Fine Arts Commons^™

Managing The Performing Arts Center: Best Practices For University-Based Performing Arts Centers, Lori Cobo

UNLV Theses, Dissertations, Professional Papers, and Capstones

University-based performing arts centers are an asset not only for the institutions where they exist, but also the community that it serves. This thesis takes a brief look at the following topics; reporting structure, billing practices, presenting, and student tickets/fees. The University of Nevada, Las Vegas (UNLV) Performing Arts Center has been a part of the university since 1976 and the focal point of this paper. Nineteen other similar institutions were surveyed with results from eleven others used as comparison. University-based performing arts centers can and should be seen as a strong financial partner for the institution.

The Layered Frames Of Performed Tabletop: Actual-Play Podcasts And The Laminations Of Media, Brendan Decicio

Theses and Dissertations

Despite their sudden growth in popularity, the role-playing actual-play podcasts have either been ignored or grouped with the genre of audio drama in prior scholarly works. Examination using frame analysis shows, however, that these podcasts are distinct in their engagement of the audience on multiple, simultaneous levels; levels which correspond with well-known media genres such as Documentary, Fiction, and Game Play. Each frame has its own layer of identities, conduct, and avenue for appealing to audiences just as these genres have their own distinct appeals. Through the combinations of these frames, familiar tropes and techniques such as Short-Form Improv and …

The Importance Of Having Properly Funded Art Programs And The Benefits It Brings To Public Schools, Chelsey Brown

Liberal Arts Capstones

This presentation is to help raise awareness towards art education in schools and how these programs are losing their funding. The main focus is to present information on how the arts benefit people in both the school and in more public settings. Politics affect how much money is given to the arts and if the school is not art-rich, they may suffer and have a poorly funded arts program. The arts provide cognitive, health, and social benefits that can help kids learn and can also help those who participate in community programs. Students who participate in art, music, theater, or …

Representation Of The National Trauma In Train To Busan: Based On A Semiotic Approach, Junshik Shik Yun

Theses and Dissertations

The object of this project is to dissect the filmic elements in Train to Busan (2016) to analyze how the film represents the Sewol Ferry incident, a national disaster occurred in South Korea, and how the audience is able to engage with the trauma. As the first zombie blockbuster created in South Korea, Train to Busan adapted the elements of the zombie genre that has been delineated repeatedly. The film inherited the traits of zombies, representation of government and media, and feature of human characters from the genre created in Hollywood. Additionally, national characteristics had been added through reflecting the …

Viva Latinx

DePaul Magazine

DePaul continues to expand its innovative programming and resources for Latinx communities. La DePaulia, an online Spanish-language publication produced by journalism students, is filling a need for news in Chicago's Spanish-speaking community. The Center for Latino Research continues to provide films, lectures, webinars and other programming on Latinx subjects, and is elevating its scholarly publication, Diálogo with expanded content and regional relevance. The DePaul Art Museum has initiated a years-long Latinx Initiative to expand its collections, exhibitions and public programs devoted to Latin American artists, beginning with the "LatinXAmerican" exhibition.

Matisse's Jazz Is Really Talking About Jazz Music Or Not: Focusing On The Hidden Meaning Of The Images In Matisse's Jazz Art Book And The Relationship Between Jazz Music And Abstract Art: An Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Chopin's Musical Elements, Kaitlyn Collier

Masters Theses

Frederic Chopin composed many great piano works that musicians have enjoyed and studied since the Romantic Era. These pieces continue to be performed around the world. This research focuses on specific aspects of selections of Chopin’s literature, and how those aspects can be taught to those unfamiliar with his works. The goal is to teach others to appreciate his works. The research problem investigated in this study is to determine the melodic qualities of the pianistic texture in Chopin’s solo piano works that are identifiable by theoretical analysis and public performance. The methodology used in this study will be score …

Introduction – Formes Narratives Et Co-Production Dans Les Cinémas Des Pays Arabes, José Moure, Elie Yazbek, Wissam Mouawad

Regards

Malgré la reconnaissance, surtout ces dernières années, et le succès de certains films arabes sur la scène internationale, et malgré l’augmentation remarquable du nombre de festivals de cinéma dans les pays arabes, ce qui reflète un intérêt toujours grandissant dans ces pays pour le cinéma, les industries cinématographiques dans cette région du monde restent en général peu développées...

Le « Cinéma D’Auteur » De Palestine : Expérimentations, Circulations, Émancipations, Marion Slitine, Charlotte Schwarzinger

Regards

This article explores the stakes of the “cinema d’auteur” in Palestine and intends to analyze the constraints and opportunities that this cinema allows, through two case studies that question the cinematographic creation of Palestinian directors in exile. The first is a feature-length film, Recollection by Kamal Aljafari, a filmmaker from “Palestine of 48” who self-produced his film; the second, Dégradé by Arab and Tarzan Nasser, two directors from Gaza, benefited from an Arab-European co-production. While these two examples have very distinct characteristics, their comparative trajectories make it possible to raise more general questions related to the interactions between creation, production …

Le Cinéma Libanais Coproduit : Écarts Et Variations, Noha Maroun

Regards

Lebanese filmmakers often choose particular narrative forms for their co-produced movies. Either they deviate from traditional screenplay writing or they develop a lot of thematic variations. The margins of freedom, creativity, and inventiveness therefore increase globally in Lebanese co-produced cinema. To what extent are these new narrative forms adapted to the destabilized Lebanese geopolitical context? How do documentaries, dramas, and road movies establish a kind of Lebanese identity and memory in these movies, leading to their frequent selection in European and international film festivals?

Résumé

Les cinéastes-auteurs libanais choisissent souvent des formes narratives particulières pour leurs films coproduits. Ils oscillent …

La « Condition Des Femmes » Au Maghreb Fait Recette Sur Le Marché Du Film Européen ! 1990-2019, Patricia Caillé

Regards

This article examines the commercial and symbolic valorisation of Maghrebi films on the European market, looking at film admissions, film criticism, and academic discourses. It explores the position and the significance of films made with Maghrebi funding in Europe, while focusing more specifically on films on the condition of women, and films by women filmmakers. Comparing the circulation of Tunisian and Moroccan films in Europe, it highlights the recurring narrative tropes of these films and shows how films on the condition of women became the lead product on the French market. These films brought more success to male than to …

Possibilité Du Filmage Documentaire Des Marges Berbères Au Maroc : Cas Comparés Des Tournages Clandestins De « La Longue Journée » (Mohamed Abbazi, 1969) Et D’« Amussu » (Nadir Bouhmouch, 2019), Marie Pierre-Bouthier

Regards

This paper explores two filmic attempts at compensating for the invisibility in which Amazigh people and struggles are kept in Morocco. Both films and filmmakers experimented with shooting and production plans, devices, and film forms that should best convey these realities. With a 50-year interval between the two, both attempts share the ambition to go against the limitations imposed by the “Centre Cinématographique Marocain”, resorting to clandestine shooting and supported by an international network. In particular, both attempts were made possible by a detour through California (USA). The Breadwinner (1969) is an unfinished documentary by Mohamed Abbazi, dedicated to the …

La Guerre Civile Libanaise Au Cinéma Et Les Circulations Transculturelles, Thomas Richard

Regards

The trajectories of Lebanese film directors and their work, characterized by a strong international dimension and by their insertion within the art film networks, bear the mark of interactions between local and global visual and memorial norms linked to these trajectories, in a globalized cultural environment. These films, though enriched by this international dimension, may appear to develop their narrative following the demands of international festival audiences, risking that these demands become constraints, and at the risk of possible loss of contact with local audiences.

Résumé

Les circulations des cinéastes libanais et de leurs œuvres, fortement marquées par une dimension …

Production Locale Et Coproductions Européennes Des Films D'Auteur Dans Le Cinéma Turc Contemporain, Hilal Ahiskali

Regards

Since its birth, Turkish cinema has gone through different eras that have allowed it to progressively evolve towards an author cinema. Even though it took longer than for European cinema, certain contemporary Turkish directors today manage to nourish themselves not only from the aesthetics and theory of European cinema but also from their own cinematic culture called Yeşilçam. This is the result of their cinematographic approaches, their independent productions, and European financial support. These production sources have allowed Turkish directors to choose the subjects of their films to work on their art, rather than serve the commercial expectations of …

Petites Et Grandes Guerres : Une Filmographie Des Longs Métrages Tournés Au Liban Pendant La Guerre Civile (1975-1990), Hady Zaccak

Regards

This study was carried out as part of the “Ciné-rencontres de l’ALBA” (Académie libanaise des beaux-arts, University of Balamand), a film event organized at the School of Cinema and Audiovisual Directing by Ghassan Koteit, May El Koussa, Danielle Davie, Myriam Hage, and Gregory Buchakjian, from April 9 to 12, 2019.
This filmography includes 70 feature films (fiction and documentaries) shot in Lebanon between 1975 and 1990...

Résumé

Cette étude a été effectuée dans le cadre des « Ciné-rencontres de l’ALBA » (Académie libanaise des beaux-arts, University of Balamand), événement de rencontres cinématographiques organisé à l’École de cinéma et de réalisation …

Les Co-Productions Algériennes Avec L'Europe : Standardisation Ou Résistance ?, Salima Tenfiche

Regards

After more than twenty years of silence, Algerian cinema has resurfaced on the international scene for ten years, through co-productions with foreign countries and especially Europe. The use of foreign funding and the recognition of these films by the legitimating institutions of the North — reading committees and prestigious international festivals — raise the question of the subjugation of these filmmakers to European cultural hegemony.
However, if some Algerian filmmakers and producers appeal to foreign funds, it is above all to free themselves from the supervision of the State and from censorship in their own country. These filmmakers are far …

Artist Spotlight, Ben Schoenburg

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Seeds, Sophie Friis

The Echo

No abstract provided.

Bedrock, Jordan Winiski

The Echo

No abstract provided.

Enough, Ella Morton

The Echo

No abstract provided.

Unoduhi, Brandon Barney

The Echo

No abstract provided.

Golden Field, Caroline Bass

The Echo

No abstract provided.

Apple Trees, Zach Hughes

The Echo

No abstract provided.

Untitled Ii, Kelsey Watkins

The Echo

No abstract provided.

Twenty Bucks For A Bus Ticket, Hailey Pierce

The Echo

No abstract provided.

Mangled, Emily Lane

The Echo

No abstract provided.

Mice And Elephants, Sarah Dusek

The Echo

No abstract provided.

Shiny, Abbey Morelli

The Echo

No abstract provided.

Full Moon Stomach, Sarah Feingold

The Echo

No abstract provided.

Voluptuous, Emily Lane

The Echo

No abstract provided.