Film and Media Studies Commons^™

The Existential Ambiguity Of Authentic Love In Alice Diop's Saint Omer, Kelli Fuery

CCI Articles and Research

Using Simone de Beauvoir's and Frantz Fanon's existentialist phenomenology, this article examines an existentialist ethics of recognition as an act of authentic love in Alice Diop's Saint Omer (2022). Loosely based on a true story, Saint Omer tells a story of filicide: Laurence Coly leaves her baby on a beach to die and we follow the subsequent courtroom drama as it unfolds. The film also follows Rama, a literature professor intending to write up the case as a contemporary version of the Medea myth. I suggest Saint Omer presents an ethics of recognition in its avoidance of the superficial question …

Tailoring The Stereotype Of Asian Femininity: Nancy Kwan, The Qipao, And 1960s Hollywood, Jing Yang

Film and Media Studies (MA) Theses

This article asks the following questions: First, whether or not Kwan, and her qipaos, created new stereotypes of Asian women, or whether they, in fact, customarily represented within restricted versions of Asian femininity already available within mainstream, dominant Western culture of early 1960s Hollywood films. That is, this article seeks to investigate why Kwan, and her qipaos, in fact, became so culturally productive at that moment of historical time. Second, this article further seeks to explore the ways in which the qipao continued to enable Nancy Kwan to represent to mainstream Western, Hollywood-based audiences, uniquely, greatly, or importantly different versions …

The Weight Of The Unknown: Xenophobia In Lucía Puenzo’S Xxy, Daylen Motamed

Student Scholar Symposium Abstracts and Posters

This project examines how Lucía Puenzo’s film titled XXY critiques societal responses to unique identities (specifically intersex as an example), asking how xenophobia and normative gender expectations shape the marginalization of bodies that exist outside the binary. Situating the film within scholarship on queer adolescence and intersex representation, the analysis of this poster will argue that XXY exposes how institutions such as medicine and family reinforce harmful notions of “normalization.”

Drawing on close textual analysis of key scenes and engagement with critical sources, including Guillermo Olivera’s work on space and visibility and testimonies from intersex individuals, this study investigates how …

How Integration Of Hollywood Techniques Benefits Filmmakers And Improves Viewership: Application Of Bong Joon Ho’S Work, Lucy Cronin

Student Scholar Symposium Abstracts and Posters

Bong Joon Ho utilizes techniques derived from Hollywood cinema to transcend borders globally, informing viewers about the socio-politics in South Korea while engaging them as well. Based on Film Scholar Andrew Higson’s theory that Hollywood is everywhere, I argue that by analyzing three of Bong Joon Ho’s films, Memories of Murder (2003), Mother (2009), and Parasite (2019), it is understood that through the language of imagery, South Korean socio-politics can be understood. Comprehensive literature reviews of the film's commentary on socio-political circumstances that reflect South Korea’s past or current struggles, and comparisons of the cinematography of critical scenes in the …

Between Authenticity And Exploitation: Rethinking The Intended Audience Of Sean Baker's Tangerine, Ava Brandt

Student Scholar Symposium Abstracts and Posters

Sean Baker's Tangerine (2015) has generated genuinely divided responses among trans critics, and for good reason. This paper takes that division seriously, using two reviews published on Autostraddle within six weeks of each other to frame a central question: who is Tangerine actually for? Existing scholarship on trans cinema has tended to evaluate films on a spectrum from exploitative to affirming, but this paper argues that framework is insufficient for a film like Tangerine, which operates as both simultaneously. Through close reading of the film alongside its production history, paratexts, and reception, and drawing on Paige Macintosh's scholarship on trans …

Sexual Violence, Rape Culture, And The Ethics Of Care In Promising Young Woman (2020), Blink Twice (2024), And Women Talking (2022), Naomi H. Fredgant

Film and Media Studies (MA) Theses

Evolving public discourse on rape and rape culture is reflected in contemporary cinema. This thesis analyzes Promising Young Woman (2020), Blink Twice (2024), and Women Talking (2022)—all directed by women—through the theoretical framework of the ethics of care, highlighting how these films expose the persistence of rape culture and the systemic failure of institutions to support victims of sexual violence. Drawing on scholarship about rape culture, this analysis shows how the rape myths and institutional gaslighting depicted in these films function to dismiss victims’ testimonies, mirroring broader patterns of invalidation. The films explore both individual and collective responses to sexual …

2nd Place Contest Entry: "Destablizing U.S.-Japan Relations: Nikkatsu Film Noir As Postwar Social Critique", Thomas Graham Buchanan

Eric M. Scandrett Graduate Library Research Prize

This is Thomas Buchanan's submission for the 2026 Eric M. Scandrett Graduate Research Prize, which won second place. It contains their essay on using library resources, a summary of their research project on how a generation of Japanese filmmakers in the 1950s and 1960s borrowed the formal strategies of Hollywood film noir to mount a critique of U.S. Cold War policy, and their bibliography.

Thomas is a student in the Master of Arts in Film & Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman.

Thomas' thesis is the scholarship that emerged from the research discussed …

Animals In Entertainment: Ethical Considerations, Industry Regulations, Incidents, And The Future Of Animal Performers, Kendyll Conlisk

Student Scholar Symposium Abstracts and Posters

Some of our favorite films, theatre productions, and live performances involve animals. A Dog's Purpose, Annie, Barnum and Bailey circus; the list is endless. But have you ever wondered, "How do they train them?" and "Is this benefiting or harming the animals?" Animals in entertainment have a long history dating back to ancient civilizations. Research done by World Animal Protection found that three out of four tourist animal attractions involve some form of animal abuse, and up to 550,000 animals around the world suffer due to these cruel attractions for human amusement. This does not imply that all animals used …

Opening The Door Of The Celluloid Closet, Melissa Hernandez

Student Scholar Symposium Abstracts and Posters

While watching the documentary, The Celluloid Closet, I was instantly intrigued by how queer people and cinema mixed. Going as far back to the black and white, silent films era, queer people have been used as comedic relief, but not in an appealing way. Constantly being the butt of the joke, disregard for queer people became so normalized that certain tropes started popping up in cinema. One trope that we can still see be used frequently in today’s films is the “bury your gays” trope (also known as the “dead lesbians syndrome”) where queer characters in cinema are not …

Death, Violence, And Condemnation: The News Media Coverage Of The 1981 Prisoners’ Hunger Strike In Northern Ireland In The United Kingdom And Ireland, Tyler Coker

Voces Novae

No abstract provided.

Social Media Addiction Explained Through Film, Matthew Layton

Student Scholar Symposium Abstracts and Posters

“How much is too much?” The central frame of my creative work tackles this question through the lens of queerness, addiction, isolation, and self-identity, giving an unfiltered voice to today’s youth. Social Media’s negative effects go deeper than the usual anecdotes of decline in sleep quality, physical activity, and attention span. The ramifications of a negative mental headspace are often overshadowed by flashy promises and a false sense of belonging. The societal impact is especially influenced due to the malleability of the adolescent brain. In 2022, up to 95% of teenagers ages 13 to 17 claimed to use social media, …

Dark Echoes Of The Repressed In Texas Chainsaw Massacre Part 2, Itzel G. Corona

Student Scholar Symposium Abstracts and Posters

Horror films fulfill a unique psychological need in contemporary society, allowing viewers to confront and release repressed impulses. Tobe Hooper's The Texas Chainsaw Massacre, Part Two (1986) exemplifies how the genre explores deeper themes, particularly through phallic symbolism and the unconscious mind. Using the chainsaw as a phallic symbol, the film delves into power dynamics, sexuality, and societal norms, reflecting Freud’s theory of the return of the repressed. This paper applies Freudian psychoanalysis, drawing on works by Murray Leader and Linda Williams, to explore how repressed desires manifest in the film. The chainsaw represents twisted masculinity, with Leatherface embodying repressed …

As Above, So Below: The Cognitive Impact Of Found Footage Horror, Josephine Railston

Student Scholar Symposium Abstracts and Posters

What makes a horror movie good? Why do we like horror movies? Using the 2014 movie As Above, So Below my poster presentation explores the cognitive impact of found footage horror on its viewers. Employing the use of a handheld camera and first person perspective, the film is able to immerse its audience in a supernatural version of the Paris Catacombs. I discuss found footage as a narrative tool, particularly focusing on how it amplifies psychological and physical responses like fear and anxiety.

Resurrected Criminals, Time-Loops, And Faustian Bargains: The Speculative Edge Of 1940s Film Noir, Tyler P. Bolden

Student Scholar Symposium Abstracts and Posters

In the 1940s, as film noir reached the height of its generic consolidation, a more uncanny and supernatural variant emerged in its shadow: speculative noir. While the genre's hard-boiled lineage, Expressionist aesthetics, and the lyrical fatalism of French Poetic Realism define its conventional form, certain films of the period reconfigured noir through Lovecraftian horror, gothic motifs, weird science, and ontological rupture. This neglected strain of noir stretched the genre's murky boundaries beyond fatalistic crime narratives into what science fiction writer Fritz Leiber calls the "dark dangerous forest"—a space of eerie, indeterminate forces. Although critics such as James Naremore and Christopher …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Gendered Film Criticism And “Intolerable Images”: Representation Of Female Trauma In Brady Corbet’S Vox Lux (2018), Alison Kreul

Film and Media Studies (MA) Theses

This thesis explores Brady Corbet's 2018 film Vox Lux, focusing on its portrayal of female trauma and the subsequent gendered division in its critical reception. The film centers on Celeste, a survivor of a school shooting who rises to pop stardom, depicting an eighteen-year narrative that transforms her personal trauma into a public spectacle and a critique of American culture. Through theoretical frameworks from Judith Lewis Herman, E. Ann Kaplan, Jacques Rancière and Susan Sontag, this thesis examines how the film's fragmented narrative and stylistic shifts represent the long-term psychological aftermath of trauma, manifesting as emotional dysregulation, substance abuse, …

Phenomenologies Of Women's Illness In Ingmar Bergman's 1970s Films, Sophia Rubino

Film and Media Studies (MA) Theses

It is no surprise that the chronically ill Ingmar Bergman featured recurrent motifs of illness throughout his oeuvre. What is more surprising is that this consequential component of these works remain largely unexplored. Cries and Whispers (Viskningar och rop, 1971), Face to Face (Ansikte mot ansikte,1976), and Autumn Sonata (Höstsonaten, 1978), are pivotal examples of this shift, where illness is not merely an individual experience for these women but a complex, embodied phenomenon that profoundly shapes interpersonal relationships, particularly within family structures. This thesis conceives phenomenologies of illness in three 1970s films by Ingmar Bergman – Cries and Whispers, Face …

He Who Rules "Cinema" Rules Everything: Kalimán As Bridge Between 1960s And 1970s Mexican Cinema, Jose Emilio Reyes Rocher

Film and Media Studies (MA) Theses

Kalimán is a Mexican superhero whose adventures, along with his sidekick Solín, take them around the world and across various media platforms: radio, comics, and cinema. The cinematic tales of Kalimán reflect significant changes in Mexican cinema, society, and culture. The two Kalimán films, El Hombre Increíble and El Siniestro Mundo de Humanón, occupy a unique liminal position in Mexican National Cinema, capturing the transformations that took place during the early 1970s until 1976, a time now known as the Prodigious Decade.1 The Kalimán films also draw inspiration from “churro” films, particularly from the Luchadores genre, films often considered excessive …

Her Hideous Progeny: Frankenstein'S Legacy, Adaptability, And Contemporary Prominence To Critical Story Telling, Ryan Penske

English (MA) Theses

This thesis situates the narrative of Frankenstein by Mary Shelley with two contemporary adaptations Get Out (2017) by Jordan Peele and Poor Things (2023) by Yorgos Lanthimos. The original 1818 Frankenstein text is composed of different discourses about race, gender, monstrosity, and what it means to be an abject other. As a text full of critical discourse, it has reached great popular culture legacy and has become adapted numerous times over the past two centuries. This thesis explores and acknowledges instances where the text has been adapted and applied to harmful discourses, such as British Prime Minister George Canning’s use …

A Narrative-Focused Machine Learning Approach To Predicting Feature Film Success, Arisa T. Trombley

Electrical Engineering and Computer Science (MS) Theses

For decades, the field of film production has been driven by marketability, and it has relied on gut feelings and subjectivity to produce feature films. The analysis of the relationship between a screenplay’s narrative and a film’s success has been widely overlooked due to the challenges involved in data acquisition and complexity. This study investigates the predictive power of narrative structure on film success and aims to build evidence for hypothesized narrative principles. The results suggest that narrative structural elements exhibit moderate predictive power, with strong support for the alignment of the 2nd act crucial moments and the 2nd act …

Parasocial Relationships In Children And Teens, Bradley J. Bond, Karen E. Dill-Shackleford, Jayson L. Dibble, Tracy R. Gleason, Nancy Jennings, Sara Rosaen, Rebecca Tukachinsky Forster

Communication Faculty Books and Book Chapters

"Young people have easy access to an array of fictional characters and celebrities, many of whom exist across platforms (e.g., protagonists from the graphic novel Heartstopper now appear in live-action on Netflix) and are manifested in toys and other merchandise. Children and adolescents often create powerful, socioemotional connections with fictional characters and celebrities called parasocial relationships (PSRs). Preschoolers clutching Elmo dolls, tweens fantasizing about interactions with TikTok influencers, and queer teens finding affirmation in a gay couple on Schitt’s Creek all hint at possible PSRs. These one-sided, imagined social ties might raise concerns for parents and other stakeholders; however, PSRs …

Little Shop Of Patriarchy : Analyzing Constructed Vs. Essential Gender Roles, Taylor Gadsden-Deterville

Student Scholar Symposium Abstracts and Posters

Frank Oz’s Little Shop of Horrors (1986) is more than a silly kooky musical. The comedic plot dramatically dances with themes of domestic violence, poverty, and sexism. For this project, my poster will explore the expectations and representations of femininity and masculinity set up at the film's beginning versus the end. The film’s context will connect to research involving gender essentialism (innate, biological sex) and gender constructionism (socially constructed gender roles). I will analyze the roles of Seymour, Audrey, and Orin to exhibit how they discover their constructed and essential gender identities. The film represents Audrey as a ditsy hyper-feminine …

Aging, Empathy, And Cinematic Metamorphosis: Through The Lens Of Agnès Varda, Nam Lee

Film and Media Arts Faculty Articles and Research

This video essay examines Agnès Varda’s intricate portrayal of aging, resonating with Simone de Beauvoir’s call to break the silence on this subject. Composed exclusively of Varda’s film clips, it highlights her enduring engagement with aging and invites viewers to see it as a space of freedom and creative expression.

“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda

Student Scholar Symposium Abstracts and Posters

Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …

Plagiarism Or Transformation? Rethinking Originality In Modern Films, Kevin Le

Student Scholar Symposium Abstracts and Posters

A common phrase heard about mainstream modern American films is “Hollywood is running out of original ideas” or “They don’t make films like they used to.” With subscription-based movie streaming services and a bombardment of fast-paced, big-budget, CGI blockbuster remakes and superhero franchise movies, it becomes apparent that mainstream modern films have substituted thoughtful storytelling with eye-popping visual appeal. These films also caused fatigue among audience members who feel overloaded with flashy cinematography that tries too hard to create something “authentic, original, and new” without repurposing and transforming previously used story elements into new perspectives and cross-disciplinary ideas. This paper …

Cinema's Poetic Function: Creating An Amorous Distance, William Yonts

Film and Media Studies (MA) Theses

The aim of this thesis is to examine how cinema can embrace its poetic function to avoid its assimilation into preexisting hermeneutic structures, which would leave it vulnerable to myth as defined by Roland Barthes, and instead be a generative force, encouraging its viewer to engage with the full potential of the text. This mode of spectatorship is termed the “amorous distance,” which Barthes describes as his simultaneous fascination with the film and that which exceeds it. The amorous distance finds further articulation through the work of Roman Jakobson and Julia Kristeva. Jakobson’s schema of six language functions describes the …

Embracing The Wound Of Contingency: Transcribing Reality In Supernatural Horror And Found Footage, Mason Dax Dickerson

Film and Media Studies (MA) Theses

To counter both the form of critical thought first outlined by Kant that dispels absolute knowledge, as well as the dogmatic necessitarianism that asserts the universe must be one way for an absolute originary reason, Quentin Meillassoux argues for the “non-facticity of facticity” to implicate an absolute contingency or unreason structuring reality: in effect, anything could happen for no reason at all. Meillassoux suggests the trauma of the contingent event and the sudden impossibility of inductive science in its wake may be explored in an “Extro-Science Fiction” text (XSF) – but limits his examples to science fiction literature. Framing the …

Independent Visions Of Marginal America: Reimagining A Nation Through Outsiders, Searching, And Non-Arrival, Z Evan Long

Film and Media Studies (MA) Theses

This thesis explores critical responses to American-ness, American identity, and most significantly American myth, in independent films about America in cultural terms, and their attempts to deconstruct the myths of nation and culture. The independent films about America analyzed in this thesis range from the 1960s to the 1990s, made by filmmakers across movements and cultures, but they all contain in some measure three key concepts: the “outsider,” the “search,” and a narrative “non-arrival.” Easy Rider (1969) will be explored as the prototype for this paradigm, contrasted with films that reinterpret the road-movie structure away from existential angst and toward …

From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Film and Media Studies (MA) Theses

When World War II broke out in 1939, and as the United States entered the conflict after Pearl Harbor was bombed in 1941, men and women all across America left their homes to serve the war effort, some of which included Hollywood stars. There were famous actors in the 1950s and 60s who served as unknown young men, but this thesis focuses on established movie stars who voluntarily left their lives of luxury to serve and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy. By looking at each of these actors’ …

Intolerable Masculinity: Screening Men's Shame And Embracing Curious Futures, Cole Clark

Film and Media Studies (MA) Theses

This thesis argues that to critique hegemonic masculinity and patriarchy in good faith, film and television must focus on the futures created through men’s ethical action in the present, rather than inert displays of men’s horrific behaviors that rely on audience shame as a tool for reclaiming men’s pride. Men’s freedom to change their situation is introduced through Manon Garcia’s (2022) notion of masculinity as an “impasse,” preventing men from authentic connection with others. This concept is furthered using David Buchbinder (2013), with the television examples Mad Men (Weiner 2007-2015) and Black Mirror (Brooker 2011-2023) each presenting a different masculine …