Fine Arts Commons^™

Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish

Bachelor of Fine Arts Senior Papers

Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.

My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

The Cicadas Are Always Beneath Our Feet, Mary Kate Charles

Bachelor of Fine Arts Senior Papers

In an era of exposure to thousands of images every day with practically unlimited access to the world’s archive of art, this essay explores the legacy of the productions of medieval convents and the women who would encounter only a few art objects each year as documented by historians Chiara Frugoni, Jeffrey Hamburger, and Sharon Strocchia. In this era of visual overconsumption, this essay proposes the body of work, Where the Cicadas Burrow as an archive utilizing alternative printing processes to pull forward the tradition of liturgical arts many religious women would have participated in historically. Operating within a contemporary …

Good Enough, Haley Levin

Bachelor of Fine Arts Senior Papers

The seven-foot-tall sculptural painting Good Enough explores the cultural significance of trophies in contemporary American society. As an ancient object representing achievement and reward, the irony of trophies’ current junk-status pokes at absurd contradictions embedded in American culture. I offer context on the evolution of “the readymade” from Dada to Pop Art to 90s assemblage, and position Good Enough’s handmade, tender approach as a celebratory twist to that lineage of cultural critique.

Visualizing Philosophy And Depicting The Inner World, Becky Moon

Bachelor of Fine Arts Senior Papers

I examine my process and significance of visualizing arguments and examples in the philosophy of perception, especially the works of Susanna Siegel through the language of painting. By creating highly detailed figures and narratives, I give tangible form to the invisible inner world. I explore themes of perception, mind, belief, inner/outer world, and text/art. I reference artwork by Adrian Piper, Hito Steryl, Danica Lundy, and David Altjmed.

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

How Visual Narrative Can Elevate Immigrant Food, Yiting Chai

MFA in Illustration & Visual Culture

Throughout the history of immigration, visual cultural products have provided channels for them to express their voices in North America, helping audiences understand immigrant culture and situations to promote social equality. Photography and cookbooks, as traditional expressions of food art, provide insight into the vitality of food and the way people treat food.

Graphic memoir and social engagement, as emerging categories, have emerged in the post-pandemic period. These diverse creative forms discuss individuals and food deep connections, such as interactions between people and community or a sense of belonging. For immigrant groups, Food is the quintessence of human existence, which …

Swine & Symphonies, Dilara Miller

Graduate Artistry Projects and Performances

Dilara Miller’s work critique’s and reflects on the social/cultural effects of being a Turkish-American Muslim woman in today’s society. Through referencing antiquities and how they are presented today, she identifies patterns of hierarchies that exist in human history through an eco-feminist lens. Miller’s work reflects on the role of the artist and the historical testimony we leave behind; like her Girl Birds, she seeks to record her experiences within our Anthropocene as colored by mythic and Islamic teachings. Miller pulls from historic epochs to generate a foundation from which to examine our contemporary treatment of women as related to our …

Welcome To The Apocalypse, Demetrius E. Wilson

Theses and Dissertations

DW’s abstract, vibrant, and bipolar paintings stem from a place of personal biography and collectively shared experience. In this paper, he examines the apocalypse, human nature, tragedy, and the demise of adolescence in our era in the face of increasing technological advances.

Past And Future Winds, Alicia Ehni

Theses and Dissertations

Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.

The J In Danger, Zachary Delamater

Theses and Dissertations

“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”

Arrival Of Spring, Ryan Johnson

Theses and Dissertations

Ryan Johnson’s plein air paintings address a season of personal longing by relying on the empathetic power of observational painting. His current series of oil on linen panels, painted on site, track the transition from winter to spring in and around New York City. In “Arrival of Spring”, he reflects on the decisions made on site, art historical influences, and the hope of anticipation.

The Fuller The Bucket Is, The Harder It Is To Fly, Jacob Littlejohn

Theses and Dissertations

My abstract paintings are informed by the momentary sublime rooted in the vastness of the natural world. Based on imagined and real landscapes, the work evokes minutia and phenomena that affect our perceptions of reality, and signifies a longing to reconnect with the natural world.

“Liberté, Égalité, Sororité”: The Revolutionary All-Female Studio Of Adélaïde Labille-Guiard, Julia Oxman

Theses and Dissertations

This thesis offers the first in-depth exploration of French portraitist Adélaïde Labille-Guiard’s all-female studio. It argues that her efforts toward expanding access to women’s arts education played a key role in the foundation of a larger movement for gender equality in the wake of the French Revolution.

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

Luca (Last Universal Common Ancestor), Tansy Xiao

Theses and Dissertations

LUCA (Last Universal Common Ancestor) is a non-linear virtual environment with a non-anthropocentric approach. Streaming real-time biometric data from performers' movements, brain activities, and bioprocess data from living microbiomes such as slime mold and yeast into the virtual ecosystem, LUCA explores the collective agency and interconnectivity among diverse living entities.

Feeble Transmitters, Indranil Choudhury

Theses and Dissertations

Feeble Transmitters is a series of electroacoustic sculptures made using ceramics, plexiglass, and home audio components like speakers, transducers, and amplifiers. The sculptures occupy a space between manufactured objects and organic forms. Drawing on the material culture of industrial design in audio, the series explores people’s relationships and rituals with consumer technology. When installed together in temporary installations, the sculptures activate their environment with a spatial soundscape.

Time's Radiant Keepers, Tara Aliya Kesavan

Theses and Dissertations

Time’s Radiant Keepers is a body of work comprising paintings, ceramic sculptures and video. Through these materials, my work emphasizes a tactile, embodied relationship between people and the virtual worlds they inhabit. I build on the idea of contending with the screen as a sculptural surface - one whose texture, form and objecthood we may look at, rather than simply look through. My formal inquiries are anchored in a rich narrative world. Drawing from state sponsored documentary films, feature films, and familial anecdotes from the 1950’s-1970’s in India, my paintings chronicle the emergence of the image of the urban, working …

Container Film, Dena Kopolovich

Theses and Dissertations

Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …

Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience, Chloé Lee

Theses and Dissertations

It has been nearly a decade since I last visited Singapore, a place I am connected to yet an outsider. Reflections of Little Red Dot is a mixed-reality experience that animates my archive of drawings, videos, and 3D imagery from everyday Singaporeans in 2015, the year their country celebrated its 50th birthday.

Walking through this liminal mixed reality space, we hear how citizens are personally affected by the rapidly developing landscape and erasure of personal and historical sites of significance while reflecting on our collective agency to shape the future of our environments. We are invited into homes where loved …

The Set Falls Apart, Thomas F. Tait

Theses and Dissertations

Using systems, puppets, and reappropriated technologies as central features of my practice, in my work I explore allegorical connections and cross-affiliations between otherwise separate ontological categories. In this text, I draw on sources such as affect theory, science fiction, theater, and the uncanny, to consider our affectual relationship to the nonhuman.

間, Lele Dai

Theses and Dissertations

LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”

Bengal Memory, Fahim Hamid

Theses and Dissertations

Bengal Memory is a documentary short film, told through an expository and personal lens, about a forgotten genocide that occurred in Bangladesh during its Liberation War, the controversial role that the U.S. government played in it, and how the lives of Bengali people in both the homeland and in the American diaspora were shaped by these events. As a Bangladeshi American and narrator of this story, I traveled to my native country to investigate. My father, Mohammed, had lived through the 1971 war and recounts his memories of the atrocities committed by West Pakistan, which claimed the lives of a …

Generations, Jayla Watkins

Student Projects

Understanding your family can be the starting point of understanding your personal identity. Coming of age, you begin to view your family members as individuals as opposed to their titles of “Mother” or “Grandmother” names that once seemed to elude that she possessed some sort of supernatural power. As Jayla Watkins looks across 3 generations of her family, she sees different versions of the same person affected by life experiences, environments, and choices. Some oddly similar and some worlds apart. Understanding the generations of woman before her helps inform the woman she is becoming.

With influences such as Deana Lawson …

Growth From Within, Raevenne Zackery

Graduate Artistry Projects and Performances

My intersection of art and biology and the body of work that I created transcends who I am as a person not only an artist, but my appreciation in the love for science. Specifically, nature impacts the entire world. The simplicity of thinking about nature is the cycle of life I found myself, beginning a career as a biology major, wanting to do biomedical research with life developing vitamins and skin care, but ideally, I wanted to be different and every possible way the genre of display nature or the impact of an environment shows more complexity to the way …

Threads Of Connection: An Offering To Re-Tangle Humanity And Nature With The Patterns Of Our World, Emily Shelton

Graduate Theses

In our world there are patterns of self-similarity that serve as evidence of the interconnectedness between humankind and the rest of the natural world. They are reflected in our bodies, behaviors, and environments, both natural and manmade, and can be found throughout systems at every scale, micro through macro. These organic, linear motifs branch into smaller iterations that seem to shape our existence on this planet as we gravitate towards experiences that echo these patterns. During everyday acts like shopping in a grocery store or a crowd at a concert, we unconsciously participate in self-similar collective movements as we navigate …

Memories Of Gimjang_김장: And Performance As The Practice Of Freedom, Chung Park

Graduate Theses and Dissertations

Memories of Gimjang_김장: and Performance as the Practice of Freedom reflects my response to a feeling of isolation as a Korean American MFA graduate student living in Northwest Arkansas for the last three years. This experience led me to an endless search for identity and place, compelling me to reach into my past and cultural history in relation to the present. To satiate a sense of home in this world, I turned to an artistic intervention to translate the indecipherable, which brought to life my thesis performance, Gimjang_김장:. Gimjang_김장: allowed me to reveal multitudes of experiences and imagined a possibility …

Just Out Of Reach, Haley Inyart

Graduate Theses and Dissertations

Just Out of Reach explores memory through personal objects, inviting viewers to connect with their own experiences. The installation delves into the fragility of memory, using hanging objects to evoke nostalgia and reference the passage of time. These objects serve as placeholders, drawing on significant moments with people from the past. Through watercolor painting and collage, the work explores how memories fade over time, evoking feelings of home, family, and the passing of fond moments. Themes of pattern, repetition, and structure emerge as recurring motifs throughout the work, echoing the inherent orderliness of memory and its reliance on familiar frameworks. …

In The Performance Of A Lifetime: Pepper Plinkett, Lily Camille Hollinden

Graduate Theses and Dissertations

This narrative depicts a caricature of the human experience through the eyes of my alter- ego character, Pepper Plinkett. Pepper is a symbol of my personal philosophies of what it means to be human, and serves as a protagonist and guide through an infinite, ambiguous natural world. This exhibition is a celebration of the vibrancy, curiosity, and ridiculousness of a lifetime. The uniqueness of humor as a specifically human trait and its use as a tool of communication, particularly in expressing authenticity, is the driving force behind my use of clowns in my work. I take an absurdist approach to …