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Articles 1 - 15 of 15

Full-Text Articles in Ceramic Arts

Warmth Of The Sun, Drake M. Gerber Jan 2023

Warmth Of The Sun, Drake M. Gerber

Graduate Student Theses, Dissertations, & Professional Papers

Warmth of the Sun, is a reflection on personal experiences I’ve had in the landscape while living in the Northwest. This curated experience is an attempt to capture my sincerity towards a place and hold onto that feeling. I intend to share faded memories of personal experiences through enigmatic sculptures to make the viewer look a bit closer at these objects and see the landscape in a new way. This paper explores thoughts on the idea of place, material, process, contemporary influences, and the experiences that inspired this body of work.


Current(S), Austin Raye Navrkal Jan 2022

Current(S), Austin Raye Navrkal

Graduate Student Theses, Dissertations, & Professional Papers

Current(s) addresses my perspective of the subtle changes that happen as the seasons slowly transition to act as a metaphor for the subtle changes that have happened to me over the course of my time in graduate school.


The Shape Of Faith: Understanding God Through Pottery, Kenton Ke Jan 2022

The Shape Of Faith: Understanding God Through Pottery, Kenton Ke

Undergraduate Theses, Professional Papers, and Capstone Artifacts

The Bible uses the relationship between a potter and the clay as a metaphor to describe the relationship between God and humans. “Yet you, Lord, are our Father. We are the clay, you are the potter; we are all the work of your hand.” (Isaiah 64:8, NIV). This paper will expand on this metaphor, and draw parallels between the development of personal relationships with God and the complicated processes of pottery making.


Beside| |Between, Brooke J. Armstrong Jan 2021

Beside| |Between, Brooke J. Armstrong

Graduate Student Theses, Dissertations, & Professional Papers

Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.


Lost In Translation, Amanda Barr Jan 2021

Lost In Translation, Amanda Barr

Graduate Student Theses, Dissertations, & Professional Papers

Lost in Translation addresses the issues that trauma can create in communication; whether that be a physical trauma that damages ability to speak, think, or understand language, or mental and emotional trauma that significantly effects abilities to process, connect, and manage interpersonal relationships. My work is my voice, and a way to help others connect, to feel heard, and to even help them begin to communicate.


Head Heart Hand Human, Michelle Kathryn Postma Jan 2021

Head Heart Hand Human, Michelle Kathryn Postma

Graduate Student Theses, Dissertations, & Professional Papers

My art is emblematic of the practice of accepting reality. The vehicles I use to do this are a cast of characters, materials and compositional strategies that in totality, remind the viewer and myself to be in the moment.

The thesis exhibition, Heart Vomit and the Dream Army, featured mural-esque ink paintings on panels and approximately 36 - 48 inch high abstract ceramic figures covered with images. Both the 2D and 3D works feature a cast of characters. These characters originate from “Michelle Land”, an imaginary world created to house an evolving symbolic visual language. The graphic black and white …


Permutation, Ryan K. Caldwell Jan 2020

Permutation, Ryan K. Caldwell

Graduate Student Theses, Dissertations, & Professional Papers

Caldwell, Ryan, M.F.A, Spring 2020 Ceramics

Abstract:

Chairperson: Trey Hill

Permutation, is an exploitation of utilitarian pottery and domesticity within the gallery setting through the use of handmade tables and cabinetry. The gallery is transformed into a more comfortable environment and exhibits a casual essence. This paper explores the thoughts, interpretations, influences, reflections, and definitions of his most recent work created for his Masters of Fine Arts Thesis Exhibition. Caldwell presents his work as an ongoing continuum of conceptual research and physical exploration of form and surface.


Fabrications, Molly V. Rivera Jan 2020

Fabrications, Molly V. Rivera

Graduate Student Theses, Dissertations, & Professional Papers

The objects that surround us tell a story of our past, and act as physical stand ins for a person, place, or experience no longer present. My work explores the significance of objects and how we use them to preserve our memories and make them tangible. Memory is ephemeral and changes over time, simultaneously growing weaker and stronger. I use clay to accentuate this relationship, visually depicting both preservation and decay.

Inspired by my personal narrative, I recreate specific objects of significance by hand. This results in subtle variations of the original, much like the changes in our memory over …


Narratives Of Place: Reasons To Look Up, Dean Justice Leeper, Dean J. Leeper Jan 2019

Narratives Of Place: Reasons To Look Up, Dean Justice Leeper, Dean J. Leeper

Graduate Student Theses, Dissertations, & Professional Papers

Narratives of Place: Reasons to Look Up, is and exploration and reflection of Dean Leeper's personal interaction and relationship to the landscape of Missoula Montana, while as a graduate student at the University of Montana. This paper explores his thoughts, definitions, influences, reflections and descriptions of his most recent work created for his Masters of Fine Art Thesis Exhibition. Leeper presents his work and ideas as a small part of a lager ongoing dialog of how humans understand ideas of place as they relate to finding a sense of self identity.


Narratives Of Place: Reasons To Look Up, Dean Justice Leeper Jan 2019

Narratives Of Place: Reasons To Look Up, Dean Justice Leeper

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.


Strange Rarities, Cori Crumrine Jan 2018

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.


The Prescribed West, Evan M. Hauser Jan 2017

The Prescribed West, Evan M. Hauser

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.


Pushzoompantilt, A Letter To Grandmother, Karl Y. Schwiesow Jan 2017

Pushzoompantilt, A Letter To Grandmother, Karl Y. Schwiesow

Graduate Student Theses, Dissertations, & Professional Papers

pushzoompantilt is an ongoing body of work that considers the relationship of handmade art objects with found and altered objects of utility and leisure. Addressed herein is an explanation of this relationship between clay form and altered objects seen through the lens of open and closed systems and fixedness.


Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard Jan 2017

Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.

The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …


Subsurface, Elizabeth J. Huhtala Jan 2016

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.