemetery is a more realistic place than heaven and hell, and it is also a place to feel life and death more directly. A simple gravestone separates life from death. Cemeteries let people come face to face with life, death, and even love.

In a cemetery, there is a tranquility that is different from the city or nature. In a cemetery, people take off their masks and face their emotions. I believe that when we …

Vistas, Volume 33, Spring 2019, Sacred Heart University

Vistas (Horizons)

An interdisciplinary, multi-cultural journal celebrating the creativity of SHU students during the academic year 2018-2019.

This year's issue of Vistas is titled Behind the Mask.