Ceramic Arts Commons^™

Fragments Of Forgiveness, Sarah Hayashi

Electronic Theses, Projects, and Dissertations

Trauma lives in the body, with or without conscious memory of the events that placed it there. To cope with the pain of trauma we might disconnect from our bodies, choosing to view ourselves as some separate entity living within the body. Disconnection offers a sense of protection by allowing compartmentalization of pain, grief, and trauma, but the harder these emotional fragments are fought, the more they demand acknowledgment.

Referencing my torso for size, I handbuild biomorphic sculptures from clay, finishing them with glaze that mimics the dewy texture of raw clay, using a palette derived from my skin tone …

Groundswell, Ursula Gullow

Electronic Theses and Dissertations

The artist discusses the artwork of her Master of Fine Arts exhibition, Groundswell, held at Tipton Gallery in Johnson City, March 11 – 22, 2024. The exhibition includes wall pieces, sculpture, plaster, and ceramic objects that explore the traditional parameters of painting and its presentation.

Ideas discussed include the philosophy of history, and the origin of European art tropes such as odalisques, flowers, and birds. Framing devices, deconstructed paintings, fiber arts, ceramics, 18^th Century decorative art, plaster, the studio practice, Walter Benjamin, David Lowenthal, Gustave Courbet, Jean Honoré Fragonard, Titus Kaphar, Valerie Hegarty, and maximalism are also surveyed.

Origin Stories., Danielle Deeley

Electronic Theses and Dissertations

This thesis is an investigation into the Peruvian pre-Columbian collection at the Speed Art Museum in Louisville, Kentucky. The Speed Art Museum acquired this collection in 1934 and it has largely remained unresearched for nearly a century after acquisition into the museum’s collection. This investigation is not an attempt to make broad characterizations of pre-Columbian ceramics. Nor is its goal to fill in all the gaps of the collection’s history. Instead, this thesis follows the evidence the collection presents: the physical attributes of the ceramics, the donor’s history, U.S. history, and information from the collection file provided by the Speed …

Alabaster Glory., Chloe Cheng

Electronic Theses and Dissertations

Alabaster Glory includes three installations in the gallery space: 望(wàng), 盛(chéng), and 余(yú). These components represent three stages of human life: the beginning, living on this earth, and the end. The core concept behind the three stages is the relationship between the creator (God) and creations, referring to humans that live in this broken world containing suffering, chaos, crime, conflict, or the personal experience of an inner void.

Alabaster Glory invites viewers to walk through the space first to encounter a magnitude of infant heart forms placed by a window, which intends to evoke curiosity about their quantity and symbolism. …

My Body Adorned, Marie Y. Peterson

Art and Art History Honors Projects

My studio art honors project is an autobiographical body of work expressed through a ceramic-based installation. Further exploring the hybridized identity of being an Asian-American adoptee, My Body Adorned aims to juxtapose the contentious history of body modifications using the familiar and prestigious visual language of South Korean-inspired celadon-ware. My Body Adorned showcases a collection of vessels inspired by Korean ceramics with “tattooed” exteriors. Reinforced and informed by my tattooing practice, my work exposes the visual, linguistic, and technical skills that intertwine clay and skin and establishes a conversation between my physical human body and body of work.

10-5, Avery Taylor

Forces

No abstract provided.

2024 Forces, Collin College

Forces

No abstract provided.

Q&A With Tori Ellis (Bfa Ceramics), Tori Ellis

Q & A Interviews with Art Students

No abstract provided.

Finding The Perfect Purple: An Exploration Of Glaze Making And Chemical Safety In The Pottery Studio, Kara Eppard, Michael Hough

ASPIRE 2024

This project was undertaken as an IDS-100H course linkage between ceramics and chemistry. Through time spent reviewing literature and time in the studio, a project was developed that allowed the application of technical skills of each discipline in a creative fashion. The creative focus of the project was to find a suitable purple glaze to utilize on a previously thrown pottery collection. During the project techniques in glaze making were explored. Over 25 glazes were tested, and two firing techniques were explored. Additionally, safety within the pottery studio was increased through aspects such as the development of an MSDS, and …

Permutations, Casey Beck

School of Art, Art History, and Design: Theses and Student Creative Work

I make pottery not only out of a passion for my material, clay, and for the complex processes of wheel throwing and atmospheric firing, but also out of a passion for living with, using, and sharing handmade objects. For me, using pottery daily is an act of celebration. My philosophy of making pots comes in part from the particular history of utilitarian pottery that has developed over the last sixty years in Minnesota and Western Wisconsin, where I went to school and began my career as a potter. More recently, the form language that I employ in my work has …

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Creating An Index To Graduate Theses To Support Their Discoverability, Ellen Petraits

Transforming Libraries for Graduate Students

As a Research and Instruction Librarian, one of the most frequent questions I'm asked is how to find past theses on a particular topic or theme. There is an active thesis culture at RISD that goes beyond writing and binding a text. An exhibition is held in the graduate gallery to celebrate a curated selection of theses at the beginning of the academic year. (See Book of Thesis Books) Theses can range in format from an artist book to a loose-leaf portfolio. Many emphasize the visual and are a bridge to the student’s studio work. They may include unusual or …

Radical Youth Work: A Community Based Approach To Working With Youth, Young Adults And Families, Weston J. Robins

National Youth Advocacy & Resilience Conference

Radical Youth Work: A Community Based Approach to Working with Youth, Young Adults and Families

A focus on experiential mentoring, humanistic counseling and community engagement as a way to work with youth, young adults and families to provide true holistic therapeutic support and guidance.

Suffering Juicebox, Janelle O'Malley

Graduate Artistry Projects and Performances

Suffering Juicebox investigates the confluences of nostalgia, trauma and identity making by means of sculpture and performance. Creating pieces with built layers of material and found objects Suffering Juicebox takes shape through collecting, forming, layering, petrifying, erasing and reimagining. Pieces are assembled into scenes attempting to rebuild what cannot be obtained. The objects collected and used are metaphors for the memories we accumulate.

Suffering Juicebox explores how gender and identity are created through layers of memory, nostalgia and trauma. Nostalgia’s etymology comes from the greek words nostos meaning “return home” and algos meaning “pain”, and together the word means homesickness. …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

The Coevolution Of The Six Ancient Kilns And Japanese Postwar Local Identity, Benjamin Lewis Rothstein

CISLA Senior Integrative Projects

The arts have long been tools used to prop up political visions, and Japan’s traditional crafts are no exception to this trend. Japanese ceramics in particular have enjoyed, or perhaps endured, era after era of patronage by successive governments and movements over their more than a millennium of history. Appropriated by a wave of nationalism in the Meiji period, the rokkoyō (six ancient kilns), long famous for their rustic style and acclaimed tea wares, were converted along with many other traditional crafts into symbols of the Japanese national spirit. In the postwar period, however, without necessarily losing their national importance, …

The Development And Impact Of Jingdezhen’S Ceramic Live Streaming, Yiyi Wang

MA Theses

Jingdezhen is a renowned ceramic capital in China and abroad. Its porcelain
production dates back to the Tang Dynasty, reached its peak in the Song Dynasty, and continued to thrive during the Ming and Qing Dynasties, solidifying its status as one of the primary production areas for Chinese porcelain. Over time, Jingdezhen underwent social upheavals during the Republic of China period. After the founding of the People's Republic of China, the porcelain industry underwent nationalization and modernization reforms, ensuring its sustained maintenance and development. Since the reform and opening-up, the porcelain industry in Jingdezhen has progressively embraced market mechanisms, incorporating …

Formed By Fire: A Global Story Of Women And Clay, Denise Tepe

MA Projects

In 1971, art historian Linda Nochlin implored the art world to be introspective of its long-held, male-centered narratives when she published the profound essay ‘Why Have There Been No Great Women Artists?’ Nochlin articulated the individual and societal factors that have disadvantaged women collectively and have historically kept them from receiving the same level of recognition as male artists for the same quality of work. This essay, compounded with growing feminist sentiments of the late 20th century, insighted art world institutions to highlight and recontextualize the art of women. These institutional efforts have culminated in female artists having a renaissance …

Gathered Vessels, Marguerite E. Mccoy

College of Graduate Studies: Theses & Dissertations

My journey with ceramics is a path paved with the memories of my mother's kitchen, travels across Europe, and a deep love for creating spaces where people can come together. From the warmth of a mug that fits just right in your hands, to the gentle sounds of water playing in a fountain I've crafted, my work is about making those little moments of connection feel extra special. I create ceramics that are meant to be picked up, used, and loved - pieces that carry a bit of my story to join in with yours. Whether it's joining in your …

Terra Et Intus, Mark Freeman

Master's Theses or Doctor of Nursing Practice

I use nature as my escape from the daily grind. I seek out wilderness to recharge my creative batteries. Just as the forest has unseen and unappreciated levels of life, so does the entire planet. When I am trapped in the daily business of life and long for an escape to nature, I have found that I can locate that beauty almost anywhere. When evaluating the structure and design of an organism on a microscopic level, especially through electron microscopy, there exist amazing and untold levels of beauty that humanity takes for granted every day. All life forms provide some …

Her Monstrous Body: The Creation And Reclamation Of Female Monsters In Visual Culture, Sarah Teske

Scripps Senior Theses

Voracious, wicked, all-consuming. The image of the female monster has captivated audiences with its unique brand of horror. She brings chaos to her surroundings while we watch from behind the safety of a screen or the pages of a book. However terrifying, viewers can take comfort in the fact that by the time the credits roll, she will be defeated.

This trope has been used time and time again to center feminine bodies and female sexuality as monstrous, while justifying the existing patriarchal order. And this is no surprise being that her features are imbued with the threat of power …

Interdisciplinary Learning: How Different Ways Of Thinking Can Fuel Passion And Expand Understanding., Allison Amy Peschek

Undergraduate Theses, Professional Papers, and Capstone Artifacts

This Capstone project was created to show the profound experience resulting from an extended range of interdisciplinary learning, and how different methods, when paired together, can enhance a learning experience. This was a personal project of exploration into those different angles, and primarily focused on avenues of logical and creating learning, respectively. These methods have been implemented by this author often in the past, but this capstone will explore this concept further, as there is a lot of potential in combining these different methods and biases in learning, to both further passion and understanding as a learner, but to also …

Commonplace, Heather Lepp

Graduate Theses, Dissertations, and Problem Reports (ETD)

The paper as follows will explore the conceptual and aesthetic decisions behind my MFA thesis exhibition titled Commonplace. It will outline my personal history, philosophical outlook, and conceptual framework behind making utilitarian pottery to elevate daily experiences. It will also investigate my individual exploration into beauty in relation to the process of making my work. Formal considerations such as visual, tactile, and functional aspects of the work will be addressed. Sharing, gathering, and preparing food influences me as a maker, and being attentive inspires me to create utilitarian wares that are used as cherished tools to enrich daily life.

Floral Alchemy: Decorative Porcelain Tableware, Stacy Lynn Larson

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis accompanies and addresses work shown in my Master of Fine Arts thesis exhibition, Floral Alchemy: Decorative Porcelain Tableware, at West Virginia University. Within this document, I address my research, inspiration, and process as I created the body of work shown in my thesis exhibition. My personal fascination with plants and flowers stimulates my research in the relationship between flora and humankind. Throughout history, plants have consistently had a deep impact on human culture as seen in mythology, language, ritual, art, and medicine. With an understanding of this historical context, I analyze my personal connection with flowers in …

Rooted In Meaning: Plant Iconography On Nasca Polychrome Ceramics, Amanda G. Lange

Theses

This thesis explores the Nasca use of plant iconography as part of their polychrome ceramics produced at the end of the Early Horizon around 100 BCE to those produced in the beginning and middle of the Early Intermediate Period circa 1to 450 CE. During this time the religious site of Cahuachi was in use as a pilgrimage center as well as the production center of polychrome pottery. The Nasca created their colorful ceramics here to distribute to visiting pilgrims during times of festival or ritual. The culture’s iconography has been studied extensively, most of which focuses on the forms of …

Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Curiosity Beyond The Hidden, Yi Young Kim

Masters Theses

What lies beneath the surface of vessels? This captivating thesis explores the hidden world within, drawing inspiration from traditional Korean ceramics and employing coil-built sculptures. By focusing on the hollowness of vessels, this study unveils their profound interconnectedness and inherent uniqueness.

Through spontaneous stacking of claylike glazes and textured elements, the artwork reveals mysterious processes and transformations within these vessels. Exposing the intricacies of hollow spaces, viewers are invited to contemplate the mesmerizing realms concealed within.

Intertwining elements of Korean heritagewith intricate structures, this artistic endeavor

sheds light on the hidden and challenges preconceived notions of everyday existence. The work …

Green + White = Pink, Dora Chen

Masters Theses

My thesis seeks to explore the unknown forces that are constantly shaping our lives. I am intrigued by the intangible connections that link people, objects, and places together, and how they manifest across space and time. As a ceramicist emphasizing both interiority and tactility, my work will dissect layered ideas of closeness and disruption in order to reveal a nuanced understanding of how we exist in perpetuity with what can’t be seen. I wish to explore this topic through carefully directed installations that emphasize intimacy and engagement among audience members. Through inspiration from my past experience, childhood memories, as well …

New Commandments, Jacob Sussman

Masters Theses

I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.

The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.

As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …

A Typological And Chemical Analysis Of Roman Oil Lamps From Poggio Del Molino, Brandon Tejo

Dissertations, Theses, and Capstone Projects

Terracotta lamps, known to the Romans as lucernae, are small, handheld, often decorated objects which provided ancient people light. To modern researchers, they serve as tools for dating stratigraphy and iconographic studies. Beyond their immediately apparent aesthetic and symbolic value, the chemical compositions of the clay of these lamps reflect their origin. This study complements archaeological typologies with chemometric analyses to describe 16 Late Republican and Imperial Roman lamps recovered from the villa at Poggio del Molino (PdM), Tuscany. These finds were recovered from the 2021 and 2022 PdM excavations. The combined approach of typology with X-ray Diffraction (XRD) …