Ceramic Arts Commons^™

To Be Closer, Sarah Moschel Miller

LSU Master's Theses

to be closer explores the intersection of yearning and unease. This series of works uses the visual language of the body and its thresholds to explore how each of us builds interpersonal relationships and understandings of self. Pulling from abjection theory, the abject comes from the internal becoming external, the crossing of a bodily or personal threshold. My sculptures, vessels, and prints translate the visual language of the border of the body into a discussion of emotional ones. to be closer uses these corporeal thresholds and the language of the uncanny as vehicles to discuss the crossing of emotional …

Eat My Quartz, Neil Celani-Morrell

School of Art, Art History, and Design: Theses and Student Creative Work

Pottery has a remarkable ability to tap into the human collective experience, so it is no surprise I express my own understanding of the world by working within the boundaries of “the pot”. With the capacity to communicate conceptual meaning and to serve as objects of utility, pottery not only dances in the notorious territory between art and craft, it embodies the human spirit.

My pots are totems of my existence and this work is an authentic representation of my creative journey. They are an homage to the key influences in my life which have informed and encouraged my creativity …

Cornucopia, Patrick Hargraves

School of Art, Art History, and Design: Theses and Student Creative Work

I navigate the uncertain times we live in by creating positive, playful sculptures because focusing on joy is not only possible in times of hardship, I believe it is necessary in order to thrive. I go through life with a watchful reverence, finding beauty and hope in the abundance of life in the natural world. Using this inspiration, I reinvent and intentionally exaggerate landscapes and plant forms in clay with a freeing sense of whimsy. My fantasized pieces are an invitation to extend imagination to the joyous moments in the world around us, and to return to an innocent sense …

Entangled, Katherine Cox

School of Art, Art History, and Design: Theses and Student Creative Work

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …

The Alchemical Vessel, River Soma

MFA Statements

My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.

Tableau Vivant [Living Picture], G J Christopher Drobnock

Graduate Theses and Dissertations

With an overwhelming concern for functionality, the design world and industrial production have moved far beyond the pure necessity of the handmade object. With the paper coffee cup, disposable utility is the primary goal; afterwards the service is performed and the thing is discarded. On the other hand, the clay object can be used and reused allowing a personal relationship to form between the user and the object, the maker and the user. My work is meant to reconnect us with the haptic; the tacit knowledge of the physical. I want the user to think of a place beyond the …

Tethered, Samantha Jean Dixon

Graduate Theses and Dissertations

Tethered addresses the innate fear of forgetting where an individual's family originates, both physically and historically. Not long after discovering that part of my family was almost completely annihilated during the Holocaust, I produced Tethered as visual documentation of the long-term effects of families of survivors. The exhibition is also influenced by my grandmother's experiences as a Mauthausen concentration camp survivor and my own experiences being raised by a survivor.

The knowledge of the imminent loss of memory initiates an instinct to repetitively record and remember personal history. Numerous memories have been forcefully buried in the darkest recesses of the …

A Study Of The Bottle Configuration, William A. Tyner

All Master's Theses

It is the candidate's intention to explore the elements inherent with the bottle configuration. Singled out as most important are Form, Balance and Tension, while the bottle or closed form has been chosen due to the vastness of form possibility and over-all technical difficulty of working in that format. The study is predominantly creative, and in that vein, the candidate seeks the experience that will be gained from defining his sincere attitudes and convictions embodied in the results of the study, original ceramic art forms.