Film and Media Studies Commons^™

Unidentified, Candace Mixon

Journal of Religion & Film

This is a film review of Unidentified (2026), directed by Haifaa al-Mansour.

No Place For Us: The Scapegoat Mechanism In The Early Genealogy Of The Outlaw Road Movie, Luke Smith

Journal of Religion & Film

This essay applies René Girard’s scapegoat mechanism to an early genealogy of the outlaw-couple-on-the-run narrative and of the outlaw road movie more broadly. Through readings of You Only Live Once (1937), They Live by Night (1948), Gun Crazy (1950), and Bonnie and Clyde (1967), it argues that scapegoating in these films operates as a process rather than a single final act: the outlaw couple is first marked and excluded from ordinary goods such as work, respectability, and domestic space, then publicly blamed as a cause of disorder, then amplified through mythmaking, circulation, and repetition until finally sacrificed in a closing …

Misread Before Being Known: Race, Religion, And Institutional Non-Inquiry In Abrogation, Franklin Livingston

Journal of Religion & Film

Institutions often arrive at certainty before they arrive at knowledge. This article names that mechanism institutional non-inquiry — the organizational habit through which visual and cultural assumptions substitute for direct verification, allowing identity classifications to solidify before the subject meaningfully enters the encounter. Unlike prejudice, racialization, or established theories of pre-reflexive social perception, institutional non-inquiry isolates the organizational encounter itself as the specific procedural moment at which collective interpretive habits make inquiry feel unnecessary. Examining Abrogation (2024), a micro-budget American independent feature following Daud Khan, a Brown Pakistani-American infectious disease specialist whose movement through evangelical, civic, and federal institutions repeatedly …

Moving On: Purgatorial Seriality And Unanswered Prayer In Lost’S “Ab Aeterno”, Christian Wilken

Journal of Religion & Film

“Ab Aeterno” (Lost, 6.09) distills the series’ religious logic with unusual explicitness by staging theodicy not as doctrine but as narrative procedure. This article argues that the episode converts Catholic sacramental form (confession, absolution, and penitential address) into a serial ethics of endurance in which closure is structurally deferred. Richard Alpert’s confession establishes a subject who seeks an authorized word that would stabilize suffering, yet the priest’s refusal (“I can’t”) installs a theology of unanswered prayer that becomes the template for Richard’s long durée of waiting. Jacob’s “cork” parable then supplies a katechontic justification of restraint: evil is not abolished …

Between Icon And State: Sergei Eisenstein's Ivan The Terrible, Milja Radovic

Journal of Religion & Film

Remembering the 80th anniversary of Sergei Eisenstein’s film Иван Грозный (Ivan the Terrible, 1944/1945), it is crucial to re-examine Eisenstein’s work, including his last film that became an unintentional ‘testament’ to cinema. Eisenstein’s mastery has been pivotal for understanding cinema and film language, the way this language operates, constructs and deconstructs and communicates historical realities. This paper focuses on a film that was made in two parts, Part I in 1944 and part II in 1945, to investigate Eisenstein’s approach to the subject of history, nation and religion. The research considers how this master of cinema contemplated intricate ideas and …

Piercing The Veil In Sinners: Theological Insights From The Juke Joint, Antonio D. Sison Cpps

Journal of Religion & Film

Celebrated as a critical and commercial success, Ryan Coogler’s genre-defying opus Sinners has also been considered as one of the most culturally significant films of 2025. It also promises to be one of the most theologically resonant films of the year. This is evinced not only in its thematic and literary bases but, importantly, in its very audiovisual language and grammar, its stylistic strategies qua film. As reasoned in this essay, Coogler’s film is a rich locus theologicus, a nexus for theological discovery and insight.Sinners kindles the hermeneutical impulse to dialogue with African American/Pan-Africa theologies exemplified by the …

A Metaphorical Passage To God: Simone Weil And Robert Bresson, V. G. Voigt Hogg Phd

Journal of Religion & Film

VOIGT HOGG_Abstract (REVISED)_Journal of Religion & Film_30 April 2026

This article contrasts the metaphysical and religious philosopher Simone Weil’s concepts of attachment and detachment with auteur director Robert Bresson’s method of subtraction. It argues for a commonality in their philosophy and cinema, that guides the reader or viewer respectively, to perceive a metaphorical passage to God through the lived experience of suffering. The article considers by what means does Weil and Bresson share a mutual commitment to understanding the state of the soul in affliction, while also acknowledging an opposition in the interpretation of detachment in relation to suicide. The …

Documenting The Ineffable: A Comparative Analysis Of Mystical Representation In Kimiavi’S The Garden Of Stones And Western Sufi Documentary, Hessam Abedini

Journal of Religion & Film

This article examines how documentary film attempts to represent mystical experience through comparative analysis of Parviz Kimiavi's The Garden of Stones (1976) and American documentaries featuring Samuel Lewis, particularly Sunseed (1973). Rather than assuming terms like "sacred" or "authentic," the study grounds its analysis in empirical definitions from William James, historical scholarship by Carl Ernst and Annemarie Schimmel, and literary theory from Fatemeh Keshavarz. Through detailed examination of specific scenes—Darvish Khan hanging stones from dead trees, Lewis leading ecstatic dances—the article demonstrates how different cinematic strategies approach documentary's epistemological limits when confronting ineffable experience.

The analysis corrects historical misunderstandings about …

Lighting For Digital Film, Roslin Smith

Milne Open Textbooks

Master the art and science of film lighting with this practical, semester-long guide for students and aspiring filmmakers. From lighting history, safety, and electrical fundamentals to hands-on techniques such as Film Noir, Rembrandt, three-point lighting, motivational lighting, and green screen work, this textbook combines clear instruction, real-world exercises, interactive activities, and ready-to-use production resources to help learners create compelling cinematic images.

This book can also be read online at milneopentextbooks.org/lighting-for-digital-film

To access instructor resources, please email [email protected] to be verified (to expedite your approval, email from your organizational email and provide a link to a public professional profile). Upon approval, …

Barrel-Rides And She-Elves: Audience And Anticipation In Peter Jackson’S Hobbit Trilogy [Note], Janet Croft

Faculty Publications

Peter Jackson’s Hobbit trilogy, to the audience that loved the Lord of the Rings films, is an exciting opportunity to revisit Tolkien’s fantastic world and see favorite characters acting out their earlier adventures. The reader of the books, though, is often likely to find the difference in tone between the children’s book and the vastly expanded films jarring. This essay will explore audience expectations, the difficulties of filming a “prequel” after a “sequel,” and issues of “anticipation” in relation to character development.

Editor's Introduction, Brent H. Otto S.J.

Journal of Global Catholicism

No abstract provided.

Ai-Supported Analysis Of Jury Deliberation Impact Factors, Jennifer Siciliani Phd

Generative AI Teaching Activities

Students conduct a controlled, two-run generative AI jury simulation to examine how a single socio-legal variable affects simulated jury deliberation. They compare and manually code the AI-generated outcomes against peer-reviewed human jury research to evaluate the model’s accuracy, limitations, and potential biases.

Tolkien Fanzine Dataset, 1967-2017 [Bulk 1969-1979], Robinson Ensz, Gabriel Marotto, Aidan Oakey, Ivy Stanich, Ethan Thomas

Tolkien Resources

This dataset reveals the heretofore hidden contents of fan magazines (fanzines) related to the works of J.R.R. Tolkien that were created from 1969 through the publication of Tolkien’s The Silmarillion in 1977. It supplements the earlier Tolkien Fandom Review by S. Gary Hunnewell that discussed fanzines created through 1968. The dataset provides an item level index of the fanzines’ content and is intended to aid researchers in Fan Studies. It is accompanied by an inventory document that lists the fanzine titles and provides brief notes about some of them. Data was drawn from Marquette’s large holding of Tolkien fanzines, including …

Going The Distance: How The Disney Renaissance Illustrated The Social And Cultural Changes In America During The 1990s, Deborah A. Bates

Graduate Masters Theses

The cultural and social history of America in the 90s is examined in this thesis by looking at the Disney Renaissance, a period of ten films made by the Walt Disney Animation Studios (WDAS). This thesis illustrates how the animators were able to seamlessly incorporate important societal trends of the 90s into their films, portraying a changing world within their films. As they were creating a new style of the animated movie musical, they were creating works that connected to the audiences watching in new ways, by putting up a reflection of society within their films. The way that the …

Introduction To Film, Teresa A. Fisher

Open Educational Resources

An introduction to the filmmaking process including film history, narrative, mise-en-scene, editing, cinematography, sound, and acting. Includes a chapter on documentary film, experimental film, and animation.

Back Cover, Michaela Velleno, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Credits, Michaela Velleno, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Artist Index, Owen Isachsen

.RAW Journal of Art and Design

No abstract provided.

'Reclamation', Ainsley Gavin

.RAW Journal of Art and Design

No abstract provided.

'Market Research', Maneli Mianji

.RAW Journal of Art and Design

No abstract provided.

'Chalawan', Jolina Chen

.RAW Journal of Art and Design

No abstract provided.

'Pawpstarz Photocards' & 'Idolize', Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

'Catch Of The Day' & 'Benediction', Addy Cota, Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.

'Shanwu 善舞' & 'Scream Queen', Gabrielle Yu, Kyra Oh

.RAW Journal of Art and Design

No abstract provided.

'Warmth And Fluidity'; 'My Best Friend'; & 'Epiphany', Lucky Rodriguez, Sierra Hall, Connor Larson

.RAW Journal of Art and Design

No abstract provided.

'Pop!' & 'Cherries', Alyssa Shavely, Gillian Grow-Juarez

.RAW Journal of Art and Design

No abstract provided.

'Drag'; 'Obsession Rewritten'; & 'Untitled', Maxwell Rice, Mia Haney, Cézar Gomez

.RAW Journal of Art and Design

No abstract provided.

'Swell Sisters', Sophia Tiemens

.RAW Journal of Art and Design

No abstract provided.

'Love Forever And Forever In Love', Tracy Jackson

.RAW Journal of Art and Design

No abstract provided.

'4 Legged Creatures Discover The Sun' & 'Interim', Moussa Ndiaye, Joshua Mahlow

.RAW Journal of Art and Design

No abstract provided.