Ceramic Arts Commons^™

Divided Motherhood: Narrative Within The Domestic Vessel, Jacqueline Denaway

Masters Theses

This research explores the story of motherhood through that of art, craft, and the domestic vessel. It analyzes how the installation, Motherhood Divided, can be viewed as an exemplification of the conflicted divide inherent within contemporary motherhood. I posit this divide to be a result of the tension created between the impossibility of the current normative maternal ideal of intensive motherhood, and its contradiction to that of the private hidden realities of mothering.

The historical origin of intensive mothering is explored, along with its impact on current societal maternal standards. These concepts are juxtaposed with the art of Camille Henrot …

Material Memory, Rebecca S. Talbot

Electronic Theses and Dissertations

Material Memory is an exhibition showcasing a curated collection of ceramic and quilted sculptures and prints. With works on pedestals, suspended quilts, and framed prints, this exhibit embodies the physical and emotional landscapes of home. The use of household objects to construct the artworks conveys themes of family memories trapped in domestic clutter.

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Migdal, Ashqelon: The Ceramic Finds, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

The ceramic material presented in this report was recovered from a salvage excavation conducted to the east of the mosque in Migdal, Ashqelon. Although most of the ceramic material was dated to the late Ottoman period, Late Roman–Byzantine ceramics, a few sherds from the Crusader period and a Mamluk-period assemblage were also uncovered. The Mamluk assemblage is characterized by imported glazed bowls and locally made, handmade geometric painted vessels. The Ottoman-period material is varied and comprises ceramics imported from Turkey, Greece and Italy. Black Gaza Ware characterizes the locally produced vessels. Smoking pipes and narghile were common at the site.

Raíces Salvadoreñas, Sueños Americanos (Salvadoran Roots, American Dreams), Katherine Y. Posada

Electronic Theses, Projects, and Dissertations

Raíces Salvadoreñas, Sueños Americanos (Salvadoran Roots, American Dreams) is an interdisciplinary body of work that navigates the common threads between identity, memory, and heritage through an intimate and layered approach. Rooted in personal experience, the work is deeply informed by my identity as the daughter of Salvadoran immigrants, shaped equally by the cultural richness of El Salvador and the complexities of growing up in the United States. Through ceramics, installation, found objects, and video, I translate familial stories and cultural practices into tangible forms objects and environments that embody both vulnerability and resilience.

This work is an homage to the …

Xxx, Samuel Tucker Claxton

Theses and Dissertations

In XXX Tucker correlates the rise in online hookup apps and the fall of queer nightlife spaces to show how the internet has affected gay cruising spaces. They relate their installation-based work to the ideas of liminal spaces and Jean Baudrillard's

hyperreal. Further, they contextualize their practice within the scope of Robert Grober's work.

Strange World, Brooklin Grantz

Theses and Dissertations

My thesis work explores the intersections of masculine and feminine labors as they relate to the structure of domestic space. I utilize materials and processes akin to craft, construction and architecture, and domicile upkeep, noting what is shared between gendered and polarized fields while exploring uses of the grid in various instances as a structure to adhere to and antagonize: a binary. Highlighting the queerness and fluidity of materials and the similarities between seemingly disparate processes, I relate to the objects I make and alter through my own gender fluidity. I do not see masculinity or femininity as autonomous: the …

Love Letter, Amy S. Duval Ms

Theses and Dissertations

I applied to graduate school to reconnect with and better understand my studio practice, acquire language, and to disrupt my known ways of making. Generally speaking, I see my practice as being about being seen, and unseen, and the pain and pleasure of being perceived. I’ve learned about my ways of being in the studio. I’ve come closer to speaking honestly about my relationship with my materials, processes, tools, how I value my own labor, and how this informs my work. I am grateful for the cascade of small epiphanies that came and left me while I worked in my …

Exploring Power Dynamics In Ghana Through Ceramic Sculpture, Collins Yaw Antwi

Graduate Theses/Dissertations

The works in this thesis explore the implications of power dynamics such as inequality, power struggle, and oppression within Ghana’s society. I abstract specific elements such as coins, and especially cowry shells which honors Ghana’s past through their use as a source of currency in the colonial era and further serves as a metaphor that represents power. Platters and bowls from different cultures serve as a container for these dynamic symbols of power. By incorporating these elements in my sculptures, I bring attention to the struggle and challenges Ghanaians have experienced over the years. In other ways, I find it …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Braiding Culture Through Ceramics & Mixed Media Sculpture, Joy M. Okokon

Graduate Theses/Dissertations

Stories are embedded in each strand of Nigerian hair, serving as a bridge across generations and embodying the legacy of cultural expression. Hair-making, a skill passed down through generations in my family, began as a personal practice and has evolved into a powerful means of exploring and showcasing the cultural significance of hair braiding through creative works. The sculptures included in this thesis, Braiding Culture Through Ceramics & Mixed Media Sculpture, feature hair sculpture, afro combs, stools, adire batik made from materials such as clay, wood, glaze and cotton fabric. These materials are carefully selected for their cultural relevance and …

Wavering Masculinities, Riley Rist

All Graduate Theses, Dissertations, and Other Capstone Projects

Wavering Masculinities is a compilation of anthropological research, exploration of self-identity/belonging, and deep dive into the cultural expectations of heterosexuality (as it relates to gender expression). The works convey a physical connection to my anthropological research to produce imagery about masculine behaviors and appearances, and the deviations of those appearances and behaviors. This exhibition looks at the line between masculine and feminine expression from the male-identifying perspective to inquire about the amount of feminine traits that can be possessed until sexuality is questioned/assumed (and why does being feminine have to be a bad thing?! )

Tenaciously Curious, Joe Mark Taylor

Graduate Student Theses, Dissertations, & Professional Papers

In this thesis paper, I will outline the journey I’ve taken throughout my graduate studies at the University of Montana and how it has culminated in my thesis exhibition, Tenaciously Curious. I’ll begin with an Introduction that speaks to the importance of finding ways to connect to nature, and the benefits we gain by recognizing our bodies as extensions of the organic world.

In the following section, Influences, Theory and Lineage, I’ll explore the themes that drive my research, highlight artists who have influenced my work, and discuss why this inquiry feels vital within our contemporary moment.

In the section …

Crafting Futures: Balancing Tradition And Technology In Craft Practices, Saga Elkabbash

Theses and Dissertations

Under pressure from mass production and the decline of artisan skills, craft traditions risk becoming relics of the past. Crafting Futures challenges this by treating machines as tools of creative expression, working alongside and in harmony with traditional hand techniques. By pairing an experienced potter with a creatively deployed 3D-printer to develop a series of artifacts, this research fosters a dynamic conversation between partners. Digital fabrication can engage with, rather than replace, traditional making practices, emphasizing the role of the maker’s imagination as the site of knowledge, intuition, and improvisation. The resulting series of hybrid clay vessels reinforce not only …

A New Perspective

DePaul Magazine

The DePaul Art Museum foregrounds inclusiveness, partnership and social justice to reframe the role of cultural institutions.

Uncanny Bodies, Samantha Neu

MFA in Visual Art

In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. I delve into how the uncanny challenges traditional views and societal norms about the body. My artwork emphasizes the fluid and often unsettling experiences of physical existence, blurring the boundaries between personal and collective perceptions. Through distortions and manipulation of scale, the familiar is rendered alien in my sculptures, prints, and paintings. Through this ambiguity, I hope to offer space for the viewer to navigate their body’s emotional and physical relationship to the unknown.

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

Családi, Joelle Nagy

LSU Master's Theses

Családi (Magyar/Hungarian) adjective: related to the family; related to the home

CSALÁDI is a compendium of paintings and sculpture that narrate and itemize memories, mementos, and feelings from my childhood in relation to the home. It is an autobiographical agglomeration of objects and spaces that I am honoring and remembering through the act of creating. I am effectuating the feminine and maternal instinct of gathering and arranging my memories pertaining to personal history and inherited cultural identity through altar-making. Idiosyncratic items are collected and bound through color association and sensory memory. Constructing interior and exterior spaces of the home in …

Waste Illuminates Worlds: Printed Modular Lamp Design Based On Brick And Clay Tile, Yechen Zhu

Masters Theses

The building industry in the New England area is often in a state of entropy, with abandoned brick buildings contributing to urban decay. The recycling rate of brick and clay tile wastes generated by construction and demolition is only 12.2%, meaning the majority is sent to landfills. The expansion of landfills can lead to significant environmental and community challenges, including increased traffic from waste transport, habitat destruction, ecosystem degradation, and contributions to climate change. Specifically, the Bethlehem landfill in New Hampshire, which is planned to undergo a 5.71-acre lateral expansion through 2026, has already encountered issues such as leachate spills …

Space Between: Navigating Openness, Torie Stotz

Masters Theses

In a predominantly human-made, constructed world, I am exploring how I can manifest the natural world with a hand made screen divider system, based on form and structure, that replicates that of a work of nature, more specifically simulating dappled light. Questioning sustainability through the limitations of terracotta clay, while introducing a passive, bioclimatic design, I explore how a fragile, rounded, hollow fired system impacts its structural integrity and its ability to embed nature like qualities in modular form. Clay is brittle when thin, dry, or water absorbing material is added; it absorbs water slowly, needs to be a certain …

Entre Manos Y Barro: Innovando Con Tradición, Jose Mata

Masters Theses

"Entre Manos y Barro: Innovando con Tradicion'' (Between Hands and Clay: Traditional Innovation) dives into sustainable and ethical innovations of traditional Zapotec ceramics. It discusses how introducing thoughtfully designed tools, like a specialized caja humeda (wet box), can enhance artisans' workspaces while preserving the cultural essence of their craft. This initiative emphasizes innovations that honor traditional methods and focus on community involvement.

The thesis is grounded in the principles of ethical innovation, which emphasize respect for traditional techniques, community participation in the innovation process, and the sustainability of both the craft and the environment. These principles shape the development of …

Folding (And Unfolding): A Site-Responsive Strategy For Reusing Construction And Demolition Waste, Jennifer Ansley

Masters Theses

Discarding—in its most reductive formulation— is a sorting operation that makes distinctions between materials (as well as objects, people, communities, and landscapes) based on perceived value. In her book Waste of the World, Nicky Gregson, therefore, argues for a more careful collection-curation strategy that revalues and re-signifies “waste” to make it available for repair and reuse. Gregson, however, points to limited space and infrastructural capacity as a potential barrier to the development of new material handling strategies. My design responds by proposing a network of walls and paths that operate in each of the sites I’ve identified as an …

Strange Stranger: A Visceral Skin Glaze Exploration Into The Neurodivergent Sensory Experience, Sam J. Lucas

Ought: The Journal of Autistic Culture

Sam Lucas

Sam creates ambiguous figurative objects predominantly in clay. Her creative practice draws on her experience of being a neurodivergent woman today, by exploring aspects of her own unique neurotype.

The visceral glaze exploration pieces were the precursor to the final forms for her body of work called ‘Strange stranger’ where she is exploring the weight and awkwardness of being in the body, the pain this alienation can cause, and ironically the beauty and humour that results from this diversity.

The surfaces of the pieces were attempting to describe the interoceptive, exteroceptive and alexithymic confusion that can occur at …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Default, Noah Pica

Theses and Dissertations

“Default” explores the formation and maintenance of normalcy, uniformity, and banality in American life. Noah Pica starts with the visual language of lined paper, prefabricated objects, model-making kits, and blueprints. He reforms these structures through a sculpture practice, investigating how their design inconspicuously implements social norms.

Understanding Clay And Its Media Properties Through The Expressive Therapies Continuum, Anne Geisz

Art Therapy Counseling Final Research Projects

For centuries, clay has been used by civilizations to hold food, memories, and records of history. To this day, it is used by engineers, hobbyists, artists, art therapists and many more. This art based, heuristic study explores clay through the researcher’s ongoing practice with the material, within the framework of the Expressive Therapies Continuum (ETC) and examines how its unique media properties make it such a versatile material for both ceramic artists and art therapists. Results exhibit these unique media properties and clay’s ability to reach all levels of the ETC through collected data of images, journals, critiques, and notes. …

To Excavate An Absence, Margaret Compton

Graduate Theses

This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …

El Otro Cielo, Ana Buitrago

Graduate Theses and Dissertations

El Otro Cielo is an exhibition that mixes family items with personal creations, symbolizing the balance between evolving and staying connected to your roots. The work is about embracing change while remembering where you come from. This exhibition explores the stages to find one's true self while adapting to new cultures and changing over time. This installation delves into the complexities of cultural identity, memory, and the human experience. The space invites viewers to contemplate their own relationships with place, nostalgia, and the ongoing process of self-discovery.

Squaring The Circle, Carter Pasma

All Graduate Reports and Creative Projects, Fall 2023 to Present

“Squaring the circle” is often used as a metaphor for trying to do the impossible. In many ways, this relates directly to my life and the path I have chosen as a ceramic artist. Living in a world of mass production, people often overlook and under appreciate handmade objects. The pots I create are designed to make the person using them notice and appreciate the thoughtfulness of something handmade.

It is comforting to make objects that will ultimately be used to enhance someone’s daily routine. Reflecting on this as a ceramic artist is what drives me to create pots that …