Ceramic Arts Commons^™

Quietude, Caroline Roberts

All Graduate Reports and Creative Projects, Fall 2023 to Present

I grew up in a landscape shaped by the slow withdrawal of an ancient glacier. Its passage carved, gathered, deposited, and smoothed, a force both powerful and tender. What remains is not dramatic ruin, but a terrain of gradual accumulation. Small shifts in light, air, and temperature create an immersive atmosphere—an intimacy that comes through proximity, through a landscape encountered within reach.

This body of ceramic work emerges from an attempt to create such an atmosphere. I am interested in how an object might carry a similar quietude—not as absence or restraint, but as an active force. It is the …

Unloved Ecologies, Ellen Griffin

All Theses

Unloved Ecologies is an exhibition of ceramic sculptures that stage encounters between human and nonhuman bodies. Through it, I investigate the intersections of queer identity and ecology to reevaluate what society often deems “unlovable.” By working with the language of Queer Ecology, I explore the tensions between protection and vulnerability, as well as between cultivated order and wild resistance. Ceramic sculpture is my mode for examining moments of transformation, repair, and growth, and natural processes function as metaphors for the ways external pressures shape individuals. My overall goal is to explore the ecological processes of change and examine how our …

Therapeutic Qualities And Applications Of Clay In Expressive Arts Therapy: A Literature Review, Julia Caruso

Expressive Therapies Theses

This literature review investigates the therapeutic qualities and clinical applications of clay within the framework of expressive arts therapy (ExAT), with particular focus on sensorimotor, somatic, and developmental interventions. Drawing upon the expressive therapies continuum (ETC), this review synthesizes emerging research highlighting clay's kinesthetic and tactile properties as key mechanisms for facilitating emotional expression, accessing unconscious material, and promoting psychological resilience. Evidence is presented for specialized therapeutic modalities such as clay art therapy (CAT) and Clay Field Work, which engage the body-mind connection to support trauma integration and emotion regulation. Findings demonstrate that clay's inherent adaptability and sensory richness allow …

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

All Mud In The End: Exploring Registration Between Handcraft And Digital Craft Through Ceramic 3d Printing, Emily Kloostra

Architecture Undergraduate Honors Theses

The goal of this research was to investigate the possible interconnections between handcrafted objects and digital fabrication technologies, specifically in ceramic 3D printing workflows. Digital fabrication tools have advanced rapidly in recent years, raising questions about the role handcraft can still play in the making of objects and buildings. While many artistic endeavors have investigated how far digital technology can be pushed, this study was focused on bringing handcrafted objects back into the conversation. Specifically, it sought to understand how irregular, handcrafted objects may be registered in the digital space and then used in 3D printing processes.

The study used …

Strange Stranger: A Visceral Skin Glaze Exploration Into The Neurodivergent Sensory Experience, Sam J. Lucas

Ought: The Journal of Autistic Culture

Sam Lucas

Sam creates ambiguous figurative objects predominantly in clay. Her creative practice draws on her experience of being a neurodivergent woman today, by exploring aspects of her own unique neurotype.

The visceral glaze exploration pieces were the precursor to the final forms for her body of work called ‘Strange stranger’ where she is exploring the weight and awkwardness of being in the body, the pain this alienation can cause, and ironically the beauty and humour that results from this diversity.

The surfaces of the pieces were attempting to describe the interoceptive, exteroceptive and alexithymic confusion that can occur at …

Understanding Clay And Its Media Properties Through The Expressive Therapies Continuum, Anne Geisz

Art Therapy Counseling Final Research Projects

For centuries, clay has been used by civilizations to hold food, memories, and records of history. To this day, it is used by engineers, hobbyists, artists, art therapists and many more. This art based, heuristic study explores clay through the researcher’s ongoing practice with the material, within the framework of the Expressive Therapies Continuum (ETC) and examines how its unique media properties make it such a versatile material for both ceramic artists and art therapists. Results exhibit these unique media properties and clay’s ability to reach all levels of the ETC through collected data of images, journals, critiques, and notes. …

To Excavate An Absence, Margaret Compton

Graduate Theses

This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …

Permutations, Casey Beck

School of Art, Art History, and Design: Theses and Student Creative Work

I make pottery not only out of a passion for my material, clay, and for the complex processes of wheel throwing and atmospheric firing, but also out of a passion for living with, using, and sharing handmade objects. For me, using pottery daily is an act of celebration. My philosophy of making pots comes in part from the particular history of utilitarian pottery that has developed over the last sixty years in Minnesota and Western Wisconsin, where I went to school and began my career as a potter. More recently, the form language that I employ in my work has …

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Silhouette, Andy Bissonnette

School of Art, Art History, and Design: Theses and Student Creative Work

As a potter, I am deeply interested in the union between form, surface, and function. I believe these elements are intrinsically connected and the most successful pots are able to balance all three in a way that is both aesthetically pleasing and practical. From the proportional relationship between the foot and rim, to the way a glaze breaks or pools across an articulated surface, each detail is crafted with intention and care. Silhouette is a metaphor for how I conceptualize and conceive each of my pieces. It’s a way to explore form through both an aesthetic and practical approach. My …

Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady

Theses and Dissertations

I wanted to attend VCU to learn how to unravel my mind and find the words to describe it. While I did make progress in that area, my surprise discovery is that I need to unravel my body too. It has become unbalanced from years of neglect. When working, I find solace through escape. I find a positive outlet for my perfectionist tendencies. I find a way to visually illustrate my obsessive qualities. Throughout the years of these findings, I have ignored my body pleading with me to take it easy. I have always honored the materials and the tools, …

Nepantla: The Space In-Between, Samantha Shamard

All Theses

The word Nepantla is from the Mesoamerican Nahuatl language and is used by theorist Gloria Anzaldúa to describe a space of mixed, and borderland identity. Nepantla: the space in-between creates a physical manifestation of my experience as a mixed Latina woman raised in American suburban culture. This series is made up of ceramic objects on wall-mounted altars made of wood panels adorned with wallpaper and paint. The surfaces utilize visual references and color schemes from 90s girls’ bedrooms and Mexican pop-culture. Ceramic bones and cacti mounted onto the altar forms are all made through molded ceramic processes, which for me …

How Clay In Group Art Therapy Helps Female Veterans Maintain Well-Being: Development Of Methods, Sooho Park

Expressive Therapies Capstone Theses

Using clay in art therapy has emerged as an evidence-based therapeutic approach to enable treatment for people with anxiety. While clay in art therapy has been researched and proven to be highly effective with children, there is limited research on the benefit for the population of female veterans. Therefore, this study examines the possibility of how clay in art therapy helps female veterans to reduce anxiety and maintain their well-being at Veterans Affairs Hospital (VAH). Three female veterans were engaged in weekly intervention for six weeks through both in-person and online sessions. Results indicate participants experienced beneficial changes in anxiety …

Growthlines, Alexandra Saunders

LSU Master's Theses

The work in Growthlines is a collection of ceramic objects that are characterized by floral pattern and their potential for use. I make ceramic work that is functional and designed to be in the home. I think that the way something looks is an integral part of function and I seek to make objects that function well. The surface of my pottery is rich with images of flowers and I hope that the surface both draws in the user and highlights flowers and how important they are for the preservation of the natural world. My work functions as a surrogate …

Reliquary, Matthew Sloan

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

I am interested in ritual – the rituals we inherit, and those we choose for ourselves.

By situating the everyday mugs, cups, plates, and bowls next to objects more closely associated with ritual and ceremony, I am suggesting that all of these are significant objects. On one hand, the tableware essential to the rituals of daily living we share at home, on the other, communion vessels and reliquaries are used to deepen a spiritual ritual shared by a community. Both rituals are important experiences worthy of introspection, and consideration.

This is why I make pottery. I believe that handmade objects …

Common Objective, Josh Scott

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Pots are like people. Gestural qualities can make pots appear to move like people. They form groups in ways that people might. Repeated forms on a pedestal can appear to be in formation like a military unit. More importantly, pots perform specific jobs or tasks in ways similar to people.

Inherently, the job someone holds or the function of a pot will have an effect on perceived importance. A funerary urn may seem to be a more important form than a coffee mug, yet both are committed to specific tasks. This can be likened to a lineman and a doctor. …

Growth, Taylor Sijan

School of Art, Art History, and Design: Theses and Student Creative Work

I craft functional pottery that is richly decorated with layers of abstracted botanical imagery. While working within the parameters of function, I explore the possibilities for expressing and evoking beauty through altered porcelain forms and lush surfaces. As a potter, I create forms that inspire curiosity and interaction through a balance of originality and suggested function. I connect myself to others through the intermediary of the vessel, conveying my reverence for plants, nourishment and beauty. People then interpret how to use my work, adding their own sentiments as it becomes part of their lives. Pots live in the home, bridging …

The Weight Of It All, Amythest Warrington

School of Art, Art History, and Design: Theses and Student Creative Work

The impetus for this exhibition is to visualize the weight of loss and to focus attention on the need to recognize the inherent dichotomy between life’s beauty and loss. My mobile upbringing taught me that details may differ from group to group, but the core experiences of loss, empathy and belonging are a universal language that connects us. I utilize clay’s unique physical properties of malleability, recyclability and permanence once fired, to explore the dichotomy between strength and frailty associated with these universal connectors. The meticulously crafted beautiful objects draw one into serious and often taboo subjects. The work comforts …

Slowly But Surely, Katie Bosley

School of Art, Art History, and Design: Theses and Student Creative Work

I craft porcelain vessels that combine dynamic forms and dimensional surfaces to create a captivating presence. Formal components such as line, space, and color are carefully considered to create objects that are striking at first glance and reward further inspection. Constructed with an emphasis on structure, these works challenge conventional interpretations of the vessel and promote a sense of awe.

My vessels are relational objects that both affect and are affected by their surroundings. Employing positive and negative space, and light and shadow, they collaborate with the space they inhabit. They are objects designed to promote and reward active viewing. …

You Wouldn't Download An Art, Rice Evans

Theses and Dissertations

To quote the late Alaskan Senator Ted Stevens, “The internet is a series of tubes.” Like my art practice, these tubes meander through concepts, techniques, and mediums to arrive at a messy, confusing, and overwhelming shared experience of digital life. It is here where we find humor, creativity, and most importantly our own folk culture.

Eat My Quartz, Neil Celani-Morrell

School of Art, Art History, and Design: Theses and Student Creative Work

Pottery has a remarkable ability to tap into the human collective experience, so it is no surprise I express my own understanding of the world by working within the boundaries of “the pot”. With the capacity to communicate conceptual meaning and to serve as objects of utility, pottery not only dances in the notorious territory between art and craft, it embodies the human spirit.

My pots are totems of my existence and this work is an authentic representation of my creative journey. They are an homage to the key influences in my life which have informed and encouraged my creativity …

Cornucopia, Patrick Hargraves

School of Art, Art History, and Design: Theses and Student Creative Work

I navigate the uncertain times we live in by creating positive, playful sculptures because focusing on joy is not only possible in times of hardship, I believe it is necessary in order to thrive. I go through life with a watchful reverence, finding beauty and hope in the abundance of life in the natural world. Using this inspiration, I reinvent and intentionally exaggerate landscapes and plant forms in clay with a freeing sense of whimsy. My fantasized pieces are an invitation to extend imagination to the joyous moments in the world around us, and to return to an innocent sense …

Journey & Connections, Aldo Ornelas

Electronic Theses and Dissertations

Journey & Connections is a series of work comprised of ceramic sculptures that explore my personal experiences in relation to the human figure, immigration, and nature, as well as experiences influenced by my continuous travels between my country of origin and the United States.

This exhibition is composed of an Installation titled “A Line on the Wall” and a series of six sculptures that resemble monoliths, strong and expressive figures of spiritual origin that represent important figures in life, sources of wisdom and stelae that connect to the earth.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

Permutation, Ryan K. Caldwell

Graduate Student Theses, Dissertations, & Professional Papers

Caldwell, Ryan, M.F.A, Spring 2020 Ceramics

Abstract:

Chairperson: Trey Hill

Permutation, is an exploitation of utilitarian pottery and domesticity within the gallery setting through the use of handmade tables and cabinetry. The gallery is transformed into a more comfortable environment and exhibits a casual essence. This paper explores the thoughts, interpretations, influences, reflections, and definitions of his most recent work created for his Masters of Fine Arts Thesis Exhibition. Caldwell presents his work as an ongoing continuum of conceptual research and physical exploration of form and surface.

Developing A Local Clay Body: Augusta County, Virginia, Olivia Heeb

Honors Projects

Several samples of raw clay from Augusta County, Virginia were analyzed, and one was chosen to develop into a clay body that could successfully be thrown on the wheel, fired, and made into functional ware. The characteristics of plasticity, strength, absorption, and glaze effects were important when deciding what materials to add to the raw clay samples. Issues included low plasticity when throwing, cracking while drying, warping when firing, and pinholing in the glaze fire. A recipe was developed that worked well for the chosen clay, found in a roadside in Craigsville, Virginia.

Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux

LSU Master's Theses

Phantasmaticis an exploration of materials and materiality which relies on the concept of the phantasmatic body elucidated in Gayle Salamon’s work Assuming a Body: Transgender and Rhetorics of Materiality. This thesis is an exploration of these ideas. In my work, I use wool and clay to represent the material (known) and phantasmatic (sensed) bodies in an effort to explore an expanded understanding of the body at large. My work is also an effort to expand my own understanding of my phantasmatic body and its relationship to (my) materiality.

Between And Beyond, Noah F. Heil

Art and Art History Honors Projects

Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …

This Is Just To Say, Iren Tete

School of Art, Art History, and Design: Theses and Student Creative Work

My memories are marked by the desire to evade logic. At a young age I became a proficient player of the “What If” game.

What if I could hold light in my hands?

What if shadows had form that could be touched?

What if I could see through structures?

These mental exercises affected my relationship with reason and validity. Aware of the threat of the ordinary, I embraced the inherent magic in the notion of possibility. I understand possibility as the limitless potential of object, thought, or scenario. This potential extends beyond the apparent and prompts more questions than it …