Film and Media Studies Commons^™

Women At Work: Women In Economic Crises In German Film, Anthony J. Capone

Student Publications

The films Joyless Street (1925), The Marriage of Maria Braun (1979), and The Drifter (2010) depict the influence of economic crises in restricting women’s flexibility and the shaping of their social roles. Through the themes of survival, resistance, and agency, the female protagonists navigate the economic hardships such as scarcity, poverty, and unemployment by using labor, sexuality, and personal relationships. Spanning the eras of post-World War 1, the Wirtschaftswunder, and the late 2000s, these women emerge as individuals, who are not weak, but rather constrained by the economic structures of their society.

Film Review: Motherhood And Mathematics: Hegemonic Femininity And Deviance In Shakuntala Devi (2020), Bharat Dhiman

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

The Marginality Of Women In Narratives: Reflections On Iranian Women's Struggles Through Saeed Roustayi's Films, Narges Azami

Theses, Dissertations and Culminating Projects

Using the concept of intersectionality, this thesis explores how women are marginalized in three post-revolutionary Iranian films (made after 1979), directed by Saeed Roustayi. In these three films, Life and a Day (2016), Just 6.5 (2019), and Leila’s Brothers (2022), the intersectional lens helps investigate how different types of oppression, such as gender and class, often come together to affect women’s lives. In the analysis, four main themes emerge, including emotional labor, symbolic erasure, limited visibility, and intersectional oppression. Roustayi’s films point out how systems like patriarchy, poverty, and tradition hold women back. The study also explains how multiple social …

Painting Stories And Filming Change, Coralynn V. Davis

Faculty Contributions to Books

Mithila Art has helped illuminate various aspects of the relationship between gendered Maithil social roles and Maithil women’s narratives in connection with a feminist participatory action research project conducted primarily in 2016-2017 in and around the northern Bihari town of Madhubani. While participatory action research philosophically and methodologically attends to process as much as product, Mithila Art played a role in the process and product of making a documentary film and in our capacity to understand and communicate with varied audiences about shifting Maithil gender norms. The research and filmic project provided insight into the complex relationship among the stories …

La Movida Madrileña: Pedro Almodóvar Y La Representación De Las Mujeres, Jack Licata

World Languages and Cultures Senior Capstones

This paper is an exploration in the connection between La Movida Madrileña, Pedro Almodovar and the representation of women. This paper looks at what the Movida was, and what it meant for the people in Spain during the height of the movement. Following an introduction, the paper explores who Almodovar was and the role that he played during the movement, with several examples of his contributions and the way that his works demonstrates the ideas and thoughts of the movement. Finally, this paper mentions the connection between the movement and how women were represented during this time with examples of …

Feminine Felons: Violent Offenders' Intersectional Experiences In Twentieth-Century Montana, Cassidy Ann Vander Voort

Graduate Student Theses, Dissertations, & Professional Papers

This paper explores the treatment of violent female offenders in Montana in both the media and prison system from 1900-1960. Women of all races faced gender discrimination from both the carceral system and popular media. Local newspapers sensationalized crimes committed by female offenders, portraying them as women who lived outside of the expectations of womanhood in the twentieth century. Newspapers and courts placed women into two categories: “mad/sad” female offenders, who received forgiveness for their crimes; or unforgivable, “bad” offenders. Crime did not determine these categorizations; instead, gender expectations of the white middle class shaped female criminals’ treatment. If these …

A Gendered Perspective On Policing Violence In Happy Valley And Fargo, T. Allen Culpepper

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Portrayal of a police officer determined to fight crime and execute justice in a harsh, isolated environment has become a television and film subgenre, often featuring women facing gender-related challenges. The issues raised in Sally Wainwright’s British television series Happy Valley, can be made more accessible, particularly to American undergraduate students, via its commonalities with the Coen brothers film Fargo. In both, a tough but compassionate policewoman pursues the more sociopathic of a pair of criminals involved in a botched kidnapping attempt instigated by an inept businessman, taking on the case for personal and professional honor, and as …

Gentlemen Prefer Blondes (1953) By Howard Hawkes Was Ahead Of Its Time., Irma Mosqueda Perez

Women's and Gender Studies - All Scholarship

The 1953 film by Howards Hawkes “Gentlemen Prefer Blondes” gives the impression that it tries to satisfy the male gaze and objectify women; but if we take a closer look, the film responds to the feminist movements that started to brew from women’s involvement in the workplace and other areas typically reserved for men following the events of World War II.

How Design Depicted In Film Contributes To The Evolution Of Cultural Narratives, Catherine Vanhoose

Interior Design Undergraduate Honors Theses

Interior Design and its trends have had significant influence on pop culture and the general public through the course of human history. Acting as a universal language, design is a tool often used to help communicate ideas. The different interpretations of these ideas are what help to create cultural narratives. This capstone explores the relationships between film and design as creative arts, how they are affected by the current times and trends throughout the history of women, and as a result how women throughout history are influenced by these relationships. Findings provide insight on how interior design is used to …

First Comes Love, Then Comes Disparage: How The Production Code Impacted Women’S Roles In Romantic Comedies, Emma Hoback

Honors Projects

Through the analysis of twelve films, I looked to see how the creation and dissolving of the Motion Picture Production Code impacted women’s representation on screen. I looked at six films from the pre-Code era of film (1930-1934) and six films from the newly defined post-Code period (1968-1972). In this paper, I break down the Production Code itself and conduct genre research. The romantic comedy sub-genre was selected for this project. The romantic comedy creates a space for women to have leading roles and have comedy make fun of or reinforce gendered stereotypes. This paper looks at how women went …

Radically Feminist Or Monstrously Feminine?: Witches And Goddesses In Guadagnino's Suspiria (2018), Lindsay Macumber

Journal of Religion & Film

Guadagnino’s 2018 remake of Suspiria explicitly and implicitly incorporates two connected myths, witchcraft and goddess centered matriarchal prehistory. The fact that each of these myths have been claimed by feminists in myriad ways may explain Guadagnino’s claim that Suspiria is a great feminist film that escapes the male gaze. In this article, I argue that Guadagnino’s representation of these myths lays bare their misogynistic origins and perpetuates, rather than subverts, patriarchal power structures.

#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller

Feminist Pedagogy

No abstract provided.

Nnuba 0h47min/Couleur. Réalisatrice : Sonia At Qasi-Kessi, Farida Aït Ferroukh

Journal of Amazigh Studies

N/A

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …

Identities Of Women In Indian Art And History, Nalini Rao

Monsoon: South Asian Studies Association Journal

The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …

Inheritance, Katherin Machalek

Theses and Dissertations

Inheritance is a feature documentary that investigates the concept of spiritual inheritance, that which is passed from parent to child. More precisely, it examines how the experiences and struggles of an individual may be transferred and reprocessed by their children. Life experience is studied not as personal, but rather a continuous process that transcends the parent and projects onto the children. The film is a hybrid composed of experimental sequences and false starts, which all bring attention to the nuances of a not-so-straightforward story. The film begins as an essay focusing on an investigation into my parents’ divorce with the …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Gabriella: Gender Gap And Discrimination Experienced By Women Employees In The Filmmaking Sector, Janelle G. Gutierrez, Carla R. Isip

DLSU Senior High School Research Congress

The gender gap issue continues to be prevalent in varying sectors in the Philippines even in the midst of the COVID-19 pandemic. This study aims to highlight women’s experiences in the filmmaking sector of the art industry working in an online set-up and to also clearly show its effects to their target audience, which is the working-class sectors in the Philippines through a short mockumentary film. Data was collected from six participants, men and women who are between 20 to 50 years old and have worked part-time or full-time in the filmmaking industry in the last 10 years. The results …

Letters To Medusa, Maiya Redding

Theses and Dissertations

This context paper for the MFA thesis dance film Letters to Medusa connects the mythology of Medusa as a narrative of trauma. Engaging #metoo and Micaela Coel’s I May Destroy You and Misfits, Redding discusses the power of art to serve as a vehicle for healing and forgiveness.

The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …

Tangled Roots: Exploring Appalachian Feminisms, Magenta Palo

Graduate Thesis Exhibition Catalogue Gallery, 2022

Women have long been overlooked as key figures in the cultural history of Appalachia. The exhibition Tangled Roots: Exploring Appalachian Feminisms seeks to examine the ways in which women artists across the region have kept traditions alive while redefining creative practices that were once seen strictly as “women’s work.” In particular, the exhibition aims to explore how women have reimagined “craft” through skillful attention to materials, manual dexterity, and application of critical and conceptual rigor. The concept of craft is defined in this context to include all hand-made work that requires developed skills, whether they belong to traditional craft-based practices …

Idyllic History: The Role And Agency Of Women And Religion In Contemporary Bollywood, Kushma Singh

Honors Undergraduate Theses

The intent of this thesis is to explore the directorial choices made by Ashutosh Gowariker, in his film Jodhaa Akbar (2008), and Sanjay Leela Bhansali, in his films Bajirao Mastani (2015) and Padmaavat (2018), in order to evaluate the representation of women and the Muslim religion. Through use of mise en scene, I discuss lighting choices, visual display and use of color and how these elements create and support the stories Bhansali and Gowariker have chosen. I also rely on the recorded history of the time periods as well as the literature to contextualize the films.

“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer

All Graduate Theses, Dissertations, and Other Capstone Projects

Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …

Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang

CLCWeb: Comparative Literature and Culture

The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …

Media’S Portrayal Of Women And Its Impact On Body Image And Self-Esteem, Hannah Bareis

Marketing Undergraduate Honors Theses

This project addresses the portrayal of women in media and its damaging effects on body image and self-esteem. It raises two critical questions: What negative impact is media creating on women? What can be done to combat these destructive effects?

According to a study done by Common Sense Media, "American teens use an average of 9 hours of media daily, not including for school and homework" (Common Sense Media, 2015). This data, along with many others, shows the severity of media exposure to teens. This has brought a valuable discussion to the table. How has this impacted female body image, …

Une Femme D’Égypte Du Papier À L’Écran : Adapter « Les Années De Zeth » Après La Révolution, Thomas Richard

Regards

By adapting Sonallah Ibrahim’s Zaat, the eponymous TV show deeply transforms the original novel, unfolding new meanings for the viewer in the context of post-revolutionary Egypt.
Through a comparative analysis of the novel and the TV show, this study intends to understand how the show offers a portrait of Egyptian society and a portrait of a woman that are inscribed within the renewal of the political gaze Egyptian society develops on herself.
Simultaneously, this gaze questions how gender relations are brought to the screen, and how they are linked to social and national issues.

Résumé

En adaptant le roman …

Peridot Pictures - Bowling Green-Warren County Bicentennial Film (Mss 715), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 715. Proposal, script materials, correspondence, publicity, interviews and other items relating to the production of a film for the Bowling Green-Warren County (Kentucky) bicentennial by Peridot Pictures and the Landmark Association of Bowling Green.

Girls Can’T Like Star Wars: An Analysis Of Feminism Within Fandoms, Julia Neff

Capstone Showcase

Finding the intersection between feminist theory and fandom theory, this paper analysis how women are regarded within a fandom community by their peers and how they are dismissed in a societal context. This paper specifically compares what is "accepted" by society about young women being a fan of a boy band versus an adult man as a fan of a sports team.

Her Story: Ecuadorian Women In New York City, Benjamin Chambers

Capstones

My Capstone Project is an 80-photo reportage about women of Ecuadorian origin living in New York City, including text and video elements. The project is broken down into a general introduction; four photo stories each with captions and story text; and two videos. The project is entitled:

HER STORY: ECUADORIAN WOMEN IN NEW YORK CITY

https://www.chambersphotojournalist.com/capstone/

Outperformed: Exploration And Comparison Of The Tongue-And-Cheek Tragedies Of Women-Animal Relationships In Selected Short Stories By Samanta Schweblin And In Apichatpong Weerasethakul’S Film, Uncle Boonmee Who Can Recall His Past Lives, Sawnie Smith

Vernacular: New Connections in Language, Literature, & Culture

The unsettling short stories that comprise Samanta Schweblin’s 2008 collection Pájaros en la boca are textured and populated by the flesh of not only humans, but also the skins of species that belong to a wider zoological and mythical scope. Those creatures in Schweblin’s literary output who possess scales, feathers, and wings find themselves variously rubbing up against, crushed under, and orally engulfed by human dermis. This essay seeks to explore the charge of gender politics that courses through interactions between human women and (demi-) animals in two short stories from this collection: “El hombre sirena” and “Olingiris”—animal contact with …