Film and Media Studies Commons^™

Trans-Cyber Cinema: Digital Embodiment In Science-Fiction Films, Sophia R. Schrock

Dissertations, Theses, and Capstone Projects

This thesis aims to define the trans-cyber genre within cinema. By looking retroactively at a selection of nine films made across various decades and countries, this genre connects these films through their visualization and thematization of both trans and cyber embodiments, whereby the trans-cyber being emerges. Before the cinematic analysis and explanation of the three generic conventions selected for this thesis – transformation of body/gender; altered reality, memory, and temporality; and, radical death – the two intertwining theoretical frameworks will be established. This includes a brief summary of applicable transgender theory, and an introduction to cyborg theory (using Donna Haraway’s …

Transnational Networks Of Film Repetitions In East Asia : Proliferation And Limitations, Roman Kusaiko

Lingnan Theses (MPhil & PhD)

A growing number of contemporary film critics, influencers, and audiences criticize film remaking, a tested and successful Hollywood practice. The main complaints are a lack of originality, overreliance on repeated titles, and an openly commercial nature. Despite criticism, film remakes have existed for decades and are a vivid and resilient form of recycling under new cultural and geopolitical circumstances. Contemporary film remaking reflects the impacts of globalization, transnationalization, and the rapid development of new media and digitalization.

Nevertheless, there is a tendency to theorize on film remaking, often relying on the dichotomy of the source and a remake or, less …

Decomposition And Excavation Of War Memories And Massacres In Na Hong-Jin’S The Wailing, Grace Jung

BCES: Faculty Publications

This chapter examines Korean filmmaker Na Hong-jin’s The Wailing (2016) as an allegory of South Korea’s unresolved colonial and Cold War traumas, arguing that the film’s deliberate ambiguity, cacophony, and generic instability reflect the difficulty of recovering histories of violence that have been suppressed, erased, or inadequately mourned. While scholarship on South Korean zombie cinema has frequently interpreted the zombie through neoliberal capitalism, economic crisis, contagion, and social alienation, this chapter locates the Korean zombie within a longer history of civil war, massacres, sexual violence, and authoritarian state repression. Drawing on Heonik Kwon’s concept of Cold War “decomposition,” the zombie …

Review Of Film Noir And The Arts Of Lighting, Casey Walker

Journal of 20th Century Media History

Review of the book Film Noir and the Arts of Lighting (Patrick Keating)

Review Of Movie Mavens, Caitlin Cieslek-Miskimen

Journal of 20th Century Media History

Review of the book Movie Mavens: US Newspaper Women Take on the Movies (Richard Abel, ed).

"Just Keep Telling The Story": Wes Anderson's Carefully Crafted Vessels Of Loss, Claire Lewis

Honors College Theses

Wes Anderson’s 2023 feature film Asteroid City was met with a more polarized critical and audience response than any of his prior films. Evident in this response is an increasingly apparent distinction between the formal conventions of his films – encompassing elements such as visual aesthetic, filmmaking techniques, and storytelling structure – and the emotional and thematic content. In this paper, I examine the critical response to Asteroid City as well as the perceived dissonance between these two major aspects of his filmmaking in order to explore the relationship between the two, specifically as it pertains to the themes of …

A Modern Prometheus: Frankenstein's Relevance In Our Modern Society, Amanda C. Partida

Theses and Dissertations

For over two hundred years Mary Shelley’s Frankenstein has been in the public consciousness. It took only five years for the first adaptation, Presumption; or the Fate of Frankenstein, to be staged in 1825. Since then, there has been at least one adaptation every decade, with Universal Studios’ 1931 Frankenstein as the most famous adaptation, which shows just how much Shelley’s novel of science and hubris has resonated with audiences for many years.

This thesis aims to connect the ever-changing scientific anxieties of society with the most well-known Frankenstein film adaptations. By focusing on four specific films Frankenstein (1931), …

Feminist Stories: Then And Now, Brooke Kelly

FUSION

This short essay explores the connections between themes in Charlotte Perkins Gilman's 1892 short story "The Yellow Wallpaper" and the 2024 film, Immaculate, specifically focusing on each story's affect on feminism.

The essay was originally written in response to a discussion post where students were asked to pick one American literary text and one piece of contemporary media that addressed the same issues/character types/ plot/ideas, etc. of today.

Hyping The Hyperreal: Postmodern Visual Dynamics In Amy Heckerling’S Clueless, Andrew Urie

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

An iconic staple of 1990s Hollywood cinema, director-screenwriter Amy Heckerling’s Clueless (1995) is a cult classic. This article examines the film’s postmodern visual dynamics, which parody hyperreal media culture and its connection to feminine teen consumerism amidst the image-saturated society of mid-’90s era Los Angeles.

Inside Indochina: Vietnam's National Identity Through French Historical Blockbusters, Chi Q. Pham '25

Annual Student Research Poster Session

Cinema has been credited for contributing to the understanding of one's nation. In the case of the former French Indochina, despite being a well studied historical subject, few movies have been made about it, even fewer have taken place within those geographical borders. This paper will uncover the Vietnamese government’s intervention in portraying the Indochina state on Western screens, and what their cinematic vision of the colonial French-Indochina chapter in their history might look like. In 1992, three French blockbusters, Indochine, L’Amant, and Dien Bien Phu, were released and concurrently provided artistic lenses into the former colonial state. This trio …

Visions Of Inclusivity: A Screenplay Focusing On Women, Sexism And Film During The 1990s, Abigail Hayman

Master's Projects

In the 1990s film scene, Margaux Archambeau leaves for New York City to uncover the truth about her late mother. This research summary, "Visions of Inclusivity," acknowledges and carefully researches women's struggles and triumphs. This essay intends to share information about the film industry and the inappropriate treatment of women so that men and women in the film industry can support one another.

Cinema And Ritual: Decolonial Feminist Approaches To Image-Making In The Americas And The Caribbean, Natalie M. Erazo

Dissertations, Theses, and Capstone Projects

This thesis project is composed of an open-access syllabus hosted on a CUNY commons site, as well as a paper that examines various films and texts responding to the theme of cinema and ritual. Referenced films will focus on ritual as a decolonial feminist methodological framework, rooted primarily in Afro-descended and Indigenous cosmovisions within Latin America and the Caribbean. From a dance ritual spell warding off U.S. imperialism in present-day Puerto Rico, to a poetic visual eulogy for murdered women in rural Mexico, to a community prayer to Yemaya bringing relief for water scarcity in Cuba to a cautionary tale …

An Introduction To Film (3rd Ed.), Teresa Fisher

Open Educational Resources

This textbook provides an introduction to films and the filmmaking process. Each chapter covers a different facet of filmmaking starting with a brief history of film, primarily focused on that in the USA. Then it moves into exploring how to watch films from a critical perspective. After that, there are chapters exploring the various aspects of filmmaking: mise-en-scène, narrative, cinematography, editing, sound, and acting. Finally, the textbook ends wiith a look at documentary and experimental films with an additional look at animation.

Divided Crowns: An Ideological Criticism Of Self-Black Determination And Conflicting Visions Of Wakanda In Black Panther, Alaya E. Hubbard

University of the Pacific Theses and Dissertations

Using an ideological criticism of Hollywood’s Black Panther (2018), this paper analyzes the differing portrayals of the self-Black determination of the film’s main characters, T’Challa and Killmonger, as it relates to their backgrounds, cultural connections, racial identities, power dynamics, and their fights for social justice. Aspects of the film that were analyzed included characters’ actions, dialogue, lore, and presence. Digging deeper into the film’s story once key themes were revealed. This examination included parallels to the real-world, including locations, social movements, and social reformation leaders. The goal of the paper is to show how the film offers insights into broader …

Military Women In World Cinema: A 20th Century History And Filmography, Introduction, Deborah A. Deacon, Stacy Fowler

Faculty Articles

From British soldier Flora Sandes to the fame World War II Night Witches of the Soviet Air Force, women across the globe stepped up to defend their countries during every major and minor conflict of the twentieth century, and filmmakers have long attempted to capture their stories.

This book analyzes real and fictional military women's portrayals in world cinema, including movies from Israel, the United Kingdom, Italy, China, France, the Soviet Union, and others. It includes theatrical releases, direct-to-video productions, and made-for-television films.

Chapters, organized by decade, address topics including the women's sexuality, maternal and marital status, leadership skills, actual …

“Let’S Do The Time Warp, Again!” The Rocky Horror Picture Show As Hysterical Theatre, Frances Wendorf

Film and Media Studies (MA) Theses

In studying not only the distinct aesthetics and themes of the film but also the experience of the cult midnight movie screenings, this thesis re-positions The Rocky Horror Picture show as a radical descendent of the theatrical legacy of Jean- Martin Charcot’s lectures on hysteria. His “theatre of hysteria” is a retroactive terminology for the physician’s highlytheatricalized lecture series at the Salpêtrière hospital in Paris in the 1880s on the diagnosis of hysteria, during which the bodies of hysterical patients were rendered an objectified public spectacle under the guise of medical observation. The thesis explores intersections between queer and hysterical …

Seeing Beyond: A Feminist Psychoanalytic Approach To The Politics Of The Cinematic Gaze, Sofia Koukia

Masters Theses

This essay presents a feminist psychoanalytic approach to the cinematic gaze which employs late Lacanian film theory in order to construct a conception of the gaze that allows for its political significance to emerge. The gaze is hereby understood as something that the subject (the spectator) encounters in the object (the film) and, also, as what constitutes the epitome of the cinematic experience. It is regarded as being inherently political, existing within the realm of the Lacanian real in the form of an objet petit a (or object-cause of desire), and exhibiting itself in the world(s) of fantasy and/or desire. …

Introduction To Film, 2nd Edition, Teresa Fisher

Open Educational Resources

This textbook explores the world of cinema providing a students a look at the various elements of filmmaking to develop an appreciation for the film form. The textbook begins with a look at film history and the fundamentals of cinematic language. It then continues looking at film through a different lens for each chapter -- mise-en-scene, narrative, cinematography, editing, acting, and sound. The book ends with a look at documentary films, experimental films, and animation.

The Region In Motion In The Road Movie Patay Na Si Hesus (2016), Mary Anne D.C. Mallari

Akda: The Asian Journal of Literature, Culture, Performance

Utilizing the theories of Bakhtin’s dialogism, Hall’s cultural identity, and Gidden’s globalization, this article analyzes the Cebuano regional road movie Patay na si Hesus (2016). The road film genre reveals that the Philippine regions have a diverse identity, as shown in the image of the regional landscapes and unconventional characters. The use of camera techniques such as the traveling shot and other related styles reveals a dialogue among the diverse cultures of the regions. Furthermore, the image of the automobile in road movies and its mobility also illustrate that the regions combine an image of tradition and modernity as they …

Jugaad Auteurism: Alankrita Shrivastava And Feminist Bollywood, Gohar Siddiqui

Visual and Performing Arts

Alankrita Shrivastava is a filmmaker in Bollywood whose sensibilities as a feminist auteur have been prominent in her work since her very first film. Her oeuvre consists of three feature films (Turning 30, 2011; Lipstick Under My Burkha, 2017; Dolly, Kitty Aur Who Chamakte Sitaare, 2020), a short anthology film (My Beautiful Wrinkles, 2020), the Amazon Prime series Made in Heaven (2019), and the Netflix Series, Bombay Begums (2021). She wrote and directed all her films and collaborated with other female writers and directors for the Amazon Prime and Netflix series.

The High Hat: Iconography In Miller’S Crossing, Anna Jager '26

Best First-Year Seminar Writing

No abstract provided.

Cinema Studies, Burak Turten

University of South Florida (USF) M3 Publishing

PREFACE

Cinema Studies is a comprehensive book that, is hoped, will provide students and researchers with film studies and other persons interested in cinema with a useful reference book on film analysis and, where relevant, the different discussions surrounding that. The contributors analyze some films using ideas and concerns from modernism, cinematographic narrative, ideology, propaganda, migration, nomadism, and the sense of revenge. The book provides new insights into films and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis.

Therefore, each chapter of this book, …

A Selection In Horror Studies: Final Master's Portfolio, Shane Hesketh

Master of Arts in English Plan II Graduate Projects

This portfolio represents the best of the author’s work (Shane Hesketh) from his time pursuing the Master of Arts in English (Individualized Track) at Bowling Green State University. Both research papers are within the field of horror studies, the author’s primary field of study, and feature the discussion of two major slasher franchises as another genre through the analysis of the other genre’s tropes. The first paper analyzes the Candyman series as crime noir, and the second analyzes the A Nightmare on Elm Street series as action films. These papers were written in an attempt to shed light on the …

The Screen And Development: Creative Writing And Liminality In Children’S Literature, Rebecca E. Glenn

All Theses

This creative thesis strives to research and implement the overlap of liminality found within Children’s Literature, especially those works that exist through the screen. The critical component of this thesis explores the ways in which childhood development and maturity, a theme commonly found within Children’s Literature, embodies its own “right of passage” associated with the liminal. The journey of the Children’s Literature protagonist is often wrought with this movement from familiar boundaries to a sense of new development. The critical analysis emphasizes the methods Children’s Literature genre uses emotion, familial connections, symbology, space, and even elements of the monstrous to …

Exploring Career Development Pathways In Postsecondary Film Studies Programs, Cesare Giovanni Fabietti

Honors Undergraduate Theses

This study sought to determine what factors could impact career development pathways for postsecondary film studies through survey research. The selected determining factors that offered eventual success as a filmmaking professional were students' personality characteristics and unique, innate abilities. The survey questions polled film study educators whose primary contact with film students was at college-level classrooms and could offer significant opinions about the factors measured. Only those educators with demographic characteristics that dealt with actual filmmaking procedures of production and post-production gave a measurable statistical result related to a single dependent variable. The differentiator between filmmaking disciplines was distinguished by …

Femme Ex Machina: Sex Robots, Embodiment, And Posthuman Subjectivity, Julia A. Empey

Theses and Dissertations (Comprehensive)

Andrea Dworkin warned in her 1974 book Woman Hating that men would soon develop the technology to “create the sex objects that will gratify them” (199). This dissertation investigates one of those technologies: sex robots, as mediated through science fiction film and literature. While the sex robot is still an emerging technology, its embodiment, particularly when female-rendered, has been imagined and negotiated for centuries. Men creating women in a specific, desired image is not new, but the sex robot is currently being transformed from imagined representation to embodied subject. This dissertation traces a pattern of representation that has allowed us …

Unmasking The Mouse: Cultural Appropriation In Disney Films, Rebecca Domas

Honors Student Research

The artworld has largely revolved around traditional institutions like museums for centuries, however with the age of technology quickly evolving new artforms have risen to challenge these traditional spaces. Large corporations like The Walt Disney Company, have revolutionized the world of art and have become a prominent voice in representing cultures to a large population of the public. The two forces may be comparably different on the surface; however both are going through a progressive change as they enter the discussion of inclusive representation and accusations of cultural appropriation. The act of cultural appropriation concerns the negatively generated adaptations of …

The Gaze Of The Consumed : A Lacanian Approach To The Italian Cannibal Films, David Kelly

Legacy Theses & Dissertations (2009 - 2024)

“The Gaze of the Consumed: A Lacanian Approach to the Italian Cannibal Films” not only acts as a brief chronicle of the subgenre of Italian exploitation films centered around cannibals, but as an exploration of the constructs that hold such a subgenre together. With a foundation in Lacanian psychoanalysis, this essay discusses the ramifications of assigning terms such as “savage” and “civilized,” as well as the issue with entering into such a discourse with presupposed Western notions of civility. The Italian cannibal films exemplify the circular nature of the mere anthropophagous act, putting forth the conceptualization of the “Gaze of …

Badnaam Women Of Bollywood: The Combative Sexual Politics Of Item Songs In India, Ketaki Deshpande

Graduate Theses and Dissertations

This study analyzes the controversial Bollywood convention “item number,” a vampy song with suggestive lyrics and hypersexualized imagery of dancing women, as a crucial cultural artefact reflecting the gender and sexual uneasiness in India. Sex avoidance is a common theme in Bollywood films and in the country, where media and people are heavily censored and policed by anti-Romeo squads under the Modi administration. The item girl breaks the sexual tension with a mega hit song and hook step that fuels the economy of dance and desire in India. While the song is completely unrelated to the narrative of the film, …

Mental Illness In Horror Films, Nix Bradly

Emerging Writers

The depiction of mental illness within in the horror film genre has historically been non-inclusive or demonizing of the mentally ill. When we look at the genre today, there are still many instances of this villainization of the mentally ill, although there are recent examples of more progressive depictions of those afflicted. This article looks at the history and current trends of depictions of mental illness in films and argues that we can help move the genre away from stigmatizing mental illness by uplifting and supporting those who have mental illness to express themselves through the art of horror film …