Film and Media Studies Commons^™

“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur

English Theses

Death today is hidden from our everyday lives so it cannot intermingle with the general public. So when a family member dies, their body becomes an object in need of disposal; no longer can they be recognized as the familiar person they once were. To witness death is to force individuals to confront the truths of human existence, and for most of us seeing such a sight would fill us with an emotion of disgust. Yet during the nineteenth century, the burden of care towards the sick or dying was shared by a community of family, neighbors, and friends; the …

後桃花源記 : 錦田-釜山藝術交流計劃 = In Search Of The Peachland : Art Exchange Project Between Kam Tin And Busan, C&G 藝術單位, Openspace Bae, Department Of Visual Studies, Lingnan University, Mudwork

Visual Studies Programme : Students’ Monographs

《後桃花源記》是一個涉及許多不同層次的交流計劃，當中包括來自韓國釜山和香港錦田的6個藝術單位(5位藝術家和1個藝術組合)、12位來自嶺南大學視覺研究系的學生。他們在2015年2月底前往韓國釜山參觀當地不同的藝術機構、藝術空間和藝術院校，與當中一些藝術家、策劃人和藝術學生對談。在交流過程中，大家都不難發現香港和釜山，這兩個遠離國家首都的沿海城市，所面對因城市發展和重建而產生的問題，均十分相似。在3月份，兩位來自釜山的藝術家:金大洪和金美英也進駐錦田。各藝術家與參與學生一起在錦田進行創作，並於2015年3月21和22日，把作品在地呈現，之後更以文獻方式在C&G藝術單位展示。

‘In Search of the Peachland’ is an art exchange project involving many different layers of idea exchanges amongst different parties: including 6 art units from Kam Tin and Busan (5 artists and 1 artist group), 12 students from the Visual Studies Department of Lingnan University. They went to Busan for a field trip in the end of February, 2015, to visit different art organizations and art students in Busan. During the trip, it was not difficult to find out that both Hong Kong and Busan also encounter similar problems, when undergoing intensive urban development and redevelopment. After the field-trip, …

Praxis With Self-Advocates: Exploring Participatory Video As Radical Incrementalism, Kathleen C. Sitter, Amy C. Burke

Catalyst: A Social Justice Forum

In this article, the authors report selected findings from a larger study where self-advocates from the disability rights movement created a series of short videos as part of a participatory research project. Self-advocates subsequently integrated these videos into a greater community organizing initiative. While the research process of this study has been published elsewhere, this piece will explore the idea of bridging participatory video, a collaborative research methodology, with community-based advocacy initiatives. The authors contend that this presents an opportunity for radical incrementalism in which to create a praxis driven predominantly by the voices on the margins versus the academic …

Caribou, Petroleum, And The Limits Of Locality In The Canada–Us Borderlands, Jenny Kerber

English and Film Studies Faculty Publications

his article discusses Karsten Heuer’s 2006 book Being Caribou in light of debates in ecocriticism and border studies about how to define the local in the context of environmental problems of vast range and uncertain temporality. It explores how Heuer’s book about following the Porcupine Caribou herd’s migration engages in multiple forms of boundary crossing—between countries, between hemispheric locations, and between species—and shows how insights from Indigenous storytelling complicate the book’s appeal to environmentalist readers by asserting a prior, transnational Indigenous presence in the transboundary landscapes of present-day Alaska and the Yukon.

"We Are Legion": Primal Dreams And Screams In The Satanic Screen, Carrol L. Fry Dr

Journal of Religion & Film

Satan figures prominently in the Christian tradition as the ultimate Other, the enemy of our species, and he has been a central villain first in literature and now in horror films. Why viewers enjoy films that scare them is a conundrum of long standing. An explanation might come from the work of a new generation of Darwinists who have expanded on the master's findings to develop the field of evolutionary biology. Scholars in these fields believe that adaptation to the environment and survival of the fittest created not only physical forms for species but also behaviors that were adaptive for …

Climbing A Ladder To Heaven. Gnostic Vision Of The World In Jacob's Ladder (1990), Fryderyk Kwiatkowski

Journal of Religion & Film

Contemporary film-makers quite willingly employ motifs typical of various gnostic trends. The author shows that ancient gnosticism is a treasury of motifs and a source of aesthetical and narrative strategies present in contemporary cinema. The article treats Jacob’s Ladder (1990, dir. Adrian Lyne) which is analyzed through Gnostic beliefs. In the author’s opinion, this film can be treated as a model where the gnostic thought has been presented in a coherent and systematic manner.

You’Ve Gotta Keep The Faith: Making Sense Of Disaster In Post 9/11 Apocalyptic Cinema, Matthew Leggatt

Journal of Religion & Film

Abstract: Chronologically examining the role of faith based narratives in the Hollywood apocalypse since the mid-90s, this article charts their reintroduction in the period after 9/11. Through the study of an extensive array of contemporary films the different structures of faith they offer and an exploration of how such faith is used in order to make meaning from disaster, I assert that post 9/11 apocalyptic movies have grappled with issues of faith and meaning in a far more complex way than in the films of the 90s, questioning the value of such faith in a post-disaster world. In concluding, I …

“I Ain’T So Sure But What The Lord Done Put These Folks In Our Path For A Reason”: Latter-Day Saints Building Communities Through Dancing In John Ford’S Wagon Master, Ian Dwayne Pettigrew

Journal of Religion & Film

One of Ford’s lesser known works, Wagon Master (1950), utilizes Mormonism’s affinity for dancing to build bonds between diverse groups, thus epitomizing the director’s optimistic vision of a united and progressive America. Through the development of the narrative and Wagon Master’s mise-en-scène, Ford displays a keen awareness of Mormon culture and the reasons dancing still holds such significance to members of the religion. Surprisingly, the film also captures a core tension of LDS culture: the desire to receive the inclusion of the rest of society whilst remaining a distinct and faithful people. For the Saints in the film, …

Silver Screen Buddha: Buddhism In Asian And Western Film, Ronald S. Green

Journal of Religion & Film

This is a book review of Silver Screen Buddha, Buddhism in Asian and Western Film by Sharon A. Suh.

Paul Tillich And The Possibility Of Revelation Through Film, Kutter Callaway

Journal of Religion & Film

This is a book review of Paul Tillich and the Possibility of Revelation through Film by Jonathan Brant.

A Path Less Traveled: Rethinking Spirituality In The Films Of Alejandro Jodorowsky, Adam Breckenridge

Journal of Religion & Film

This essay seeks to add to the scholarship around the films of Alejandro Jodorowsky by looking at how Jodorowsky challenge to mainstream religion and spirituality in two of his major films: El Topo and The Holy Mountain. I situate both these films within their cultural context and, working with Slavoj Zizek’s idea of the sadistic trap, explore how they challenge not only mainstream religious beliefs but countercultural ones as well. By doing so, I hope to cast some light on what makes the subversive nature of his films so valuable and to provide some guidance to two films that …

Is Slumdog Millionaire A Retelling Of The Ramayana?, William L. Blizek, Michele M. Desmarais

Journal of Religion & Film

Is a banner with a picture of Rama and Sita on it and the word, “Ramayana,” the only link between the film Slumdog Millionaire and the great Hindu epic? In this paper we explore elements in the film that correspond to elements in theRamayana. There is no one-to-one correlation, and some relationships between the two are, in fact, mirror images. However, there are enough correlations and influences to suggest that the film might be considered a retelling of theRamayana. We also acknowledge though that there are also features of the film that some would …

Providence College Department Of Theatre, Dance & Film 2015-2016 Season Poster, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2015-2016 Season

Tdf Twitter Hashtags For 2015-2016 Season, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

TDF Twitter hashtags for 2015-2016 season

Providence College Department Of Theatre, Dance & Film 2015-2016 Season Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2015-2016 Season

Providence College Department Of Theatre, Dance & Film 2015-2016 Season Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2015-2016 Season

Smith Center Box Office Informational Poster, Box Office

Promotional Materials

Providence College Department of Theatre, Dance & Film

Smith Center box office information: Fall semester hours, upcoming productions, Fall - Spring semesters 2015-2016

Providence College Department Of Theatre, Dance & Film 2015-2016 Season Program, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2015-2016 Season program

The Subject Librarian Newsletter, Film, Fall 2015, Richard Harrison

Libraries' Newsletters

No abstract provided.

Pathos, Fall 2015, Portland State University. Student Publications Board

Pathos

Editor: Philip King

Volume 10 No. 1

Blood, Tits And The Modern Depiction Of Antiquity – Sparatcus: Blood And Sand And The Display Of A Historical Myth, Frank Jacob

Publications and Research

The article is dealing with the depiction of antiquity in the TV series Spartacus: Blood and Sand.

Hollywood’S Image Of The Second World War - David Ayer’S Fury (2014) And The Depiction Of Violence In War, Frank Jacob

Publications and Research

The article describes the way in which violence is depicted in David Ayer’s World War II movie Fury (2014). It also deals with the general question how violence is visualized in current Hollywood movies.

Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward

Comparative Literature Faculty and Student Scholarship

An examination of questions concerning aesthetic experience from the standpoint of the structural and functional logics of the capitalist mode of production

Audience Vs. Art: The Plight Of The Contemporary Bengali Filmmaker, Gabriel Doss

Independent Study Project (ISP) Collection

This document is a 2015 survey of contemporary Bengali Cinema, which is primarily composed of (1) a brief history of the industry from its origins to the present day and (2) a survey of the careers of six prominent, active Bengali directors: Goutam Ghose, Buddhadeb Dasgupta, Aparna Sen, Sekhar Das, Srijit Murkerji, and Kamaleshwar Mukerjee. The guiding question for the research was "How does a Bengali director express him/herself honestly within the economic restrictions serving the Bengali audience?" Research was conducting by watching 71 films, conducting 11 interviews, including 7 interviews with directors, including each director mentioned above. The conclusion …

Film Review: The Look Of Silence, Nicole Rafter

Genocide Studies and Prevention: An International Journal

No abstract provided.

Breaking Away From Reverence And Rape: The Afi Directing Workshop For Women, Feminism, And The Politics Of The Accidental Archive, Philis M. Barragán Goetz

History Faculty Publications (Archived)

In 1974, the American Film Institute opened the Directing Workshop for Women (DWW). Trying to normalize the idea of a woman director, the program admitted nineteen women, providing each one with the materials to direct two films. Focusing on the DWW's first cycle, this article argues that the DWW's history is a vehicle for understanding the complex ways in which moderate and radical feminists interpreted the role of the women's rights movement in the commercial film industry by examining the controversy and media attention that surrounded it, as well as the ways in which race, class, and fame operated to …

On A Particularly Patriotic Day, Laila M. Mufty

SURGE

I stare at myself in disgust before turning away and beginning to apply skin creams and makeup that promise a lighter complexion. I straighten my naturally thick, curly hair, methodically going over the same strand multiple times while wishing for straight hair like the other perfect blond girls in my grade. I put on a modest all black ensemble in an effort to avoid unwanted attention and pull on a large jacket with a hood to hide my face. [excerpt]

Grids And Gestures: A Comics Making Exercise, Nick Sousanis

SANE journal: Sequential Art Narrative in Education

Grids and Gestures is an exercise intended to offer participants insight into a comics maker’s decision-making process for composing the entire page through the hands-on activity of making an abstract comic. It requires no prior drawing experience and serves to help reexamine what it means to draw. In addition to a description of how to proceed with the exercise, this piece also includes conceptual grounding in the form of a brief theoretical discussion of the ways comics convey meaning as well as personal notes on the development of the exercise and how it has been used.

The Role Of Critical Thinking In Reader Perceptions Of Leadership In Comic Books, Renee Krusemark Edd

SANE journal: Sequential Art Narrative in Education

This study qualitatively explored how readers use critical thinking to perceive leadership in The Walking Dead comic books. Sixty-nine participants gave responses regarding their thoughts about leadership in the comic via an online survey. A majority of the participants indicated a wide range of values for comics as a learning experience. Most participants perceived leadership in the comic books as an individual who protects others and makes decisions. After completing the online survey, 22 participants gave acceptable and relevant responses about their perceptions of leadership and how they form these perceptions. Information was collected through email interviewing. The study concluded …

Visualizing Abolition: Two Graphic Novels And A Critical Approach To Mass Incarceration For The Composition Classroom, Michael Sutcliffe

SANE journal: Sequential Art Narrative in Education

This article outlines two graphic novels and an accompanying activity designed to unpack complicated intersections between racism, poverty, and (d)evolving criminal-legal policy. Over 2 million adults are held in U.S. prison facilities, and several million more are under custodial supervision, and it has become clearly unsustainable. In the last decade, there has been a shift in media conversations about criminality, yet only a few suggest decreasing our reliance upon incarceration. In meaningfully different ways, the two novels trace the development of incarceration from its roots in slavery to its contemporary anti-democratic iteration and offer an underpublicized alternative.

Critical and community …