Film and Media Studies Commons^™

Vol. 20 No. 4 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 20 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 20 (1997): Pacific Studies Full Issue 4

Introduction: Imaging, Representation, And Photography Of The Pacific Islands, Max Quanchi

Pacific Studies

No abstract provided.

Vol. 20 No. 4 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

White Shadows In The Darkness: Representations Of Polynesian Women In Early Cinema, Margaret Jolly

Pacific Studies

This article considers representations of Polynesian women in two early Hollywood films: Moana (1926) and Tabu (1931). It ponders the tensions not just between the cinematic visions of Robert Flaherty and F. W. Murnau, but between ethnographic recuperations and romantic celebrations of Polynesian women, in the light of de Lauretis’s contentions (in Technologies of Gender, 1987) that gendered identities are neither fixed nor immutable, but shifting and fluid effects.

Not So Nice Colored Girls: A View Of Tracey Moffatt’S Nice Coloured Girls, Caroline Vercoe

Pacific Studies

Nice Coloured Girls is Tracey Moffatt’s first film. Produced in 1987, this seventeen-minute film describes a tradition that has been passed down from her grandmother’s and great-grandmother’s generation—that of “picking up Captain.” Moffatt explains “since colonisation ‘picking up Captain’ has been a way for Aboriginal women to survive off white men.” Rather than creating new and empowered Aboriginal heroines for the 1990s, Moffatt chooses to site her characters within a colonial continuum. Her tradition begins with postcolonial contact and it is clearly formed by cross-cultural experiences. This essay focuses on the narrative structure of Nice Coloured Girls and discusses the …

The Egyptian Cinema, Dalia El Toukhy

Archived Theses and Dissertations

No abstract provided.

Gender-Influenced Language: The Undressing Of Pornography, Caryn Blow

Morehead State Theses and Dissertations

A thesis presented to the faculty of the College of Humanities at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts in Communication by Caryn Blow in November of 1997.

A Dissonant Declaration From The Fed-Up Humans Of America, Stuart Ewen Ph.D.

Publications and Research

In October of 1997 a Media and Democracy Congress was held in the Great Hall of The Cooper Union. Appearing under his nom de plume, Archie Bishop, the author delivered a revision of the Declaration of Independence which, for many years, was unavailable in printed form. Then, a few years back, Hideaki Hirano—a prominent Japanese sociologist—posted a written version in Japanese translation. Now, Academic Works will serve as the repository in which the original document will be made available to a reading and thinking public.

Fall 1997, Wmpg 90.9

WMPG Program Guides

WMPG program guide for Fall 1997

Includes notes from Program Director, information on shows and events, and schedule.

Smith On Jenkins, 'Textual Poachers: Television Fans And Participatory Culture', Anne Collins Smith

Faculty Publications

Textual Poachers: Television Fans and Participatory Culture by Henry Jenkins. New York: Routledge, 1992. viii + 343 pp. $95.00 (cloth), ISBN 978-0-415-90571-8; $38.95 (paper), ISBN 978-0-415-90572-5.

In Textual Poachers, Henry Jenkins examines the underground world of the media fandom, people who create fiction, artwork, and other forms of expression based on television shows. Drawing on a rich theoretical background with sources ranging from feminist literary criticism to cultural anthropology, Jenkins applies and adapts Michel de Certeau's model of "poaching," in which an audience appropriates a text for itself. Taking a stand against the stereotypical portrayal of fans as obsessive …

El Impacto Social Del Alcoholismo En Chin Chin El Teporocho (The Social Impact Of Alcoholism In Chin Chin El Teporocho), Juan Carlos Hernández

Dissertations and Theses

La idea central de esta investigación es analizar el impacto social del alcoholismo en la novela urbana Chin Chin el teporocho de Armando Ramírez, cuya narración se ubica en el barrio de Tepito, en Mexico, Distrito Federal.

El autor, a través de un panorama histórico y ágil, informa al lector del consumo de bebidas embriagantes en la ciudad de México y su respectivo impacto en la sociedad tepiteña, así como la aparición social y psicológica del personaje identificado por Ramírez como el Teporocho.

En este estudio, Hernández nos confronta con la violencia verbal y física que existe en Chin Chin …

Dan Jorgensen's Review Of John Davis's Mountains Of Gold: The People Of Porgera, Dan Jorgensen

Pacific Studies

No abstract provided.

Vol. 20 No. 2 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 20 No. 2 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 20 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 20 (1997): Pacific Studies Full Issue 2

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 20, No 2 Edition of the Pacific Studies Journal

Stuart Kirsch's Review Of Judith Hallet's Lords Of The Garden, Stuart Kirsch

Pacific Studies

No abstract provided.

Brood, Ian Kilroy

Other

A long poem looking at the generation that grew up in Ireland after the historic 1979 visit of Pope John Paul II. Brood was filmed for Irish television with the support of the Arts Council, the Irish Film Board and RTÉ.

Negotiating Audiences: Confronting Social Issues In Theatre/Or Young Audiences, Maria Dicenzo

English and Film Studies Faculty Publications

Resume: Cet article examine les problèmes pratiques, esthétiques et idéologiques auxquels sont confrontées les troupes de théâtre qui produisent des pièces portant sur I'expérience vécue des jeunes et qui les présentent en milieu scolaire Si I'école permet I'accès à la culture théâtrale à des groupes d'enfants défavorisés, il n'en reste pas moins que cet accès est contrôlé par des adultes (commissions scolaires, enseignants, parents et bailleurs de fonds). À cet égard, l'expérience de deux troupes, Ie Catalyst Theatre d'Edmonton et la Company of Sirens de Toronto, montre les difficultés que soulèvent l'exploration de sujets comme la violence à la maison …

Gandhi: The Spirituality And Politics Of Suffering, Charles R. Disalvo

Law Faculty Scholarship

This Article examines the 1982 film Gandhi. Although it took factual liberties with Gandhi's life, Professor DiSalvo concludes that it accurately conveyed Gandhi's dedication to self-suffering and philosophy of non-violence. The Article analyzes excerpts from the film which illustrate Gandhi's five fundamental beliefs on the spirituality and politics of suffering. Those beliefs are in suffering as a weapon, as empowerment, as self-interest, as propaganda, and as reconciliation. The film Gandhi also masterfully introduced millions to Gandhi's life, message, and legacy.

Negotiating The Pō: The Hawai‘I International Film Festival, 8-15 November 1996, Alexander Mawyer

Pacific Studies

No abstract provided.

The Not So Pacific: Pacific Islander Films At The 1996 Margaret Mead Film & Video Festival, 8–14 November 1996, Deborah A. Elliston

Pacific Studies

No abstract provided.

Smith On Bacon-Smith, 'Enterprising Women: Televisionfandom And The Creation Of Popular Myth, Anne Collins Smith

Faculty Publications

In Enterprising Women scholar Camille Bacon-Smith describes the underground culture of "media fandom," that is, the network of fans who create fiction, poetry, art, and other creative works based on favorite television shows and then gather to circulate these works. Because I have been an active participant in this culture for twenty years, Bacon-Smith's book was of particular interest to me, not only as an academic, but as a fan.

Bacon-Smith has taken on a daunting task: reporting on a cultural phenomenon both as an engaged participant and as an unbiased observer. Her position is typical of the ethnologist who …

Statement Of Board Member's Responsibilities, Donald F. Beasley, Unknown

Landon Saunders Documents

Revised statement of Heartbeat Board members' responsibilities. Includes general expectations, meeting attendance, staff relations, fiduciary responsibilities, fundraising, and committees.

Cover letter states that there are two versions here: a revised version and an older version for comparison purposes.

Conjuring Post-Worthlessness: Contemporary Web Art And The Postmodern Context: Part 1, Brett Stalbaum

SWITCH

This article is part one of two of an analysis of the Jean Baudrillard's essay, "A Conjuration of Imbeciles". This essay compares the idea of art as a metaphor for French politics and the “uselessness” of contemporary art. A sense of postmodernism is drawn from that comparison and relates to contemporary art shared on the World Wide Web. Inevitable messages and meaning found in art will change, but economics and distribution continues to ground the economy on a global scale. Therefore, contemporary art represented on the web actively dates the practice of art, and the value of the practice is …

Ontological Problems With Web Art, Jan Ekenberg

SWITCH

Jan Ekenberg shares how the idea of categorizing, analyzing, and ultimately searching for web art has been very difficult compared to the same process within traditional artworks. These problems are derived from the fact that web-based artworks are from a new medium to which we are not completely able to describe yet. To add to this issue, we see how online works are ever expanding and evolving which makes it near impossible to definitively organize them.

Winter/Spring 1997, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 1997, 90.9 Wmpg Fm

WMPG Program Guides

"WMOG Bares it All! Live Broadcasts in Public"

Standardization, Compromise, Or Specialization: A Content Analysis Of Magazine Advertisements In America And Taiwan, Yi-Fan Chen

Theses, Dissertations and Capstones

When researchers studied standardization and specialization of advertising, most of them only focused on comparisons of the cultural influences of the advertisements across the different nations. McCarty (1994) studied the general role in cross-cultural research and international marketing and advertising of several different cultural values, such as individualism versus collectivism: masculinity versus femininity; time orientation, activity orientation and humans’ relationship with nature. Kahle, Beatty and Mager (1994) studied implications of social values for European community communications. Astroff (1994) (1994) studied the language culture use of women in advertising.

Huang (1995) studied the different cultural factors, such as norms and ethics, …